Made Rai Budaya Bumiarta
Institut Seni Indonesia Bali

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GAYA DAN STRUKTUR DOKUMENTER DI BALIK LAYAR PRODUKSI FILM PENDEK CENING NEPUKIN I KAWA Oktrino, Gespanne Fayyadh; Putra, I Made Denny Chrisna; Bumiarta, Made Rai Budaya
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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The documentary film Melihat Cening dan Kawa explores the implementation of documentary styles and Dan Harmon’s Story Circle structure to construct a compelling narrative. Unlike conventional documentation videos that merely record events chronologically, this documentary interprets and presents reality with emotional depth and storytelling elements. By analyzing Bill Nichols’ six documentary modes and their seven defining aspects, the film balances observational and participatory approaches. The creation process, divided into three stages—pre-production, production, and post-production—aligns with the production of the main film, Cening Nepukin I Kawa, ensuring a coherent structure and thematic relevance. The findings indicate that the documentary is including some of the documentray styles and structured. The use of Story Circle enhances the narrative arc, providing a clear and engaging progression. Each production phase contributes to a well-rounded story, capturing significant moments that deepen the audience’s understanding of the filmmaking journey.
KONSTRUKSI IDENTITAS KARAKTER LANSIA DALAM PENYUTRADARAAN FILM PENDEK “SEPI DI UJUNG HARI” Jasmine, Raniya; Putra, I Made Denny Chrisna; Bumiarta, Made Rai Budaya
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 5 No. 2 (2025): Jurnal Calaccitra November 2025
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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This research explores the construction of elderly character identities in the short film "Sepi di Ujung Hari." Using Carl Plantinga’s theory, the study examines how cinematographic techniques, storytelling, and direction shape audience perception. Through script analysis, cinematography review, and directorial study, findings reveal that close-up shots, lighting contrast, and framing effectively convey emotions and psychological depth. The narrative structure further strengthens audience empathy by depicting the internal struggles of elderly individuals. Additionally, directorial choices, such as actor direction and blocking, significantly enhance authenticity. This study provides valuable insights for filmmakers in constructing engaging elderly characters and contributes to broader discussions on elderly representation in cinema.
PRODUKSI PROGRAM VARIETY SHOW “NGOPI” SEBAGAI MEDIA HIBURAN DAN EDUKASI DI TVRI BALI Pande Putu Argyananta Artana; Ida Bagus Hari Kayana; Made Rai Budaya Bumiarta
CALACCITRA: JURNAL FILM DAN TELEVISI Vol. 6 No. 1 (2026): Jurnal Calaccitra Juli 2026
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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The NGOPI (Ngobrolin Orang Penuh Inspirasi) variety show is designed as an entertainment and educational program produced and broadcast via live streaming on the YouTube channel "Pande Argy". This research is a creation study (practice) using a descriptive-qualitative approach through production documentation, field observations, and post-broadcast evaluation. The production process includes pre-production (production book, rundown, PPM), production (live multicam), and post-production (evaluation & archiving). The results indicate success in building a warm and communicative segment format, but faced technical obstacles such as delayed broadcast starts and audio problems that affected the initial quality of the broadcast. Practical recommendations include increasing technical preparation time, strict audio checking protocols, and adding a short rehearsal before broadcast. This work contributes in the form of a practical guide for live streaming variety show production and learning materials for the development of similar programs.