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All Journal Ars: Jurnal Seni Rupa dan Desain Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar Jurnal Pengabdian Pada Masyarakat Fesyen Perspektif Practice of Fashion and Textile Education Journal Jurnal Pendidikan Indonesia (Japendi) Teknobuga : Jurnal Teknologi Busana dan Boga Jurnal Abmas
Mila Karmila
Universitas Pendidikan Indonesia
Agriculture, Biological Sciences & Forestry Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Physics Social Sciences Other

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Adaptasi Karakter “Maleficent: Mistress of Evil” Pada Busana Pesta Malam Ragil Fahria Hernawan; Mila Karmila
Jurnal Pendidikan Indonesia Vol. 5 No. 8 (2024): Jurnal Pendidikan Indonesia (Japendi)
Publisher : Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59141/japendi.v5i8.3294

Abstract

Maleficent adalah tokoh utama Protagonis, yang pada akhirnya diceritakan dengan menarik tentang alasan mengapa Maleficent berakhir sebagai tokoh Antagonis. Perubahan karakter tersebut dapat mengubah aspek-aspek pendukungnya, salah satunya adalah aspek visual termasuk kostum yang digunakan. Perubahan dari karakter Antagonis menjadi Protagonis yang dimasukkan dengan unsur gaun malam dan kostum yang digunakan oleh Maleficent dalam film "Maleficent: Mistress of Evil", diadaptasi menjadi gaun malam dengan model ball gown. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana karakter Maleficent dapat diinterpretasikan ke dalam desain busana, serta bagaimana elemen-elemen spesifik seperti aksesoris dan material dapat mempengaruhi hasil akhir gaun. Metode yang digunakan adalah Three-stage design process, yang terdiri dari 3 tahap: Definisi & Riset Masalah, Eksplorasi Kreatif, dan Implementasi. Hasil dari pengembangan desain pada karakter adaptasi "Maleficent: Mistress of Evil" pada gaun malam dengan model ball gown yang diciptakan memenuhi unsur kostum Maleficent dan karakteristik gaun malam dengan model ball gown dengan menggunakan warna hitam dan korsase berwarna emas, serta aksesoris headpiece berbentuk tanduk Maleficent merupakan penggambaran karakter Maleficent yang memiliki sifat yang kuat, tegas, dan penyayang.
MANFAAT HASIL BELAJAR PENGELOLAAN USAHA DESAIN MODE SEBAGAI KESIAPAN PERINTISAN USAHA JASA DESAIN MODE Dinda Adiningsih Putri; Mila Karmila; Mandhe Sekar Nurindah
Practice of Fashion and Textile Education Journal Vol. 6 No. 2 (2026): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftj.v6i2.71298

Abstract

This article applies an experiential design method to develop an avant-garde kebaya that integrates handcrafted local metal accessories. The main issue addressed is a lack of integration between local jewelry craftsmanship and experimental fashion concepts. The authors address the issue by applying a five-stage design thinking framework (empathize, define, ideate, prototype, and test) to experiment with kebaya forms which were transformed into three-dimensional avant-garde fashion silhouette. Data was collected through field observation and co-design process with the local metal artisan Nio El from Sidoarj. Data were qualitatively analyzed using studio-based visual and structural comparative analysis across a spectrum of innovation: from initial form explorations to radical structural deconstruction in the final design outcome. Results were validated through live-model fit testing and panel evaluation.  The creative synthesis of textile-based fashion elements and three-dimensional accessories has produced a design concept that suggests the formation of a unique avant-garde aesthetic is viable through a spectrum of innovation possibilities, from minimum to maximum transformation. The conceptual design results imply that the fundamental principles of garment construction, such as the kebaya’s central element of the brooch, the sheer body-wrapping textile, and the wrap skirt construction logic, are viable for generating a distinct avant-garde aesthetic. Ultimately, this practice-led exploration highlights educational implications for higher fashion design curricula seeking to integrate local artisan collaboration into studio practice.
Co-Authors Asri Andarini Asri Andarini Nurlita Asri Wibawa Sakti Astuti Astuti Cucu Ruhidawati Dea Indriani Dinda Adiningsih Putri Feny Puspitasari katiah, katiah Mandhe Sekar Nurindah Marlina Marlina Novia Syifana Nurchaliza Prihatini, Pipin Tresna Ragil Fahria Hernawan Raihanah Zahidah Rita Nurjanah Rosya Wianda Maryam Vina Andayani Win Win Wiana Winwin Wiana