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All Journal Proceeding Seminar LPPM UMP Tahun 2014 Journal of Language and Literature JSSH (Jurnal Sains Sosial dan Humaniora) Indonesian EFL Journal BASIS (BAHASA DAN SASTRA INGGRIS) Journal of Applied Studies in Language LEKSIKA Kandai Academic Journal Perspective : Education, Language, and Literature Jurnal Pengabdian Masyarakat Asia Journal of English Language and Education Proceedings Series on Social Sciences & Humanities Academic Journal Perspective : Education, Language, and Literature Prosiding University Research Colloquium Widyaparwa Pamasa: Jurnal Pengabdian kepada Masyarakat
Widya Nirmalawati
Universitas Muhammadiyah Purwokerto
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences Other

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Journal : LEKSIKA

 1 
LOVE AND FIDELITY: A FEMINIST STUDY ON RAMA-SHINTA STORY IN THE NOVEL KITAB OMONG KOSONG BY SENO GUMIRA AJIDARMA Widya Nirmalawati; Titik Wahyuningsih
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 11, No 2 (2017)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v11i2.2067

Abstract

Rama-Sintha is a very legendary story, however this story is always worth-watching in various forms—film, dancing, drama, novel even in cartoon. Seno Gumira Ajidarma, is one of the writers who retells the story from different point of view. Kitab Omong Kosong,  referred to as KOK, tells about Sintha's lawsuit against Rama's love. The novel no longer tells about the epic of their legendary love story, but it criticizes  love and virginity-orientation in a patriarchal culture. This is due to the reason what Shinta has experienced in KOK, representing the imbalance of woman in society. This research will use content analysis to reveal the KOK using feminist’s perspectives. This study will employ a feminist point of view to see a biased association of  love to  virginity. In patriarchal culture, virginity becomes one of the standards to value one’s love. The result of this research shows that KOK,is a deconstruction of Rama-Shinta love story, to a story full of anger, arrogance, and jealousy. As lelanang (man), Shinta is a symbol of power. Her  kidnapping by Rahwana is a humiliation against Rama’s dignity. Thus,  to receive  her  back as his wife, Rama asked her  to prove her purity and loyalty. This is shows unequal power between Rama and Shinta, as two lovers. She was a true victim of patriarchy. Her choice to disappear (moksa) is a  resistance struggle against his beloved husband’s domination.DOWNLOAD ABSTRACT
The Harshness of New Industrial System in Charles Dicken’s Oliver Twist Widya Nirmalawati
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 1, No 1 (2007)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v1i1.2201

Abstract

Kajian ini banyak dipengaruhi oleh kondisi kehidupan manusia, khususnya hubungan sastra dengan masyarakatnya. Aspek yang dibahas di sini adalah kondisi dan situasi yang dialami oleh masyarakat miskin. Sikap hidup mereka yang disebabkan oleh kerasnya sistem industri baru, sebagaimana tercermin dalam novel Charles Disken, Oliver Twist. Dengan menggunakan pendekatan sosiologis, kajian ini berupaya memberikan gambaran yang gambling mengenai kondisi sosial budaya dan penderitaan orang-orang miskin dan anak-anak pada masa revolusi industri.
SEMIOTIKA HORROR DALAM POSTER FILM Widya Nirmalawati
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 2, No 2 (2008)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v2i2.2249

Abstract

Poster is one of the media used by an industry to market the movie products to the publics. It functions to give a preview to the potential audiences about the content or the story in a movie. In 2000s, horror movies became the popular genre produced. Many directors compete to create the most scary. This article explores the messages of horror as reflected from the poster of the movie. It is also try to compare the way the horror is packaged through poster between the eastern culture and the western culture. This is done by applying Pierce’s theory of sign.
Co-Authors Akhmad Fauzan Andrik Purwasito Arfiani, Lutfiana Resti Arini, Putri Syahara Cahyo, Alyssa Alwaini Dodi Siraj Muamar Zain Fitri Rakhmawati Gilang Aprillio SB Hanita, Salsabila Nur Indriyani, Dian Fitria Ine Kusuma Aryani Juvitasari, Devi Khristianto Khristianto Khristianto, NFN Maharani, Dhea Gladys Nisa, Clarissa Adaira Nurikmah, Tri Rahtami Susanti Ristiana Dyah Purwandari Sri Kusumo Habsari Sulasih Nurhayati Sulasih Nurhayati Titik Wahyuningsih Titik Wahyuningsih Warto Warto Zaky, Muhammad Rafi Farhan