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Journal : Jurnal Sinestesia

Semiotics Analysis of Human Value in the Film "The Giver" Doni Anggoro Ari Santoso; Rofiq Noorman Haryadi; Maharanny Setiawan Poetri; Irfan Rifai; Denok Sunarsi
Jurnal Sinestesia Vol. 13 No. 1 (2023)
Publisher : Pusat Studi Bahasa dan Publikasi Ilmiah

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Abstract

The purpose of this study is to analyze how the value of humanity in the film The Giver uses Roland Barthes' semiotic analysis approach. Described structured and conceptualized to be able to obtain valid and easy to understand data. The description of the data and the explanation of the aspects of the keywords above form a description of the information on research findings in order to obtain the concept of analysis regarding the human value that is to be sought for its existence. This research also aims to provide education and new insights about films that have messages and concepts about life that are different from usual. The film The Giver was chosen because it was deemed sufficient to have criteria as a film that deserves to be analyzed because it has a storyline and sketches of life that are anti-mainstream from others. This research uses semiotic analysis of Roland Barthes who studies the signs that will describe the denotative, connotative and mythical meanings of the story. This film analysis research process requires a high level of focus and commitment in order to obtain the conclusion data to be achieved. The results of this study illustrate how the human values in the film The Giver are not applied or violate human norms which are the fundamentals of a human's life.
Objectification in Moxie Film by Amy Poehler Maharanny Setiawan Poetri; Tryana Tryana; Ratu Prayuana; Diyah Iis Andriani; Irfan Rifai
Jurnal Sinestesia Vol. 13 No. 2 (2023)
Publisher : Pusat Studi Bahasa dan Publikasi Ilmiah

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The study entitled Objectification in Moxie film by Amy Poehler. This study aims to analyze the occurances of the issue of objectification that will be examined by using objectification theory, and feminism appoarch to overcome the issue. The object of this study is the film Moxie (2021) directed by Amy Poehler. The film tells the story about high schoolers rebelling the issues that experienced bycharacters related to the main character which is her friends. Thus, as the guidance, the writer applies ten notions of objectification theory by Tarasenko- Struc (2021). This study uses the qualitative method to present the findings in both essay and picture form by describing the narrative and cinematography elements. This study focuses on the action of objectification experienced by the main character as a witness and how does she deal with it. The results of the study are divided into two events. First, it depicts the occurances of objectification in the main character’s highschool, those are: instrumentality, denial of autonomi, inertness, denial of subjectivity, reduction to body, reduction to appearance, and silncing. Second, the main character’s reaction of the issue of objectification is in the form of rebellion based on solidarity and friendship and primacy concrete relationship.