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JEJAK MAJAPAHIT: KOMPOSISI MUSIK PROGRAMA BERDASARKAN CERITA LEGENDA AIR MAJAPAHIT DI NEGERI EMA Maitimu, Frengky; Lestari, Dewi Tika
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5651

The history of Air Majapahit is one of the events of the arrival of Princess Majapahit in Negeri Ema which has been told orally from generation to generation. The history of Majapahit Water can be proven true by the existence of Majapahit kingdom relics in the form of heirloom spears, Gamelan, Betel places and Majapahit springs which are still well preserved in Negeri Ema. Based on this phenomenon, it was then used as a nonmusical concept to work on a musical composition. The composition of Traces of Majapahit is a narrative program musical work which contains elements of the history of Air Majapahit, which was created in the form of varied music and using western instruments. The process of creating the musical composition Traces of Majapahit went through several stages, namely (1) exploration of literature regarding musical disciplines and observation of Majapahit water history; (2) processing the relationship between musical elements and nonmusical concepts as a basis for the construction of musical compositions; (3) cultivating musical elements into variations using the main theme development procedure from Leon Stein’s theory; (4) presentation of the work in orchestra format. This work contains cultural value in the almost forgotten relationship between the Majapahit kingdom and Negeri Ema, so that through this work it is hoped that the history of Air Majapahit will be preserved.

Daralo Song Composition: Mebawalase Mesampere Style Lawendatu, Frangky; Batubara, Junita; Lestari, Dewi Tika
Jurnal Riset Ilmu Pendidikan Vol. 5 No. 3 (2025): Jurnal Riset Ilmu Pendidikan
Publisher : Lembaga Riset Mutiara Akbar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56495/jrip.v5i3.1182

This study highlights the culture of the Sangihe Talaud community, regarding the M?samper? song. M?samper? is the ancestral culture of the Sangihe community which has been passed down from generation to generation until now. The Sangihe Islands are one of the islands located in North Sulawesi Province. The term Mebawalase Mesampere means to reply in the Sangihe language, which is a singing style where the singers will reply to each other's songs (like replying to pantun). Daralo is a song composition inspired by Mebawalase Mesampere. Researchers found several styles of Mebawalase Mesampere singing in the work of daralo. Researchers also found that the creators of Mebawalase Mesampere songs did not include their names or were anonymous, so that the Mebawalase Mesampere-style songs that were created will gradually become extinct. This study uses qualitative methods with data analysis and interviews. In terms of the creation of Daralo, the style of the song Mebawalase Mesampere is performed using western musical instruments, so that the nuances of the song that characterize Mebawalase Mesampere are more creative and innovative. The results of the study have been performed at STT Jaffray Makassar in a recital as a requirement for the final exam for the concentration of church music.

MEANING OF INSTRUMENTS APEIN THE LIFE OF THE KENYAH DAYAK TRIBE Damri A Hanaou; Dewi Tika Lestari; Junita Batubara
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 9 (2025): AUGUST
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijset.v4i9.857

Sapeis a traditional musical instrument of the Dayak Kenyah people which not only functions as a means of entertainment, but also becomes an important symbol in various traditional rituals of the Dayak Kenyah people. This study aims to analyze the meaning of musicSapein the context of Dayak Kenyah cultural rituals. With a qualitative approach and ethnomusicological approach, this study combines field observations, in-depth interviews, and literature reviews. The findings show thatSapenot only accompanies traditional rituals, but also has a socio-spiritual function in strengthening community relations, cultural identity, and the continuity of tradition. Dayak Kenyah is one of the sub-tribes of the Dayak group that inhabits the interior of Kalimantan, especially in East Kalimantan and North Kalimantan, with a distribution that is also found in the border region of East Malaysia (Sarawak). In the life of the Dayak Kenyah community, musicSapehas a very special place. Not only is it a part of artistic expression,Sapealso integrated into religious rites, traditional ceremonies such as harvest festivals, welcoming guests, and various spiritual processions that are full of meaning. This musical instrument is considered a medium of spiritual communication and a means of inheriting ancestral values. Through the plucking of its notes,Sapebe an intermediary in conveying prayers, hopes and respect for the spirits of ancestors. This study specifically focuses on the Dayak Kenyah community, to highlight howSapenot only maintained as a cultural heritage, but also brought to life in the daily lives of the community as an identity that unites and strengthens solidarity amidst the increasingly rapid flow of modernization. Thus, this study emphasizes the importance of traditional music such asSape, not only as a cultural artifact but as part of cultural identity.

ANALYSIS OF HARMONY IN MOVEMENT AND SOUND: SPIRITUAL MEANING LET ALL PRAISE GOD Levinson Y A Simaela; Junita Batubara; Dewi Tika Lestari
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 9 (2025): AUGUST
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijset.v4i9.858

This study discusses a comprehensive analysis of the choral work "Let Everything That Breathes Praise the Lord" created by Levinson Simaela, focusing on its musical structure, harmony, and performative potential.This song was inspired by Psalm 150 and became a mandatory song at the Church Choir Festival (PESPARAWI) of SMGT (Toraja Church Sunday School) throughout the East Makassar Classis in 2022.This work is a silent witness to the victory of the SMGT Satria Kasih Makassar Children's Choir at the event. Researcheras the creator of this work, I intend to identify the compositional elements in the score, explore the performance implications of the existing notation, and examine the inclusion of Torajan nuances through the use of local language lyrics and Torajan drum accompaniment.The use of Torajan lyrics and specific directions for traditional instruments such as the Torajan drum demonstrate an effort to integrate local cultural richness into church music.Using qualitative descriptive methods of formal music analysis supported by ethnographic review, this study examines how the components of melody, rhythm, and harmony interact to shape the overall work. In addition, this article discusses how the tempo direction, dynamics, and "(Sambil Menari)" instructions in the score can influence interpretation and presentation on stage. The incorporation of Torajan lyrics and the option of Torajan drum accompaniment are important points in understanding how this work inculturates regional cultural values into expressions of church praise. The findings of this study are expected to provide a deeper understanding of adaptive choral composition practices, as well as the contribution of music to enriching spiritual culture in Indonesia.

Hubungan Aransemen Musik dan Pesan Teologis dalam Lagu “Nyatakan Kasih-Nya” Karya Eko Agus Kandung P Sipahelut, Leo Michs de Bles; Batubara, Junita; Lestari, Dewi Tika
Innovative: Journal Of Social Science Research Vol. 5 No. 4 (2025): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v5i4.20275

Lagu Nyatakan KasihNya, karya Eko Agus Kandung P. dan diaransemen oleh Leo Michs de Bles Sipahelut, merupakan karya musik yang mengintegrasikan estetika musik dengan elemen-elemen pesan teologis yang kuat. Lagu ini menyuarakan kebesaran kasih Allah serta pesan kepada umat manusia. Penelitian ini bertujuan untuk menganalisis bagaimana aransemen musik mendukung dan memperkuat penyampaian pesan teologis tersebut. Metodologi yang digunakan bersifat kualitatif deskripsi yang memadukan analisis musik dan refleksi teologi dimana teori yang digunakan adalah dengan pendekatan Hermeneutik untuk menganalisa teks lagu Nyatakan KasihNya. Untuk merangkul data-data yang digunakan, maka partitur lagu dan rekaman audio-visual dari ajang PESPARAWI sebagai data penelitian secara objektif. Analisa yang digunakan dalam analisis struktural musik yang mencakup unsur tempo, harmoni, instrumen, dan dinamika. Selain itu, Teks lagu dianalisis secara teologis dengan pendekatan hermeneutik. Hasil penelitian menunjukkan bahwa aransemen musik memainkan peran penting dalam memperdalam pesan spiritual lagu. Penggunaan tempo lambat menghadirkan nuansa reflektif; harmoni minor mencerminkan perasaan miris terhadap sikap dan perbuatan manusia dalam menjaga alam dan lingkungan; penggunaan instrumen modern menciptakan kedekatan kontekstual dengan audiens masa kini; dan dinamika lagu merepresentasikan perasaan yang digambarka secara implisit lewat teks lagu. Kesimpulannya, Nyatakan KasihNya merupakan contoh bagaimana musik gerejawi dapat menjadi medium efektif dalam menyampaikan narasi iman secara kontekstual. Melalui sensitivitas musikal dan teologis, lagu ini menghidupkan kembali peran musik sebagai sarana pewartaan dan refleksi iman di tengah realitas umat masa kini.

The Intertwining of Cultural Identity and Religious Identity in Church Musical Harmony for Social Harmony in Multicultural Societies Lestari, Dewi Tika
Journal of Contemporary Rituals and Traditions Vol. 3 No. 1 (2025)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jcrt.1391

Purpose: This study aims to show a creative approach to uniting the diversity of cultural and religious identities in musical harmony for efforts to build social harmony between multicultural and multireligious societies. Methodology: With an art-based qualitative analysis approach, this study analyzes elements of religious, cultural, and musical identities in the traditions and songs of the Maluku Protestant Church (GPM). Findings: This study found that GPM Songs have offered a new treasure in the tradition of religious songs by creatively and harmoniously combining elements of the cultural identity of the Maluku people who embrace all different religious identities through the shared language of pela-gandong, ain ni ain, kalwedo, in musical harmony for efforts to build and maintain social harmony in multicultural and multireligious societies. Implications: The findings of this study provide a new insight that can be applied to preserving peace in multicultural societies, namely that diverse cultural and religious identities can be harmonized through musical harmonization. Originality and Value: This study contributes to the discourse of music, rituals, and tradition studies, as well as multicultural and multireligious identities, and offers a new insight into creative diplomacy by using musical harmony in church song for social harmony.

Unveiling the melodic traditions of Mahzani: an ethnomusicological investigation of Tombulu music in Indonesia's Minahasa region Pogalin, Deny V. R.; Lestari, Dewi Tika
Gelar: Jurnal Seni Budaya Vol. 21 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.5282

This research explores the Mahzani ethnic music tradition, which holds significance among the Tombulu sub-ethnic group of the Minahasa region. As an expression of their cultural identity, Mahzani encapsulates the richness of Tombulu music, encompassing artistic diversity, spiritual values, and the philosophy of life cherished by the Tombulu people. The aim of this study is to analyze the distinctive musical elements that contribute to the unique atmosphere of the Mahzani tradition. This study uses an ethnomusicological approach. This approach collects and analyzes data, namely the melodies of traditional Mahzani music in the cultural context of the Tombulu people as the owners of the music. The ethnomusicological analysis is carried out by analyzing the physical and non-physical forms of Mahzani music to reveal its melodic richness and its aesthetic and philosophical meanings. This comprehensive approach ensures a thorough examination of the musical elements and their cultural implications within the context of the Mahzani tradition. In the end, the result of this research is that the combination of poetry and melody in a single unit of Mahzani's expression at the time has unveiled a unique and mystical atmosphere. At this level, the Tombulu people believe that music has vibrations that are connected to nature and the creator. Music is no longer just a medium for expressing itself, but it is the intention of the expression of human life in relation to their living environment.

The music of topada tindo: the musical composition from the history of Toraja Nobility Toding, Vernando; Lestari, Dewi Tika; Picanussa, Branckly Egbert
Gelar: Jurnal Seni Budaya Vol. 22 No. 2 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i2.6055

This article aims to explore the history of the struggle of the Toraja nobility as a source for the composition of Topada Tindo musical composition. Reviving the history of Topada Tindo through musical compositions has an important meaning for the Torajan people's struggle to dare fighting against every tyrannical power that oppresses the people. Musical compositions that originate from the history of people's struggles can also functionally continue to revive and preserve positive historical values for each generation. This research uses an art composition method starting from the stage of building ideas from the history of Toraja nobility, exploring themes and theoretical concepts of the work, as well as forming the composition of Topada Tindo musical works. The authors argue that the history of the Topada Tindo struggle is not only a source for the musical composition but can also provide inspiration and guidance for the Torajan people today to faight and kee struggling for well-being. Topada Tindo's musical composition consists of four parts as a description of the musical situation, namely the peaceful situation (part one), the situation of the entry of external cultural influences (part two), the situation of the arrival of Arung Palakka troops (part three), ending with Topada Tindo's resistance (part four). This composition uses the basic notes Bm and C#m, with multimetric 4/4 and 6/8.

JEJAK MAJAPAHIT: KOMPOSISI MUSIK PROGRAMA BERDASARKAN CERITA LEGENDA AIR MAJAPAHIT DI NEGERI EMA Maitimu, Frengky; Lestari, Dewi Tika
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5651

The history of Air Majapahit is one of the events of the arrival of Princess Majapahit in Negeri Ema which has been told orally from generation to generation. The history of Majapahit Water can be proven true by the existence of Majapahit kingdom relics in the form of heirloom spears, Gamelan, Betel places and Majapahit springs which are still well preserved in Negeri Ema. Based on this phenomenon, it was then used as a nonmusical concept to work on a musical composition. The composition of Traces of Majapahit is a narrative program musical work which contains elements of the history of Air Majapahit, which was created in the form of varied music and using western instruments. The process of creating the musical composition Traces of Majapahit went through several stages, namely (1) exploration of literature regarding musical disciplines and observation of Majapahit water history; (2) processing the relationship between musical elements and nonmusical concepts as a basis for the construction of musical compositions; (3) cultivating musical elements into variations using the main theme development procedure from Leon Stein’s theory; (4) presentation of the work in orchestra format. This work contains cultural value in the almost forgotten relationship between the Majapahit kingdom and Negeri Ema, so that through this work it is hoped that the history of Air Majapahit will be preserved.

Merawat Damai Antar Umat Beragama Melalui Memori Kolektif dan Identitas Kultural Masyarakat Maluku Lestari, Dewi Tika; Parihala, Yohanes
Hanifiya: Jurnal Studi Agama-Agama Vol. 3 No. 1 (2020): Hanifiya: Jurnal Studi Agama-Agama
Publisher : Program Studi Studi Agama-Agama Pascasarjana UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hanifiya.v3i1.8697

This study aims to explain that the process of building and maintaining peace in the context of a plural society can be carried out by reactivating the collective memory and cultural identity of the community. Cultural memory and cultural identity that are based on historical-cultural experience are a social capital that nurtures harmony between communities. Qualitatively this study uses a literature study and field research approach. To explore the concepts of collective memory and cultural identity, author uses the concept from Edwards Shils, Maurice Halbwachs, and Paul Gilbert. The field study was obtained through a process of in-depth interviews with key informants, including religious leaders such as the Pastor and Imam of the Mosque, facilitators and community leaders in Batumerah from two communities, Islam and Christianity. Finally, the authors found that the collective memory of the cultural identity of Maluku people as brother people (orang basudara) is a strong social capital to transform conflict, and maintain peace among post-conflict communities. This can be a theoretical foothold in managing the diversity of peaceful lives as fellow brothers in Indonesia.

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