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All Journal JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Ganaya: Jurnal Ilmu Sosial dan Humaniora International Journal of Interreligious and Intercultural Studies JURNAL PENDIDIKAN TAMBUSAI Sorai: Jurnal Pengkajian dan Penciptaan Musik International Journal of Cultural and Art Studies (IJCAS) Jurnal Pengabdian kepada Masyarakat Jurnal Pendidikan dan Penciptaan Seni Journal of Social Research
Sebayang, Vanesia Amelia
Universitas Sumatera Utara
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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SWOT Analysis of Classic Vocal Learning at The Medan Flow Music Course Institution Riau Wika; Vanesia Amelia Sebayang; Muhizar Muchtar
Journal of Social Research Vol. 3 No. 1 (2023): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i1.1670

Abstract

Classical vocals still have a special place in the hearts of music fans despite the complexity of learning them. The presence of music course institutions has an important role in shaping students to become skilled in the field of classical vocals. Based on this, this research aims to determine classical vocal learning strategies at the Flow Music course institution. The theories used in this research are SWOT analysis theory, learning methods, and classical vocals. The data sources in this research consist of primary sources, namely classical vocal instructors and students, while secondary sources consist of information obtained by other people or other sources previously. The data collection techniques used in the research were observation, interviews, and documentation. The research results show that the classical vocal learning strategy at the Flow Music course institution was identified from internal strengths and weaknesses as well as external opportunities and threats with the strategy results being: 1) Increasing collaboration with schools, arts institutions, and local churches to increase visibility and attract more many students; 2) Applying distance learning technology to reach students from various locations; 3) Conduct active recruitment to address the shortage of instructor quantity; 4) Establish partnerships with related music institutions in more strategic locations; 5) Increase online marketing efforts; 6) Manage finances wisely to overcome the threat of unstable economic conditions; 7) Organizing local music events and competitions involving the participation of students and the general public; 8) Improving service quality through music workshops and collaboration with the local music industry.
Teknik Pembuatan Sarune Silahisabungan oleh Hery Sipangkar Arisando Silitonga; Torang Naiborhu; Vanesia Amelia Sebayang
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.985

Abstract

Penelitian ini bertujuan untuk mendeskripsikan teknik pembuatan Sarune Silahisabungan oleh Hery Sipangkar serta menganalisis fungsi musikalnya dalam konteks budaya masyarakat Silahisabungan. Metode yang digunakan adalah deskriptif kualitatif melalui observasi langsung, wawancara mendalam, dan dokumentasi, dengan Hery Sipangkar sebagai narasumber utama sekaligus pengrajin instrumen. Hasil penelitian menunjukkan bahwa proses pembuatan Sarune Silahisabungan dilakukan secara teliti melalui beberapa tahap, meliputi pemilihan bahan utama berupa kayu jior, tanduk kerbau, tempurung kelapa, kuningan, dan alumunium. Selanjutnya, bahan-bahan tersebut dikonstruksi menjadi bagian-bagian utama instrumen seperti ipit-ipit, uttam-uttam, tukko, porda, dan angar-angar sebelum melalui proses pelarasan. Dari segi fungsi, Sarune Silahisabungan memiliki peran penting dalam ensambel Gondang Sitolupulutolu yang digunakan pada berbagai upacara adat. Instrumen ini tidak hanya berfungsi sebagai pengiring musik, tetapi juga sebagai sar
Penggunaan Alat Musik Tambua pada Acara Baralek di Hamparan Perak, Deli Serdang Piere Steven Randall Sitepu; Rithaony Hutajulu; Vanesia Amelia Sebayang
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.1075

Abstract

This research discusses the use of the Tambua musical instrument in the Baralek ceremony (Minangkabau traditional wedding) held in Hamparan Perak, Deli Serdang. The study focuses on the presentation form, function, and symbolic meaning of the Tambua music within the context of the ritual. The approach used is qualitative descriptive ethnomusicology, with data collection through observation, in-depth interviews, and documentation. The key informants are members of Sanggar Tuah Sakato Medan, who are actively preserving Minangkabau musical practices in the migrant area (perantauan). The results show that the Tambua is presented as an ensemble (along with Tansa, Gandang, Talempong, and Bansi), with a dynamic musical structure that is integrated with every stage of the Baralek procession. The Tambua plays a role as the accompaniment for the traditional procession, a builder of the sacred atmosphere, and a medium for symbolic communication. The embedded symbolic meanings reflect core Minangkabau cultural values, such as mutual cooperation (gotong royong) and kinship ties. It can be concluded that the use of the Tambua in Baralek not only functions as an artistic expression but is also a marker of cultural identity as well as a vital medium for the preservation of Minangkabau tradition in the migrant land.
The Musical Form of the Gondang Borogong Ensemble among the Malay Community in Tangun Village, Rokan Hulu Regency, Riau Regina Lastiarma Br Sinaga; Rithaony Hutajulu; Vanesia Amelia Sebayang
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research focuses on the musical form of the Gondang Borogong ensemble within the Malay community of Tangun Village, Bangun Purba District, Rokan Hulu Regency, Riau Province. The purpose of this study is to describe the musical form of Gondang Borogong. The method used in this study is a qualitative-ethnographic method to examine the musical form of the Gondang Borogong ensemble within the Malay community of Tangun Village. The ethnographic approach allows for a holistic understanding of the musical structure, social function, and cultural significance of this music. The Gondang Borogong ensemble consists of several main instruments: gongs, calempongs, and drums. In its presentation, this art is generally performed at joyful events such as thanksgiving, weddings, and welcoming important guests, which are usually accompanied by martial arts (silek) performances. The repertoire commonly performed by this ensemble includes Sasatu, Duo-duo, Tigo-tigo, Kukubiek, Tulak Serantau, Orang Kayo Belimau, and Taktuntun.
Co-Authors Agus Priyatno, Agus Amelia, Putri Chairina Arisando Silitonga Diaspita Erikson Saragih Fadlin Fadlin Hennywaty, Yusnizar Heristina Dewi, Heristina Hutajulu, Rithaony Lestari Dara Cinta Utami Ginting Lila Pelita Hati Manalu, Widiarso Pria Hasoloan Muhizar Muchtar Panji Suroso Pasaribu, Kevin Leonardo Piere Steven Randall Sitepu Pulumun Peterus Ginting Purba, Junaidi Regina Lastiarma Br Sinaga Riau Wika Ridho, Muhammad Habibur Situmeang, Kasri Situmorang, Syaraya Hartika Surbakti, Asmyta Torang Naiborhu