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All Journal JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Ganaya: Jurnal Ilmu Sosial dan Humaniora International Journal of Interreligious and Intercultural Studies JURNAL PENDIDIKAN TAMBUSAI Sorai: Jurnal Pengkajian dan Penciptaan Musik International Journal of Cultural and Art Studies (IJCAS) Jurnal Pengabdian kepada Masyarakat Jurnal Pendidikan dan Penciptaan Seni Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) Journal of Social Research
Sebayang, Vanesia Amelia
Universitas Sumatera Utara
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Teknik Pembuatan Sarune Silahisabungan oleh Hery Sipangkar Arisando Silitonga; Torang Naiborhu; Vanesia Amelia Sebayang
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.985

Abstract

Penelitian ini bertujuan untuk mendeskripsikan teknik pembuatan Sarune Silahisabungan oleh Hery Sipangkar serta menganalisis fungsi musikalnya dalam konteks budaya masyarakat Silahisabungan. Metode yang digunakan adalah deskriptif kualitatif melalui observasi langsung, wawancara mendalam, dan dokumentasi, dengan Hery Sipangkar sebagai narasumber utama sekaligus pengrajin instrumen. Hasil penelitian menunjukkan bahwa proses pembuatan Sarune Silahisabungan dilakukan secara teliti melalui beberapa tahap, meliputi pemilihan bahan utama berupa kayu jior, tanduk kerbau, tempurung kelapa, kuningan, dan alumunium. Selanjutnya, bahan-bahan tersebut dikonstruksi menjadi bagian-bagian utama instrumen seperti ipit-ipit, uttam-uttam, tukko, porda, dan angar-angar sebelum melalui proses pelarasan. Dari segi fungsi, Sarune Silahisabungan memiliki peran penting dalam ensambel Gondang Sitolupulutolu yang digunakan pada berbagai upacara adat. Instrumen ini tidak hanya berfungsi sebagai pengiring musik, tetapi juga sebagai sar
Penggunaan Alat Musik Tambua pada Acara Baralek di Hamparan Perak, Deli Serdang Piere Steven Randall Sitepu; Rithaony Hutajulu; Vanesia Amelia Sebayang
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.1075

Abstract

This research discusses the use of the Tambua musical instrument in the Baralek ceremony (Minangkabau traditional wedding) held in Hamparan Perak, Deli Serdang. The study focuses on the presentation form, function, and symbolic meaning of the Tambua music within the context of the ritual. The approach used is qualitative descriptive ethnomusicology, with data collection through observation, in-depth interviews, and documentation. The key informants are members of Sanggar Tuah Sakato Medan, who are actively preserving Minangkabau musical practices in the migrant area (perantauan). The results show that the Tambua is presented as an ensemble (along with Tansa, Gandang, Talempong, and Bansi), with a dynamic musical structure that is integrated with every stage of the Baralek procession. The Tambua plays a role as the accompaniment for the traditional procession, a builder of the sacred atmosphere, and a medium for symbolic communication. The embedded symbolic meanings reflect core Minangkabau cultural values, such as mutual cooperation (gotong royong) and kinship ties. It can be concluded that the use of the Tambua in Baralek not only functions as an artistic expression but is also a marker of cultural identity as well as a vital medium for the preservation of Minangkabau tradition in the migrant land.
The Musical Form of the Gondang Borogong Ensemble among the Malay Community in Tangun Village, Rokan Hulu Regency, Riau Regina Lastiarma Br Sinaga; Rithaony Hutajulu; Vanesia Amelia Sebayang
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research focuses on the musical form of the Gondang Borogong ensemble within the Malay community of Tangun Village, Bangun Purba District, Rokan Hulu Regency, Riau Province. The purpose of this study is to describe the musical form of Gondang Borogong. The method used in this study is a qualitative-ethnographic method to examine the musical form of the Gondang Borogong ensemble within the Malay community of Tangun Village. The ethnographic approach allows for a holistic understanding of the musical structure, social function, and cultural significance of this music. The Gondang Borogong ensemble consists of several main instruments: gongs, calempongs, and drums. In its presentation, this art is generally performed at joyful events such as thanksgiving, weddings, and welcoming important guests, which are usually accompanied by martial arts (silek) performances. The repertoire commonly performed by this ensemble includes Sasatu, Duo-duo, Tigo-tigo, Kukubiek, Tulak Serantau, Orang Kayo Belimau, and Taktuntun.
THE SINGING CHURCH: AN ANALYSIS OF VOCAL DEVIATIONS IN CONGREGATIONAL SINGING - A STUDY OF HKBP CONGREGATIONAL SINGING TECHNIQUES Ruth Melody Misbow Siallagan; Mauly Purba; Vanesia Amelia Sebayang; Junita Batubara
Multidiciplinary Output Research For Actual and International Issue (MORFAI) Vol. 6 No. 2 (2026): Multidiciplinary Output Research For Actual and International Issue
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.19343774

Abstract

This study aims to analyze the policies of the Huria Kristen Batak Protestan (HKBP) Church regarding congregational singing practices during Sunday worship and to evaluate their implementation in order to identify an ideal model for improving the quality of congregational singing techniques. The primary issue addressed in this research is the prevalence of technical errors in congregational singing, such as inaccurate rhythm, poor intonation, unclear articulation, and uncontrolled vocal dynamics. These errors tend to occur repeatedly and systematically, which is suspected to be the result of oral tradition transmission without structured musical training. The research employs a descriptive qualitative method using a case study approach conducted in three HKBP church regions in North Sumatra: Tarutung, Pematangsiantar, and Medan. Data collection techniques include observation, in-depth interviews, and documentation. The findings indicate that although the HKBP possesses a rich legacy of church music, the implementation of policies related to congregational singing training remains uneven and lacks structure. Vocal technique training has not yet become an integral part of church programs, and congregational singing ability is largely shaped by worship habits without adequate pedagogical intervention. Oral tradition plays a significant role but is not sufficiently supported by formal musical approaches. Based on these findings, this study proposes an ideal model for developing congregational singing techniques that incorporates theological, musical, and inculturative aspects—taking into account the characteristics of Batak music and Christian spiritual values. This research is expected to make a meaningful contribution to enhancing the quality of worship in the HKBP context, particularly in the area of congregational singing as an expression of faith and a vital element of liturgy.
Co-Authors Agus Priyatno, Agus Amelia, Putri Chairina Arisando Silitonga Diaspita Erikson Saragih Fadlin Fadlin Hennywaty, Yusnizar Heristina Dewi, Heristina Hutajulu, Rithaony Junita Batubara Lestari Dara Cinta Utami Ginting Lila Pelita Hati Manalu, Widiarso Pria Hasoloan Mauly Purba Muhizar Muchtar Panji Suroso Pasaribu, Kevin Leonardo Piere Steven Randall Sitepu Pulumun Peterus Ginting Purba, Junaidi Regina Lastiarma Br Sinaga Riau Wika Ruth Melody Misbow Siallagan Situmeang, Kasri Situmorang, Syaraya Hartika Surbakti, Asmyta Torang Naiborhu