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All Journal Gorga : Jurnal Seni Rupa Saraswati MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts calaccitra: jurnal film dan televisi Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Global Art Creativity Conference
Made Rai Budaya Bumiarta
Institut Seni Indonesia Denpasar
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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GAYA DAN STRUKTUR DOKUMENTER DI BALIK LAYAR PRODUKSI FILM PENDEK CENING NEPUKIN I KAWA Oktrino, Gespanne Fayyadh; Putra, I Made Denny Chrisna; Bumiarta, Made Rai Budaya
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

The documentary film Melihat Cening dan Kawa explores the implementation of documentary styles and Dan Harmon’s Story Circle structure to construct a compelling narrative. Unlike conventional documentation videos that merely record events chronologically, this documentary interprets and presents reality with emotional depth and storytelling elements. By analyzing Bill Nichols’ six documentary modes and their seven defining aspects, the film balances observational and participatory approaches. The creation process, divided into three stages—pre-production, production, and post-production—aligns with the production of the main film, Cening Nepukin I Kawa, ensuring a coherent structure and thematic relevance. The findings indicate that the documentary is including some of the documentray styles and structured. The use of Story Circle enhances the narrative arc, providing a clear and engaging progression. Each production phase contributes to a well-rounded story, capturing significant moments that deepen the audience’s understanding of the filmmaking journey.
KONSTRUKSI IDENTITAS KARAKTER LANSIA DALAM PENYUTRADARAAN FILM PENDEK “SEPI DI UJUNG HARI” Jasmine, Raniya; Putra, I Made Denny Chrisna; Bumiarta, Made Rai Budaya
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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This research explores the construction of elderly character identities in the short film "Sepi di Ujung Hari." Using Carl Plantinga’s theory, the study examines how cinematographic techniques, storytelling, and direction shape audience perception. Through script analysis, cinematography review, and directorial study, findings reveal that close-up shots, lighting contrast, and framing effectively convey emotions and psychological depth. The narrative structure further strengthens audience empathy by depicting the internal struggles of elderly individuals. Additionally, directorial choices, such as actor direction and blocking, significantly enhance authenticity. This study provides valuable insights for filmmakers in constructing engaging elderly characters and contributes to broader discussions on elderly representation in cinema.
Co-Authors Anak Agung Made Arya Wiguna Angelica, Gabriela Dwipayana, Dewa Kadek Epriliana Fitri Ayu Pamungkas Gangga Lawranta I Dewa Made Darmawan I Gusti Agung Malisky I Kadek Puriartha I Ketut Muka I Komang Arba Wirawan I Komang Arba Wirawan I Made Denny Chrisna Putra I Made Ruta I Made Saryana I NYOMAN PAYUYASA . I Putu Adi Jaya Semara Putra I Putu Kevin Andika Prananda I Wayan Medy Mahasena Ida Bagus Harikayana Putra Jasmine, Raniya Kadek Dwiyani Ketut Hery Budiyana Lawranta, Gangga Nyoman Lia Susanthi Nyoman Lia Susanthi Oktrino, Gespanne Fayyadh Pamungkas, Epriliana Fitri Ayu Paul Trinidad Puriartha, I Kadek Suardana I Wayan, Suardana Susanthi, Nyoman Lia Widi Putra, Ida Bagus Gede