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All Journal Sosiohumaniora Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat Buletin Perpustakaan Acarya Pustaka Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya Shaut Al-Maktabah: Jurnal Perpustakaan, Arsip dan Dokumentasi Info Bibliotheca: Jurnal perpustakaan dan ilmu Informasi JPUA: Jurnal Perpustakaan Universitas Airlangga: Media Informasi dan Komunikasi Kepustakawanan Caraka : Indonesia Journal of Communication NUSANTARA: Jurnal Pengabdian Kepada Masyarakat Safari : Jurnal Pengabdian Masyarakat Indonesia Innovative: Journal Of Social Science Research Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Ekspresi: Publikasi Kegiatan Pengabdian Indonesia
Encang Saepudin
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Penerapan Struktur Naratif Tiga Babak dalam Penulisan Naskah Video Feature “Setu Babakan: Rumah Betawi Hari Ini” Siti Noorhayati Fajriani; Ridha Elsarah Affendi; Encang Saepudin; Kurnia Lucky Fadillah
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 3 (2026): Juli: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i3.1132

Abstract

The existence of Betawi traditional houses amid the rapid modernization of Jakarta has indicated a shift in their function from residential spaces to symbols of cultural preservation. This condition encouraged the creation of the video feature entitled “Setu Babakan: Rumah Betawi Hari Ini” through the implementation of the three-act narrative structure in scriptwriting. This final project report aimed to describe the role of the scriptwriter in applying the three-act narrative structure during the creation process. A descriptive approach was employed by systematically explaining the pre-production, production, and post-production stages based on the creative experience. During pre-production, the scriptwriter conducted research, developed the concept, wrote the script, and prepared interview questions. The implementation of the three-act structure was reflected in the first act, which introduced Setu Babakan as a center of Betawi cultural preservation; the second act, which explored the history, architectural forms, and cultural values of Betawi traditional houses; and the third act, which presented reflections and expectations regarding the continuity of Betawi culture in modern society. During production and post-production, the scriptwriter ensured that all audiovisual elements remained aligned with the predetermined narrative structure. It was concluded that the implementation of the three-act narrative structure assisted the script writer in organizing cultural research findings into a coherent and communicative storyline that effectively conveyed cultural messages to the audience.
Co-Authors - Sukaesih -, Nabilah Ayu Kusumaningrum Agung Budiono Agus Rusmana Andri Yanto Anggita Nuringtyas Ari Agung Prastowo Azmi Maharani Ega Selly Anjani Eka Nursafitri Evi Nursanti Rukmana Farel Aditya Firna Irviani FX. Ari Agung Prastowo Guntur Aghni Triguna Heru Ryanto Budiana Kurnia Lucky Fadillah Muhammad Rizki Syamsudin Neneng Komariah Ninis Agustini Damayani Nur Indah Srirezeki Ocxiela Imel Dani Pawit M Yusup Rafi Admadyana Ridha Elsarah Affendi Ridha Elsarah Effendi Rifky Adinur Zein Rinda Aunillah Sirait Ryan Krisna Gautama Saeful Fatah Zaelani Saleha Rodiah Silvi Alin Dhiya Siti Arifa Rosa Siti Noorhayati Fajrian Siti Noorhayati Fajriani Sukaesih Sukaesih Sukaesih Sukma Kurnia Putri Toto Sugito Ute Lies Siti Khadijah Vanessa Valencia Eleora Yunus Winoto