Garuda - Garba Rujukan Digital

Line and Color Composition in Lurik Cawas Weaving: Idea from Traditional Lurik Patterns Widiastuti, Theresia; Rizali, Nanang; Anantanyu, Sapja; Waluyo, Sugeng Edi
International Research Journal of Management, IT & Social Sciences (IRJMIS) Vol 4 No 1: January 2017
Publisher : IJCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21744/irjmis.v4i1.338

Javanese lurik is weaved fabric with striped motives, and it has very simple appearance. In the past, lurik only used two colors, namely: black and white. But, as it develops, some of lurik fabrics use more than two colors, and one of the colors usually still consists of black or white color. After lurik becomes one of the prosper trading commodities, the artisans attempt to make lurik more appealing and varying in term of appearance so that it will be favored by consumers. The objective of this research is to investigate how the artisans can develop lurik patterns to stay appealing. This paper used the qualitative research with the case study strategy and phenomenological approaches. The study aims at understanding the methods employed by artisans in Cawas Klaten in developing lurik patterns. The result of the study show that (1) lurik pattern has been developed by using various alternatives of line composition and color coherence; (2) the idea of development comes from traditional lurik patterns which already existed long time ago; and (3) line and color composition used a minimum of three colors so that it looks like a rainbow, and this kind of lurik pattern becomes the characteristic of modern weaved fabric from Cawas.

PELATIHAN ECOPRINT TEKNIK POUNDING UNTUK SISWA SEKOLAH DASAR Widiastuti, Theresia; Sulistyati, Apika Nurani; Setyawan, Setyawan; Darwoto, Darwoto; Dartono, Felix Ari
Adi Widya : Jurnal Pengabdian Masyarakat Vol 7 No 2 (2023): Adi Widya: Jurnal Pengabdian Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/awpm.v7i2.9309

Ecoprint is a technique of giving patterns on fabrics made from natural materials which aims to reduce the negative impact on the environment. The activity of making environmentally friendly ecoprint crafts on drawstring bags using the pounding technique was carried out with fifth grade students of SDN Cemara Dua Surakarta. Extra-curricular activities are routinely carried out by schools, one of which aims to maintain environmental preservation and prevent damage to the environment and pollution of the school. Through this activity it is hoped that students will acquire a simple provision of knowledge about nature, especially plants. The pounding process that was trained on them used kenikir leaves which have a variety of nutritional content and are beneficial for health, besides having a unique color when tapped on the cloth. New things that can be valuable input for elementary school students besides gaining skills to make crafts that can be used alone. The method used in this service activity is in the form of training. Students are provided with very basic simple knowledge about plants, understand the process of making works using the pounding technique, learn to make beautiful patterns by arranging kenikir leaves on the surface of drawstring bags, and produce eco-friendly crafts. In this activity the service team accompanies each student to work while playing in the hope of awakening their creativity.

PEMANFAATAN PEWARNA ALAMI BUAH SENGGANI UNTUK BATIK TULIS MOTIF TANAMAN SENGGANI Prasetyanti, Lucky Dwi; Santoso, RatnaEndah; Widiastuti, Theresia
Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i1.3269

The background of working on this project is that the Senggani plant has a high availability compared to other shrubs.This plant has not used enough, so batik using natural dyes from the fruit Senggani needs to be developed. Senggani natural dye is used as a dye for hand-written batik. The development of visual processing of the motifs of Senggani plants with deformation styling.The material used is silk shiffon. The problem in this design is how to use Senggani fruit as a natural dye for hand-written batik for shawls, from these problems the resulting color and techniques are processed with attractive and maximum visual development.The process of creating works is adapted to several aspects of the design, namely aspects of function, aesthetic aspects,material aspects and aspects of the production process. These four aspects must be related to one another. The process of visualizing this design goes through several stages, namely design processing, color extraction, cloth memordan,mola,batik,coloring,colorfixation,nemboki and pelorodan.Based on the design process carried out, the results show that Senggani fruit can be used as an alternative to natural dyes for batik,and its shape can be used as inspiration for the batik motif itself.

PEMANFAATAN PEWARNA ALAMI BUAH SENGGANI UNTUK BATIK TULIS MOTIF TANAMAN SENGGANI Prasetyanti, Lucky Dwi; Santoso, RatnaEndah; Widiastuti, Theresia
TEXTURE Art and Culture Journal Vol. 7 No. 1 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i1.3269

The background of working on this project is that the Senggani plant has a high availability compared to other shrubs.This plant has not used enough, so batik using natural dyes from the fruit Senggani needs to be developed. Senggani natural dye is used as a dye for hand-written batik. The development of visual processing of the motifs of Senggani plants with deformation styling.The material used is silk shiffon. The problem in this design is how to use Senggani fruit as a natural dye for hand-written batik for shawls, from these problems the resulting color and techniques are processed with attractive and maximum visual development.The process of creating works is adapted to several aspects of the design, namely aspects of function, aesthetic aspects,material aspects and aspects of the production process. These four aspects must be related to one another. The process of visualizing this design goes through several stages, namely design processing, color extraction, cloth memordan,mola,batik,coloring,colorfixation,nemboki and pelorodan.Based on the design process carried out, the results show that Senggani fruit can be used as an alternative to natural dyes for batik,and its shape can be used as inspiration for the batik motif itself.

Krustasea Arafura sebagai Ide Penciptaan Batik Abdullah, Farid; Widiastuti, Theresia; Sobandi, Bandi; Wardoyo, Bambang Tri
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol. 37 No. 2 (2020): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v37i2.5948

ABSTRAKPotensi sumber daya alam perikanan saat ini terus digali, namun mengubah potensi sumber daya alam menjadi penciptaan kreasi batik masih sangat terbatas. Tujuan tulisan ini adalah menghasilkan eksperimentasi berdasarkan sumber ide krustasea Arafura yang dikembangkan menjadi desain busana batik. Metode yang dipergunakan adalah deskriptif-eksperimentatif, memakai model 4-D Thiagarajan (1974) yaitu (1) Definisi; (2) Desain; (3) Pengembangan; dan (4) Diseminasi. Dimulai dengan mengidentifikasi potensi lokal Arafura, seleksi, merumuskan ide-ide, eksperimentasi, hingga penciptaan desain. Hasil dari eksperimen ini adalah purwarupa busana batik berdasarkan ide krustasea yang melimpah di Arafura. Kesimpulan berupa potensi ekonomi kreatif bersumber ide lokal sumber daya alam laut Arafura, dapat menambah nilai ekonomi bagi masyarakat setempat. Rekomendasi yang diberikan adalah terus menggali potensi-potensi alam lainnya yang terkait dengan sumber daya alam kelautan untuk diubah menjadi produk ekonomi kreatif.ABSTRACTThe potential of fisheries resources has been explored continuously, but transforming the resources into creative idea of batik creation is still limited. This study aims to conduct experiment based on Arafura crustaceans, as an idea for batik fashion designs. The method used is descriptive-experimental method, using Thiagarajan 4D model (1974), namely (1) Definition; (2) Design, (3) Development; and (4) Dissemination. The study was started by identifying the local potential of Arafura, selection, formulating ideas, experiments, and creating the design. The result of this experiment is a prototype of batik clothes using design based on the idea of crustacean which is abundant in Arafura. The conclusion from this experiment is creative economic potential comes from local ideas of crustacean Arafura natural resources. The recommendation is to continue the exploration of other marine natural potentials resources as ideas for creative economic products.

Title

Found 5 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 5 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 5 Documents
Search