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Media Sosial dan Aplikasi Kecerdasan Buatan Dalam Preferensi dan Partisipasi Pemilih Di Pemilihan Umum Nunik Hariyani; Alfiana Yuniar Rahmawati
INTELEKTUAL ( E-Journal Administrasi Publik dan Ilmu Komunikasi ) Vol 11 No 2 (2024): Jurnal Intelektual: Administrasi Publik dan Ilmu Komunikasi
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Bhayangkara Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55499/intelektual.v11i02.1210

Abstract

The advancement of internet-based information technology has made online social networks essential for general elections. Social media plays a positive role by increasing voter participation in politics. This study aims to analyze voter preferences regarding the use of social media during elections and to examine how artificial intelligence applications can be employed to engage voters. The research involves conducting surveys and performing system analyses. The results indicate that social media influences 59.3% of voters, establishing it as the primary platform for political information and communication. Artificial intelligence-based applications are designed to attract young voters through innovative interactions and personalized experiences. These applications can serve as effective modern campaign tools to reach a broader audience of voters
Analisis Semiotika Makna Cinta dalam Lagu "Sudden Shower" di Drama Korea Lovely Runner Kusuma, Gita Dwi Rahayu; Hariyani, Nunik; Hasan, Fikri
Al-Ittishol: Jurnal Komunikasi dan Penyiaran Islam Vol. 6 No. 1 (2025): Al-Ittishol: Jurnal Komunikasi dan Penyiaran Islam
Publisher : Prodi Komunikasi dan Penyiaran Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51339/ittishol.v6i1.3581

Abstract

Musik merupakan bentuk ekspresi seni yang memiliki peran penting dalam kehidupan manusia, berfungsi sebagai media komunikasi dan penyampaian emosi. Lirik lagu, khususnya, menjadi narasi yang merepresentasikan berbagai aspek pengalaman manusia, termasuk cinta. Penelitian ini menganalisis representasi makna cinta dalam lirik lagu "Sudden Shower", yang dibawakan oleh band fiksi Eclipse dalam drama Korea Lovely Runner, dengan menggunakan pendekatan semiotika Ferdinand de Saussure.Penelitian ini menggunakan metode deskriptif kualitatif dengan fokus pada analisis tanda linguistik dalam lirik lagu. Dengan mengidentifikasi hubungan antara penanda (signifier) dan petanda (signified), penelitian ini bertujuan mengungkap makna mendalam yang terkandung dalam lagu tersebut. Hasil penelitian menunjukkan bahwa "Sudden Shower" merepresentasikan cinta sebagai perasaan yang bertahan lama, ditandai dengan kesetiaan, kesabaran, dan pengorbanan. Liriknya menggambarkan kerinduan yang mendalam serta komitmen untuk menunggu seseorang yang dicintai, meskipun dalam jangka waktu yang panjang. Penggunaan ungkapan metaforis dalam lirik semakin menegaskan bobot emosional cinta, dengan menampilkan tema keteguhan dan takdir.Penelitian ini berkontribusi dalam diskusi lebih luas mengenai bagaimana musik dan lirik lagu menjadi ekspresi budaya dan emosional yang membentuk persepsi tentang cinta dan hubungan. Temuan ini memberikan wawasan tentang peran analisis semiotika dalam memahami makna yang lebih dalam dalam lirik lagu. Selain itu, penelitian ini dapat menjadi referensi bagi studi selanjutnya di bidang komunikasi, sastra, dan musik, khususnya yang mengeksplorasi hubungan antara bahasa, makna, dan ekspresi emosional dalam media kontemporer.
Representasi Ridwan Kamil dan Pramono Anung Pada Karikatur Sampul Majalah Tempo Edisi 16 – 22 September 2024 Renati, Nadia; Hariyani, Nunik; Hasan, Fikri
Jurnal Pendidikan Tambusai Vol. 9 No. 1 (2025)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v9i1.25419

Abstract

Penelitian ini menganalisis representasi visual Ridwan Kamil dan Pramono Anung pada sampul majalah Tempo edisi 16 – 22 September 2024 melalui pendekatan semiotika Charles Sanders Peirce, teori representasi Stuart Hall, dan Framing Robert N. Entman. Sampul ini memvisualisasikan karikatur pada dinamika politik Pemilihan Gubernur Jakarta 2024 dengan simbolisme yang kuat, mencakup gesture, ekspresi wajah, dan elemen visual lainnya. Pendekatan “Triangle of Meaning” Peirce digunakan untuk mengungkap hubungan antara tanda, objek, dan interpretasi yang terkandung dalam karikatur sampul majalah Tempo. Sementara, teori Stuart Hall menyoroti bagaimana media massa membentuk makna sosial melalui representasi. Pendekatan Framing Entman digunakan untuk mengidentifikasi bingkai naratif media dalam pendefinisian masalah, penelusuran penyebab, penilaian moral, dan rekomendasi penyelesaian. Hasil penelitian ini menunjukkan bagaimana media massa khususnya Tempo, memanfaatkan visualisasi sebagai alat komunikasi politik yang kritis dan efektif. Kajian ini diharapkan dapat memperkaya diskusi akademis tentang semiotika visual, Framing media, dan konstruksi representasi tokoh politik dalam konteks komunikasi massa.
KONVERGENSI MEDIA LEMBAGA PENYIARAN PUBLIK: STUDI DESKRIFTIP PADA RRI PRO 2 MADIUN Rahman, Fathur; Haryani, Nunik; Sejati, Veny Ari
Innovative: Journal Of Social Science Research Vol. 5 No. 4 (2025): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v5i4.20555

Abstract

This research aims to determine the application of media convergence by RRI Pro 2 Madiun in maintaining its existence in the digital era. The method used is qualitative descriptive with the main theories of Henry Jenkins, Terry Flew, and August Grant and Jeffrey Wilkinson. Data was collected through in-depth interviews, observations, and documentation of the institution's digital activities. The results of the study show that RRI Pro 2 has implemented economic, social, technological, cultural, and global convergence. This strategy can be seen in the integration of newsrooms, the use of platforms such as RRI Digital, YouTube, and Instagram, as well as cross-division collaboration. Key challenges include limited human resources, technological tools, and resistance to the old work culture. However, the opportunity to reach young audiences and expand public services is a key driver of digital transformation. This research is expected to contribute to the study of media communication and public broadcasting practices.
Social Media Activity And Trust In Digital Vs. Traditional News: A Quantitative Analysis Nunik Hariyani; Jayadi Jayadi; Azizah Choirunisa Azzahra
INJECT (Interdisciplinary Journal of Communication) Vol. 10 No. 1 (2025)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v10i1.4380

Abstract

This study aims to analyze the relationship between social media activity and the level of trust in digital news, both disseminated through social media and traditional media. With a quantitative approach and explanatory design, data were collected through a survey of 300 social media active respondents in Indonesia and analyzed using the Pearson correlation test and simple linear regression. Results showed a positive and significant relationship between social media activity and trust in news on social media (r = 0.478; β = 0.472; R² = 0.229), but there was no significant association with trust in news in traditional media (r = –0.108; β = –0.094; R² = 0.011). These findings suggest that nearly a quarter of the variation in trust in digital news can be explained by the intensity of users' social activity in digital media, with trust mechanisms driven more by algorithmic exposure, social validation, and echo chamber effects than institutional credibility. This study confirms and contextualizes the media trust model and agenda-setting theory in Indonesia's digital environment, especially considering that 91% of respondents stated that they first encountered news through social media. This study recommends strengthening digital literacy based on social interaction and developing news distribution strategies adaptive to people's digital trust patterns.
Framing Analysis of the News on Alleged Corruption of Madiun Mayor Maidi in the Online Media Kompas.com and Sinergia Mediatama Muhammad Chandra Irawan; Nunik Hariyani; Fikri Hasan
EDUJAVARE: International Journal of Educational Research Vol. 4 No. 01 (2026): EDUJAVARE: International Journal of Educational Research
Publisher : CV. Edujavare Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70610/edujavare.1412

Abstract

The Corruption Eradication Commission (KPK) arrested Maidi in an operation related to alleged project fee collection and misappropriation of Corporate Social Responsibility (CSR) funds. This study aims to comparatively analyze the framing of news coverage regarding the alleged corruption against Madiun Mayor Maidi in the online media Kompas.com and Sinergia Mediatama during January 2026. This study uses a qualitative descriptive-comparative approach using Robert N. Entman's (1993) framing analysis model, which consists of four elements: defining the problem, diagnosing the cause, making a moral judgment, and recommending a response. Data consisting of 20 news articles were collected through digital documentation and purposive sampling techniques, then analyzed using a framing coding instrument. The findings of this study indicate that Kompas.com constructed its coverage with a legalistic-structural framework: defining the case as systematic corruption, providing explicit personal causal attributions to Maidi, presenting condemnatory moral judgments, and recommending strict formal law enforcement. In contrast, Sinergia Mediatama developed a contextual-humanistic framework: defining the case through a local impact perspective, being more cautious in causal attribution, acknowledging Maidi's developmental contributions, and emphasizing the sustainability of local public services. These differences in framework reflect the influence of each media outlet's editorial position, geographic proximity, and audience orientation in constructing the reality of coverage of legal cases involving local officials.
The Meaning of Justice from a Mass Communication Perspective in the Film Keadilan (2025) Bintang Alfu Nugraha; Nunik Hariyani; Fikri hasan
International Journal of Science and Environment (IJSE) Vol. 6 No. 2 (2026): May 2026
Publisher : CV. Inara in Colaboration with www.stie-sampit.ac.id

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51601/ijse.v6i2.634

Abstract

This study examines the meaning of justice constructed in the film Keadilan (The Verdict, 2025) directed by Lee Chang-hee and Yusron Fuadi through a mass communication perspective using Stuart Hall's encoding/decoding theory. This Indonesian–South Korean collaboration consistently raises critiques of the legal system, class-based impunity, and institutional failures of the judiciary. The study employs a qualitative-interpretive textual analysis method. The analysis reveals that the film encodes three layered dimensions of justice: (1) procedural justice as an object of critique, where formal legal systems are portrayed as mechanisms vulnerable to manipulation by power and capital; (2) distributive justice as an ideological substructure affirming that access to legal protection follows lines of socioeconomic inequality; and (3) restorative justice as deliberate ambiguity, inviting audiences to reflect on the boundary between justice and revenge. Through narrative, character construction, mise-en-scène, cinematography, and dialogue, the film positions itself in an encoding stance of strategic subversive complicity using popular genre forms as vehicles for substantial social critique. These findings affirm the relevance of Hall's theory in dissecting film texts as arenas of ideological meaning contestation, particularly within the context of legal and justice representation in Indonesia.
Agenda-Setting Theory in Megathrust Disaster Communication: A Content Analysis of Coverage in Kompas.com Nunik Hariyani; Alfiana Yuniar Rahmawati; Azizah Choirunisa Azzahra
Mediakita Vol. 10 No. 2 (2026): Jurnal Mediakita : Jurnal Komunikasi dan Penyiaran Islam
Publisher : Fakultas Usluhuddin dan Dakwah UIN Syekh Wasil Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30762/mediakita.v10i2.2755

Abstract

This study analyzes how online media frames disaster issues through an agenda-setting theory approach, with a particular focus on identifying agenda elements, strengths, and weaknesses in messages related to the megathrust threat in Indonesia. Using qualitative content analysis, this study examined 24 articles published on the Kompas.com news portal between August 12 and 30, 2024. The findings show that Kompas.com consistently prioritized the megathrust issue, emphasizing threats in specific regions, such as the Sunda Strait and southern Java. The outlet successfully constructed a preparedness narrative by highlighting concrete mitigation measures, including the use of disaster preparedness bags and early warning systems. However, the analysis reveals weaknesses in the use of complex technical language and a tendency toward sensational framing that risks triggering excessive public anxiety without adequate mitigation counterbalance. Coverage was dominated by institutional actors (BMKG and BNPB), with active, independent community participation underemphasized. Theoretically, this research reinforces the agenda-setting mechanism, demonstrating that online media strongly tend to frame disaster issues through educational and preparedness narratives. In practice, it recommends that media balance urgency reporting with accessible, practical solutions to minimize negative psychological impacts on the public.
Feminisme dalam Film The Dictator (2012) Analisis Semiotika Roland Barthes Farhan Nur Fauzan; Nunik Hariyani; Zulin Nurchayati
Social Science Academic Vol. 4 No. 1 (2026)
Publisher : Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/ssa.9665

Abstract

Penelitian ini bertujuan untuk mengetahui representasi feminisme dalam film The Dictator (2012) melalui karakter Zoey menggunakan analisis semiotika Roland Barthes. Metode penelitian yang digunakan adalah kualitatif deskriptif dengan menganalisis beberapa scene yang mengandung pesan mengenai feminisme dan kesetaraan gender. Analisis dilakukan melalui makna denotasi, konotasi, dan mitos untuk melihat bagaimana tanda, dialog, dan visual dalam film membangun makna feminisme. Hasil penelitian menunjukkan bahwa karakter Zoey merepresentasikan feminisme liberal melalui sikap mandiri, kebebasan berpendapat, keberanian menolak penindasan, serta kesetaraan perempuan dalam ruang sosial dan politik. Namun, film juga menampilkan dominasi patriarki melalui objektifikasi perempuan dan normalisasi pelecehan verbal yang dikemas dalam bentuk komedi satir. Dengan demikian, representasi feminisme dalam film The Dictator (2012) ditampilkan secara ambigu, yaitu sebagai simbol kebebasan dan kesetaraan perempuan, tetapi sekaligus menjadi objek humor yang mereproduksi stereotip gender dalam budaya populer.
Representasi Identitas Komunitas Pada Fans Sepak Bola Madiun Putra Rizhal Putra Pratama; Nunik Hariyani; Fikri Hasan
PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora Vol. 4 No. 3 (2026): PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora
Publisher : Lembaga Penelitian dan Pendidikan (LPP) Kalibra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70716/perseptif.v4i3.598

Abstract

This study examines the construction and representation of social identity within two football supporter communities The Mad Mania (TMM) and Great Bull Boys (GBB) as supporters of Madiun Putra football club. Employing a qualitative approach through case study method, data were collected via in-depth interviews with four key informants in 2026. Analysis was conducted using four complementary theoretical frameworks: Tajfel and Turner’s Social Identity Theory (1979), Barthes’ Semiotics (1957), Stuart Hall’s Theory of Representation (1997), and Goffman’s Dramaturgy (1959). Findings reveal that identity in both communities is constructed through three dimensions: social categorization rooted in local and historical values, positive distinctiveness derived from each community’s unique characteristics, and individual identity transformation through membership. Community symbols operate across three semiotic layers denotation, connotation, and myth with the myth of loyalty serving as the most stable value. In the digital context, both communities simultaneously manage two stages (physical and virtual) through fully conscious impression management strategies. The anthem ritual ‘Sang Pahlawan’ proves to be the most powerful mechanism for reproducing collective identity, uniting all elements of Madiun Putra supporters beyond sub-community boundaries. These findings contribute theoretically to the development of multi-theoretical social identity studies in mid-sized-city sporting communities, while offering practical value for club management and supporter communities in leveraging collective rituals to strengthen solidarity and loyalty.