Article Per Year (5 Year)
p-Index From 2020 - 2025
1.203
P-Index
This Author published in this journals
All Journal Pangkaja: Jurnal Agama Hindu Pangkaja: Jurnal Agama Hindu
Sena, I Gusti Made Widya
Unknown Affiliation
Religion Humanities Education Social Sciences

Published : 6 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 6 Documents
Search

 1 
KONSEP VIRAT VIDYÄ€ DALAM TEKS TUTUR BHUWANA MAREKA Adnyana, Ida Bagus Putu; Redi, I Wayan; Sena, I Gusti Made Widya
PANGKAJA: JURNAL AGAMA HINDU Vol 24, No 2 (2021)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Teks Tutur Bhuwana Mareka merupakan teks lontar yang bernuansa Siwaistik dan kental akan ajaran Tattwa. Pemilihan teks ini sebagai objek kajian penelitian didasarkan pada kenyataan bahwa teks ini memuat ajaran Virat Vidyā atau Kosmologi Hindu. Rumusan masalah yang dikemukakan dalam penelitian ini berkaitan dengan konsep Virat Vidyā yang terdapat dalam teks Tutur Bhuwana Mareka yang terdiri dari tiga konsep pembahasan yaitu proses penciptaan (uttpti), pemeliharaan (stiti), dan peleburan (pralina). Proses penciptaan (uttpti) alam semesta dalam teks Tutur Bhuwana Mareka berawal dalam keadaan alam semesta yang sangat sunyi dan hampa, tidak ada satu ciptaan pun yang tampak oleh mata, yang ada hanyalah alam sunyi yang disebut hning sunya nirbhana. Intisari atau esensi dari hning sunya nirbhana ini adalah Sang Hyang Nora. Setelah Sang Hyang Nora hadir maka mulailah transformasi atau evolusi penciptaan alam semesta. Dari Sang Hyang Nora lahir Sang Hyang Mareka Jati sebagai entitas tertinggi yang menjadi cikal-bakal terjadinya penciptaan alam semesta melalui evolusi yoga-Nya. Kemudian terjadilah proses pemeliharaan (stiti) alam semesta yang berlandaskan pada konsep dasar Tri Sakti yang meliputi pikiran (idep), nafas (bayu) dan suara (sabda). Serta yang terakhir adalah proses peleburan (pralina) alam semesta yang menganut konsep Śiwa Lingga. Konsep ini menghendaki adanya proses penciptaan alam semesta yang dilakukan oleh Sang Hyang Mareka Jati, pada hakikatnya akan kembali lagi kepada Beliau sebagai entitas tertinggi yang menciptakan alam semesta. 
KONSEP VIRAT VIDYÄ€ DALAM TEKS TUTUR BHUWANA MAREKA Adnyana, Ida Bagus Putu; Redi, I Wayan; Sena, I Gusti Made Widya
PANGKAJA: JURNAL AGAMA HINDU Vol 24, No 2 (2021)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v24i2.2598

Abstract

Teks Tutur Bhuwana Mareka merupakan teks lontar yang bernuansa Siwaistik dan kental akan ajaran Tattwa. Pemilihan teks ini sebagai objek kajian penelitian didasarkan pada kenyataan bahwa teks ini memuat ajaran Virat Vidyā atau Kosmologi Hindu. Rumusan masalah yang dikemukakan dalam penelitian ini berkaitan dengan konsep Virat Vidyā yang terdapat dalam teks Tutur Bhuwana Mareka yang terdiri dari tiga konsep pembahasan yaitu proses penciptaan (uttpti), pemeliharaan (stiti), dan peleburan (pralina). Proses penciptaan (uttpti) alam semesta dalam teks Tutur Bhuwana Mareka berawal dalam keadaan alam semesta yang sangat sunyi dan hampa, tidak ada satu ciptaan pun yang tampak oleh mata, yang ada hanyalah alam sunyi yang disebut hning sunya nirbhana. Intisari atau esensi dari hning sunya nirbhana ini adalah Sang Hyang Nora. Setelah Sang Hyang Nora hadir maka mulailah transformasi atau evolusi penciptaan alam semesta. Dari Sang Hyang Nora lahir Sang Hyang Mareka Jati sebagai entitas tertinggi yang menjadi cikal-bakal terjadinya penciptaan alam semesta melalui evolusi yoga-Nya. Kemudian terjadilah proses pemeliharaan (stiti) alam semesta yang berlandaskan pada konsep dasar Tri Sakti yang meliputi pikiran (idep), nafas (bayu) dan suara (sabda). Serta yang terakhir adalah proses peleburan (pralina) alam semesta yang menganut konsep Śiwa Lingga. Konsep ini menghendaki adanya proses penciptaan alam semesta yang dilakukan oleh Sang Hyang Mareka Jati, pada hakikatnya akan kembali lagi kepada Beliau sebagai entitas tertinggi yang menciptakan alam semesta. 
INTI AJARAN DALAM TEKS ĀTMABODHA: PERSPEKTIF TEOLOGI HINDU Gupta, Gede Endy Kumara; Surada, I Made; Sena, I Gusti Made Widya
Pangkaja: Jurnal Agama Hindu Vol 26 No 2 (2023)
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pjah.v26i2.2200

Abstract

The Ātmabodha is a sanskrit classic text written by Śaṅkarācārya containing the teachings on Ātman. The main purpose of the text is how to teach oneself to be able to experience Ātman through the knowledge of it and at the same time through this knowledge oneself can eliminate various forms of upādhi that have been covering up the true nature of the Self. The Ātmabodha is also a meditative text compiled in simple prose to make it easier for spiritual practitioners who read it to be used as a contemplative medium in receiving knowledge about Ātman. This paper aims to comprehensively analyze the essence of the teachings contained in the Ātmabodha. The perspective of Hindu theology will be the point of view in this paper, with the theory of structural semiotics and vedic hermeneutics to assist the analysis. Brahman, Ātma, upādhi, and the pursuit of realization of Brahman (Mokṣa) are central themes in the analysis of the Ātmabodha.
POLA MODERASI BERAGAMA DALAM RELASI HINDU–KATOLIK DI BANJAR TUKA DESA DALUNG KABUPATEN BADUNG Watuoto, Sebastian Begobli; Duija, I Nengah; Sena, I Gusti Made Widya
Pangkaja: Jurnal Agama Hindu Vol 27 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pjah.v27i2.3651

Abstract

Relations between religious communities have given rise to patterns of religious moderation which have become part of the daily lives of people in various parts of the country. Living in harmony, peace and mutual respect between friends and  neighbors, between villages and regions as well as between ethnic groups with different religious beliefs has become a culture and has even become part of local wisdom for centuries. The traditions of harmony, peace, mutual respect, tolerance and mutual cooperation have become the basis for patterns of religious moderation and have an important role in building religious harmony, as is the case in Banjar Tuka, Dalung Village. Patterns of religious moderation have been embedded in the construction of beliefs at personal and social levels, preserved through traditions and noble teachings, displayed in cultural works as markers of the presence of patterns of religious moderation in society. Starting from several cases of religious intolerance and social conflict based on religion, the Indonesian state needs to promote religious moderation. Because, with a moderate attitude in religion, harmony between religious communities can be achieved. The pattern of religious moderation needs to be implemented continuously and in a balanced manner to be able to establish community unity and unity towards a safe, peaceful, prosperous and harmonious society.
WARAK KERURON: Upacara bagi Mereka yang Mengalami Keguguran Atmaja, I Gusti Ngurah; Donder, I Ketut; Sena, I Gusti Made Widya
Pangkaja: Jurnal Agama Hindu Vol 27 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pjah.v27i2.3714

Abstract

The Warak Keuron ceremony is a ceremony that has only been implemented since the 1970s.  Before the 1970s, Hindus in Bali did not really question miscarriages.  Miscarriage is considered a normal phenomenon that does not need to be held a special ceremony, because it is considered non-fatiguing.  However, as time goes by, it turns out that many women after experiencing a miscarriage experience various problems, psychological disorders, trauma, even hallucinations and other difficulties.  According to sacred Hindu literature, miscarriage is an event that causes sadness/fatigue both in the person experiencing it and in their environment.  So to get rid of it, a ceremony called the Warak Karuron Ceremony needs to be held.  The aim is to eliminate pain/fatigue for the mother, so that she does not continue to experience psychological disorders which have very broad impacts.  And also to free the baby's spirit which is still trapped in its prakerti body, for this reason its prakerti elements consisting of the Panca Maha Bhuta elements are returned to their origin, the baby's spirit is purified so that it can continue its journey to the sunialoka realm.
TEOLOGI HINDU DALAM YOGA BHUWANA PRAWERTI TRADISI WATUKARU DI PASRAMAN SERULING DEWATA Indriani, Ni Putu; D.E., Relin; Sena, I Gusti Made Widya
Pangkaja: Jurnal Agama Hindu Vol 28 No 1 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Hinduism believes that the concept of God is a fundamental value in religious practice (Heriyanti, 2020). Hindu theology is a universal truth about the essence of God, derived from the sacred scriptures of Hinduism (Vedas), which discuss the philosophy of divinity, known as Brahma Vidya. Brahma Vidya is the knowledge that guides humans toward awareness of their spiritual purpose. The teaching of truth is considered one of the ultimate goals in religious life, achieved through self-discipline, purification of the mind, and harmony between body and soul. One way to support this teaching is through the practice of yoga. Yoga Bhuwana Prawerti is a sequence of yoga practices rooted in the Watukaru tradition. The effective transmission and explanation of Yoga Bhuwana Prawerti to the community require an appropriate method. Therefore, this research aims to provide an accurate explanation through a study of Hindu theology in Yoga Bhuwana Prawerti of the Watukaru tradition at Pasraman Seruling Dewata, Tabanan, Bali. This research explores: 1) the existence of Yoga Bhuwana Prawerti of the Watukaru tradition; 2) the religious symbols embedded in Yoga Bhuwana Prawerti; and 3) the meaning of Hindu theology in Yoga Bhuwana Prawerti. Theories applied in this study include the Theory of Existence, the Theory of Religion, and the Theory of Symbols to analyze the research problems. The method used in this research is qualitative, involving several stages: determining the research type, identifying primary and secondary data sources, selecting research instruments, collecting data through interviews, observation, and literature studies, followed by data analysis and presentation of findings. Yoga Bhuwana Prawerti, often referred to as the "Yoga of the Universe's Rotation," is a form of yoga developed at Pasraman Seruling Dewata, consisting of six movements, each beginning with a prayer. Each movement in Yoga Bhuwana Prawerti holds profound religious symbolism in the context of Hinduism. Hindu theology in Yoga Bhuwana Prawerti is reflected in the relationship between humans and nature. The practice of Yoga Bhuwana Prawerti demonstrates Hindu theological principles, such as the concept of Dharma. This yoga aims not only to achieve physical and mental balance but also to deepen the understanding of humanity's place in the spiritual cycle.
Co-Authors Adnyana, Ida Bagus Putu Atmaja, I Gusti Ngurah D.E., Relin Gupta, Gede Endy Kumara I Ketut Donder I Made Surada I Nengah Duija, I Nengah I Wayan Redi Indriani, Ni Putu Watuoto, Sebastian Begobli