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All Journal HUMANIS E-Journal Of Cultural Studies Mozaik Humaniora International Journal of Humanity Studies (IJHS) MUDRA Jurnal Seni Budaya Aksara TOTOBUANG MABASAN Pustaka : Jurnal Ilmu-Ilmu Budaya JOURNAL SCIENTIFIC OF MANDALIKA (JSM) Arif: Jurnal Sastra dan Kearifan Lokal Stilistika: Journal of Indonesian Language and Literature Yavana Bhasha: Journal of English Language Education International Review of Humanities Studies Argopuro: Jurnal Multidisiplin Ilmu Bahasa Suara Bahasa: Jurnal Bahasa dan Sastra Ulil Albab Argopuro : Jurnal Multidisiplin Ilmu Bahasa
Maria Matildis Banda
Udayana University
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Novel Susah Sinyal Karya Ika Natassa dan Ernest Prakasa: Kajian Stilistika M Fatkhur Rohman; Maria Matildis Banda; I Nyoman Weda Kusuma
Stilistika : Journal of Indonesian Language and Literature Vol 1 No 2 (2022): Volume 1 No. 2. April 2022
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (654.796 KB) | DOI: 10.24843/STIL.2022.v01.i02.p03

Abstract

This study aims to determine the description of the structure (plot, setting, character) and style of language, namely the novel "Hard Signal" by Ika Natasya and Ernest Prakasa published by PT Gramedia Pustaka Utama, Jakarta, the first edition of 2018 and the book thickness is 272 pages. This type of research is descriptive qualitative research using reading, listening and note-taking techniques. The research procedures include: (1) Understanding the structure and types of language styles, then reading and studying the novel, Difficult Signals, (2) Recording data in the form of novel structures and language styles, (3) Classifying the data that has been obtained, (4) Describing the structure and language style obtained, (5) Concluding the results of the analysis. The result of this research is the structure contained in the novel of Difficult Signal by Ika Natasya and Ernest Prakasa, namely: The plot used in this novel is a mixed plot but uses more advanced plots. Setting, this novel takes several settings as a story but focuses more on the Sumba setting. In character, the main character in this novel is Ellen, a mother who is firm, independent, and hardworking. Kiara, a high school girl who is growing up is spoiled, kind, and loving. Grandma, a grandmother who loves family, is kind, and also wise. Iwan, a friend and work partner of Ellen who is humorous, and kind, Saodah and Ngatno, workers and housemaids who are humorous, Yos and Melki, a travel and hotel officer who has a humorous and kind character. Abe, one of the hoteliers who is firm, wise, kind, and friendly. Aunt Maya, a hotel owner who is humorous, kind and also compassionate. Next, the language style in the novel, Difficult Signal. The results of this study found that there were 102 uses of language styles in total, from 16 types of language styles, and in 4 classifications.
Hegemoni Kekuasaan dalam Novel Kawi Matin di Negeri Anjing Karya Arafat Nur Bagus Dewadharu Megawayah Putra; Maria Matildis Banda; I Ketut Sudewa
Stilistika : Journal of Indonesian Language and Literature Vol 2 No 2 (2023): Volume 2 No 2, April 2023
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/STIL.2023.v02.i02.p07

Abstract

In this study, a novel Kawi Matin di Negeri Anjing by Arafat Nur is discussed. This study aims to describe the structure of the novel and the hegemony of the ruling class’s that found in the novel Kawi Matin di Negeri Anjing. The theory that been used is structural theory to analyze the plot, characters, and setting. The theory of hegemony of the ruling class is used to analyze hegemonic forms and the process of hegemony. The method that used to collect data is literature study with reading, listening, and note-taking techniques. Then, to analyze the data used descriptive analytical method by describing the result of data analysis that has been done. Structurally, the plot of novel Kawi Matin di Negeri Anjing contains the initial, middle, and final stages. The setting of place, time, and social support the formation of characters and the course of the story. The elements of plot, characters, and settings are having a relation that is interrelated with each other. The interrelation between these elements represents the hegemony of ruling class. Hegemony of ruling class contained in this novel is divided into three processes, such as cause, implementation, and effect. These three processes are found in the events that occur, such as rape, violence, murder, and sedition.
NARRATIVE STRUCTURE ANALYSIS OF PALM TREE MYTH IN PEDAWA VILLAGE, BANJAR DISTRICT, BULELENG REGENCY Nyoman Yulia Pratiwi; Maria Matildis Banda; I Ketut Sudewa
Yavana Bhasha : Journal of English Language Education Vol. 6 No. 2 (2023): Volume 6, Issue 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

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Abstract

Pedawa Village, located in Banjar District, Buleleng Regency, owns a myth about the palm tree growth in the village, which was told from one generation to another. The myth becomes guidelines for the villagers which is still applied at the present day. The purpose of the research is to break down the myth based on its narrative structure forms. To break down the myth the theory of narrative structure from Roland Barthes and Alan Dundes is used. Through the analysis process, it is revealed that this myth consisted of main function and catalytic function. Aside from that, the myth is also consisted of motifeme structure. The two breaking down processes proved that the myth fulfills the temporal and causality order. Keyword: myth, Pedawa, palm tree, narrative, structure
IDEOLOGY OF DISASTER EDUCATION TRAUMA HANDLING POST-EARTHQUAKE IN PICTURE STORIES BOOK: CRITICAL DISCOURSE ANALYSIS Damayanti, Silvia; Suarka, I Nyoman; Banda, Maria Matildis; Purnawati, Ketut Widya
International Review of Humanities Studies Vol. 9, No. 1
Publisher : UI Scholars Hub

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Abstract

This research analyzes the ideology that the author intends to instill in picture storybooks for children in Japan. The study aims to explore how the author conveys the ideology of handling trauma in children after earthquake disasters. The objects of the study are two picture storybooks titled "Yuzuchan" and "Yappari Ouchi Ga Ii Na." The research was conducted qualitatively using the documentary data search method. The analysis was carried out with van Dijk's CDA theory and Peirce's Semiotics Theory. The results of the analysis reveal that "Yuzuchan" and "Yappari Ouchi Ga Ii Na" are picture storybooks produced to help children cope with post-earthquake trauma. Disaster education handling the trauma is distributed in Macro Structure, Superstructure, and Microstructure. Although both of them deliver disaster education to overcome the same trauma, because the two authors have different backgrounds, the goals of the post-disaster ideology to be conveyed are different, the themes raised, and the topics raised are different. To convey the ideology of dealing with the trauma of death in Yuzuchan's story, the author raised the theme of loss due to catastrophic death. While at "Yappari Ouchi Ga Ii Na", from the ideology of disaster education facing trauma healing the ideology of earthquake trauma. The ideology of earthquake trauma handling is reflected in the macro and micro structures in both picture story discourses. The author uses diction and atmosphere to depict the post-earthquake trauma experienced by the characters. Meanwhile, disaster education in the form of trauma handling is conveyed through schematic elements, settings, presuppositions, diction, sentence patterns, and rhetoric in the stories. This research is not only beneficial for learners of the Japanese language and literature implementing CDA theory in discourse but also valuable for authors seeking to create stories about post-disaster trauma handling.
STRUCTURATION IN COMMUNICATION OF VEGETABLE FARMERS WITH MIDDLEMAN IN BATURITI DISTRICT TABANAN BALI Renata Lusilaora Siringo Ringo; I Nyoman Darma Putra; Nanang Sutrisno; Maria Matildis Banda
E-Journal of Cultural Studies Vol 17 No 1 (2024): Volume 17 Number 1 February 2024
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2024.v17.i01.p02

Abstract

This study aimed to uncover patterns of structuration in communication between vegetable growers and intermediaries in the Baturiti District. This study employs a critical communication methodology. Data was gathered via interviews, observations, and document analysis approaches. Data analysis was conducted using descriptive qualitative interactive methods based on structuration theory. Phatic communication, patron-client relations, and divergent communication are forms of structuration in communication, as revealed by the research results. According to the empirical findings in this research, communication actions are shown to improve relationships, resulting in a tendency towards greater intimacy. The result is that the relationship pattern of vegetable farmers has been tied to economic actors, namely middlemen, for a very long time. The theoretical finding in this research is that structuration in communication is in line with the concept of symbolic interactionism, which focuses on efforts to provide interactions using symbols and containing power to weak parties. This research contributes to policy making related to the use of agricultural products. Keywords: communication structuration, vegetable farmers, middlemen
TRANSFORMATION OF THE PRACTICE OF GIVING 'LIN WELIN LETO WOTER' IN KROWE ETHNIC MARRIAGES: ANALYSIS OF CAUSAL FACTORS AND COMMUNITY RESPONSE Renhat Marlianus Siki; I Made Suastika; Maria Matildis Banda; Luh Putu Puspawati
E-Journal of Cultural Studies Vol 17 No 2 (2024): Volume 17 Number 2 May 2024
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2024.v17.i02.p02

Abstract

This research explores the transformation of the practice of giving "Lin Welin Leto Woter" in Krowe ethnic marriages in Sikka Regency, East Nusa Tenggara, Indonesia, examining the influence of ideological, social, and material factors. Using qualitative methodology, data were collected through observation, interviews, and document analysis. The results reveal ideological shifts driven by modernity and globalization, social tensions triggered by manipulation within the community, and economic impacts driving adaptation. Despite facing challenges, the Krowe community demonstrates resilience by incorporating personal symbols and adjusting practices. Traditional terms persist alongside new practices, reflecting cultural continuity. From a theoretical perspective, these practices reflect the flexibility of cultural symbols, inviting further investigation. In conclusion, the Krowe community's response reaffirms their ability to navigate change while preserving cultural identity, suggesting avenues for further research and recommendations to support cultural preservation. Keywords: cultural transformation, ideological shifts, Krowe ethnic marriages, resilience, social tensions
ALIH WAHANA LEGENDA “GUNUNG WONGGE, MEJA, DAN IYA”: FUNGSINYA BAGI PENGEMBANGAN PARIWISATA DI ENDE, FLORES Banda, Maria Matildis; Pidada, I.B. Jelantik Sutanegara
MABASAN Vol. 17 No. 2 (2023): Mabasan
Publisher : Kantor Bahasa Nusa Tenggara Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62107/mab.v17i2.724

Abstract

Artikel ini tentang alih wahana legenda ke dalam karya seni sastra lainnya. Data primer berupa cerita “Gunung Wongge, Meja, dan Iya (WMdI)”. Masalah yang dibahas adalah bagaimana perubahan yang terjadi dalam alih wahana dari cerita rakyat (teks 1) ke drama modern (teks 2) menimbulkan penambahan dan pengurangan yang diperlukan dalam teks 2. Kajian menggunakan metode kualitatif deskriptif, teori struktur sastra, dan teori alih wahana. Hasilnya menjelaskan variasi teks WMdI tetap mempertahankan struktur alur pada puncak cerita, yaitu tokoh-tokoh menjadi gunung setelah terjadi tragedi yang meregang nyawa. Akhir kisah menggarisbawahi mimesis dan kreasi dari wahana yang satu ke wahana yang lain.  Perubahan dari teks 1 ke dalam teks 2 menghasilkan teks baru berupa naskah drama yang siap dipentaskan. WMdI dapat dialihwahanakan ke dalam berbagai bentuk karya sastra lain, seperti drama, syair, dan lagu yang memiliki fungsi ekonnomi kreatif yang berguna bagi pengembangan daerah tujuan wisata (DTW) di Ende, Flores. 
Diskursus Keindonesiaan dalam Tonil “Rahasia Kelimutu” Karya Bung Karno: Alih Wahana dari Mitos Danau Kelimutu Banda, Maria Matildis
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 2 No. 2 (2023): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.022.03

Abstract

Penelitian tentang diskursus keindonesiaan ini digali dari tonil “Rahasia Kelimutu” (RK) karya Bung Karno (1934–1938). RK ditulis berdasarkan alihwahana mitos-mitos Danau Kelimutu sebagai kampung arwah. Masalah yang dibahas: mitos Danau Kelimutu, rangkaian dramatik RK, dan diskursus keindonesiaan. Melalui pendekatan antropologi sastra, penggalian data pustaka dan data lapangan, penelitian dilakukan demi mendapatkan gambaran tentang diskursus keindonesiaan. Penelitian ini menggunakan teori mitos Rolland Barthes, lima langkah rangkaian dramatik Frey Tag, dan kajian wacana kritis Fairclough. Hasilnya menjelaskan bahwa mitos Danau Kelimutu dipercaya dengan adanya ritual pati ka (memberi makan kepada leluhur) setiap tahun. Rangkaian dramatik RK diungkapkan dalam tiga langkah pembukaan, penanjakan, dan klimaks untuk puncak cerita, peleraian, dan solusi. Diskurus keindonesiaan dijelaskan dalam ungkapan “dimana tanah dipijak di situ langit dijunjung”, hubungan antartokoh dengan berbagai latar belakang budaya dan agama, serta wawasan kebangsaan yang diperjuangkan Bung Karno bagi kemerdekaan Indonesia.
NOVEL LAKUNA KARYA KHRISNA PABICHARA: KAJIAN ANTROPOLOGI SASTRA Kurnia Lindayani; Maria Matildis Banda; I Ketut Nama
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 1 No. 2 (2023): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v1i2.591

Abstract

This research is entitled "Lakuna Novel by Khrisna Pabichara: Literary Anthropology Study". The novel Lakuna was analyzed because it contains many cultural elements. The aim of this research is to describe the structure of the novel and aspects of literary anthropology. The method used in this research is the analytical descriptive method, which is reading and analyzing the data that has been collected and then explaining it descriptively. In the structural analysis of the novel Lakuna, we found a description of the three elements that build the novel, those are plot, characterization and setting. The research results showed that the supporting additional characters. Several characters were described physically plot was divided into three stages, beginning, middle and the end. The plot in this novel used a linear plot. Characterization consists of main characters, supporting characters and,characteristikcally and socially. The setting was divided into three, they are the setting in the city of Makassar, afternoon time setting with the Bugis-Makassar socio-cultural background such as marriage customs, sirik customs, royal blood or caste, and traditional dances. In the anthropological aspect of literature, namely myths, customs and works of art. Myth. Aspects of the myth include being licked by the devil, ancestral curses, and cenning rara. Aspects of customs include sirik and makmanuk-manuk customs. Aspects of works of art include dances and pasinlirik art.
Pewarisan Nilai-Nilai Tradisi Lisan Nyale dan Pasola dalam Masyarakat Sumba Bagian Barat: Kajian Sosiologi Sastra Banda, Maria Matildis; Mas Triadnyani, I Gusti Agung Ayu
Humanis Vol 28 No 4 (2024)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JH.2024.v28.i04.p06

Abstract

Nyale is a tradition of catching (picking up) sea worms. Pasola is a horse-drawn war between two groups of participants, throwing javelins to knock down their opponents. Nyale and pasola have been passed down from generation to generation in the western part of Sumba, especially in Southwest Sumba and West Sumba Regencies. This tradition takes place in February and March every year. This unique tradition needs to be publicized through various platforms, so that the inheritance of values can be more widely known. One of them is changing the vehicle into literary works. This article will explain the nature of nyale and pasola; Nyale and Pasola myths; and the inheritance of the Nyale and Pasola oral traditions through literary works. This question was answered through participatory qualitative field research and literature study. The theory used is the sociological theory of literature with the support of oral tradition theory, myth theory, and change form (vehicle transfer theory) theory. The results explain that nyale and pasola are traditions that underline the importance of honesty and expressing gratitude for the harvest. The meaning of nyale and pasola is living together to support traditions, the role of horses in pasola, the role of traditional elders, as well as various traditional wisdom as teachings of life. This idea about the meaning of nyale and pasola was then transferred into a literary work, the novel Pasola.
Co-Authors A.A Gede Gita Galih Gumalang Agustini, Ni Putu Rani Anak Agung Ayu Rai Wahyuni Bagus Dewadharu Megawayah Putra Besdirma Saragih I Gusti Ayu Agung Mas Triadnyani I Ketut Nama I Ketut Sudewa I Ketut Sudewa I Made Suastika I Nyoman Darma Putra I Nyoman Kutha Ratna I Nyoman Suarka I Nyoman Weda Kusuma Ketut Widya Purnawati Kurnia Lindayani Kurnia Lindayani Luh Putu Puspawati M Fatkhur Rohman Nanang Sutrisno Nyoman Yulia Pratiwi Pidada, I.B. Jelantik Sutanegara Pradna Indra Iswaea Pradna Indra Iswaea Prameswari, Ni Putu Laksmi Mutiara Pudentia, Pudentia Purnami, Pramesty Dewandini Renata Lusilaora Siringo Ringo Renhat Marlianus Siki Silvia Damayanti Sri Jumadiah Sri Septi Dwi Jayanti Putri Sudewa, I Ketu Tansia, Tan Ayu Felia