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PENGARUH PERUBAHAN BUDAYA TERHADAP KONSEPSI INOVASI KARYA BATIK PADA MASYARAKAT PENGRAJIN BATIK DESA PUNGSARI KECAMATAN PLUPUH KABUPATEN SRAGEN Darwoto, Darwoto
Canthing Vol 6, No 1 (2020)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Batik is one of art form which is owned IndonesiaNation. In its development can not be separated fromthe influence of cultural change. Among of Batik creation is done by the batik painter who in fact theyare the farming society.Batik existing and developingat Pungsari village, Plupuh subdistrict, Sragen regency is one of batikwhich was born on the farming society. Batik in this area was born as a form of collective works basedon a concept and not a change in hereditary. As cultural products on the basis of its emergence as amajor manifestation of an embodiment of an agrarian society mired in economic terms, batik in thisarea was born and evolved into a vehicle for creative economy society that evolved into a new incomein the society.On the stage of its development as the influence of cultural change triggered the conception of thework as a form of innovation to maintain the product in the concept of marketing competition,defensing economy and improving the quality and quantity. This condition makes existence be able tocontinue surviving and developing well and also improving the society's economy. The other impactsis a change in the social construction of the form of order agrarian society to an industrial societyform.

THE UTILIZATION OF COFFE PASSES AS TEXTILE DYES WITH DYNING BACKGROUND TECHNIQUES Taufik Yahya, Prebiestian; Darwoto, Darwoto
Arty: Jurnal Seni Rupa Vol 10 No 1 (2021): Arty
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

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This design was carried out as a form of experimental development of natural coloring using coffee grounds waste with the tie-dye technique offering a unique and attractive visual. The purpose of this design is to develop textile dyeing with coffee waste by giving geometric patterns through the tie-dye technique with a variety of fixators that produce different color reactions in a visual work in plain cloth which is given a motif through the design process. The results of this textile design are as follows: (1) Coffee grounds as a natural textile dye through tie-dye technique with a source of geometric line ideas in tie-dye design. The design results succeeded in making 6 textile designs. (2) The application of coffee dregs staining with the tie-dye technique in the form of lines and using several fixators with different color reactions produces a product that looks attractive, elegant, striking, has distinctive features and is different from the others.

THE UTILIZATION OF COFFE PASSES AS TEXTILE DYES WITH DYNING BACKGROUND TECHNIQUES Taufik Yahya, Prebiestian; Darwoto, Darwoto
Arty: Jurnal Seni Rupa Vol 10 No 1 (2021): Arty
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar

This design was carried out as a form of experimental development of natural coloring using coffee grounds waste with the tie-dye technique offering a unique and attractive visual. The purpose of this design is to develop textile dyeing with coffee waste by giving geometric patterns through the tie-dye technique with a variety of fixators that produce different color reactions in a visual work in plain cloth which is given a motif through the design process. The results of this textile design are as follows: (1) Coffee grounds as a natural textile dye through tie-dye technique with a source of geometric line ideas in tie-dye design. The design results succeeded in making 6 textile designs. (2) The application of coffee dregs staining with the tie-dye technique in the form of lines and using several fixators with different color reactions produces a product that looks attractive, elegant, striking, has distinctive features and is different from the others.

PELATIHAN ECOPRINT TEKNIK POUNDING UNTUK SISWA SEKOLAH DASAR Widiastuti, Theresia; Sulistyati, Apika Nurani; Setyawan, Setyawan; Darwoto, Darwoto; Dartono, Felix Ari
Adi Widya : Jurnal Pengabdian Masyarakat Vol 7 No 2 (2023): Adi Widya: Jurnal Pengabdian Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/awpm.v7i2.9309

Ecoprint is a technique of giving patterns on fabrics made from natural materials which aims to reduce the negative impact on the environment. The activity of making environmentally friendly ecoprint crafts on drawstring bags using the pounding technique was carried out with fifth grade students of SDN Cemara Dua Surakarta. Extra-curricular activities are routinely carried out by schools, one of which aims to maintain environmental preservation and prevent damage to the environment and pollution of the school. Through this activity it is hoped that students will acquire a simple provision of knowledge about nature, especially plants. The pounding process that was trained on them used kenikir leaves which have a variety of nutritional content and are beneficial for health, besides having a unique color when tapped on the cloth. New things that can be valuable input for elementary school students besides gaining skills to make crafts that can be used alone. The method used in this service activity is in the form of training. Students are provided with very basic simple knowledge about plants, understand the process of making works using the pounding technique, learn to make beautiful patterns by arranging kenikir leaves on the surface of drawstring bags, and produce eco-friendly crafts. In this activity the service team accompanies each student to work while playing in the hope of awakening their creativity.

The Warak Ngendog Mitologi Warak Ngendog Sebagai Sumber Ide Motif Batik Kontemporer Gaya Semarangan: Tugas Akhir Mawati, Riska; Darwoto, Darwoto
Hastagina : Jurnal Kriya Seni Vol 3 No 02 (2023): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v3i02.2802

Karya motif batik Warak Ngendog sebagai sumber ide menggunakan teknik batik tulis gaya semarangan pewarnaan remasol namun tetap bergaya semarangan. Karya diaplikasikan sebagai kaian panjang jarit sapit urang. Penciptaan motif batik Warak Ngendog ini merupakan symbol akulturasi tiga etnis kebudayaan yang mendiami Kota Semarang yaitu Cina, Arab dan Jawa. Metode perancangannya mengacu pada teori perancangan Gustamiyakin, tahapan eksplorasi dengan mendalami ilustrasi Warak Ngendog. Tahap perancangannya untuk mewujudkan produk dengan menggunakan teknik batik tulis dengan menggunakan teknik batik tulis serta tahap terakhir berupa perwujudan karya. Serta mendalami cerita budaya atau history culture untuk lebih menguasai Warak Ngendog. Hasil Akhir pada perancangan ini berupa produk tekstil berupa batik tulis dengan motif yang bersumber ide dari Warak Ngendog. Produk tekstil ini berupa kain panjang yang bisa digunakan jarek sapit urang yang dipadukan dengan atasan koko dan bawahan alusan.

The Experiment of Jepara Troso Woven in Local Wisdom Sarwono, Sarwono; Prameswari, Nadia Sigi; Darwoto, Darwoto; Akhmad, Zunaila; Hassan, Hanisa
Harmonia: Journal of Arts Research and Education Vol 23, No 1 (2023): June 2023
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v23i1.37661

Troso woven cloth, located in Troso village, Jepara city, is one of the various Indonesian cultural heritages first discovered in AD. The purposes of this study are: 1) to investigate the woven cloth and its uses, the relationship between woven cloth with cultural and religious traditions, and the relationship between the woven cloth and local identity; 2) to design a new motif of Troso woven cloth that incorporates the elements of Jepara culture. The study used a practice-based research approach. The data were collected by purposive sampling technique. The results showed that the local community commonly uses woven fabric products as decorative. Troso cloth is also used to design attires, gamis dresses, or koko shirts for the feast day or formal events. The craftsmen of Troso woven fabrics made in Jepara primarily receive orders with motifs from other regions, including Bali, Sumatra, and Kalimantan. In contrast, the original woven fabric motifs distinctive from Troso are rarely known to the general public. The study formulates a new digital-based motif of the Troso fabric pattern that displays the iconic elements of Jepara city. The iconic depictions of Jepara are in the form of turtles, Jepara wooden carvings, and wave patterns. This research is expected to elevate the Troso fabric’s identity as a local identity of Jepara city and contribute to the Troso village community to develop the Troso fabric unique to the region.

Pemanfaatan Limbah Kantong Plastik Kantong Plastik Sebagai Bahan Utama Perancangan Tote Bag Azka, Farsya Ghassani; Darwoto, Darwoto
Corak Vol 13, No 2 (2024): November 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v13i2.13580

The need for plastic in Indonesia has increased in line with economicgrowth and population size due to its water-resistant, flexible, and practicalnature (Arico & Jayanthi, 2017). However, its non-biodegradable nature posesenvironmental risks, prompting efforts to reduce plastic waste through upcycling.This project aims to select usable plastic bag waste, employ appropriatetechniques for creating a tote bag, and meet market preferences. The designmethod by Palgunadi involves exploration, extraction, and termination stages,guiding research, analysis, concept development, and product manufacturing(Palgunadi, 2007). The outcome is a crochet tote bag using recycled plastic bagmaterial, demonstrating the durability of woven plastic yarn compared to othermethods discovered during the thesis research.ABSTRAKKebutuhan akan plastik di Indonesia telah meningkat sejalan dengan pertumbuhan ekonomi dan ukuran populasi karena sifatnya yang tahan air, fleksibel, dan praktis (Arico & Jayanthi, 2017). Namun, sifatnya yang tidak dapat terurai secara hayati menimbulkan risiko lingkungan, mendorong upaya untuk mengurangi limbah plastik melalui upcycling. Proyek ini bertujuan untuk memilih limbah kantong plastik yang dapat digunakan, menerapkan teknik yang tepat untuk membuat tas jinjing, dan memenuhi preferensi pasar. Metode desain oleh Palgunadi melibatkan tahapan eksplorasi, ekstraksi, dan terminasi, yang membimbing penelitian, analisis, pengembangan konsep, dan pembuatan produk (Palgunadi, 2007). Hasilnya adalah tas jinjing rajutan yang menggunakan bahan limbah kantong plastik daur ulang, menunjukkan daya tahan benang plastik tenun dibandingkan dengan metode lain yang ditemukan selama penelitian tesis.

Perancangan Desain Aplikatif Covid-19 Dengan Teknik Engraving Untuk Jaket Denim Mukti, Ajie Pramudya; Darwoto, Darwoto
Corak Vol 13, No 1 (2024): Mei 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v13i1.10536

AbstractDiseases caused by viruses pose a serious threat to the human body due to their microscopic size and parasitic nature. One of the viruses that shocked the world in early 2020 was covid-19, which belongs to the Coronavirus family. It has various impacts on the human body, ranging from mild symptoms to fatalities. In this project, the author will create illustrations on denim jackets as a means to remind people of the dangers of covid-19 that occurred three years ago and will combine them for a fashion product aimed at young male teenagers aged 17 to 27 years old. The illustrations will adopt a figurative surrealist visual style with line art embellishments and engraving techniques applied to the denim jackets. The development process of the illustration design will involve stages of exploration, extraction, and termination points (Palgunadi, 2007:266-268).AbstrakPenyakit yang disebabkan oleh virus menjadi ancaman serius bagi tubuh manusia karena ukurannya yang mikroskopik dan sifat parasitnya. Salah satu virus yang menggemparkan dunia pada awal tahun 2020 adalah covid-19, yang termasuk dalam keluarga Coronavirus. Berbagai dampak yang ditimbulkan dari virus covid-19 terhadap tubuh manusia, mulai dari gejala ringan hingga kematian. Pada perancangan ini, penulis akan membuat ilustrasi pada jaket denim sebagai media pengingat kembali tentang bahaya covid-19 yang terjadi tiga tahun yang lalu dan kemudian akan kombinasikan untuk produk fashion bagi kalangan remaja pria dari usia 17 tahun sampai 27 tahun. Ilustrasi akan menggunakan gaya visual figuratif surialis dengan penggayaan line art dan teknik engraving yang akan diterapkan pada jaket denim. Proses pengembangan desain ilustrasi menggunakan tahapan proses eksplorasi, ekstraksi, dan titik terminasi (Palgunadi, 2007:266-268)

Batik Besurek Sebagai Sumber Ide Perancangan Motif Untuk Busana Wanita Ready To Wear Nabila Bafaqih, Sofia Nabila; Darwoto, Darwoto
Hastagina : Jurnal Kriya Seni Vol 2 No 02 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i02.1721

The Besurek Batik motif comes from the city of Bengkulu, and the word “Besurek” means “letter writing” or just “writing”. One of the most distinguished features of Besurek Batik is its similarity to Arabic calligraphy letters, but in this case, it’s meaningless and more of a decorative form. The background of this design is to introduce Besurek Batik motifs to the public by designing women’s ready-to-wear clothing through a different technique, namely digital printing. This design project is also aimed to answer the question/problem of how to design motifs with Besurek Batik as the source of ideas for women’s ready-to-wear clothing by using a digital printing technique. The design method that is used as a reference to address this problem is the Collin Clipson method which states that there are five stages in the process of designing, namely problem identification, design analysis, creative process, production process, and marketing distribution. In this project, the data was collected by observation, interviews, visual studies, and product comparison studies. The technique used in this design is the digital printing technique, which makes the production process faster and cheaper compared to other printing techniques. The result of this design is women’s ready-to-wear clothing. Ready-to-wear clothing is simple and comfortable clothing that is suited for daily activities. Not just that, women’s ready-to-wear clothing can also be seen as a medium to popularize the Besurek Batik motif. Everyone who wears ready-to-wear clothing with Besurek Batik motifs is expected to inspire others in getting to know the motif.

The Warak Ngendog Mitologi Warak Ngendog Sebagai Sumber Ide Motif Batik Kontemporer Gaya Semarangan: Tugas Akhir Mawati, Riska; Darwoto, Darwoto
Hastagina : Jurnal Kriya Seni Vol 3 No 02 (2023): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v3i02.2802

Karya motif batik Warak Ngendog sebagai sumber ide menggunakan teknik batik tulis gaya semarangan pewarnaan remasol namun tetap bergaya semarangan. Karya diaplikasikan sebagai kaian panjang jarit sapit urang. Penciptaan motif batik Warak Ngendog ini merupakan symbol akulturasi tiga etnis kebudayaan yang mendiami Kota Semarang yaitu Cina, Arab dan Jawa. Metode perancangannya mengacu pada teori perancangan Gustamiyakin, tahapan eksplorasi dengan mendalami ilustrasi Warak Ngendog. Tahap perancangannya untuk mewujudkan produk dengan menggunakan teknik batik tulis dengan menggunakan teknik batik tulis serta tahap terakhir berupa perwujudan karya. Serta mendalami cerita budaya atau history culture untuk lebih menguasai Warak Ngendog. Hasil Akhir pada perancangan ini berupa produk tekstil berupa batik tulis dengan motif yang bersumber ide dari Warak Ngendog. Produk tekstil ini berupa kain panjang yang bisa digunakan jarek sapit urang yang dipadukan dengan atasan koko dan bawahan alusan.

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