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All Journal FORUM JURNAL ILMU SOSIAL Interaksi : Jurnal Ilmu Komunikasi Interaksi Online Jurnal Ilmu Komunikasi Jurnal Perempuan Lontar : Jurnal Ilmu Komunikasi Jurnal Perempuan
Triyono Lukmantoro
Jurusan Ilmu Komunikasi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Diponegoro
Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Journal : Interaksi Online

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PENGARUH TERPAAN KONTEN KINDERFLIX DAN KREDIBILITAS HOST NISA DI CHANNEL KINDERFLIX TERHADAP PERILAKU BERKOMENTAR CYBER SEXUAL HARASSMENT PENONTON DEWASA DI KONTEN KINDERFLIX Sabila Rosyad, Ananda; Lukmantoro, Triyono; Qurrota Ayun, Primada
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Women often become victims of sexual objectification on social media or online. One of them is Nisa who is the host of the Kinderflix channel which brings educational content for toddlers. Even though Nisa wears a hijab and dresses modestly, she receives many harassing comments on the Kinderflix content she presents. This research aims to determine whether there is an influence between exposure to Kinderflix content and the credibility of host Nisa on the Kinderflix channel regarding the behavior of commenting on cyber sexual harassment of adult viewers on Kinderflix content. This research has an explanatory type and the theories used are uses & gratifications theory and source credibility theory. The research test uses a simple linear regression test with a non-probability sampling technique. The sample used in this research was 60 respondents with criteria aged 17-35 years, users of social media Instagram, Youtube and TikTok, and had been exposed to Kinderflix content. The results of this research show that exposure to Kinderflix content on cyber sexual harassment commenting behavior has a significant influence, so the hypothesis is accepted because the result value is 0.001 or smaller than 0.01. Exposure to Kinderflix content has an influence of .27.4% on cyber sexual harassment commenting behavior. Then, the results of host Nisa's credibility test regarding cyber sexual harassment commenting behavior are very significant or influential because the result value is 0.001 and is smaller than 0.01. Nisa's host credibility has an influence of 21.2% on cyber sexual harassment commenting behavior
PENGARUH TERPAAN KAMPANYE STOP PELECEHAN SEKSUAL DAN INTENSITAS KOMUNIKASI PEER GROUP TERHADAP SIKAP PENUMPANG PEREMPUAN DALAM MENGHADAPI TINDAK PELECEHAN SEKSUAL DI ARMADA TRANSJAKARTA Putri Nabila, Alifia; Nugroho, Adi; Lukmantoro, Triyono
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The existence of sexual assault on public transportation is proof that security in public spaces has not been fully realized, especially for women who tend to be victims. Transjakarta, one of the public transportation companies in DKI Jakarta, is holding a Stop Sexual Harassment Campaign to create a safe space involving passenger participation. Peer group communication is one of the factors that can influence female passengers to have a firm attitude in dealing with sexual harassment in Transjakarta. This research aims to determine the influence of exposure to the stop sexual harassment campaign in Transjakarta and the intensity of peer group communication from the Busway Fan Club community in shaping the attitudes of female passengers facing acts of sexual harassment in Transjakarta. This research uses purposive sampling with a total of 100 respondents. The theories used in this research are Cognitive Response Theory and Reference Group Theory. Testing uses simple linear regression analysis. The findings show that there is an influence from exposure to the stop sexual harassment campaign and the intensity of peer communication from groups from the Busway Fan Club (BFC) community on the attitudes of female passengers in facing acts of sexual harassment in Transjakarta. These findings show that cognitively, affectively, and conatively, female passengers tend to act assertively if they see or become victims of sexual harassment in Transjakarta.
STRATEGIKOMUNIKASIBIJAKMEMILIHDALAM MEMBENTUKPEMAHAMANPEMILIHPEMULATERKAIT PEMILIHANPRESIDENDANPEMILIHANUMUMTAHUN2024 Dewi Sekartaji, Audi; Lukmantoro, Triyono; Sunarto, Sunarto
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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As the majority of voters, the younger generation has not yet demonstrated readiness in voting due to a lack of knowledge about the contesting candidates and a general disinterest in politics. "Bijak Memilih" (Wise Voting) as a political education movement has formed a communication strategy to help first-time voters obtain good information during the campaign period of the 2024 presidential and general elections. By using Karl E. Weick's Organizing Process Theory and the Communication Strategy Model, this study seeks to examine the communication strategy of an organization operating within a political context. The research uses a case study design with pattern-matching techniques to analyze the data. The results show that communication strategy of Bijak Memilih includes planning, implementation, and evaluation stages for program sustainability. In the planning phase, the focus on information environment issues can be better understood through interviews and surveys conducted with various parties. The research also shows that a shared perception among members and collaborators is crucial during the implementation of the communication strategy. Bijak Memilih also introduces new models for presenting content that appeals to young people, such as delivering comprehensive information through a simple website design, using analogies in narratives, and presenting material in everyday language to make political discussions feel less rigid and intimidating. For program sustainability, evaluations are conducted by monitoring feedback from comments on social media accounts, emails, and direct messages (DMs).
Pengaruh Terpaan Berita Mengenai Isu Rangka Smart Architecture Frame (eSAF) milik PT Astra Honda Motor Yang Mudah Patah dan Brand Image di Twitter Terhadap Tingkat Kepercayaan Konsumen Mengenai Kualitas Motor PT Astra Honda Motor Gibran, Alvien; Lukmantoro, Triyono; Suryanto Gono, Joyo Nur
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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In this era, technology has become one of the most advanced innovations in making daily activities easier. With a world that is always moving, there is always room for technology to develop in all aspects, one of which is transportation. Because motorbikes offer a variety of flexible and affordable price options compared to other transportation methods, motorbikes have become one of the most popular methods of transportation and are the people's choice. The number of people who own motorbikes is increasing every month due to the fact that motorbikes are a practical way of transportation. In this process, a problem arose that the PT Astra Honda Motor eSAF frame became rusty and broke easily. This is very disappointing for customers because PT Astra Honda Motor is committed to providing the best products and quality. However, this fact shows that the promised product and quality failed to meet expectations, which of course harmed PT Astra Honda Motor's customers. The theories used in this research are New Media Theory and also e-WOM (Word of Mouth) Theory, with a sampling technique in the form of non-probability sampling, with a total sample of 100 people with characteristics of men and women, aged 16-64 years, and who had been exposed to news about the issue of PT Astra Honda Motor's eSAF frame being rusty and breaks easily. The results of hypothesis testing using a simple linear regression technique show that there is an influence between exposure to news about PT Astra Honda Motor's eSAF frame which rusts and breaks easily and brand image on Twitter on the level of consumer confidence regarding the quality of PT Astra Honda Motor's motorbikes with significance values in both hypotheses. of 0.000.
REPRESENTASI EMANSIPASI WANITA DALAM BUDAYA JAWA PADA FILM KARTINI (2017) Ayudia Putri, Rakhma; Rahardjo, Turnomo; Lukmantoro, Triyono
Interaksi Online Vol 12, No 2: April 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The dissemination of values brought by films as mass media can influence society in constructing ideologies. In media ecology theory, media are considered more than just channels for message transmission; the inherent nature of the medium can be key to a social impact. This includes how various gender aspects regarding the portrayal of women's roles in films can affect societal perspectives and ideologies. "Kartini" (2017) is a biopic depicting the life journey of R.A. Kartini, a national female figure originating from Java who pioneered the women's emancipation movement in Indonesia. This research examines how the representation of women's emancipation is depicted through symbols in the film "Kartini" (2017) and how gender relations occur in feudal Java. This study employs qualitative descriptive research focusing on how Javanese culture can influence gender relations and power dynamics. Representation is conducted using John Fiske's semiotic analysis method, The Codes of Television, which examines the unit of analysis through three levels of social codes: reality, representation, and ideology. The research findings reveal that the representation of women's emancipation struggle in the film "Kartini" (2017) depicts women's roles as agents of resistance, challenging cultural norms and patriarchal ideologies that limit women's mobility within the entrenched patriarchy of Javanese culture. Patriarchy, through Javanese cultural traditions and values, legitimizes the subordination of women, thus necessitating emancipation movements to achieve physical, intellectual, and social liberation as a form of resistance against patriarchal hegemony. The representation of women's emancipation in the film "Kartini" (2017) illustrates how contradictions and negotiations are undertaken by women to drive social change and achieve gender equality.
AUDIENCE RECEPTION ON YOUTUBE VIDEO ABOUT CHILDFREE Kevina Ukraina, Vadhillah; Hasfi, Nurul; Lukmantoro, Triyono
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The childfree phenomenon in Indonesia, although still considered taboo, is increasingly being discussed, especially on social media. Data from the Central Statistics Agency shows a 2.1% decline in the marriage rate, which was 1.74 million marriages, to 1.7 million in 2022. In addition, the birth rate has also experienced a significant decline of 30.64% in the last three decades. This decline is thought to be due to various social, economic, and cultural factors, including changes in views on the family and the role of women. The childfree phenomenon has sparked heated debate over traditional values that place children as an essential part of the family and women's identity. This study examines how audiences respond to the childfree narrative in the YouTube video "Semua Hal Itu Egois" on the Menjadi Manusia channel using the Netnography and Critical Discourse Analysis (CDA) approaches. The results of the study show a strong division of opinion. The pro-childfree group supports this choice as an expression of personal freedom and a form of rejection of traditional gender roles. Meanwhile, 1 the opposing group emphasizes patriarchal and religious values that consider the role of mother as a natural obligation for women. This debate illustrates a complex social dynamic, in which the childfree choice reflects the tension between individual freedom and strong cultural pressures to have a family in Indonesia. These differing interpretations highlight how deeply rooted traditional values are in Indonesian society.
STRATEGI KOMUNIKASI KLENTENG TITD LIONG HOK BIO DALAM MENJAGA TOLERANSI ANTARBUDAYA MELALUI KIRAB BUDAYA CAP GO MEH DI KOTA MAGELANG Kusuma, Ivana; Rahardjo, Turnomo; Lukmantoro, Triyono
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Liong Hok Bio Temple in Magelang is a place of worship and cultural activity center that plays a crucial role in fostering tolerance and intercultural relationships. The Cap Go Meh cultural parade symbolizes tolerance, reduces antiChinese sentiment, and enhances intercultural tolerance in Magelang City. Although challenges of multiculturalism have lessened, effective communication strategies are still necessary to maintain tolerance. This study aims to analyze the communication strategies employed by TITD Liong Hok Bio Temple in the Cap Go Meh Cultural Parade in Magelang. A descriptive qualitative method with a case study approach was used, utilizing the Communication Accommodation Theory. The communication strategies used by the temple are divided into four parts: problem identification, goal setting, communication strategy formulation (communicators, target audience, messages, media, communication effects), and evaluation, which is split into summative and formative evaluations to assess success, identify obstacles, and provide suggestions for improving the quality of the Cap Go Meh Cultural Parade in the future. Data were collected through in-depth interviews. The results indicate that Liong Hok Bio Temple has effectively implemented communication strategies in the Cap Go Meh celebration. These include convergence strategies that integrate traditional culture with Chinese cultural elements to reduce potential conflicts and enhance tolerance, and divergence strategies aimed at highlighting Chinese cultural heritage and strengthening the spiritual bonds of the Liong Hok Bio Temple congregation. Although both strategies are used, the implementation predominantly features convergence strategies. The cultural parade has had a positive communication effect on increasing the knowledge and attitudes of the Magelang community 2 towards Chinese culture, as well as the potential for behavioral changes in appreciating cultural diversity
Sexuality of Colonized Subjects, a Postcolonial Analysis Anjani Salim, Siti Amira; Dwiningtyas Sulistyani, Hapsari; Lukmantoro, Triyono
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This study explores @coolestkev's disruptive strategy of sexualizing Dutch colonization on TikTok through feminist rhetorical criticism and postcolonial analysis. The goal is to understand how this approach reinforces or challenges traditional gender norms and reflects postcolonial power structures. The results show that @coolestkev strengthens traditional gender norms and romanticizes the colonial past, while response videos from other creators present strong counter-narratives through nationalism and collectivism. This analysis reveals the complexities of identity in colonized societies, including internalized heterosexism and social pressures surrounding masculinity
INTERAKTIVITAS KOMENTAR VICTIM BLAMING DALAM KASUS NCII REBECCA KLOPPER DI MEDIA SOSIAL X Armaulida, Annisa; Lukmantoro, Triyono; Hasfi, Nurul
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This study aims to determine the interactivity and the classification of victim blaming comments by X netizens towards NCII Rebecca Klopper case on @sosmedkeras post. This research uses a qualitative method with a netnography framework that focuses on X comments. Data collection techniques were carried out using archival data types and documented as screenshots or copy and paste of comments from @sosmedkeras post. This research used New media theory and interactivity theory to analyze the interactivity and classify victim-blaming comments against Rebecca Klopper. The results of this study show that the victim blaming comments on Rebecca Klopper occurs in two-way communication that dominantly carried out by anonymous accounts on X and elicited various pro and con responses. Pro responses are shown in the form of interactivity such as likes, reposts and comments demeaning the victim. Meanwhile, the con response is shown in the form of interactivity such as rebuttal comments and personal attacks agains the sender of the victim blaming comments. The study further identifies four categories of victim-blaming comments: 1) Blaming the act of recording sexual activities; 2) Sexual harassment; 3) Refusing to recognize Rebecca Klopper's status as a victim; and 4) Refusing to support or sympathize with the victim. Upon further examination, the deeply ingrained patriarchal culture in society and misunderstandings about NCII (Non-Consensual Dissemination of Intimate Images) case are the primary reasons for victim blaming phenomenon against Rebecca Klopper. To mitigate victim-blaming behavior in NCII cases, it is important to enhance education and raise public awareness about NCII, sexual behavior, and the concept of consent. This will contribute to creating a safer digital environment.
CANCEL CULTURE SEBAGAI RESPONS MASYARAKAT TERHADAP PELAKU KASUS PERSELINGKUHAN : KAJIAN PADA AKUN INSTAGRAM @ARAWINDAK Jehovani Ratna Mourina, Stella; Lukmantoro, Triyono; Naryoso, Agus
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The cancel culture phenomenon emerges as a form of public rejection of public figures who behave deviantly. The research aims to understand the cancel culture phenomenon and various related actions by examining the cancel culture phenomenon that occurred to an actress involved in an affair, Arawinda Kirana. Arawinda Kirana is a newcomer actress whose name began to be recognized by the public through the movie Yuni (2021). In the film Arawinda Kirana plays the role of Yuni, through which Arawinda Kirana received awards, one of which was the winner of the 2021 Citra Cup in the category of Most Favorite Female Lead Actress, she is also known for creating the hashtag #BerkainBersama, a movement that invites young people to preserve and use kebaya, and she is familiarly known to the public as "Kartini Modern" From the data, it was found that Arawinda Kirana experienced a change in response from the public. Before cancel culture Arawinda was known as a talented young actress and was also known as a modern kartini' who received a lot of public support, praise both for her and her work. Changes in audience response after Arawinda Kirana experienced cancel culture are observed in the findings which are divided into the following categories: The increase in account performance and followers in the early days of cancel culture, comments that indicate stopping providing support to the target, comments that lead to calling out actions in comments containing suggestions and criticisms in comments which are divided into three types of calling out forms, namely the legal literacy group, defending justice for victims of infidelity and the group that criticizes moral and religious demands, no comments were found that vocally stated that they stopped supporting products or brands that were bound to collaborate with the target but in collaboration uploads, audience attention to the brand would be covered by the crowd of negative public comments directed at the target. Comments in the category of work rejection contain criticism of films that are not objective, insults to films, and invitations not to watch films, comments leading to virtual bullying contain swearing or sentences containing harsh words that are undirected and do not have clear definitions, insults that degrade the target's physique, forms of labeling comments to Arawinda Kirana such as "pelakor" "perek" "flirtatious" "home wrecker" "jablai" "gatal", and comments that degrade the target's physique
Co-Authors Adi Nugroho Afinada Aulia Agani Agus Naryoso Agus Toto Widyatmoko, Agus Toto Anjani Salim, Siti Amira Armaulida, Annisa Astuti Dwi Wahyu Pertiwi Ayu Nabilla, Ayu Ayudia Putri, Rakhma Azzahra, Nabila Azzahrani, Safira Bayu Widagdo, Muhammad Candra Sateria, Candra Dewi Sekartaji, Audi Dheayu Jihan B.K., Dheayu Jihan Diandra Pratisthita Indraswar, Ni Luh Ayu Dina Tasyalia Dachman, Dina Tasyalia Djoko Setiabudi Eva Ratna Hari Putri Evie S. Ibrahim, Evie S. Fariza Khumaedi Fillmore Galih Wibisana, Kuirinus Fitri Damayanti Gibran, Alvien Handono Priambodo, Handono Hapsari Dwiningtyas Sulistyani Hardiyanto, Muhamad Hedi Pudjo Santosa I. Nabila, Dethisa Indra Pratama Jehovani Ratna Mourina, Stella Joyo Nur Suyanto Gono Kanaya Faza, Kayla Kevina Ukraina, Vadhillah Khansa Berlian, Dinda Kuni Zakiyyah Kusuma, Ivana Lintang Ratri Rahmiaji Luthfi Fazar Ridho Madani, Ndaru Much Yulianto Much. Yulianto Muhammad Bayu widagdo Nirmala Hastutik, Renta Noven Harjadi, Christian Nur Fadila, Jihan Nurist Surayya Ulfa Nurul Hasfi Primada Qurrota Ayun Putra Baroto, Medio Putri Nabila, Alifia Putri Saraswati, Putri Rifat Farihi, Haikal S Rouli Manalu Sabila Rosyad, Ananda Sri Budi Lestari Sunarto Sunarto Swasti Kirana Putri, Swasti Kirana Tandiyo Pradekso Taufik Suprihartini Taufik Suprihatini Titiek Hendriama, Titiek Trian Kurnia Hikmandika, Trian Kurnia Turnomo Rahardjo Wahyu Irara Widya Hapsari, Arinta Wiwid Noor Rakhmad Wiwied Noor Rakhmad