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All Journal Gorga : Jurnal Seni Rupa Journal of Education, Humaniora and Social Sciences (JEHSS) Jurnal Abdidas Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Abdi Cendekia: Jurnal Pengabdian Masyarakat INDOPEDIA (Inovasi Pembelajaran dan Pendidikan) Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Jurnal Intelek Insan Cendikia Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Gestus Journal
Raden Burhan
Jurusan Seni Fakultas Bahasa Dan Seni, Universitas Negeri Medan, Indonesia
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MEDAN CITY ICON IMAGE AS APPLIED ART ON TOURISM T-SHIRTS Raden Burhan Surya Nata Diningrat; Agus Priyatno; Muslim Muslim
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

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Abstract

The general aim of this research is to create a new design and apply it to typical Medan City souvenirs on T-shirts which are starting to be difficult to find. So that tourists who visit Medan can get a more interesting and varied variety of souvenirs, it will also support tourism in the city of Medan as well as become a reference for designers who want to develop a clothing business with characteristics typical of the city of Medan. The method used is a qualitative method, with a design thinking method approach consisting of the empathize, define, ideate, prototype and test stages. The results of the research are t-shirts as souvenirs, as a form of creativity that elevates the iconic shape of the city of Medan. Add value to souvenirs in the form of t-shirts that previously existed and add aesthetic value to t-shirt designs with Medan icons. Adding a variety of souvenir items to tourist destinations in the city of Medan.
Eksplorasi Daun Rambutan Kering sebagai Material Utama Penciptaan Plakat Cenderamata Objek Wisata Sumatera Utara Siti Nabawi; Raden Burhan Surya Nata Diningrat
Abdi Cendekia : Jurnal Pengabdian Masyarakat Vol 5 No 3 (2026): September
Publisher : Yayasan Zia Salsabila

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61253/abdicendekia.v5i3.1129

Abstract

Penelitian ini bertujuan mengeksplorasi pemanfaatan daun rambutan kering sebagai material utama dalam penciptaan plakat cenderamata bertema objek wisata Sumatera Utara. Penelitian menggunakan metode practice-based research yang mengintegrasikan proses penelitian dengan praktik penciptaan karya. Tahapan penelitian meliputi eksplorasi material, eksperimen teknik pengolahan, perancangan desain, perwujudan karya, dan evaluasi. Data dikumpulkan melalui observasi, dokumentasi, eksperimen, dan studi literatur, kemudian dianalisis secara deskriptif kualitatif. Hasil penelitian menunjukkan bahwa daun rambutan kering memiliki karakter visual berupa tekstur, pola serat, dan warna alami yang mampu meningkatkan nilai estetika plakat. Material ini juga mudah diolah, memiliki daya rekat yang baik setelah dipadukan dengan lem PVAc dan bahan pendukung lainnya, serta menghasilkan karya yang kokoh dan fungsional. Pemanfaatan daun rambutan sebagai material utama mendukung konsep seni kriya ramah lingkungan melalui pengolahan limbah organik menjadi produk bernilai tambah. Penelitian ini diharapkan dapat menjadi alternatif pengembangan material kriya berbasis potensi lokal sekaligus memperkuat identitas budaya dan pariwisata Sumatera Utara melalui media plakat cenderamata.
Rumah Adat Melayu sebagai Inspirasi dalam Penciptaan Karya Seni Batik Tulis Cut Melisa; Misgiya Misgiya; Wahyu Tri Atmojo; Muslim Muslim; Azmi Azmi; Raden Burhan Surya Nata Diningrat
Jurnal Intelek Insan Cendikia Vol. 3 No. 9 (2026): SEPTEMBER 2026
Publisher : PT. Intelek Cendikiawan Nusantara

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Abstract

Penelitian penciptaan ini bertujuan untuk mengetahui proses dan hasil penciptaan karya seni batik tulis yang terinspirasi dari Rumah Adat Melayu. Rumah Adat Melayu dipilih sebagai sumber inspirasi karena memiliki nilai budaya, filosofi, serta ragam hias yang khas sehingga dapat dikembangkan menjadi motif batik sebagai upaya pelestarian budaya Melayu. Metode yang digunakan dalam penelitian ini adalah metode penciptaan seni yang meliputi tahap eksplorasi, perancangan, pengembangan konsep, dan perwujudan karya. Tahap eksplorasi dilakukan melalui pengumpulan data, observasi, dokumentasi, dan studi pustaka mengenai bentuk arsitektur serta ornamen Rumah Adat Melayu. Selanjutnya dilakukan proses perancangan motif, pemindahan pola ke kain mori, pencantingan menggunakan malam, pewarnaan dengan teknik colet menggunakan pewarna Remasol, fiksasi menggunakan natrium silikat, pelorotan, hingga tahap penyelesaian karya. Hasil penelitian ini berupa 12 karya batik tulis yang menampilkan visual Rumah Adat Melayu sebagai objek utama yang dipadukan dengan ragam hias khas Melayu, seperti motif pucuk bersusun, lebah bergantung, dan ornamen Melayu lainnya. Seluruh karya dibuat secara manual menggunakan teknik batik tulis sehingga menghasilkan karakter visual yang khas dengan komposisi motif yang harmonis serta warna yang tajam. Hasil penciptaan ini diharapkan dapat menjadi salah satu upaya pelestarian budaya Melayu melalui media seni batik sekaligus menambah referensi dalam pengembangan karya seni batik berbasis budaya lokal.
Ikan Mas sebagai Ide Penciptaan Batik Tulis dengan Memadukan Ornamen Mandailing pada Pembuatan Hiasan Dinding Pebrina Sari Rambe; Wahyu Tri Atmojo; Raden Burhan Surya Nata Diningrat
Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Vol. 2 No. 3 (2025): September: Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v2i2.770

Abstract

This research aims to explore the visual potential of the goldfish as a source of inspiration in the creation of hand-drawn batik works by incorporating traditional Mandailing ornaments. The goldfish was selected due to its strong symbolic meaning in local culture, representing luck, prosperity, and happiness. Meanwhile, Mandailing ornaments rich in philosophical and aesthetic cultural values serve as supporting elements that strengthen the visual identity of the work. The creative method used in this study follows the approach proposed by Husen Hendriyana, consisting of four stages: preparation, imagination (exploration), development of imagination (design), and realization (execution). The creative process involves illustrating the form of the goldfish combined harmoniously with distinctive Mandailing motifs such as bona bolu, bindu pusuk ni robung, burangir/aropik, sipatomu-tomu, bintang na toras, rudang, raga-raga, sancang duri, jagar-jagar, bondul na opat, tagan, bintang dohot tolu lingkaran, timbangan, podang, gancip, takar, pinggan, mataniari, horis, loding/upak, bintang, alaman bolak, parbincar mataniari, gimbang, lotus flower, and gumbot. The outcome of this research consists of 12 hand-drawn batik artworks applied as wall decorations using a contemporary approach. These works function both aesthetically and educationally, as well as decoratively. The artworks are expected to contribute to the development of hand-drawn batik as a visual art form that adapts to modern times, while also promoting and preserving the rich cultural heritage of the Mandailing through a broader visual format.
Sawit Karet dan Kakao Sebagai Ide Penciptaan Motif Batik Tulis Maulidya Putri; Wahyu Tri Atmojo; Raden Burhan Surya Nata Diningrat
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 2 No. 4 (2025): Oktober: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i3.769

Abstract

This research aims to create batik tulis motifs with inspiration from three main plantation commodities in North Labuhanbatu Regency, North Sumatra, namely palm oil, rubber, and cocoa. These three plants are not only economically important, but also have philosophical values that can be raised as visual and cultural wealth in the form of batik motifs. The method used in the creation of the work consists of three stages, namely exploration, design, and realization. Exploration is done through literature study, direct observation, and visual documentation of the morphology of the three plants. The design stage involved the stilation and deformation of the plant forms into batik motif designs. Furthermore, the realization stage was carried out using the written batik technique using canting on mori cloth. The research resulted in 12 written batik works that combine elements of aesthetics, philosophy of life, and the locality value of the Labuhanbatu Utara community. This research is expected to enrich the repertoire of contemporary batik design while supporting cultural preservation and the development of local wisdom-based creative industries.
Penciptaan Desain Tote Bag Bertema Prangko Seri Bangunan Bersejarah Kota Medan Sebagai Cendramata Pos Bloc Medan Fahmi Alkindi; Raden Burhan Surya Nata Diningrat
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 2 No. 3 (2025): September : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v2i2.631

Abstract

Medan City has many historical buildings that reflect its rich culture and history. However, with the times, public awareness of this cultural heritage is diminishing. One of the efforts to preserve and reintroduce the historical buildings in Medan is through the creation of souvenir designs. This research focuses on the creation of a tote bag design with the theme of historical building series stamps of Medan City as souvenirs at Pos Bloc Medan. The creation method used in this research refers to the stages of exploration, design, and realization. Exploration was conducted by studying the visual and historical elements of historical buildings in Medan City, such as Maimun Palace, Medan Post Office, and Al-Mashun Grand Mosque. Designing is done by adapting the shape of stamps as the main design concept, combining digital illustrations with interesting color compositions. The final result is a tote bag design featuring historical buildings in the format of stamp illustrations, printed with digital printing techniques. This research is expected to contribute to the effort of preserving Medan City's cultural heritage through creative media, as well as increasing public awareness of the importance of preserving and appreciating historical buildings. In addition, this tote bag design also has the potential to become an attractive souvenir product with educational value for tourists and local communities.
Menciptakan Lampu Hias Dinding Ukir dengan Berbagai Ornamen Karo Debi Yaini Br Sembiring; Misgia Misgia; Raden Burhan
Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya Vol. 2 No. 4 (2025): November: Filosofi : Publikasi Ilmu Komunikasi, Desain, Seni Budaya
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/filosofi.v2i3.784

Abstract

This study aims to create a carved wall decorative lamp that highlights and introduces the rich traditional ornaments of the Karo ethnic group. The creation process includes the stages of form exploration, design planning, and piercing carving techniques using materials such as mahogany wood, jelutung, and bamboo. The Karo ornamental motifs used in this creation include the motifs of Palm Manggis, Lukisen Umang, Pengeret-ret, Pendamaiken, Desa Siwaluh, Pucuk Marebung, Bungga Gundur, Teger Tudung, Sisik Kaperas, Lukisen Kurung Tendi, Kaba-kaba, Pucuk Tengiang, Lukisen Suki, Tutup Dadu, Cimba Lau, Embun Sikawiten, Bindu Mateguh, and Tapak Raja Suliaman, which were selected for their strong aesthetic values and philosophical meanings. This work serves not only as a source of decorative lighting but also as a medium for preserving Karo cultural heritage. The result shows that the combination of function and traditional values can produce applied art that is both aesthetic and meaningful.
Co-Authors Adek Cerah Kurnia Azis Agus Priyatno Anggraini, Elya Siska Annisa Amalia Azmi Azmi Cut Melisa Daulat Saragi Debi Yaini Br Sembiring Dinul Islami Elly Prihasti W Fahmi Alkindi Fitri Puspita Sari Frisdo Ekardo Iqbal Mudri Khatikno Lystia Nurhaliza Hasibuan M. Surip Mangatas Mangatas Maulidya Putri Misgia Misgia Muhammad Nur Huda muslim muslim Pebrina Sari Rambe R. Triyanto Rizqoh Fadhilah Siti Nabawi Wahyu Tri Atmojo Widya Utari Wiflihani Wiflihani