Articles
<![CDATA[Komunikasi Visual: Fantasi Tubuh Wanita Kelas Menengah di Instagram ]]>
<![CDATA[Rama Kertamukti]]>;
<![CDATA[Heru Nugroho]]>;
<![CDATA[S. Bayu Wahyono]]>
<![CDATA[ Jurnal Kajian Komunikasi Vol 6, No 2 (2018): December 2018 ]]>
Publisher : <![CDATA[Universitas Padjadjaran ]]>
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DOI: 10.24198/jkk.v6i2.17925
<![CDATA[Budaya manusia memberikan perwujudan kecantikan dalam doktrin rasis yang menyingkirkan heterogenitas perbedaan tubuh. Cantik menjadi standar representasi tubuh perempuan yang cantik dan ramping. Instagram memberikan ruang untuk wanita menjadi ramping dan cantik dengan berbagai sumber daya yang menegaskan perbedaan ramping dan gendut, serta menolak adanya representasi liyan terhadap tubuh. Tubuh gemuk akan dilekati oleh bayang-bayang obesitas sehingga gemuk menjadi sindrom bagi kebanyakan wanita. Instagram digunakan wanita kelas menengah untuk berfantasi mengenai tubuh yang dipresentasikan. Instagram dapat memanipulasi tubuh yang “nyata” mengikuti fantasi tubuh ketika memasuki logika Instagram yaitu visual artistik. Pengguna Instagram berfantasi dengan resources yang dimiliki Instagram, mereka berfantasi dengan tubuh ramping yang dipresentasikan di ruang online-feed Instagram. Penelitian ini mengkaji fenomena praktik wanita kelas menengah dalam memperlihatkan perubahan signifikan yang tidak ada batasan ruang dan waktu di ruang Instagram. Analisa yang dilakukan di sini dengan mendasarkan pada teori wacana tekstual. Wacana senantiasa melibatkan kondisi sosial dalam memproduksi dan menafsirkannya. Kondisi-kondisi terkait erat dengan tiga tataran organisasi sosial: situasi sosial, institusi sosial dan tataran sosial secara umum. Melihat wacana sebagai praktik sosial berarti mengkaji teks dalam hal ini visual di Instagram, menganalisis produksi, interpretasi serta mendalami hubungan teks, proses dan kondisi-kondisi sosial baik konteks situasional-institusional serta tatanan masyarakat. Dua akun yang diteliti @putrilellyana dan @rosakusumaazhar menghadirkan wacana wanita mengenai tubuh. Kenyataan yang termanifestasikan dua akun ini bahwa konsumsi dan produksi dalam arena Instagram memberikan pembentukan pola realitas sosial. Instagram menjadi alat pembentuk konstruksi sosial, sekaligus pembentuk wujud kuasa kebenaran dalam realitas sosial, Instagram membuat ruang kendali keseragaman norma-norma kehidupan.]]>
<![CDATA[Pembelaan pada Persebaya dan Glorifikasi Bonek dalam Pemberitaan Jawa Pos tentang Konflik Persebaya dan PSSI ]]>
<![CDATA[Fajar Junaedi]]>;
<![CDATA[Heru Nugroho]]>;
<![CDATA[Sugeng Bayu Wahyono]]>
<![CDATA[ Komuniti: Jurnal Komunikasi dan Teknologi Informasi Volume 10, No. 1, Maret 2018 ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Surakarta ]]>
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DOI: 10.23917/komuniti.v10i1.5941
<![CDATA[Relasi olahraga dan media telah menjadi isu yang signifikan, meskipun jurnalismeolahraga sering disebut sebagai jurnalisme mainan karena sifatnya yang tidak seriusdibandingkan dengan jurnalisme politik dan ekonomi. Namun demikian, olahragabukan sekadar apa yang terjadi di arena olahraga, namun berkelindan dengan beragamaspek lain, mulai dari ekonomi, politik dan sosial. Konflik yang terjadi antaraPersebaya dan PSSI sepanjang tahun 2009 sampai dengan 2017 membuktikan bahwaolahraga bukan hanya apa yang terjadi di lapangan hijau namun berkelindan denganaspek politik. Oleh Jawa Pos, berita tentang konflik Persebaya dan PSSI tidak lagidikemas dalam jurnalisme mainan, namun ditempatkan di halaman muka yangbiasanya diisi berita politik dan ekonomi. Di sekitar pelaksanaan Kongres PSSI padatahun 2016 dan 2017, Jawa Pos secara massif mengalokasikan halaman korannyauntuk memberitakan tentang Persebaya dan Bonek yang memperjuangkan pengakuankembali Persebaya oleh PSSI. Jawa Pos dalam berbagai pemberitaannya secaraeksplisit membingkai keberpihakan kepada Persebaya dan sekaligus membingkaiBonek sebagai fans yang memiliki loyalitas dan militansi tinggi dalam membelaPersebaya. Bonek dalam pemberitaan Jawa Pos mengenai konflik Persebaya dan PSSIdiglorifikasi sebagai pahlawan yang memperjuangkan Persebaya. Keberpihakan JawaPos pada Persebaya dan Bonek berujung pada pembelian saham PT PersebayaIndonesia oleh PT Jawa Pos Sportindo, sebuah perusahaan yang menjadi bagian darikonglomerasi Jawa Pos.]]>
<![CDATA[Hegemonic dialectics between power and resistance in the Indonesian sharing economy: Study of Gojek ]]>
<![CDATA[Irsanti Widuri Asih]]>;
<![CDATA[Heru Nugroho]]>;
<![CDATA[Budiawan Budiawan]]>
<![CDATA[ Informasi Vol 52, No 1 (2022): Informasi ]]>
Publisher : <![CDATA[Universitas Negeri Yogyakarta ]]>
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DOI: 10.21831/informasi.v52i1.49348
<![CDATA[Gojek is an Indonesian platform-based on-demand ride-hailing business that has attracted some researchers to conduct studies in this newly emerged economy field through various approaches. Most researchers see the phenomenon of Gojek as part of the global disruptive technology movement that positively impacts the Indonesian economic and socio-cultural aspects of society. Some others expose the asymmetrical relationship between the platform and its driverpartners. No study analyzed it from the perspective of a dialectical hegemony that transpires between the platform and its driver-partners. Using a qualitative method, this article will fill in the gaps in the study of the Gojek phenomenon from the Gramscian Theory of Hegemony perspective to uncover the dialectical relationship between the digital platform and its driver-partners. The platform articulates hegemony actions through gamification and algorithm system, the concept of work, the internalization of corporate values, the Award Programs, the Kopi Darat Program, the driver-partners communities, Gojek’s Task Force and the driver-partners influencers. The driver-partners perform resistance by conducting demonstrations and boycotts, using various application modifications, and serving over one platform.]]>
<![CDATA[Bibliometic Insights Into Agriculture And Artisanal Mining In Rural Communities ]]>
<![CDATA[Vieronica Sununianti]]>;
<![CDATA[Heru Nugroho]]>
<![CDATA[ International Journal of Educational Research and Social Sciences (IJERSC) Vol. 4 No. 2 (2023): April 2023 ]]>
Publisher : <![CDATA[CV. Inara ]]>
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DOI: 10.51601/ijersc.v4i2.623
<![CDATA[Agriculture has become the focus of rural communities’ livelihood, alongside artisanal mining. This study analyzes previous literature both three. The bibliometric method and VOSviewer software were used to analyze metadata from the Scopus database which the publication pattern tends to increase. Galvin Hilson is the most influential, prolific, and cited. The United Kingdom and the United States produced the most documents and had the highest citations. There are correlation between country, journal, and dominanttopic. This article is limited to the Scopus database until early 2023. Further studies are recommended to micro topics on other types of artisanal mining in the global south.]]>
<![CDATA[Negotiation and compromise in online learning during the Covid-19 pandemic ]]>
<![CDATA[Nur Endah Januarti]]>;
<![CDATA[Heru Nugroho]]>;
<![CDATA[Arie Sujito]]>
<![CDATA[ Informasi Vol 53, No 1 (2023): Informasi ]]>
Publisher : <![CDATA[Universitas Negeri Yogyakarta ]]>
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DOI: 10.21831/informasi.v53i1.61339
<![CDATA[The Covid-19 pandemic has accelerated technological transformation in education. Online learning has become a new culture in education that brings significant changes in the intersubjective relationship between educational actors, which was originally full of warmth but has now turned into formality due to distance meetings. This research aims to reveal the ways of relationship that occur between teachers and students and their consequences in online learning practices. The study used a phenomenological approach by collecting data through interviews with 11 teachers and 11 students and observing the online learning process conducted through various applications. The results of the study showed a weakening of the intersubjective relationship between teachers and students. Distance meetings have turned into mere formalities and emptiness. The closeness and warmth between teachers and students are diminishing and filled with emptiness. The interactions that exist are filled with deceit and fraud. In online learning, teachers and students negotiate and compromise on the learning to be conducted amidst all the limitations of distance learning. The consequence is widespread pragmatism towards technology, with students feeling lonely and isolated, and academic dishonesty increasing. In the end, there is a restriction of relationships and a tendency to prioritize mechanisms of silence as a compromise for the loss of true reality in the teacher-student relationship.]]>
<![CDATA[Noken, Women's Identity Space and Strategy In Power Contestation ]]>
<![CDATA[Godefridus Samderubun]]>;
<![CDATA[Heru Nugroho]]>;
<![CDATA[Suharko Suharko]]>
<![CDATA[ Asian Journal of Social and Humanities Vol. 2 No. 03 (2023): Asian Journal of Social and Humanities ]]>
Publisher : <![CDATA[Pelopor Publikasi Akademika ]]>
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DOI: 10.59888/ajosh.v2i03.197
<![CDATA[Asmat women have undergone a process of transformation due to contact with the agents present and changing the pattern of existing gender relations. This intersection has given birth to a new process of creation regarding women's space and identity. This paper will discuss the impact of the transformation of gender relations experienced by Asmat Women. The impact that occurs then needs to be seen in relation to the current context of the new conditions that occur in it, especially in the space of women's cultural identity which is now embedded and as if produced as a cultural identity for Asmat women, namely noken. Bourdieu's perspective is used to look at agents who fall into the scale of gender relations transformation, namely investors, traders, buyers and the many economic spaces that are also present in it. Noken as part of the results of the process of gender relations transformation occurred in Papua, especially in Asmat. The research method used is qualitative method of analysis The results of the study show that Asmat Tribe Women find themselves in the process of identity reconstruction that they begin to interpret with actions and efforts on the awareness they have. The transformation process that occurs due to the intervention of agents is seen as part of a change that they cannot control but can manage for the benefit they are trying to achieve as "key players" in gender relations both reproductive roles, productive roles and social roles, through the production of noken]]>
<![CDATA[Games, Speed Effect dan Dampaknya terhadap Manusia: Dromologi dalam Perkembangan Game Online Mobile MOBA (Multiplayer Online Battle Arena) ]]>
<![CDATA[Tito Ari Pratama]]>;
<![CDATA[Heru Nugroho]]>
<![CDATA[ Jurnal Kawistara Vol 13, No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Gadjah Mada ]]>
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DOI: 10.22146/kawistara.75218
<![CDATA[Penelitian ini bertujuan untuk memahami bagaimana kecepatan teknologi dalam dunia game melalui media Smartphone menyebabkan perubahan gaya bermain yang berpotensi mengubah kehidupan para pemain game di masa depan. Dengan game MOBA merupakan salah satu jenis game yang sangat populer di kalangan komunitas gamer karena mudah dimainkan dimana saja dan fleksibel. Namun kemudahan teknologi membuat pemain sulit melepaskan diri dari belitan kesenangan yang ada pada game sehingga berujung pada stigma buruk bermain game terhadap lingkungan. Analisis ini didasarkan pada teori Dromologi yang dikembangkan oleh Paul Virilio mengenai dromologi dan kesadaran akan teknologi yang semakin canggih, dibantu dengan pandangan terhadap nilai-nilai kemanusiaan yang menjadi fokus penelitian ini. Penelitian ini bersifat kualitatif dengan menggunakan metode etnografi pada komunitas pemain Game MOBA. Hasil penelitian menunjukkan bahwa Mobile Online Games berkembang sangat pesat sehingga memerlukan perhatian terhadap implikasinya terhadap kebutuhan generasi mendatang. Dengan digitalisasi menimbulkan efek kecepatan sehingga menyulitkan manusia untuk mengendalikannya. Dan kemudahan bermain yang dihadirkan menyebabkan perjuangan melalui kecelakaan yang hadir dalam game MOBA yang mereka ikuti. Penelitian ini bertujuan untuk memberikan pengingat tentang dampak potensial dari kecepatan mempengaruhi Mobile Online Game terhadap perkembangan fisik dan emosional manusia.]]>
<![CDATA[Noken, Women's Identity Space and Strategy In Power Contestation ]]>
<![CDATA[Godefridus Samderubun]]>;
<![CDATA[Heru Nugroho]]>;
<![CDATA[Suharko Suharko]]>
<![CDATA[ Asian Journal of Social and Humanities Vol. 2 No. 03 (2023): Asian Journal of Social and Humanities ]]>
Publisher : <![CDATA[Pelopor Publikasi Akademika ]]>
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DOI: 10.59888/ajosh.v2i03.197
<![CDATA[Asmat women have undergone a process of transformation due to contact with the agents present and changing the pattern of existing gender relations. This intersection has given birth to a new process of creation regarding women's space and identity. This paper will discuss the impact of the transformation of gender relations experienced by Asmat Women. The impact that occurs then needs to be seen in relation to the current context of the new conditions that occur in it, especially in the space of women's cultural identity which is now embedded and as if produced as a cultural identity for Asmat women, namely noken. Bourdieu's perspective is used to look at agents who fall into the scale of gender relations transformation, namely investors, traders, buyers and the many economic spaces that are also present in it. Noken as part of the results of the process of gender relations transformation occurred in Papua, especially in Asmat. The research method used is qualitative method of analysis The results of the study show that Asmat Tribe Women find themselves in the process of identity reconstruction that they begin to interpret with actions and efforts on the awareness they have. The transformation process that occurs due to the intervention of agents is seen as part of a change that they cannot control but can manage for the benefit they are trying to achieve as "key players" in gender relations both reproductive roles, productive roles and social roles, through the production of noken]]>
