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<![CDATA[Ekspresi puitik sakral pada bentuk arsitektur Gereja Protestan di Indonesia bagian Barat (GPIB) Paulus di Jakarta ]]>
<![CDATA[Tine Abrianti]]>;
<![CDATA[Purnama Salura]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 4 No 1 (2019): ARTEKS : Jurnal Teknik Arsitektur | Juli 2019 ~ Desember 2019 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v4i1.84
<![CDATA[Sacred poetic expression on the architectural form of Gereja Protestan di Indonesia bagian Barat (GPIB) Paulus in Jakarta Church architecture shows the expression of its functions in layers. The first layer can be captured in a perception through its expression indicating sacred functions. The next layer was captured associatively on its influenced expression of church tradition and ideology. In the highest layer the sacred expression is displayed poetically. The poetic expression appearing in church architecture strongly supports its sacred functions. The nature of poetic that evokes the feeling and evoked imagination fits perfectly with the sacred functions of the Church as a threshold that marks the differences of the profane and sacred worlds, to deliver the congregation to God that is worshipped. The study aims to trace the entire relationship between the architectural form and space of the GPIB Paulus church with the sacred poetic expression shown. The results of the study are expected to add to the concept of church architecture as well as for related research. The method used in this study was first, redrawing the building of GPIB Paulus Church, to gain an understanding of the right architectural form. Second, analyze the appearance of church architecture shapes. The analysis based on the reference to read the sacred poetic expression, which is formulated through the elaboration of the concept of layers of sacred poetic in the architectural properties and compositions in each scope of architecture, covering the scope of environment, scope of site, scope of building, and scope of shape. Based on analysis results can be traced the concept of sacred poetic meanings to the architecture of Paul’s Church. The results concluded that the architecture of Paul's Church within the scope of site, building and shape featured a sacred expression at the level of perception and associative. In the scope of environment, the Church of Paul displays sacred expressions at the level of the poetic, expressed from the shape of the building. The proportion of the cross-shaped roof with the tower contrasts in a landscape setting in front of it, awakening the imagination of the dwelling of God in the highest places. © 2019 Tine Abrianti, Purnama Salura]]>
<![CDATA[Relasi antara sakralitas ritual peribadatan berjamaah dengan konfigurasi spasial arsitektur Masjid Sulthoni Plosokuning ]]>
<![CDATA[Nadya Wicitra Paramitha]]>;
<![CDATA[Purnama Salura]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 2 (2020): ARTEKS : Jurnal Teknik Arsitektur | May 2020 ~ August 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i2.103
<![CDATA[The relationship between sacred rituals of congregational worship and the spatial configuration of Sulthoni Plosokuning Mosque The design of current Mosque architecture has been found as a common phenomenon to have a similar design with other buildings such as office buildings, museums, monuments or even sculptures. The Mosque architecture, in fact, should not only accommodate pragmatic activities but also must have a spatial configuration related to the symbolic ritual activities that could stimulate the congregation’s awareness in entering the sacred space. The current research discusses the relationship between the sacred ritual of group worship and the spatial configuration of Mosque architecture. It aimed revealing how the sacred function of congregational rituals is correlated to the spatial configuration of Sulthoni Plosokuning Mosque and the specific aspects that become the indicators of the correlation. The analysis uses an elaboration of universal sacrality theory, the concept of rituals in Mosque architecture, architectural configuration theory, and architectural anatomy theory. The result of analysis showed that of the seven aspects of spatial configuration being discussed, four aspects were found to have dominant relationship with sacred ritual worship, three aspects had less dominant relations and one aspect has no relationship with the sacred ritual of worship. © 2020 Nadya Wicitra Paramitha, Purnama Salura]]>
<![CDATA[Tanda dan penanda simbolik orientasi sakral pada arsitektur Masjid ]]>
<![CDATA[Muhammad Rusdi Adiputra]]>;
<![CDATA[Purnama Salura]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 6 No 2 (2021): ARTEKS : Jurnal Teknik Arsitektur | Mei 2021 ~ Agustus 2021 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v6i2.360
<![CDATA[Mosques as a religious building for the Moslem Community have two orientations and they include the Qibla as the main and direction of the sky as the secondary. Praying is the main element of worship for Moslems and is recommended to be led towards the Qibla or upward direction. The mosque has been discovered not to have a sacred space but Qibla, mihrab, and Qibla marker walls are considered sacred. These sacred orientation signs and markers have been used and developed since the beginning but their existence and understanding have been eroded due to the influence of locals as well as development. Currently, the majority of the mosques in Indonesia have a centralized and strong orientation towards the upper direction when they are expected to have the main orientation in the form of Qibla direction. This study was, therefore, conducted to examine the anatomy of these mosques using semiotic theory by comparing the two mosques with several signs and markers of sacred orientation in the country. The results showed there are new signs and markers but the old ones are still significant in the mosques in the present time.]]>
<![CDATA[Relasi antara kegiatan dengan pola massa-ruang Desa Tradisional Bali Aga - Tenganan Pegringsingan ]]>
<![CDATA[Lydia Dewi Setiawan]]>;
<![CDATA[Purnama Salura]]>;
<![CDATA[Bachtiar Fauzy]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 3 (2020): ARTEKS : Jurnal Teknik Arsitektur | September 2020 ~ Desember 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i3.536
<![CDATA[Globalization is being experienced throughout the world with its impact also observed in architecture, even in traditional villages of Indonesia. Some of them have, however, been able to maintain their identity such as the mass-space pattern of the customary village of Bali Aga Mountains in Bali which is discovered not to have changed. This research was, therefore, conducted to determine the relationship between the activities of the traditional society and their mass-space patterns using the customary village of Bali Aga Tenganan Pegringsingan as the case study. This involved the selection of respondents purposively and collection of data using cross sections by identifying unchanged buildings, taking photos, videos, drones, and through direct interviews in the field. The data obtained were analyzed qualitatively based on structuring theory or ordering principles and the results confirmed the mass-space pattern in Tenganan Pegringsingan village was built due to the close relations with the traditional activities of the society. The findings can be used in developing architecture by local governments as policymakers as well as academic architects and practitioners, and the wider society. © 2020 Lydia Dewi Setiawan, Purnama Salura, Bachtiar Fauzy]]>
<![CDATA[Relasi makna atap bale nyungcung dengan ruang dalam arsitektur Masjid di Tatar Sunda ]]>
<![CDATA[Roza Rahmadjasa Mintaredja]]>;
<![CDATA[Purnama Salura]]>;
<![CDATA[Bachtiar Fauzy]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 6 No 1 (2021): ARTEKS : Jurnal Teknik Arsitektur | Januari 2021 ~ April 2021 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v6i1.538
<![CDATA[There has been a decline in the form and function of Sundanese vernacular architecture for large buildings due to the absence of artifacts in village houses. The data on palace or keraton and terraced roofs are only found in lontar and from outside observers in the XVI century. Meanwhile, the phenomenon of the bale nyungcung roof emerged on the mosque in the XVI-XIX centuries at West Java after disappearing for more or less two centuries. The reappearance makes it interesting to study this concept, especially with the focus on its relationship with the inner room of the mosque. This research was conducted on the Great Mosque spread in Sunda Tatar such as the West Java and Banten Provinces with buildings of Majalaya, Manonjaya, and Banten used as case studies. It was conducted qualitatively and interpretatively using the building anatomical theory to analyze the scope of shape and the Bale Nyungcung roof. The results showed the relationship between the roof and the inner space is a reflection of the adjustment in the mosque's basic reference with the Bale Nyungcung roof used as one of the Sundanese local building features.]]>
<![CDATA[Konsep yang mendasari baluwarti Keraton Cirebon, Kasus studi: Kerotn Kasepuhan, Kanoman dan Kacirebonan ]]>
<![CDATA[Nia Yunia Lestari]]>;
<![CDATA[Purnama Salura]]>;
<![CDATA[Bachtiar Fauzy]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 6 No 1 (2021): ARTEKS : Jurnal Teknik Arsitektur | Januari 2021 ~ April 2021 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v6i1.626
<![CDATA[Cirebon is a unique city with 3 palaces, including Kasepuhan, Kanoman, Kacirebonan. The palaces are influenced by the history and culture of the Baluwarti palace, which is believed to have specific concepts in the arrangement and placement of building masses. This study examines the concepts underlying Baluwarti in the 3 Cirebon palaces. This is achieved by first studying the basis of Palace's trust rules used to regulate the mass placing of the palace building. Subsequently, the study uses an architectural anatomical theory consisting of the building site and scope, and the property-composition theory to explore the orientation and position of the Palace building. The results showed that the concept underlying Baluwarti in the 3 Cirebon palaces consists of Javanese and Sundanese cosmologies as building orientation, the type of land on which it was built, and Mahameru and the building position. This research contributes to the general architecture in the uniqueness of historical, cultural and local values. Also, it provides architectural information regarding the concepts underlying Baluwarti in the 3 Cirebon palaces.]]>
<![CDATA[Esensi aktivitas-materialitas-karakter pada ruang dan pelingkup arsitektur rumah Osing ]]>
<![CDATA[Ami Zamzami]]>;
<![CDATA[Purnama Salura]]>;
<![CDATA[Yuswadi Saliya]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 7 No 1 (2022): ARTEKS : Jurnal Teknik Arsitektur | Januari 2022 ~ April 2022 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v7i1.1252
<![CDATA[The phenomenon of a single architectural form has become a global problem. This is also observed in Indonesia as indicated by the specific traditional architecture known as Osing in Banyuwangi. Therefore, this study focuses on the issue of the essence of space created from the surrounding elements in Osing traditional architecture using a qualitative method which involved prioritizing new reading tools including the Lincourt phenomenological approach and the architectural anatomy of Salura. The results showed that the activity forms a linear circular pattern while the lower scoping elements form a geometric arrangement and have a linear movement direction. Moreover, the roof structure shows the dynamic quality of the elements which move from front to back. It was also discovered that the scope of the Osing space is a barrier with the activities within the house isolated and inwardly oriented. The use of local natural materials also provides a warm, rustic and simple character as well as a chance for sustainability. Furthermore, the structures and constructions show that the architecture prioritizes honesty and simplicity. This, therefore, means the essence of space in Osing architecture is in Jrumah based on the space which was found to be closed, natural, simple character, and prioritizing honesty. These findings are expected to be an additional source of knowledge on Osing architecture, serve as input for architects in designing modern houses in Banyuwangi, and input for policymakers in formulating a strategy to preserve this traditional architecture.]]>
<![CDATA[Dinamika spirit of place pada GPIB Immanuel dan Pancaran Kasih di Depok ]]>
<![CDATA[Riajeng Sinta Damayanti]]>;
<![CDATA[Purnama Salura]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 7 No 1 (2022): ARTEKS : Jurnal Teknik Arsitektur | Januari 2022 ~ April 2022 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v7i1.1257
<![CDATA[This study discusses the spirit of place which is also known as the “genius loci” of two GPIB church buildings in Depok, Indonesia. It is important to note that the physical and spatial order of a structure theoretically has an expression usually interpreted according to the character and identity created by the observer or user. This means it is possible for buildings with the same function, liturgy, and space requirements but different physical arrangements to have the same spirit of place. The focus of this study is on the church of GPIB Immanuel and GPIB Pancaran Kasih in Depok and it was conducted qualitatively and descriptively through anatomical and phenomenological methods. The operational stage involves the emic steps which include field observations and structured or unstructured interviews for managers and informants doubling as the users of the buildings as well as ethical steps which are focused on the study of architectural theories. The results showed that the physical architectural order of the two churches creates a dynamic character and identity as well as a spirit of place even though they come from the same synod, order, and have the same liturgy and procession. This was discovered to be due to their similarities and differences.]]>
<![CDATA[Re-interpreting the case study approach in architectural research ]]>
<![CDATA[Purnama Salura]]>;
<![CDATA[Stephanie Clarissa]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 9 No 1 (2024): ARTEKS : Jurnal Teknik Arsitektur | Januari 2024 ~ April 2024 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v9i1.3195
<![CDATA[The case study is a research approach carried out in a natural, holistic, and in-depth setting about a unique, best practice, and bounded phenomenon. Even though it was rooted in social sciences, the case study has characteristics that are almost the same as a process of studying past architectural works (precedent studies) that have long been carried out in architecture. Unfortunately, precedent studies are sometimes only limited to documentation and descriptions of architectural works as physical objects, without critical, in-depth and holistic analysis of the decisions behind the design decisions of a precedent. On the other hand, previous research that discussed the case study approach in architecture tended to understand this approach as just a social research method that was simply applied in architectural research. Therefore, it is crucial to understand the terms of the 'case' itself. This research aims to provide a complete and in-depth understanding of the case study approach, to filter and elaborate this approach for architectural research. This research examines and elaborates on credible and recent literature on case study, both in social and architectural research. Elaboration from the literature review is used to formulate an operational framework based on architectural function-form-meaning. It is hoped that the results of this research will enrich architectural knowledge. The in-depth understanding is ultimately beneficial for improving existing architectural practices and becoming a source of knowledge for the general public.]]>
<![CDATA[Relationship between architectural design and sacred atmosphere in Reformed Church ]]>
<![CDATA[Gianina Ariella Timothea Hakim]]>;
<![CDATA[Purnama Salura]]>;
<![CDATA[Aldyfra Luhulima Lukman]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 9 No 3 (2024): ARTEKS : Jurnal Teknik Arsitektur | September 2024 ~ Desember 2024 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v9i3.3767
<![CDATA[Reformed Christianity is one of the Protestant denominational branches in Indonesia. The Reformed tradition exhibits distinct theological and liturgical characteristics compared to other Christian denominations. Consequently, architectural design must accommodate Reformed theological concepts while supporting its liturgical practices and doctrinal views. Although Reformed churches share a unified theological belief, their architectural forms vary significantly, influencing the sacred atmosphere within these spaces. In 2024, the Gereja Reformed Injili Indonesia (GRII) in Bandung inaugurated a new church building. Preliminary observations indicate that this church's architectural design diverges from typical Reformed churches, impacting the spatial ambiance. This study focuses on the relationship between the sacred atmosphere and the architectural design of Reformed churches, specifically examining the new GRII Bandung church. The research investigates the connection between the sacred ambiance and the architectural design of the GRII Bandung church. It seeks to provide insights for the academic community, contributing to theories and concepts related to church architecture in general and Reformed church architecture in particular. The findings are anticipated to offer alternative design approaches for Reformed churches and provide valuable input for church management policies. Ultimately, this study aims to lay the groundwork for more comprehensive future research in this area.]]>
