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All Journal JOURNAL OF EDUCATION SCIENCE Teras Jurnal Jurnal Pengabdian kepada Masyarakat Nusantara Arsitekno ETNIK : Jurnal Ekonomi dan Teknik Mejuajua JITU (Jurnal Ilmiah Teknik Unida) Rumoh: Journal of Architecture Electronic Journal of Education, Social Economics and Technology Jurnal RAUT Jurnal Arsitektur ARCADE Jurnal Pengabdian Masyarakat Madani
Dafrina, Armelia
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Journal : ETNIK : Jurnal Ekonomi dan Teknik

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Akulturasi Arsitektur Cina dan Melayu pada Istana Niat Lima Laras Sumatera Utara Meylani, Ade; Dafrina, Armelia; Saputra, Eri
Jurnal Etnik: Ekonomi-Teknik Vol 2 No 10 (2023): ETNIK : Jurnal Ekonomi dan Teknik
Publisher : Rifa'Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54543/etnik.v2i10.250

Abstract

Niat Lima Laras palace is a relic of the Lima Laras Sultanate in North Sumatra. Niat Lima Laras Palace was founded by Datuk Mad yudha, who was the eleventh king of the Lima Laras Kingdom. The palace was built in 1907 until its completion in 1912. Formerly the palace was inhabited by Datuk mad yudha and his family as a residence as well as a center of political, social and economic power for the Lima Laras community. But now the palace is left empty and used as a historical tourist attraction. In the Palace building, there has been architectural acculturation because the construction of the palace involved Chinese groups who had settled in the Lima Laras and the surrounding Lima Laras community as building coolies. This study aims to determine the influence of acculturation of Chinese and Malay architecture applied to the building of Niat Lima Laras Palace. The method used is a descriptive-qualitative method. Analyzing the data descriptively is by analyzing theories related to the architectural characteristics of Niat Lima Laras Palace, then comparing these theories to this Palace, in order to draw conclusions. The results of the analysis showed that the building acculturated Chinese and Malay architecture. The dominant palace applies acculturation of Malay architecture such as stage-shaped palaces, installation of walls, floors, the shape of doors and windows and their colors and ornaments. There is also the application of Chinese architectural acculturation such as the main concept of symmetrical palaces, roof shapes, materials used, colors and ornaments.
Identifikasi Arsitektur Kolonial Pada Bangunan Peninggalan Belanda Di Kabupaten Bireuen (Pendopo Bireuen, Balai Desa Kecamatan Gandapura Dan Rumah Uleebalang Peusangan) Riskia, Rina; Dafrina, Armelia; Olivia, Sisca
Jurnal Etnik: Ekonomi-Teknik Vol 2 No 10 (2023): ETNIK : Jurnal Ekonomi dan Teknik
Publisher : Rifa'Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54543/etnik.v2i10.252

Abstract

Colonial architecture is architecture that emerged when Indonesia was colonized by the Dutch. Colonial architecture is more prominent than the Dutch architectural style because the Netherlands was the country that colonized Indonesia the longest, so the Dutch government had time to build several buildings in a typical Dutch style, especially government buildings. Bireuen became one of the areas controlled by the Dutch, where the Dutch had built several buildings in a typical Dutch style, especially government buildings. This study aims to identify and examine the characteristics of Dutch colonial architecture in Dutch heritage buildings in Bireuen Regency. This research is also expected to strengthen the identity of Bireuen Regency as one of the regencies in the Indonesian region which is rich in historical value and can become a learning medium for present and future generations.The results of the analysis show that the three research objects have the characteristics of Dutch colonial architecture in accordance with the construction period of the three buildings used as the research object. There are eight characteristics of colonial architecture that exist in the Bireuen Pendopo building, namely geveltoppen, cripedoma, entrance with two doors, symmetrical facade, wooden framed windows, wood wall materials, metal material decoration, and decoration on the body of the building. In the Gandapura Village Hall building there are seven characteristics of colonial architecture namely gevel, geveltoppen, cripedoman, entrance with two doors, symmetrical facade, wooden framed windows, wood wall materials. Whereas in the Uleebalang Peusangan house there is a cripedoman, an entrance with two doors, a symmetrical facade, windows with wooden frames.
Co-Authors A, Hendra Abadi, Firda Alashri, Haris Amalia, Ulfa Dwi Andrani, Dela Andriani, Dela Angga Pratama Ardian, Hanan Doni Ardyan, Muhammad Bakhtiar Bakhtiar Eri Saputra Fadzri, Raihan Fahrizal, Effan Fidyati, Fidyati Fithri, Cut Azmah Gani, Subhan A. Hassan, Soraya Masthura Hidayah, Irna Nurul Khairani Sofyani, Diana Mahira, Ulfa Meylani, Ade Mirsa, Rinaldi Muliana, Erna Muthmainah Muthmainah MUTHMAINNAH Nanda, Syarifa Asria Nova Purnama Lisa Novianti, Yenny Olivia, Sisca Riskia, Rina Safitri, Nurliana Santriana, Susi Saptari, Mochamad Ari Setiawan, Rizky Sitti Nurfebruary , Nanda Sofyan, Diana Khairani Surbakti, Ernawati Br. Susilo, Anita Syahputra, Agung Wilis, Ruhalena Yeni, Novita Indra Zahara, Aulia