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All Journal Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar INJECT (Interdisciplinary Journal of Communication) Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Besaung : Jurnal Seni Desain dan Budaya Jurnal SASAK : Desain Visual dan Komunikasi Melayu Arts and Performance Journal Judikatif: Jurnal Desain Komunikasi Kreatif Jurnal Pengabdian Kepada Masyarakat
Husni Mubarat
Uiniversitas Indo Global Mandiri
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Kesinambungan Dan Tantangan Ukiran Kayu Palembang Dari Masa Kesultanan Hingga Modern Husni Mubarat; Mukhsin Patriansah; Maslia
Besaung : Jurnal Seni Desain dan Budaya Vol. 10 No. 2 (2025): Besaung: April-July
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v10i2.5632

Abstract

The existence of Palembang wood carvings began to be recorded since the era of the Palembang Darussalam Sultanate in the 14th century, which can be seen from the field of traditional Palembang architecture, namely the Limas House, namely in the furniture or household furnishings and mosque buildings such as pulpits and calligraphy. The ups and downs of the development of Palembang wood carvings are closely related to various social, economic, cultural, and religious factors that influence them, including modern culture. The urgency of the problem of this study is that wood carvings as one of Palembang's distinctive cultural heritages, until now have not received much attention from academics or intellectuals and also the government. The method used is the historical research method with data collection techniques that will be carried out through observation, interviews, literature studies and documentation studies. The data analysis process is carried out structurally and systematically starting from data identification, data reduction, data presentation and drawing conclusions. This research aims to explore wood carvings as a medium of expression as well as a culture that reflects the journey of history that influences identity and its journey to the present. through this research, it is expected to be able to provide references and also motivation for academics and art researchers to study the art of Palembang wood carving, so that this heritage is not only maintained physically, but also intellectually.
Analisis Interpretasi pada Kain Songket Silungkang melalui Pendekatan Hermeneutika Wilhelm Dilthey Iswandi, Heri; Husni Mubarat; Didiek Prasetya
Judikatif: Jurnal Desain Komunikasi Kreatif Vol. 6 No. 2 (2024): Vol. 6 (2024) No. 2
Publisher : fakultas Desain Koomunikasi visual

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35134/judikatif.v6i2.227

Abstract

Salah satu daerah penghasil kain songket di Sumatera Barat adalah Desa Silungkang. Silungkang terletak di tepi jalan raya Sumatera sekitar 95 km dari selatan-timur Kota Padang. Kain tenun songket yang dihasilkan di Desa Silungkang merupakan bagian dari jati diri masyarakat Minangkabau. Hal ini dapat dilihat dari keberadaan ragam hias Minangkabau yang menjadi elemen estetik dan juga memiliki nilai filosofi berkaitan dengan sistem kekerabatan masyarakat Minangkabau. Kain tenun songket dipandang sebagai aset yang dapat diwariskan dari generasi ke generasi, karena pada dasarnya kain tenun songket adalah simbol tentang keberadaan sebuah entitas yang membuat sesuatu menjadi ada dan dikenal. Oleh sebab itu, maka metode penelitian yang digunakan pada penelitian ini adalah metode kualitatif, karena objek kajian berupa kain songket Silungkang di Minangkabau, suatu hasil karya budaya hasil kreasi manusia yang berfungsi sebagai simbol identitas masyarakatnya. Adapun kain songket ini mengandung berbagai unsur nilai, norma, dan simbol yang sulit dijelaskan melalui angka, statistik, atau metode kuantitatif lainnya. Nilai, norma, dan simbol hanya dapat dijelaskan melalui fenomena alami, interaksi simbolis, serta budaya. Ragam motif kain tenun songket masyarakat adat Minangkabau khususnya di daerah Silungkang, selain memiliki fungsi sosial dan makna budaya melalui simbol-simbol institusi tradisional berisi tentang aturan hidup yang menyangkut dengan agama, intelektual, etika, dan estetika, sebagai wujud ikatan manusia untuk hidup yang lebih baik di dunia dan akhirat. Melalui pendekatan hermeneutika Wilhelm Dilthey, maka dapat membuka cakrawala bagi masyarakat atau pembaca tentang pemahaman motif atau ragam hias pada songket Silungkang dari arti dan maknanya.
Pelatihan Video Editing di SMK Muhammadiyah 1 Palembang Bobby Halim; Husni Mubarat; Herdy Kurniawan; Muhammad Rivan Hakim
PaKMas: Jurnal Pengabdian Kepada Masyarakat Vol 5 No 2 (2025): November 2025
Publisher : Yayasan Pendidikan Penelitian Pengabdian Algero

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54259/pakmas.v5i2.4079

Abstract

The Video Editing Training at SMK Muhammadiyah 1 Palembang is a community service program aimed at enhancing students' skills in video editing using Adobe Premiere Pro. This training was conducted in response to the rapid development of digital technology and the increasing demand for creative industry professionals in the Industry 5.0 era. The methods applied in this training included observation, interviews, teaching, demonstrations, technology-based learning, and evaluation. The results indicate an improvement in participants' understanding and technical skills in video editing, including selecting appropriate software and implementing digital marketing strategies through video content. Additionally, participants gained entrepreneurial insights relevant to current creative industry trends. This program is expected to equip SMK Muhammadiyah 1 Palembang graduates with competitive skills in the workforce, particularly in multimedia and digital content production. Training evaluations show that the applied learning methods effectively enhance participants' competencies. In the future, similar programs should be expanded with broader coverage and collaboration with various stakeholders to support the advancement of the creative industry ecosystem.
Promosi Aksara Ulu Sumatera Selatan Bagi Remaja Usia 12-18 Tahun Di Kota Palembang Tiana, Melda; Lubis, Hestia Rachmat Nunciata; Husni Mubarat
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 1 (2026): Besaung: Desember 2025-Maret 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i1.5941

Abstract

Aksara Ulu is one of the cultural heritages of South Sumatra whose use has significantly declined, particularly among teenagers in Palembang who are more accustomed to the Latin alphabet. This phenomenon highlights the urgency of preservation through adaptive and relevant promotional strategies. This design project aims to produce educational promotional media that not only reintroduces Aksara Ulu but also raises awareness, stimulates curiosity, and broadens teenagers’ understanding of it as a cultural identity and a representation of local wisdom. The problem-solving approach applies visual communication strategies through the design thinking method with EDIPT stages, which include literature study, observation, interviews, and analysis of similar media. The promotional media are presented in interactive and varied forms, such as the Spin Ulu Script game, flashcards, erasable notebooks, animated letter jingles, infographic posters, foldable brochures, Instagram content, as well as merchandise including tote bags, t-shirts, water bottles, bamboo pens, and stickers. Visually, the design uses golden yellow combined with the Memphis style to create a cheerful, energetic, and attractive impression. The results show that integrating cultural values with visual design–based promotional strategies is effective in attracting teenagers’ interest in learning Aksara Ulu while strengthening their appreciation of it as a cultural identity of South Sumatra. Therefore, this project is expected to contribute to cultural preservation efforts through promotional media that are easy to understand, relevant, and aligned with the characteristics of the younger generation
Co-Authors Aji Windu Viatra Bobby Halim Didiek Prasetya Farisah Adani Fitri Herdy Kurniawan Heri Iswandi Iswandi, Heri Iswandi, Heri Jeki Aprisela H Lubis, Hestia Rachmat Nunciata Marten Agung Laksono Maslia Muhammad Rivan Hakim Mukhsin Patriansah Mukhsin Patriansah Raden Okta Riansyah Ria Sapitri Tiana, Melda Trisni Maylinia Yulius, Yosef