Claim Missing Document
Check
Articles

Found 2 Documents
Search
Journal : Panggung

Teknik Potong Miring dan Teknik Laminasi dalam Proses Pembuatan Produk Kriya Kayu sebagai Upaya Efisiensi Bahan Ahmad Bahrudin; Wahyono Wahyono; Nasral Yuzaili
PANGGUNG Vol 29, No 4 (2019): Keragaman Seni dan Inovasi Estetik
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (784.418 KB) | DOI: 10.26742/panggung.v29i4.1052

Abstract

ABSTRACTThe forests that are not well-preserved caused the scarcity of forest products, especially wood in its different use, such as wood for industrial, building construction, and crafts. This situation has brought a significant impact on the wood prices that is increased significantly due to the high demand for wood. However, the supply is decreased, especially some types of wood to make craft products, such as surian wood, sungkai, and jelutung. This research is conducted using an experimental research method with slanted cutting and lamination techniques in the manufacture of wood products. This method is used by carrying some experimental stages. The results are several craft products produced with various levels of efficiency and function of the product. This research can contribute to finding solutions in the use of wood as raw materials in the crafts manufacture, especially wood crafts, effectively and efficiently.Keywords: efficiency, slant cutting, lamination, craft ABSTRAKKondisi hutan yang tidak terjaga kelestariannya mengakibatkan semakin langkanya hasil hutan. Salah satunya adalah kayu, baik kayu untuk keperluan industri, konstruksi maupun untuk keperluan pembuatan karya kriya. Dampaknya, harga kayu membumbung tinggi. Hal ini disebabkan permintaan kayu sangat tinggi, tetapi pasokan kayu semakin langka, terutama beberapa jenis kayu untuk keperluan pembuatan produk kriya, seperti kayu surian, sungkai, dan jelutung. Penelitian ini dilakukan menggunakan metode penelitian eksperimen dengan teknik potong miring dan laminasi pada pembuatan produk kayu. Metode ini digunakan untuk melakukan tahapan-tahapan eksprimental sehingga produk yang dihasilkan sesuai dengan yang telah direncanakan. Hasil yang telah dicapai dalam penelitian ini adalah beberapa produk kriya dengan berbagai tingkat efisiensi dan fungsi produk. Penelitian ini diharapkan bisa menjadi salah satu solusi dalam penggunaan bahan baku kayu dalam pembuatan karya kriya khususnya, kriya kayu secara efektif dan efisien.Kata kunci: efisiensi, potong miring, laminasi, produk kriya
Symbolic and Aesthetic Representation of the Royal Carriage as a Manifestation of Palace Craft Art: Implications for the Study of Cultural Identity in the Archipelago Wahyono; Guntur; Suyanto; Eko Supriyanto
PANGGUNG Vol 35 No 3 (2025): Estetika, Identitas, dan Digitalisasi: Praktik Seni dan Budaya Nusantara dalam P
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i3.3745

Abstract

Craft art represents a cultural expression reflecting community creativity, identity, and skills. In Indonesia, craft art has a long historical tradition influenced by Hindu-Buddhist, Islamic, and European colonial cultures. One prominent manifestation of palace craft art is the royal carriage (kereta kencana), which serves as ceremonial transportation and a symbol of royal authority, social status, and cultural identity. This study investigates the royal carriage's aesthetic, symbolic, and technical representations as a significant artifact of palace craft art. The research adopts a qualitative approach through literature study, relying on written sources such as books, scientific articles, and historical documents. Findings indicate that the royal carriage reflects exceptional aesthetic quality and technical mastery through high-quality materials such as teak wood, precious metals, luxurious textiles, and intricate carvings, integrating elements of Hindu-Buddhist, Islamic, and Western cultures. Symbols such as Garuda, Arabic calligraphy, floral and faunal motifs, and Baroque ornaments represent the royal institutions’ philosophical, spiritual, and political values. Nevertheless, this research has limitations regarding the empirical exploration of symbolic meaning shifts in modern contexts. Further studies are recommended to employ ethnographic approaches, material analyses, and conservation strategies utilizing digital technology and artisan regeneration to maintain the relevance of palace craft heritage as a critical part of Indonesia’s cultural identity.