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KESELARASAN WUJUD INKULTURASI ORNAMEN SEBAGAI PEMBENTUK MAKNA SIMBOLIK GEREJA SANTA THERESIA LISIEUX BORO, KULON PROGO Malika Pribadi, Nyra; Fauzy, Bachtiar
Riset Arsitektur (RISA) Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8576.328-347

Abstract - As the times progress, the Catholic Church is increasingly open to changes. The Second Vatican Council which was held in 1965 produced a new term, namely; inculturation, which means the encouragement of the Church to renew the Church by involving integration between local culture and Catholic teachings. Inculturation encourages the formation of a Church that continues to change with the times, by involving the active role of its people through a liturgy that can be more internalized by the community, thus forming a Church that is rooted in the local community and integration of faith experience with local breath can occur. Inculturation makes the Church part of the local culture and integrated identity of a community group. The purpose of this research is to document and reveal the embodiment and harmony of inculturation found in the architectural ornaments of the Santa Theresia Lisieux Boro Church in Kulon Progo. The choice of this object was made due to the lack of documentation of this church, even though it has a rich history and has been established since 1927. The Santa Theresia Lisieux Boro Church has strong influences from European architecture, especially the Netherlands because of its history, and over time has experienced changes influenced by Javanese culture. This research was conducted using qualitative methods in the form of descriptions, comparisons, analysis, and interpretations. The theory used is acculturation theory which is the basis of the inculturation process. The supporting theories used are the principles of Javanese locality, in the form of Javanese architectural ornamentation and colors, church zoning theory, and semiotic theory regarding historical, historicism, and material approaches. The object of study is divided into the scope of study from zoning in the Church which is divided according to its sacredness, namely the Narthex Zone, Nave Zone, and Sanctuary Zone, which is then divided again based on the scope of the building, namely the roof area, the wall area, and the floor area. The results of the study show that the inculturation of the Santa Theresia Lisieux Boro Church, Kulon Progo appears in its relationship with the sacred hierarchical zoning of the church, and the scope of the building as a manifestation of the insertion of Javanese culture into church architecture. Inculturation is manifested in the use of local decorative styles such as lung-lungan floral motives, gunungan wayang, and ornamental depiction styles. Material selection based on locality is also carried out by using stone paste and carved teak wood. The research also suggests that there is harmony between ornaments that are studied based on shape and meaning, color and material, and hierarchical placement has been realized, except for the ornaments in the Nave Zone. The benefits of this research can provide researchers, designers and readers with an understanding of inculturation and its harmony in the architectural ornamentation of the Santa Theresia Lisieux Boro Church in terms of form and meaning. An understanding of the importance of integrating local culture and values into buildings that become the identity of a region is also obtained. This research is expected to be an inspiration for designers to integrate and adopt local cultural elements that are in harmony in terms of form and meaning with the teachings and sacredness of the Catholic religion in church architecture as the identity of a region. Keywords: inculturation, ornament, form and meaning, church architecture, Java

HUTAN MANGROVE SEBAGAI PELINDUNG GARIS PANTAI DAN PINTU MASA DEPAN EKOWISATA Samantha Theresia; Yohanes Basuki Dwisusanto; Bachtiar Fauzy
Ide dan Dialog Desain Indonesia (Idealog) Vol 10 No 1 (2025): Jurnal Idealog Vol 10 No 1
Publisher : Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar

Mangrove forests play a crucial role in protecting coastlines from erosion, enhancing biodiversity, and providing resources for surrounding communities. This literature-based study highlights how mangrove forests serve as natural barriers against the threats of climate change and sea level rise by absorbing waves and preventing erosion. Additionally, mangrove forests also play a role in absorbing and storing carbon, aiding in climate change mitigation. On the other hand, the natural beauty and rich biodiversity in mangrove forests offer significant potential as ecotourism destinations. Ecotourism, if managed properly, can provide economic benefits to local communities while maintaining the sustainability of the ecosystem. Therefore, sustainable and inclusive management is necessary to ensure that the economic benefits of ecotourism can be enjoyed by the surrounding communities without damaging these vulnerable ecosystems

KESELARASAN WUJUD INKULTURASI ORNAMEN SEBAGAI PEMBENTUK MAKNA SIMBOLIK GEREJA SANTA THERESIA LISIEUX BORO, KULON PROGO Malika Pribadi, Nyra; Fauzy, Bachtiar
Jurnal Riset Arsitektur Vol 8 No 04 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i04.8576.328-347

Abstract - As the times progress, the Catholic Church is increasingly open to changes. The Second Vatican Council which was held in 1965 produced a new term, namely; inculturation, which means the encouragement of the Church to renew the Church by involving integration between local culture and Catholic teachings. Inculturation encourages the formation of a Church that continues to change with the times, by involving the active role of its people through a liturgy that can be more internalized by the community, thus forming a Church that is rooted in the local community and integration of faith experience with local breath can occur. Inculturation makes the Church part of the local culture and integrated identity of a community group. The purpose of this research is to document and reveal the embodiment and harmony of inculturation found in the architectural ornaments of the Santa Theresia Lisieux Boro Church in Kulon Progo. The choice of this object was made due to the lack of documentation of this church, even though it has a rich history and has been established since 1927. The Santa Theresia Lisieux Boro Church has strong influences from European architecture, especially the Netherlands because of its history, and over time has experienced changes influenced by Javanese culture. This research was conducted using qualitative methods in the form of descriptions, comparisons, analysis, and interpretations. The theory used is acculturation theory which is the basis of the inculturation process. The supporting theories used are the principles of Javanese locality, in the form of Javanese architectural ornamentation and colors, church zoning theory, and semiotic theory regarding historical, historicism, and material approaches. The object of study is divided into the scope of study from zoning in the Church which is divided according to its sacredness, namely the Narthex Zone, Nave Zone, and Sanctuary Zone, which is then divided again based on the scope of the building, namely the roof area, the wall area, and the floor area. The results of the study show that the inculturation of the Santa Theresia Lisieux Boro Church, Kulon Progo appears in its relationship with the sacred hierarchical zoning of the church, and the scope of the building as a manifestation of the insertion of Javanese culture into church architecture. Inculturation is manifested in the use of local decorative styles such as lung-lungan floral motives, gunungan wayang, and ornamental depiction styles. Material selection based on locality is also carried out by using stone paste and carved teak wood. The research also suggests that there is harmony between ornaments that are studied based on shape and meaning, color and material, and hierarchical placement has been realized, except for the ornaments in the Nave Zone. The benefits of this research can provide researchers, designers and readers with an understanding of inculturation and its harmony in the architectural ornamentation of the Santa Theresia Lisieux Boro Church in terms of form and meaning. An understanding of the importance of integrating local culture and values into buildings that become the identity of a region is also obtained. This research is expected to be an inspiration for designers to integrate and adopt local cultural elements that are in harmony in terms of form and meaning with the teachings and sacredness of the Catholic religion in church architecture as the identity of a region. Keywords: inculturation, ornament, form and meaning, church architecture, Java

Tektonika dan Ragam Akulturasi Arsitektur Rumah Tinggal Di Sendangharjo Tuban Fauzy, Bachtiar
Jurnal Permukiman Vol 12 No 2 (2017)
Publisher : Direktorat Bina Teknik Bangunan Gedung dan Penyehatan Lingkungan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31815/jp.2017.12.108-115

Studi ini dipandang penting dan memiliki tingkat urgensi untuk dapat dilakukan telaah mendalam, dimana kajian tentang tektonika yang bernuansa akulturasi arsitektur masih jarang dilakukan. Untuk itu penelitian ini bertujuan untuk mengungkap sejauh mana wujud tektonika dan ragam akulturasi arsitektur pada rumah tinggal di Sendangharjo, Tuban. Kasus studi iniÂ merupakan rumah tinggal masyarakat Jawa yang dipengaruhi oleh nilai budaya dan arsitektur etnis Kolonial Belanda yang masuk sejak abad ke-16. Studi tektonika dan ragam akulturasi arsitektur menjadi penting untuk ditelaah lebih lanjut, berdasarkan fenomena dan perkembangan arsitektur pesisir dewasa ini yang berkembang tanpa mempertimbangkan kaidah tektonika dan ragam akulturasi arsitekturnya, yang lambat laun akan menghilangkan ciri dan identitas lokal. Metoda yang digunakan dalam studi ini adalah tektonika, ordering principle, archetype dan relasi fungsi, bentuk dan makna (f, b, m) yang digunakan untuk mengungkap fenomena arsitektur pesisir tersebut. Penelusuran dilakukan melalui deskriptif, analitik dan interpretatif, sehingga penelusuran kasus studi ini dapat dilakukan secara integral, komprehensif dan mendalam. Hasil studi ini menunjukkan bahwa arsitektur rumah tinggal di Sendangharjo Tuban memiliki wujud tektonika dan ragam akulturasi arsitektur yang unsur-unsur bentuk pelingkupnya mengekspresikan wujud ciri dan identitas sebagai arsitektur pesisir.

EVALUASI IDENTITAS LOKAL PADA EKSPRESI BANGUNAN HOTEL KATAMAMA DI SEMINYAK, BALI Zipora, Sonia; Fauzy, Bachtiar
Jurnal Riset Arsitektur Vol 5 No 04 (2021): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v5i04.5299.348-366

Abstract- The times have created an identity crisis that has led to the fading of cultural diversity. This has caused many buildings in Indonesia today that have acted on behalf of or made the building have a local identity to reflect culture. The local identity used should not only be in the physical part of the building, but also have concepts and meanings applied. One of the local identity can be reflected through the expression of the building. A good building expression is a building that can pay attention to the local identity of the local culture in the building. This study aims to determine the local identity contained in the object of study, related to the expressions observed by observers. The object of study needs to be examined and studied further about the concept of Tri Angga used, and the representation of Bali that is reflected through the building, so that it can be known whether the object of study displays local Balinese identity or not. This evaluation discusses the conclusions of local identity in the case study building expressions and what should be done so that the local identity of Bali is more felt in the object of research. The theory used to support this research is the evaluation of architecture, local identity, architectural expression, identity and expression of Balinese architecture. The expression theory uses the Building Quality Theory by Kevin Lynch in 1960. The aspects of expression theory are chosen according to the explanations relevant to the object of study, form simplicity, visual scope, directional differentiation, and dominance. The method used in this study uses qualitative methods with descriptive, analytic, and interpretative approaches. The results of the study were to evaluate the local identity contained in the Katamama Hotel building expressions, which were assessed based on the theory of building quality. Local identity in the research object is in the aspect of dominance / dominance. The identity used is only found in the Bali brick material used in the scope of the building. Katamama Hotel does not use Balinese concepts, which rights are a characteristic or identity of Balinese architecture. The quality of buildings such as visual scope in the shape of the building is the main expression to be displayed. The brick material with gaps obtained from the brick structure makes a visual impression that can be felt by visitors, and is in accordance with the concept designed by the architect of the building by paying attention to lighting and shadows. While the quality of directional differentiation and form simplicity in buildings, both the shape of the building and the arrangement of the space become an aspect that is less attention to the Katamama Hotel. The benefit of this research is to provide an in-depth understanding of local identity and the importance of maintaining local wisdom, educating the public about the expression and its relation to local architectural identity with examples of real objects, so that physical and non-physical elements can be seen, enriching knowledge, especially culture local archipelago, as well as adding theoretical study studies on local expression and identity, as well as their relation to national identity. Key words: Evaluation, local identity, expression, Bali

IDENTITAS AKULTURASI ARSITEKTUR LOKAL (BANTEN) DAN NON-LOKAL (MODERN) PADA PEDOMAN PERANCANGAN GEDUNG PENDOPO BUPATI SERANG Saga Ichsan, Pilar; Salura, Purnama; Fauzy, Bachtiar
Jurnal Riset Arsitektur Vol 6 No 02 (2022): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i02.5730.167-183

Abstract - Government buildings should have a symbolic value that represents the area. The development of architecture in an area influences the development of the culture of the region, with the abandonment of the element of the architectural locality over time the element of the locality will become extinct. Based on these problems and phenomena, it produces quite important issues especially the acculturation of government buildings that can characterize the locality of a place. So that the research conducted is very important to answer how to produce local and modern concepts that are appropriate to the Serang Regent building design that characterizes the local socio-cultural context of the people of Banten. The purpose of this study was to obtain design guidelines and design simulations in realizing the acculturation identity of local architecture (Banten) and non-local (modern) in the design of the Serang Regent's Pendopo building. The theory applied in this study refers to (1) the archetypes theory in architecture and (2) the ordering principle theory in architecture. Besides that, the methods used in this research are descriptive, qualitative and interpretative that can be used in conducting studies and in–depth searches of the object, the precedent studies that are Pontianak mayor government building and Solok regent government building. The results of the analysis of the object of the study of precedents against the theory with the method that has been described are to obtain specific design guidelines for the Serang Regent's Pendopo building. This research is expected to provide benefits to the community on the importance of localities in preserving and building local culture and architecture and can add to the wealth of existing architectural knowledge for both academics and practitioners and make a positive contribution to local governments for making regional regulations. Keywords: Identity, Acculturation, Architecture, Local, Non – Local, Banten.

AKULTURASI ARSITEKTUR TRADISIONAL DAN MODERN PADA BANGUNAN KLENTENG SATYA BUDHI DI BANDUNG Hartarto Sugianto, Hendra; Fauzy, Bachtiar
Jurnal Riset Arsitektur Vol 6 No 03 (2022): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i03.5941.275-290

Abstract – Indonesia is a unitary state that has various ethnicities and cultures. Klenteng is a worship buildings for minority communities because there are not too many of them and are scattered in various regions in Indonesia. Klenteng uses the concept of architectural acculturation that combines traditional and modern elements that are widely applied, one of which is the Satya Budhi Klenteng in Bandung City. In the design method, the building must apply traditional elements because it is an effort to preserve or maintain this culture in today's times. In the case study, the Satya Budhi Klenteng will describe the traditional and modern elements based on the concept of site, mass structure, spatial arrangement, construction structure and ornamentation. After that, you will get the dominating aspect between traditional and modern elements based on the main part of the building. The results of the process will show dominance in applying traditional and modern elements to the Satya Budhi Klenteng. This research uses descriptive methods that describe case studies, analytical methods that analyze case studies based on theory and interpretative methods in producing conclusions which are an attempt to understand the dominance between traditional and modern elements based on the design method. As well as, to define the concept of acculturation architecture used through the design of worship buildings. Keywords: architectural acculturation, traditional architecture, modern architecture, Satya Budhi Klenteng

AKULTURASI ARSITEKTUR LOKAL DAN MODERN PADA DESAIN ANTWERPEN-CENTRAAL (ANTWERP CENTRAL) RAILWAY STATION, BELGIA Aji, Iman; Fauzy, Bachtiar
Jurnal Riset Arsitektur Vol 6 No 03 (2022): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i03.5942.291-313

Abstract - The development of the times has an impact on all aspects including developments in the transportation sector, stations that serve passengers in the land transportation sector are also affected by the modernization style. The development of the era in question is modernization, where everyone wants to move quickly and practically. The modern style has an impact on the development of architectural styles, in other words, the shift in the original style of a building is displaced by a new style, namely the modern style. The purpose of this research is to know and understand the concept of acculturation that occurs in the Antwerp station building, to find out the elements that influence it and produce conclusions from the object of study discussed, namely at the Antwerp Centraal Station. The research method used is a qualitative method, which aims to see the value contained in the physical building. Followed by the descriptive method, where the data obtained were collected in accordance with the research conducted which was adapted to the theory used. So that the final result is in the form of a conclusion from the results of the analysis that has been done. The expected benefit is to be able to increase the knowledge and knowledge of the readers of the research that has been carried out by researchers. Keywords: acculturation, architecture, train station building and Antwerp Centraal Station.

PENDEKATAN LOKALITAS BALI PADA DESAIN ARSITEKTUR HOTEL POTATO HEAD STUDIOS DI SEMINYAK Jordan, Joshua; Fauzy, Bachtiar
Jurnal Riset Arsitektur Vol 7 No 03 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i03.6997.228-247

Abstract - Globalization is a phenomenon that is difficult to avoid, and its effects are also felt in the field of architecture. As time passed by, more architectural works in Indonesia are built very modern and the locality approach is starting to be forgotten, especially in design. As a result, Indonesian architectural works began to lose their real context and identity. The purpose of this study is to uncover the local Balinese approach applied by Office for Metropolitan Architecture (OMA), in the architectural design of the Potato Head Studios hotel in Seminyak, Bali. The research was conducted using qualitative methods in the form of description, comparison, analysis and interpretation. The theories used are the principle of Balinese locality and the theory of the design approach on historical approaches, historicism, study of precedents and materials. The supporting theories are the Ordering Principles and the theory of Good Building / Architecture. The case study is divided into the scope of the surrounding environment, the site, the form, the figure and its sustainability. The results show that the Balinese locality approach to the architectural design of this hotel as a whole was dominated by the concept of harmony with nature and the approach to materials. The use of materials involves local craftsmen applying aspects of material sustainability in the building process and using recycled materials to create an interesting creation of shapes and textures on the wall, ceiling and floor elements. In addition, the historical approach of Balinese philosophy and culture is shown by the application of the sanga mandala concept to the shape of the building mass, and the use of the ancient Tika calendar which translates into a breeze block facade. From the concept of Balinese architecture, it can be seen that there is the application of natah as a form OHof the rwabhineda concept and also the woven elements on the ceiling, facade and railing of the building. A precedent study approach was also carried out at this hotel so as to create an architectural design that was different from the surrounding inns. The benefits of this research include providing an understanding to readers and designers regarding the local Balinese approach used in the this hotel and becoming a design inspiration. As a suggestion, the Balinese locality approach from the architectural concept can be applied further to the site and shape of the building mass. The pattern of the Tika calendar can also be simplified to make it easier to identify. Keywords: design approach, locality, architectural design, Bali

STRATEGI TRANSFORMASI ARSITEKTUR PADA STUDIO AKANOMA DI PADALARANG, KABUPATEN BANDUNG BARAT Amanda Irawan, Neysa; Fauzy, Bachtiar
Jurnal Riset Arsitektur Vol 7 No 03 (2023): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v7i03.6998.248-265

Abstract – The architecture in Indonesia, like the architecture of many countries and regions in the world, has recently undergone various changes due to the phenomenon of globalization. The rapid modernization and the rapid pace of architectural development create enormous opportunities for the entry of foreign cultural values. This causes rapid changes and transformations that occur in the architecture. This condition is thought to have resulted in the transformation of traditional architecture as a relic of past architecture, both in function, spatial planning or building form.The purpose of this research is to find out how Studio Akanoma responds to this globalization phenomenon by transforming its architecture, as well as revealing the architectural transformation strategy of the Akanoma Studio building in Padalarang, West Bandung Regency. Studio Akanoma is the work of Yu Sing, which currently functions as the office of an architectural consulting bureau. The theory applied in this study refers to (1) the theory of architectural transformation, (2) the theory of architectural transformation process (3) the theory of function, space, and form in architecture, and (4) the theory of traditional Javanese culture and architecture. This research was designed using a qualitative method with a case study approach.The results of this study indicate that the architectural transformation that occurred in the Akanoma Studio building in Padalarang, West Bandung Regency shows a transformation strategy that closely interweaves elements of traditional architectural locality in the context of modern life, with the use of pragmatic and iconic transformation strategy. This can be seen in the architectural expression, both in the function, layout, and form of the building. How to maintain the existence of traditional architecture in the present and in the future is a factual and interesting problem for the development of local/traditional architectural knowledge. More broadly, this study is expected to provide an overview of the development and transformation strategy of traditional architecture which is expected to answer future architectural challenges, and can be applied in the activities of designing and building architecture as a work of the built environment. Keywords: globalization, architectural transformation, identity, Padalarang Bandung Barat

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