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All Journal Gorga : Jurnal Seni Rupa DeKaVe Arty: Jurnal Seni Rupa Visualita : Jurnal Online Desain Komunikasi Visual Abdi Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Muara Ilmu Sosial, Humaniora, dan Seni Jurnal Pendidikan dan Teknologi Indonesia CITRAWIRA : JOURNAL OF ADVERTISING AND VISUAL COMMUNICATION DIVAGATRA - Jurnal Penelitian Mahasiswa Desain ArtComm : Jurnal Komunikasi dan Desain CARONG: Jurnal Pendidikan, Sosial dan Humaniora
Kurniawan, Rendya Adi
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Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Media Edukasi Sejarah Legiun Kavaleri Mangkunegaran untuk Anak Melalui Kolaborasi Penciptaan Karya Tembang Dolanan dengan Ilustrasi Waluyo; Prilosadoso, Basnendar Herry; Pandanwangi, Brilindra; Pravitasari, Indriati Suci; Laksani, Hening; Kurniawan, Rendya Adi; Muslihah, Isnawati; Panindias, Asmoro Nurhadi; Susanti, Ratna; Nur Diansari, Brillian; Murwanti, Sri; Nursiam; Adi Nugraha, Yoga Prasetya
CARONG: Jurnal Pendidikan, Sosial dan Humaniora Vol. 2 No. 1 (2025): Maret: Local Culture and Traditions
Publisher : Universitas Serambi Mekkah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/m56kpk55

Abstract

Ikon Legiun Kavaleri Pura Mangkunegara, yang didirikan tahun 1808 atas perintah penguasa Prancis Napoleon Bonaparte, merupakan ingatan sejarah Surakarta yang penting. Mangkunegara II memiliki visi untuk masa depan dan mampu menerapkan konsep modern pada zamannya: militer ala Eropa sekaligus terkuat di dunia. Legiun Mangkunegaran berasal dari perjuangan Raden Mas Said dan pengikutnya yang kecewa dengan pemerintahan dan ketidakadilan Paku Buwono II. Generasi muda semakin tidak tahu sejarah Legiun Kavaleri Mangkunegaran. Semua orang harus tahu tentang sejarah ini, terutama siswa sekolah dasar. Mereka akan menjadi pedoman bagi mereka untuk memahami sejarah negara mereka sekarang dan di masa depan. Agar informasi yang disampaikan dapat diterima dan menarik, diperlukan media dan kondisi yang sesuai. Melalui kombinasi tembang dolanan dan ilustrasi, media alternatif mengandung informasi dan pesan yang dapat digunakan dalam upaya pelestarian sejarah. Tujuan penelitian dalam merancang karya tembang dolanan dan ilustrasi anak yang berisi materi seputar Legiun Kavaleri Mangkunegaran. Metode penciptaan karya, yaitu : Discovery, Interpretation, Ideation, Experimentation, Evolution, dan Implementation. Melalui media ini diharapkan meningkatkan pemahaman dan pengetahuan kepada generasi muda mengenai Legiun Kavaleri Mangkunegaran untuk mengenalkan dan melestarikan sejarah.
PENDAMPINGAN BRANDING PRODUK BERBASIS KEKAYAAN INTELEKTUAL MELALUI KEPEMILIKAN MEREK DAGANG DAN DESAIN INDUTRI PADA RINTISAN BISNIS SEPATU RANGE DE CULTURE Yunianto, Ipung Kurniawan; Kurniawan, Rendya Adi; Prilosadoso, Basnendar Herry; Tori, Pisteo Gabriel; Priana, Fatika Fajar; Dini, Erlyana Zuar
Abdi Seni Vol. 15 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v15i2.6369

Abstract

This research examines the significance of trademarks and industrial designs as visual identities and value-added elements for Micro, Small, and Medium Enterprises (MSMEs). Trademarks serve to differentiate products and function as a marketing strategy, while industrial designs enhance the commercial value of products. This assistance program aims to raise legal awareness among MSMEs regarding trademarks and industrial designs, specifically focusing on the shoe products of Range de Culture (RDC). The primary challenge MSMEs face is a lack of understanding regarding the urgency of such intellectual property protection. The methods employed include education on the strategic role of trademarks and industrial designs in business competition and guidance throughout the registration process. As a result, RDC successfully registered its trademarks and industrial designs with the Directorate General of Intellectual Property (DJKI). This research highlights the importance of assisting in enhancing awareness and capacity among MSMEs to leverage intellectual property protection to bolster their competitiveness and business sustainability
Perancangan Animasi Keris Berbasis Augmented Reality sebagai Sarana Pengembangan Hasil Kebudayaan Jawa dengan Media Baru Rachman, Anung; Kurniawan, Rendya Adi; Muslihah, Isnawati; Fatahilah, Aufara Fiqi
DeKaVe Vol 18, No 1 (2025): DeKaVe Vol. 18 No. 1 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v18i1.12877

Abstract

When it comes to cultural richness, it can’t be denied that Indonesia has abundant amount of cultural products. As Indonesian citizens who love culture, the diversity of existing cultural products should always be preserved and developed in order to maintain the echo of the existence of a distinct culture. It goes well with a statement that says, “culture is a reflection of national character and identity”. Referring to the meaning of the word “preserve” whic is maintaining the philosophical values as they are in an existing culture, while “developing” in this context means taking the values from the original Indonesian culture and then combining them with new external elements without losing their very own characteristics. This scientific text explains the process of designing a short animation in the form of a keris which had been combined with a touch of fantasy, and then displayed using augmented reality (AR) system. This animation plays its role to developing one of the Javanese cultural product, especially keris, without losing the distinctive characteristics of the keris itself. In creating this animation, the author, who also acts as the animation designer, used Clip Studio Paint software to create visual assets for the animation, then converted it to GIF format using the Procreate appliacation, and finally imaged it in AR form using a software called Adobe Aero. The result of this series of processes is a QR code that can be scanned with a smart phone which will display a short animation of the keris itself in AR form. But, note that the audiences must first download Adobe Aero on their smart phone to watch the animation.
Unsur Budaya Indonesia dalam Kajian Visual Desain Karakter Film Animasi Raya and the Last Dragon Lestari, Puji; Kurniawan, Rendya Adi
CITRAWIRA : Journal of Advertising and Visual Communication Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/citrawira.v5i2.6011

Abstract

Raya and the Last Dragon merupakan film animasi garapan Disney yang berlatarkan budaya Asia Tenggara, proses pembuatannya pihak Disney melakukan observasi di Bali, Indonesia. Hal yang mendasari pada penelitian ini yaitu untuk mencari letak unsur budaya Indonesia yang ada pada desain karakter film tersebut. Mendeskripsikan secara visual desain karakter menggunakan pendekatan metode kualitatif deskriptif teori dari Scott McCloud aspek Visual Distinction, yang dikerucutkan lagi menggunakan hasil kajian dari Rendya Adi Kurniawan yaitu Bentuk Fisik, Bentuk Kepala, dan Kostum. Hasil analisis menunjukan adanya kebudayaan Indonesia yang digunakan melalui senjata yang digunakan yaitu Keris. Hal ini menunjukan adanya akulturasi yang ada pada film yang merepresentasikan keberagaman budaya Asia Tenggara
Metode Desain Karakter Aaron Blaise dengan Penerapan Antropomorfisme dalam Animasi Lakontara sebagai Upaya Pelestarian Ketoprak Aroisi, Nawawel Sakti; Kurniawan, Rendya Adi
CITRAWIRA : Journal of Advertising and Visual Communication Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/citrawira.v4i1.5093

Abstract

The Marmalade team with their animation titled "Lakontara" has successfully won a gold medal in the GEMASTIK XV 2022 event. In their animation, Marmalade raises the issue of the low interest of the community in traditional Javanese theater (ketoprak) performances, and how ketoprak can remain relevant and compete with other modern entertainments. In the character design of Lakontara, it can be seen that the characters are predominantly non-human characters given human attributes and behaviors, indicating that the characters are designed using anthropomorphism. This is commonly found in popular animations such as Cars, Toy Story, and SpongeBob SquarePants. Anthropomorphism is claimed to make animations appear funnier and more appealing because it can bring something impossible in the real world into the animation. 
Seni Pertunjukan Ketoprak Sebagai Sumber Ide Perancangan Background Film Animasi Lakontara Pada Kompetisi GEMASTIK XV Tahun 2022 Paramarta, Cahyaning Brian; Kurniawan, Rendya Adi
CITRAWIRA : Journal of Advertising and Visual Communication Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/citrawira.v4i1.5096

Abstract

The performing arts of Ketoprak is one of Indonesia’s cultural arts which is currently experiencing a decline in interest due to globalization and the rapid development of technology that has influenced the tastes of modern society in choosing entertainment. Ketoprak art competition with modern art has an impact on the unpreparedness of art workers to respond to the challenges of the times in order to provide creative, innovative, and attractive presentations. So that the urgency in this research is the art of Ketoprak which has experienced a decline in prestige and minimal conservation efforts that threaten the existence of this art. The design of this background aims to complement the visual assets in the Lakontara 2D animation which is contested at the Pagelaran Mahasiswa Nasional Bidang Teknologi Informasi dan Komunikasi  (GEMASTIK) XV 2022. The method used is primary and secondary data collection, as well as for the design using the animation pipeline method from pre-production to production.
PERANCANGAN ANIMASI 2D œJIKA KITA TAK PERNAH JADI APA-APA SEBAGAI MOTIVASI INSECURE AKAN MASA DEPAN Nugraheni, Annisa; Rachman, Anung; Kurniawan, Rendya Adi
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.47849

Abstract

Every individual must have felt a feeling of insecurity. Insecure is linked to mental health conditions, one of which is anxiety. These feelings, if considered trivial, can cause individuals to hurt themselves. The purpose of this study is to raise the spirit and help reduce insecurity by watching motivational videos as a form of self-healing. This research uses the MDLC (Multimedia Life Development Cycle) method consisting of six stages, namely: Concept, Design, Material Collecting, Assembly, Testing, and Distribution. The result of this study is a 2D animation product entitled "If We Never Become Anything" which is used to raise the audience's enthusiasm about feelings of anxiety, tension, worry, and fear of failure in the future. The conclusion obtained from the research is that this 2D animated video is worth distributing and relating to the audience.Keywords: Animation, insecure, MDLC, Motivation.AbstrakSetiap individu pasti pernah merasakan perasaan insecure dalam dirinya. Insecure terkait dengan kondisi kesehatan mental salah satunya adalah kecemasan. Perasaan tersebut jika dianggap sepele dapat mengakibatkan individu melukai dirinya sendiri hingga percobaan bunuh diri. Penelitian ini bertujuan untuk membangkitkan semangat dan membantu mengurangi insecure dengan cara menonton video motivasi sebagai bentuk self healing. Penelitian ini menggunakan metode MDLC (Multimedia Life Development Cycle) terdiri dari enam tahapan yaitu: Konsep (Concept), Perancangan (Design), Pengumpulan Bahan (Material Collecting), Pembuatan (Assembly), Pengujian (Testing), dan Distribusi (Distribution). Hasil dari penelitian ini adalah produk animasi 2D adaptasi dari buku karya Alvi Syahrin dengan judul yang sama, yaitu œJika Kita Tak Pernah Jadi Apa-Apa yang menceritakan perjalanan seorang remaja yang beranjak dewasa. Animasi 2D ini dikisahkan dengan makna konotasi, yaitu mendaki gunung sebagai representasi perjalanan hidup naik turun dan penuh rintangan. Kesimpulan yang didapatkan dari penelitian adalah video animasi 2D ini layak didistribusikan pada khalayak umum dan relate dengan para audience sehingga dapat digunakan untuk motivasi dalam menghadapi insecure.Kata Kunci: Animasi, Insecure, MDLC, Motivasi.Authors:Annisa Nugraheni : Institut Seni Indonesia SurakartaAnung Rachman : Institut Seni Indonesia SurakartaRendya Adi Kurniawan : Institut Seni Indonesia Surakarta References:Arifin, I., Wahyu, P., & Baharsyah, M. Y. (2020). Pengaruh Salah Pilih Jurusan Terhadap Rasa Putus Asa Mahasiswa Teknik Informatika. 1“5.Cahyo, K. N., Martini, & Riana, E. (2019). Perancangan Sistem Informasi Pengelolaan Kuesioner Pelatihan pada PT Brainmatics Cipta Informatika. Journal of Information System Research (JOSH), 1(1), 45“53. http://ejurnal.seminar-id.com/index.php/josh/article/view/44Jihan Insyirah Qatrunnada, Salma Firdaus, Sofika Dwi Karnila, & Usup Romli. (2022). Fenomena Insecurity di Kalangan Remaja dan Hubungannya dengan Pemahaman Aqidah Islam. IQ (Ilmu Al-Qur™an): Jurnal Pendidikan Islam, 5(02), 139“152. https://doi.org/10.37542/iq.v5i02.655Kholig, L. F. (2022). Pembinaan Kesehatan Mental Remaja Di MTS Ngalaban Desa Bendet Kecamatan Diwek Jombang. Pengabdian Kepada Masyarakat, 1, 45“51.Komarullah, N. A. (2022). Perancangan Konten Interaktif œInsecure Sebagai Kampanye Insecurity Melalui Media Sosial Instagram Untuk Generasi Z. Profil Kesehatan Kab.Semarang, 41, 1“9.Munir. (2012). Multimedia konsep dan aplikasi dalam pendidikan. In Alfabeta (Vol. 58, Issue 12).Noviyanti, A. (2021). Dinamika Kecemasan Karir Pada Mahasiswa Tingkat Akhir. KoPeN: Konferensi Pendidikan Nasional, 2003, 1“23.Nurjannah, U., Suharto, V. T., & Rizaldy, D. R. (2022). Nilai Moral Dan Nilai Pendidikan Dalam Novel œJika Kita Tak Pernah Jadi Apa-Apa Karya Alvi Syahrin. SHAMBHASANA: Seminar Nasional Bahasa, Sastra, Dan Pengajarannya, 1(1), 303“313.Rahayu, P. P., & Irsyadiyah, A. U. (2022). Psikoedukasi Tentang Kesehatan Mental Dan Psikopatologi Pada Masyarakat. Jurnal Pengabdian Masyarakat (Abdira), 2(2), 73“81. https://doi.org/10.31004/abdira.v2i2.135Saputra, P. A., & Retnoningsih, E. (2020). Animasi Interaktif Pengenalan Negara ASEAN Menggunakan Metode Multimedia Development Life Cycle. Journal of Students˜ Research in Computer Science, 1(2), 153“164. https://doi.org/10.31599/jsrcs.v1i2.406Widyastuti, C., Rizki Rahmawati, M., Nadia, F., & Nurliawati, E. (2022). Self-Healing Therapy Untuk Mengatasi Kecemasan. International Conference on Islamic Guidance and Counseling, 2, 295“300. https://vicon.uin-suka.ac.id/index.php/icigc/article/view/689
Javanese wayang system of signs in batik logo and its role in creating visual brand identity Pangestu , Melinia Enggal; Murtono, Taufik; Kurniawan, Rendya Adi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 1 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i1.5914

Abstract

Batik was one of Indonesia's cultural heritages that had been recognized worldwide. Batik in Indonesia was diverse in terms of products and producing regions. One of the Batik-producing areas in Indonesia was Masaran in Sragen Regency. Batik producers in Kliwonan had their business names complete with logos as trademarks. One form of this was using names and images of wayang characters in trademarks, which had been done for a long time. This study analyzed four Batik company logos in Kliwonan Village, Masaran District, Sragen Regency, which were found using images of puppet figures, namely Janoko Kembar Batik, Sadewa Batik, Dewi Brotojoyo Batik, and Dewa Rama Batik. The research phase begins with data collection in the form of visual logos and literature related to the meaning of puppet figures. Data analysis is carried out by identifying the visual elements of the logo, including colors, illustrative images, typography, and layout as the first sign system (denotation). The denotational data is then read using a second sign system (connotation), which involves analyzing the characters of the puppet characters. The character of the puppet character that is understood is then discussed in a cultural context (myth). Roland Barthes' semiotic analysis is used to describe signs through first-order meaning (denotative), second-order meaning (connotative), and interpretation of meaning in cultural contexts (myth) The reading of the logo sign system was confirmed by interviews with the Batik entrepreneurs. The research results described the system of signs in denotation, connotation, and mythical meaning in the logos studied, which was in line with the application of visual elements and design principles. This research concluded that wayang could be used to discover self-identity for brand owners. The visual formation of brand identity in this study occurs through the selection of illustrations of images, colors, typography, and personal layout by brand owners. Illustrations of puppet characters are selected from the types of knights and princesses that give good character meaning. The selection of knight and princess characters can be a logo design model that uses puppet characters.
2D ANIMATION CREATION WITH BUJANG GANONG ART THEME Anindhitya, Hanung; Rachman, Anung; Kurniawan, Rendya Adi
Arty: Jurnal Seni Rupa Vol 11 No 1 (2022): Regular Issue
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v11i1.57351

Abstract

In this day and age, many traditional arts are marginalized. Marginalization according to the Big Indonesian Dictionary can be interpreted as "marginalizing". Many young people are more familiar with foreign cultures than their own culture, one of which is Korean dance. Whereas in East Java itself there are dances that are no less unique, namely the Bujang Ganong Dance contained in the Reog Ponorogo art. In the midst of the rapid advancement of information technology and the creative industry today, animation is one of the most effective informative media in presenting stories and introducing regional arts because it is more attractive to the target market. In the process of making this animation using qualitative methods using primary data in the form of interviews and secondary data using sources from the internet. While in the design of this 2D animation using the design thinking method. Design thinking which has been popularized by David Kelley and Tim Brown has 5 stages in the process, namely empathize, ideate, define, prototype and the last is test. Using design thinking allows writers to collect various information about existing problems so that they are able to develop ideas and create more innovative alternatives.
Co-Authors Adi Nugraha, Yoga Prasetya Albani, Salmaan Daffa Anindhitya, Hanung Aroisi, Nawawel Sakti Asmoro Nurhadi Panindias Dini, Erlyana Zuar Fatahilah, Aufara Fiqi Laksani, Hening Magenta, Evan Arwagavin Maharani, Aulira Iska Muslihah, Isnawati Nugraheni, Annisa Nugraheni, Naura Hafizha Nur Diansari, Brillian Nurhidayah, Febrilianti Nursiam Pandanwangi, Brilindra Pangestu , Melinia Enggal Paramarta, Cahyaning Brian Pravitasari, Indriati Suci Priana, Fatika Fajar Prilosadoso, Basnendar Herry PUJI LESTARI Rachman, Anung Ratna Susanti Sri Murwanti Taufik Murtono Tori, Pisteo Gabriel Waluyo Yulianti, Shakila Dwi Yunianto, Ipung Kurniawan