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All Journal E-Journal Of Cultural Studies Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Kamaya: Jurnal Ilmu Agama International Journal of Interreligious and Intercultural Studies DHARMASMRTI: Jurnal Pascasarjana UNHI International Journal of Religious and Cultural Studies Jurnal Penelitian Agama Hindu Global Art Creativity Conference
Ida Bagus Gde Yudha Triguna
Universitas Hindu Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Social Sciences

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Journal : Jurnal Penelitian Agama Hindu

 1 
Strategi Adaptasi Umat Hindu Memasuki Era Baru: Refleksi Sosiologi Hindu Menyikapi Revolusi Industri 4.0, Pandemi Covid-19, dan Society 5.0 Ida Bagus Gde Yudha Triguna; Anak Agung Inten Mayuni; Nanang Sutrisno
Jurnal Penelitian Agama Hindu Vol 4 No 4 (2020)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (240.152 KB)

Abstract

The Industrial Revolution 4.0, the Covid-19 Pandemic, and the Society 5.0 are global phenomena that are driving social change towards a new era of the world society. Hindus also have to carry out adaptation strategies, both at the structural and cultural level in order to enter this new era. Sociological reflections on Hindu adaptation strategies are expressed through the phenomenological method which emphasizes the individual agency dimension and its integration with structural dynamics. The ability of Hindus to exercise control dialectics on the acceleration of information technology, ideological regulation and socio-cultural structures change in the new era is a determinant of success in their adaptation strategy.
Dari Teks Menuju Konteks: Semiotika Dharmagita dalam Transformasi Masyarakat Modern Ida Bagus Gde Yudha Triguna; Anak Agung Inten Mayuni
Jurnal Penelitian Agama Hindu Vol 6 No 2 (2022)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (229.536 KB) | DOI: 10.37329/jpah.v6i2.1554

Abstract

The tradition of reading, singing, and interpreting religious literary texts gave birth to a didactic method called dharmagita. However, the implementation of the dharmagita tends to prioritize the aesthetic dimension, rather than the didactic dimension, so that it has the potential to hinder the transformation of religious texts in the context of religiosity. This article aims to reveal the semiotics of dharmagita as a strategic transformation of religious texts in the context of modern society. The study was conducted using a qualitative method based on a sociology of literature approach. The results of the study show that modernization affects traditional values ​​so that adaptation strategies are needed so that people are able to follow changes without losing moral and spiritual control. Dharmagita has a transformative role to enlighten society with values ​​in religious texts that are relevant to modern culture. In this context, improving the semiotic skills of dharmagita activists has an important role to optimize their ability to understand, interpret, and contextualize religious literary texts in actual-practical life.
Rekonstruksi Toleransi Beragama Umat Hindu dan Islam di Desa Tembok Kecamatan Tejakula Kabupaten Buleleng Heriyanti, Komang; Yudha Triguna, Ida Bagus Gde; Wirawan, I Gusti Bagus
Jurnal Penelitian Agama Hindu Vol 9 No 3 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i3.4096

Abstract

Tembok Village as part of Buleleng Regency is inhabited by people of different religions, namely Hindus and Muslims. The relationship between the two communities from the beginning has been based on the values ​​of tolerance. Although in some conditions there was a decline in tolerance, this was strengthened by the reconstruction of religious tolerance such as silaturahmi during religious holidays. The purpose of this study is to provide an overview of the importance of tolerance for a pluralistic society like in Indonesia. Activities that have a nuance of tolerance in Tembok Village can be considered in strengthening the bonds of tolerance in certain areas. The method used in this study is a qualitative method, by exploring the phenomena that occur in the field related to the social life of Hindus and Muslims in Tembok Village. The results of the field research explain that the process of reconstruction of religious tolerance is carried out during religious holidays such as Galungan, Eid al-Fitr, and Eid al-Adha. Furthermore, regarding the implications of the reconstruction of religious tolerance, it explains that it has implications for social, cultural, and religious life. It can be concluded that the reconstruction of religious tolerance in Tembok Village is able to bring positive implications for society. Where society better understands the importance of tolerance in social life.
Simbolisme Kakereb Barong Dan Rangda Dalam Upacara Butha Yadnya Di Desa Bitra Gianyar Yudha Triguna, Ida Bagus Gde; Bagiarta, I Nyoman Kembar; Sudanta, I Nyoman
Jurnal Penelitian Agama Hindu Vol 9 No 4 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i4.4611

Abstract

Kakereb is the veil used for Barong and Rangda, made from a square piece of white cloth measuring 1.2 meters by 1.2 meters. Its uniqueness lies in the sacred inscriptions (rerajahan) written on its surface. These inscriptions contain texts that represent a sacred symbolic system of Shaivite Tantric theology, encompassing the concept of Acintya (the inconceivable aspect of God) as well as sacred characters such as Ongkara and wijaksara. In addition to the textual elements, the kakereb also features symbolic images such as dragons, fire, weapons of the Dewata Nawasanga, and modre letters. The essential meaning behind the kakereb is that God (Shiva) is the essence that is both One and many (Eka-aneka). The One Supreme God (Eka), by His own will, manifests Himself into various deities and even into all that exists (sarwa). The kakereb, in relation to Barong and Rangda, symbolizes a theology of duality. God is glorified with the names Bhatara Shiva and Dewi Uma, who are considered the source, existence, and ultimate purpose of all things in the world. Shiva has a thousand names (sahasra nama), and so does Uma, illustrating the infinite aspects of their divinity. Thus, Balinese Hindus who follow the Shaivite Tantric tradition are not worshipping demons, but are in fact worshipping God through sacred and religious-magical forms such as Barong and Rangda. Although these figures may appear demonic on the surface, they are actually sacred embodiments known as Ratu Bagus and Ratu Ayu.
Co-Authors Anak Agung Inten Mayuni Bagiarta, I Nyoman Kembar Bani Sudardi Heriyanti, Komang Hermawan Winditya I Gde Paramartha I Gde Semadi Astra I Gusti Ayu Wimba I Gusti Bagus Wirawan I Made Arsa Wiguna I Made Pasek Diantha I Made Suastika I Wayan Budi Utama I Wayan Gede Suacana Ida Made Pidada Manuaba Maryano Maryano Nanang Sutrisno Peradantha, Ida Bagus Gede Surya Situ Asih Soewarlan, Santosa Sudanta, I Nyoman Titis S. Pitana Titis Srimuda Pitana Widyastutieningrum, Sri Rochana Wiguna, I Made Arsa Winditya, Hermawan