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All Journal E-Journal Of Cultural Studies Jurnal Ilmiah Desain & Konstruksi Gorga : Jurnal Seni Rupa MUDRA Jurnal Seni Budaya PRABANGKARA Gondang: Jurnal Seni dan Budaya Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Idealog: Ide dan Dialog Desain Indonesia Jurnal Syntax Transformation International Journal of Social Science Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terrbangun Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
I Gede Mugi Raharja
Institut Seni Indonesia Denpasar
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REDESAIN RUANG RAWAT INAP SILOAM HOSPITALS BALI DI KUTA, BALI Indah Pradnya Pramesti; I Gede Mugi Raharja; Putu Ari Darmastuti
Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terbangun Vol 3 No 1 (2023): Jurnal Vastukara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Rumah sakit adalah sebuah tempat fasilitas medis yang memberikan perawatan kesehatan kepada pasien. Ruang rawat inap pasien merupakan salah satu dari sekian banyak fasilitas penting yang harus ada pada tiap rumah sakit. Ruang rawat inap pasien diperlukan untuk tempat perawatan bagi pasien yang mengidap penyakit tertentu dan harus mendapatkan pengawasan dari rumah sakit. Sama halnya seperti interior ruangan lainnya, interior dari ruang rawat inap juga harus fungsional, nyaman, dan tidak melupakan sisi estetikanya. Hal ini dikarenakan agar pasien yang tengah menjalani perawatan merasa nyaman. Maka dari itu Siloam Hospitals Bali melakukan redesain interior ruang rawat inap pasiennya untuk bisa membuat desain interior ruang rawat inap pasien yang lebih baik. Melalui magang di CV. Asta Loma, penulis mendapatkan pengalaman dalam menjalani proyek ini, terutama pada bagian pengawasan proyek di lapangan serta pembuatan gambar as built drawing. Dengan menggunakan metode project based learning, metode pengumpulan data kualitatif berupa deskripsi, dan penyajian data mengenai proyek yang didapatkan melalui wawancara dan observasi, penulis mengetahui tahapan yang dilalui selama proses redesain terjadi. Mulai dari briefing dengan pihak Siloam Hospitals, membuat desain konsep, pengajuan RAB, briefing kembali mengenai teknis pengerjaan, pengerjaan elemen interior di proyek dan pembuatan furniture, setting furniture di lapangan, hingga tahap final yaitu pengecekan realisasi redesain bersama dengan pihak Siloam. Selama pengerjaan proyek berlangsung, segala kendala yang terjadi tak bisa terelakkan. Walau begitu kendala-kendala tersebut dapat dilewati tanpa adanya masalah yang berarti hingga tahap akhir dan hasil realisasi redesain ruang rawat inap ini mampu memuaskan dan sesuai dengan keinginan pihak Siloam Hospitals Bali.
DESAIN INTERIOR RUMAH TINGGAL SEKAR TUNJUNG DENGAN GAYA MODERN TROPICAL Kelvin Darma Putra; I Wayan Balika Ika; I Gede Mugi Raharja
Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terbangun Vol 3 No 1 (2023): Jurnal Vastukara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Rumah tinggal merupakan sebuah bangunan yang memiliki arti sangat penting bagi kehidupan manusia. Hal tersebut dikarenakan rumah tinggal dapat berfungsi sebagai tempat beristriahat dan berlindung, sekaligus sebagai tempat yang dapat membuat penghuninya merasa nyaman, damai, dan tentram saat berada di dalamnya. Pentingnya keberadaan rumah tinggal tersebut semakin dirasakan saat terjadinya pandemi Covid-19. Pentingnya keberadaan rumah tinggal itulah yang membuat penulis tertarik untuk mengangkat Proyek Sekar Tunjung sebagai studi kasus dari artikel ini. Proyek Sekar Tunjung merupakan sebuah proyek rumah tinggal yang terletak di Jalan Sekar Tunjung, Bali. Rumah tinggal ini didesain menggunakan gaya modern tropical. Pengambilan Proyek Sekar Tunjung sebagai kasus dari judul artikel ini, yaitu untuk mengetahui alur dari pengerjaan sebuah proyek dan bagaimana keterlibatan mahasiswa dalam pengerjaan proyek tersebut. Metode pembelajaran yang digunakan pada pada pengerjaan proyek ini, yaitu project based learning. Metode yang digunakan untuk mengumpulkan data dari proyek ini yaitu menggunakan metode kualitatif, yang dapat berupa narasi, deskripsi, maupun gambar seputar proyek yang dibahas. Penggunaan tipe penelitian ini, bisa didapatkan dengan melalui wawancara, observasi, serta studi kasus ataupun literatur. Tujuan dari penulis mengangkat proyek Sekar Tunjung sebagai studi kasus, yaitu untuk memaparkan hasil kerja mahasiswa selama mengerjakan proyek pada program magang merdeka belajar – kampus merdeka. Hal lainnya yang membuat saya mengangkat proyek ini, dikarenakan proyek ini memiliki konsep desain yang menarik, yaitu sebuah rumah tinggal dengan suasana desain seperti berada di vila. Hasil akhir yang didapatkan dari pengerjaan proyek Sekar Tunjung ini, yaitu menghasilkan 3D rendering setiap ruang, dengan menggunakan program Sketchup untuk 3D modelling dan program Enscape untuk rendering
ANTHROPOMETRY AND ACOUSTIC REVIEWAT AUDITORIUMSEAT OF GIRI NATA MANDALA CULTURE CENTER Ida Ayu Anindya Chintya Aridewi; Ida Ayu Dyah Maharani; I Gede Mugi Raharja
Ide dan Dialog Desain Indonesia (Idealog) Vol 8 No 1 (2023): Jurnal Idealog Vol 8 No 1
Publisher : Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/idealog.v8i1.5847

Abstract

Chairs in the auditorium room are important furniture that is used for a long time by the audience. So it is important to know the anthropometric size of the auditorium seats to determine user comfort. inaddition to anthropometry, auditorium chairs are used to support sound comfort. This study focuses ontheanthropometry of the auditorium seats Giri Nata Mandala Puspem Badung Cultural Center and chairs assupporting the acoustic quality of the auditorium. The purpose of this study was to examine the designof auditorium seats in terms of anthropometry as well as the identification and measurement of seats in terms of interior that af ect acoustics. The method used is quantitative descriptive method. Data obtained basedonobservation, direct measurement and dissemination of questionnaires to users. The Data were analyzed usinganthropometric theory as well as theories related to interior acoustics. The results obtained are theauditorium seats have been designed in accordance with the standards of the auditoriumseats withanthropometry following the standards of Indonesia. So that the chair is comfortable to use for a longtime. In terms of interior acoustics, the auditorium seats have met the standards. However, there are someinconveniences when the auditorium is used for events. Audience in the front row to the middle of thecorridor on the left and right complained that the sound was too loud to make the seats shaking. In addition, vibrations in the seats are felt when other spectators pass by in the corridor. For further improvements, it would be better to pay attention to the sound volume and material of the chair or floor to reduce vibrationonthe chair. Keywords: Anthropometry, Acoustics, Auditorium Chair
TAMAN AIR TRADISIONAL BALI DALAM NARASI KEBERLANJUTAN MENUJU ANTROPOSEN I Gede Mugi Raharja
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 2 (2022): Prosiding Bali Dwipantara Waskita: Seminar Nasionar Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Candrabhayasingha Warmmadewa adalah raja Bali yang pertama berinisiatif menyelamatkan mata air (kelebutan) untuk menghindari kerusaan akibat aktivitas penduduk, berupa penataan (masamahin) Tirta Empul pada Oktober 962 Masehi. Prasasti peresmiannya merupakan sebuah narasi keberlanjutan, jauh sebelum PBB mencanangkannya pada 21 Oktober 2015. Pada masa Bali Madya, beberapa kerajaan membangun taman air dengan konsep filosofi bersumber dari teks Adiparwa, tentang peristiwa Samudramantana. Teks ini mengisahkan pengadukan lautan Ksirarnawa menggunakan Gunung Mandhara untuk mencari Amertha, air kehidupan abadi yang diperebutkan oleh para dewa dan denawa. Intisari filosofinya adalah penyelamatan mata air dalam ekologi pada ekosistem alam. Tatkala bumi memasuki periode Antroposen, filosofi pertamanan tradisional Bali sudah mempertimbangkan, bahwa berbagai aktivitas manusia saat ini, memiliki dampak terhadap lingkungan hidup jutaan tahun yang akan datang.
Analysis of The Value of Panji Village Shaking Tradition for Performing Arts Costume Design in Singaraja City Putu Ariella Peggy Sabella; I Gede Mugi Raharja; Anak Agung Gede Rai Remawa
Jurnal Syntax Transformation Vol 5 No 1 (2024): Jurnal Syntax Transformation
Publisher : CV. Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jst.v5i1.908

Abstract

The Megoak-goakan tradition is a tradition in the form of a traditional game originating from Panji Village, Buleleng Regency, Bali. This tradition has now developed into a performance art in the form of dance, and drama. The tradition of megoak-goakan was developed into a performing art for preservation efforts and introduced the tradition of Megoak-goakan to the younger generation. The tradition of gowing has values implicit in it and is conveyed through the performing arts to the audience. The value in the tradition of goak-goakan can also be conveyed through the costumes used. The selection of the right costume design can be an intermediary message to the audience. This study aims to analyze the values that exist in the tradition of rocking Panji Village to become the basis for designing costumes for the performing arts tradition of rocking in Singaraja City. This research is a qualitative research with the data in this study being primary and secondary data. The method of collecting this research data is in the form of observation, interviews and literature. The purpose of this study is to find value in the Megoak-goakan Tradition that can help in making costume designs for Megoak-goakan performing arts in Singaraja City.
ANTHROPOMETRY AND ACOUSTIC REVIEW AT AUDITORIUM SEAT OF GIRI NATA MANDALA CULTURE CENTER Chintya Aridewi, Ida Ayu Anindya; Dyah Maharani, Ida Ayu; Mugi Raharja, I Gede
Ide dan Dialog Desain Indonesia (Idealog) Vol 8 No 1 (2023): Jurnal Idealog Vol 8 No 1
Publisher : Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/idealog.v8i1.5847

Abstract

Chairs in the auditorium room are important furniture that is used for a long time by the audience. So it is important to know the anthropometric size of the auditorium seats to determine user comfort. in addition to anthropometry, auditorium chairs are used to support sound comfort. This study focuses on the anthropometry of the auditorium seats Giri Nata Mandala Puspem Badung Cultural Center and chairs as supporting the acoustic quality of the auditorium. The purpose of this study was to examine the design of auditorium seats in terms of anthropometry as well as the identification and measurement of seats in terms of interior that affect acoustics. The method used is quantitative descriptive method. Data obtained based on observation, direct measurement and dissemination of questionnaires to users. The Data were analyzed using anthropometric theory as well as theories related to interior acoustics. The results obtained are the auditorium seats have been designed in accordance with the standards of the auditorium seats with anthropometry following the standards of Indonesia. So that the chair is comfortable to use for a longtime. In terms of interior acoustics, the auditorium seats have met the standards. However, there are some inconveniences when the auditorium is used for events. Audience in the front row to the middle of the corridor on the left and right complained that the sound was too loud to make the seats shaking. In addition, vibrations in the seats are felt when other spectators pass by in the corridor. For further improvements, it would be better to pay attention to the sound volume and material of the chair or floor to reduce vibrationonthe chair. Keywords: Anthropometry, Acoustics, Auditorium Chair
THE TRANSFORMATION OF TORAJA ORNAMENT’S MEANING ON DHARMAWANGSA SQUARE TATOR CAFÉ APPLYING HERMENEUTIC THEORY Lily Wijayanti; I Gede Mugi Raharja; Ida Ayu Dyah Maharani; I Made Pande Artadi
International Journal of Social Science Vol. 4 No. 5: Februari 2025
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/ijss.v4i5.9836

Abstract

This research aims to analyze the transformation of the meaning of Toraja ornament, particularly, Pa’ Barre Allo motive, using Jakarta Dharmawangsa Tator café Square as the primary data. This study employs Hermeneutics theory by Paul Ricoeur stating that it explains about the rules of the interpretation of texts, signs, and symbols. Moreover, this research discusses about how the traditional Toraja ornament is applied in modern commercial space. Toraja ornament, having sacred meaning traditionally, shifts its meaning as it is implemented in café interior elements of the public spaces. It means that the ornament does not only function as aesthetic elements, but it also has great values, representing the sensibility of Toraja culture on commercial interior design. Furthermore, this study reveals about the application of Pa’ Barre Allo motive on café Tator transforming its sacred meaning to aesthetic elements in order to strengthen the attraction and brand identity of the space of the café. The results of this research are expected to enhance the comprehension of the transformation of the cultural values in commercial interior design. Finally, they can contribute to the preservation of Indonesian history and culture
ADI PARVA, AN INDIAN CLASSIC LITERATURE AS THE SOURCE OF TAMAN GILI DESIGN PHILOSOPHY, A RELIC OF THE KLUNGKUNG KINGDOM OF BALI I Gede Mugi Raharja
International Journal of Social Science Vol. 4 No. 6: April 2025
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/ijss.v4i6.10074

Abstract

Adi Parva's classical literature is the beginning of the great epic Mahabharata which originates from ancient Indian culture. Adi Parva entered Indonesia at the same time as the arrival of Hindu culture at the beginning of the AD century, that this literature was well received. It is proven by a temple complex that has been built with the names of the buildings taken from the Mahabharata story in 716 AD, as well as an inscription about a wayang show with Bhima Kumara play in 907 AD. However, this ancient Indian literature entered Indonesia in the form of a verbal art, not a written text. Adi Parva's literary text from India was only translated into ancient Javanese in the 10th century, after which Adi Parva's literary works entered Bali. The most popular thing is the part of Samudramantana story or the churning of the Ksirarnawa Sea using Mount Mandhara. This literary work used as a holy hymn in religious ceremonies, is made in the form of relics and becomes the design philosophy of the royal garden. This article was written based on the results of several studies using hermeneutics approach, then summarized and a deeper study is carried out, to create a stronger study result. The research object of Taman Gili, a relic of the Klungkung Kingdom, is very representative and has a unique design concept. The embodiment of the design is adapted to local Balinese wisdom, even though the design philosophy comes from ancient Indian literature. Adi Parva's texts are translingual and cross-cultural, but have been part of Balinese culture since ancient Balinese times
INTERAKSI VISUAL PADA KOMIK DIGITAL TAHILALATS DI INSTAGRAM BERTEMA NOSTALGIA MASA KECIL Hidayat, Syarip; I Gede Mugi Raharja; I Nyoman Larry Julianto; Ira Wirasari
Desain Komunikasi Visual, Manajemen Desain dan Periklanan (Demandia) Vol 10 No 1 (2025): demandia - Jurnal Desain Komunikasi Visual, Manajemen Desain dan Periklanan
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/demandia.v10i1.8155

Abstract

Interaksi visual yang mendalam dengan khalayak sasaran telah menjadi ciri khas dari komik digital Instagram, khususnya dalam karya Tahilalats, yang secara efektif memanfaatkan kapasitas interaktif platform untuk memvisualisasikan nostalgia masa kecil. Melalui gambar-gambar dan narasi yang menarik, Tahilalats berhasil membawa kembali kenangan masa kanak-kanak yang polos dan penuh keceriaan bagi para pembacanya. Format digital Instagram tidak hanya menjadikan karya ini lebih mudah diakses di seluruh dunia, tetapi juga memperkuat interaksi dua arah yang menciptakan ikatan antara komikus dan pembaca, membangun komunitas yang solid di antara mereka. Penelitian ini menggunakan teknik kualitatif menunjukkan bahwa penceritaan visual yang dihadirkan oleh Tahilalats sangat efektif dalam membangkitkan emosi dan membangun hubungan yang lebih dalam dengan khalayak sasaran. Lebih jauh lagi, strategi ini memungkinkan komikus untuk berbagi berbagai narasi dengan cara cepat secara langsung, memberikan sudut pandang yang berharga dalam ranah kreatif. Karya komik digital Tahilalats dapat membawa kembali kenangan masa kecil melalui komik digital di Instagram menjadi contoh penting dari pengaruh kuat budaya digital dengan visualisasi dan penceritaan terhadap keterlibatan khalayak sasaran dan ikatan emosional. Kata kunci: Interaksi visual, Instagram, komik digital Abstract: Deep visual interaction with the target audience has become a hallmark of Instagram digital comics, particularly in the work of Tahilalats, which effectively leverages the platform's interactive capacity to visualize childhood nostalgia. Through engaging images and narratives, Tahilalats manages to bring back memories of childhood innocence and joy to its readers. The digital format of Instagram not only makes the work more accessible worldwide, but also strengthens the two-way interaction that creates a bond between comic artists and readers, building a solid community between them. This research using qualitative techniques shows that the visual storytelling presented by Tahilalats is highly effective in evoking emotions and building a deeper connection with the target audience. Furthermore, this strategy allows comic artists to share various narratives quickly and directly, providing a valuable perspective in the creative realm. Tahilalats' work of bringing back childhood memories through digital comics on Instagram is an important example of the strong influence of digital culture with visualization and storytelling on target audience engagement and emotional bonding. Keywords: Digital comics, Instagram, Visual interaction,
Co-Authors Angga Maha Putra, I Komang Artadi, I Made Pande EKA JAYA PUTRA, WAYAN I Dewa Ayu Sukma Indriawati I Gusti Ayu Agung Ana Berliana I Ketut Muka I Nyoman Artayasa I Nyoman Larry Julianto I Nyoman Wiwana I Wayan Mudra, I Wayan I Wayan Sukarya I Wayan Sukarya Ida Ayu Anindya Chintya Aridewi Ida Ayu Dyah Maharani, Ida Ayu Dyah Ika, I Wayan Balika Indah Pradnya Pramesti Ira Wirasari Kelvin Darma Putra Lily Wijayanti Ni Wayan Sri Wahyuni Noorwatha, I Kadek Dwi Putu Ari Darmastuti Putu Ariella Peggy Sabella Remawa, Anak Agung Gede Rai Siti Zubaidah Syarip Hidayat