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Indarti Indarti
Pendidik di YPI Nasima Semarang
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Journal : BAJU: Journal of Fashion and Textile Design Unesa

 1 
Bunga Lavatera sebagai Sumber Ide Penciptaan Busana Pesta Rizkiya, Amaliya Lailatur; Yulistiana, Yulistiana; Indarti, Indarti
BAJU: Journal of Fashion and Textile Design Unesa Vol. 3 No. 2 (2022)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v3n2.p48-56

Abstract

Bunga Lavatera memiliki keindahan yang khas, ukurannya besar menarik perhatian dan warnanya yang cerah. Tujuan penelitian adalah untuk mendeskripsikan proses pembuatan dan hasil jadi busana pesta dengan sumber ide bunga Lavatera dengan teknik korsase. Metode penelitian ini menggunakan pendekatan a three stages design process atau tiga tahap proses desain. Metode ini terdiri dari 3 tahap penelitan: problem definition and research (definisi masalah dan penelitian), creative exploration (eksplorasi kreatif) dan implementasi. Pada tahap awal menentukan arah desain yaitu membuat busana pesta wanita dengan sumber inspirasi bunga Lavatera yang dibuat untuk wanita muda dengan tipe sexy alluring. Tahap kedua, peneliti membuat moodboard dan mengembangkan 10 desain sketsa busana pesta berupa gaun one piece. Dua desain terpilih diwujudkan menggunakan pola draping langsung di atas manekin ukuran medium. Tahap implementasi dengan menerapakan hiasan korsase yang besar sebagai pusat perhatian pada busana pesta. Proses pembuatan korsase dimulai dari menyiapakan kain organza yang sudah diplisket kecil, kemudian dipotong kotak dan dikerut pada bagian bawahnya untuk membuat helaian bunga. Hasil jadi busana pesta sesuai dengan yang diharapkan yaitu gaun yang dapat membalut tubuh dengan pas untuk wanita tipe sexy alluring dan menerapkan hiasan korsase yang menerapkan prinsip desain center of interest dan pengulangan. Lavatera flowers have a peculiar beauty, their large size attracts attention and bright color. The purpose of the study was to describe the process of making and finished evening dress with the source of the idea of Lavatera flowers with corsage techniques. This research method used a three-stage design process approach. This method consists of 3 stages of research: problem definition and research, creative exploration, and implementation. At the initial stage of determining the direction of design, namely making women's evening dress with a source of inspiration for Lavatera flowers made for young women with sexy alluring types. In the second stage, researchers created a moodboard and developed 10 evening dress sketch designs in the form of one-piece dresses. Two selected designs were realized using draping patterns directly on medium-sized mannequins. The implementation stage is by applying large corsage decorations as the center of interest in evening dress. The process of making corsages starts from preparing organza cloth that has been small pleats, then cut into squares and wrinkled at the bottom to make flower strands. The result of evening dress as expected, a dress that can wrap the body snugly for sexy alluring type women and apply corsage decorations that apply the design principles of center of interest and repetition.
Penerapan Kain Kain Songket Palembang dan Sashiko pada Busana Modest Fashion Fatmawati, Yuni Zhaafira; Indarti, Indarti
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p1-10

Abstract

Abstract The aim of this research is to determine the process and results of applying Palembang songket and sashiko embroidery to modest fashion. Palembang songket is a form of original Indonesian cultural heritage, combined with sashiko which is original Japanese culture. The implementation of this project was carried out using the double diamond method. The process of applying Palembang songket and sashiko to modest fashion clothing went through several phases. In the discover phase, the author conducted trend research, namely ITF 2024 with the Fusion theme and Borderless sub-theme. Next, in the define phase, the author determines the source of the idea for the burgundy clematis flower, which has meaning as a symbol of protection from evil and good luck. In the Develop phase, the author carried out design development, selecting designs, colors and songket patterns which were realized in modest fashion clothing. At the Deliver stage, the author created clothing by going through several discussions and evaluations. The result was that the application of Palembang songket and sashiko to modest fashion clothing is in accordance with the plan, including women's clothing consisting of 3 parts, namely a dress with a full circle skirt, an outer and a layer that used sashiko embroider that can be removed and reused. Men's clothing consists of a suit which used a combination of plain and songket fabric. Keywords: Songket Palembang, sashiko, modest fashion
BUNGA PEONY DAN BORDIR MOTIF TENUN SEBAGAI SUMBER IDE PENCIPTAAN BUSANA PESTA Putri, Talisa Fasya Laksita; Indarti, Indarti
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n1.p130-140

Abstract

The purpose of this research is to find out the process to the finished result of the application of Peony flower idea source and embroidery weaving motif in the creation of party wear. Peony flowers from Asia and Europe were combined with Western fashion silhouettes and embroidered woven motifs from Indonesia. The research method in this project applies the double diamond model. The process of applying the source idea of Peony flower and embroidered weaving motif to party wear went through several stages. In the first stage, discover, the author took the ITF 2024 & 2025 trend of fusion theme with borderless sub-theme. Define, determine the source of idea of Peony flower and embroidered weaving motif with nude main color through moodboard. In the develop stage, the author did 12 design developments that had been given color and technical drawings digitally. The last stage, deliver, the author realized 1 pair of party wear collection that had received feedback through iteration. The finished result of the application of Peony flower and embroidery motifs in the creation of party wear was right according to the plan, namely women's party wear with bustier cup variations of tulle, mermaid skirt, blooming sleeves, manipulating ruffles gathering gradations and Peony flowers. Men's party fashion in the form of suits, shirts and pants that use embroidered woven motifs on the right side of the suit sleeves and fringe decoration on the front of the suit.
BUSANA READY TO WEAR DELUXE MENGGUNAKAN PEWARNAAN ALAM AMPAS KOPI DAN KOMBINASI SLASHING KAIN BATIK KOPI PECAH BANYUWANGI hidayat, Dinda Anisa Nur; Indarti, Indarti
BAJU: Journal of Fashion and Textile Design Unesa Vol. 5 No. 2 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v5n2.p200-210

Abstract

The fashion industry is currently looking for more environmentally friendly alternatives. This research aims to describe the process of making Ready-To-Wear Deluxe clothing with the innovative use of natural dyes from coffe grounds and a combination of slashing techniques on Banyuwangi broken coffee batik cloth. The use of natural coloring from coffee grounds as an alternative to synthetic dyes and a combination of slashing techniques on Banyuwangi broken coffe batik cloth provide added value to the final product. This research applies the FEA Consumer Needs Model method to identify the Functional, Expressive, and Aesthetic that consumers most seek in this product. The uniqe Ready-To-Wear Deluxe fashion product can contribute to the development of a sustainable fashion industry by utilizing the potential of local natural resources from the natural color characteristics of coffee grounds and also the attreactive modern aesthetic appearance of slashing techniques with traditional values. Apart from that, this research will analyze the final results of clothing produced from a combination of these techniques and materials. The research results can be used by designers of manufacturers to create products that not only meet functional needs, but also provide emotional and social value for consumers.
Penerapan Manipulating Anyaman Pada Kain Jacquard Untuk Busana Pesta Bertema Masquerade Badriyah, Siti; Indarti, Indarti
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 1 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n1.p63-73

Abstract

This study aims to describe the application of the weaving technique as a decorative element on a Masquerade-themed evening gown. The theme utilizes a gold and dark purple color palette dark purple conveying mystery and elegance, while gold adds luxury and warmth. The design draws inspiration from the architecture of the Palazzo Contarini Della Porta di Ferro in Venice. The research follows a six-stage creative process: problem identification, preliminary ideas, design refinement, prototype development, evaluation, and implementation. The results show that: 1) fabric manipulation through weaving is applied to women’s gowns on the bolero and the front and back of the skirt, and on men’s attire at the right front in a rectangular shape. 2) The women’s ensemble includes a dress, bolero, and small skirt; the men’s consists of a shirt, jacket, and pants. 3) The weaving is made using Jacquard fabric in two colors, with weft and warp widths of 1.5 cm each. The manipulated fabric is sewn using a machine, and the final products received good evaluations. Overall, the garments meet several design principles, effectively combining theme, technique, and aesthetics in their execution.
Penerapan Manipulating Pleats Pada Busana Pesta Dengan Tema Exotic of Palm Devitriana, Devitriana; Indarti, Indarti
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p227-237

Abstract

This study aims to describe the process of applying pleats as decoration to evening wear with an exotic palm theme. This theme is highlighted by the choice of a sage and armpit color palette, where the colors provide the exotic beauty of tropical palm trees, explored through shape, texture, and color translated into fashion design. This study uses the FEA Consumer Need Model method from Orzada & Kallal (2021), which consists of six stages: problem identification, initial ideas, design refinement, prototype development, evaluation, and implementation. In the problem identification stage, the need for aesthetic innovation in party wear that is not only visually appealing but also functional and expressive. The initial idea was developed based on the characteristics of palm trees and pleat manipulation techniques. Refinements were made by selecting materials, colors, and design details that match the theme. Fashion prototypes were developed and tested through visual and functional evaluations. The results show that pleat manipulation techniques are able to create party wear that is aesthetic, expressive, and relevant to the needs of modern consumers. This study contributes to the development of fashion design based on textile exploration and a strong thematic approach.
Co-Authors Agung Wibowo Al Jufri, Al Jufri aljufri aljufri, aljufri Amalia, Nabila Sarah Amilah, Susie Amilah, Susie Ananda, Dean Qori Arifin S, Rony Tondy Berty, Ika Devitriana, Devitriana Dewi Laraswati Dini Onasis efrita soviyanti, efrita Eling Purwantoyo Fatmawati, Yuni Zhaafira hidayat, Dinda Anisa Nur Ida Musofiana, Ida Ika Berty Apriliyani Inova Fitri Siregar, Inova Fitri Irma Russanti Joko Purwanto Muhammad Rasyid Abdillah Nasution, Imran Al Ucok Oemar, Fahmi Oonasis, Dini Panggabean, Margaretta Mita Malasari Pribadi, Denny Pusvita, Ema Putri, Aprilia Anggi Wati Putri, Aprillia Anggi Wati Putri, Talisa Fasya Laksita Ramadhani, Bima Yatna Naugerah Rasyad, Rinayanti Ratna Suhartini Rismawati, Aristya Rizky Rismawati Rizkiya, Amaliya Lailatur Septianita, Septianita Siti Badriyah Thaariq, Febby Ath Tria Astha Parameswara Putri Trio Saputra Urip Wahyuningsih Vebrianto, Rian Wardi , Jeni Widyaningrum, Intan Wina Yusnaeni Yoseph Tajul Arifin Yuhri Inang Prihatina Yulistiana Yulistiana Zaharman Zaharman, Zaharman Zulia Khairani