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Preservation And Revitalization Of Palembang Malay Language Through Traditional Art Of Dulmuluk Emawati Emawati
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 7 No 2 (2022)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v7i2.1359

Abstract

This study was an ethnography study aimed to describe in depth on the preservation and revitalization of Palembang Malay language in Palembang through the traditional art of Dulmuluk. The data were collected by using interviews, observations, field notes, document studies, questionnaires, and photography. The data analysis was done by using the ethnography method of Spradley’s Developmental Sequence Research. The steps of the research were; (1) determination of focus, (2) requesting questions, (3) data collection, (4) analyzing and interpreting data. In addition, the researcher analyzed the field notes from observation on the participants to find out questions and then analyzed the field notes. There are four types of analysis that had been done namely; domain, taxonomic, component and theme analysis. Based on the analysis, the research result shows that in the traditional art of Dulmuluk, Palembang Malay language is still being preserved. The Palembang Malay language still dominates the language uses in the traditional art of Dulmuluk. It is also found that the traditional art of Dulmuluk is being faded away due to the monotonous of the story’s plot and less adapted to the development and the change of the current era so that it is hard for the traditional art of Dulmuluk to compete with the modern art. The effort that can be done to preserve and revitalize the traditional art of Dulmuluk is to create the story with the theme that is relevant to the development and the change of the current era. If it is succeed, it will also affect the preservation of Palembang Malay language. Therefore, the shift and the extinction of the Palembang Malay language can be avoided.
Alih Kode Dan Campur Kode Dalam Video Youtube Xaviera Putri Kajian : Sosiolinguistik Riawati Riawati; Emawati Emawati
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 10 No 2 (2025)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v10i2.2588

Abstract

This study aims to discuss and identify forms of code switching and code mixing, analyze the causal factors, and observe the dominance of these forms in Xaviera Putri's YouTube videos. The study was conducted using a qualitative descriptive approach with listening and note-taking techniques, with content analysis of 37 speech data from monologue videos. The results showed that code mixing was the most dominant form, with 24 data, compared to code switching with 13 data. The most common causal factors were bilingualism habits and conversation topics. This phenomenon reflects the communication style of the younger generation in the digital era, which is flexible, expressive, and reflects a multilingual identity. This finding is in line with the sociolinguistic theory of Suwito, Holmes, and Wardhaugh, which emphasizes the close relationship between language choice, social context, and identity strategies.
Analisis Implikatur Percakapan pada Film Agak Laen (2024) Sutradara Muhadkly Acho Tri Widia; Emawati Emawati
Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 15 No. 2 (2026): Lingua Rima
Publisher : Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31000/npfy9831

Abstract

Penelitian  ini bertujuan untuk mendeskripsikan bentuk-bentuk implikatur percakapan yang terdapat dalam film Agak Laen (2024) karya sutradara Muhadkly Acho serta menentukan jenis implikatur yang paling dominan digunakan oleh para tokoh. Metode yang digunakan adalah metode deskriptif kualitatif dengan pendekatan pragmatik. Data penelitian berupa tuturan antartokoh dalam film yang mengandung implikatur percakapan, yang dikumpulkan melalui teknik simak dan catat. Hasil penelitian menunjukkan ditemukannya 29 data implikatur percakapan, yang terdiri atas 11 data implikatur percakapan umum dan 18 data implikatur percakapan khusus. Implikatur tersebut digunakan oleh para tokoh sebagai sarana komunikasi tidak langsung untuk menyampaikan sindiran, penolakan, serta informasi tersirat lainnya yang sangat dipengaruhi oleh konteks situasi, latar belakang sosial, dan kondisi psikologis tokoh. Berdasarkan temuan tersebut, implikatur percakapan khusus menjadi jenis yang paling dominan dalam film ini, yang mengindikasikan bahwa dinamika komunikasi antartokoh lebih banyak mengandalkan pemahaman konteks spesifik dibandingkan sekadar tuturan literal. Hasil penelitian ini diharapkan dapat memberikan kontribusi teoretis bagi pengembangan ilmu pragmatik, khususnya dalam analisis makna tersirat pada genre film komedi horor.