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Salim, Muhammad Nur
Institut Seni Indonesia Surakarta
Religion Arts Humanities Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Neuroscience Nursing Public Health Social Sciences Other

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KONSEP GARAP NGGANTUNG DALAM KARAWITAN GAYA SURAKARTA Leica De lovi Mistortoify; Muhammad Nur Salim; Harun Isma'il
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 25 No. 1 (2025): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v25i1.6773

Abstract

This study discusses the phenomenon, symbols, and meaning of garap nggantung in the context of Surakarta-style gamelan performances. Data were collected through observation, interviews, and literature studies. The method used is qualitative descriptive analysis. In this study, the focus of the analysis is on the phenomenon, symbols, and meanings related to garap nggantung. This study reveals that garap nggantung is the result of a complex creative process, involving balungan notation, interaction between instruments, and individual interpretations of the gamelan player. Garap nggantung is not only a technique, but also a symbol that contains deep meaning. This finding has important implications for the teaching and preservation of Surakarta-style gamelan. By understanding the meaning behind garap nggantung, gamelan learners can better understand the aesthetic richness of gamelan art. In addition, this study also opens up opportunities for further research on other garaps in gamelan texts in depth.
MODIFIKASI GARAP GENDHING OREK-OREK GAYA REMBANG Prayugalihingtyas Dwi Hapsari; Muhammad Nur Salim; Ananto Sabdo Aji
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 25 No. 2 (2025): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v25i2.7394

Abstract

The research entitled "Modification garap of Gendhing Orek-Orek gaya Rembangan" aims to analyse the modification that occur in Gendhing Orek-Orek gaya Rembangan, as well as describe the factors that influence the modification. Analyzing the modification that occur in Gendhing Orek-Orek gaya Rembangan uses the theory offered by Supandi and Rahayu Supanggah. To describe the modification factors using the theory offered by Shils and Rahayu Supanggah. The metode used in the research is a qualitative research method with the stages carried out, namely data collection and data analysis. The modification that occurs in Gendhing Orek-Orek gaya Rembangan is done by a process that produces a new Gendhing Orek-Orek by changing the structure and performance. The structure has the addition of suwuk gropak and buka celuk. Garap experienced changes and additions to the materi garap, sarana garap, and prabot garap. The occurrence of modifications is caused by factors such as the awareness of the performer, the quality of the individual, and other driving factors such as garap considerations, public tastes, and revitalization of the arts.
PERAN STRATEGIS KESENIAN NUSANTARA DALAM PETA JALAN INDONESIA EMAS 2045 Salim, Muhammad Nur; Isma'il, Harun
Paradigma: Jurnal Kajian Budaya Vol. 16, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The Indonesia Emas (Golden Indonesia) 2045 vision, which targets Indonesia's transformation into a developed nation, tends in practice to prioritize material development (economy, technology) at the risk of neglecting the nation's character-building. This article argues that the arts of the archipelago must be positioned as a strategic driver to address this gap. Using a literature study method and the conceptual frameworks of Soft Power and Creative Economy, this paper proposes a Cultural Roadmap based on three fundamental pillars. The first pillar is the Revitalization of Arts-Based Education to shape superior human resources with strong character and creativity. The second is the Downstreaming of the Creative Economy to build an authentic and competitive culture-based economic independence. The third is Global Cultural Diplomacy to project the nation's positive influence and image on the international stage. The analysis concludes that these three pillars must be implemented not as separate programs, but as an integrated policy ecosystem where creative human resources fuel economic innovation, and these creative products become the ammunition for effective diplomacy. Integrating this ecosystem into the heart of national planning is a necessity to realize a Golden Indonesia 2045 that is not only materially wealthy but also civilized and noble.
Co-Authors AA Sudharmawan, AA Agus Setiawan Ananto Sabdo Aji Andre Prasetya Nugraha Budiono, Arifin Nur Caecilia Maria Andriana Kristyanti Devy Aufia Abshor Dewi Nur Wakhidah Dhimaz Anggoro Putro Eko Kristiyanto Galang Pangestu Hamdani Budiman Hanin Fitria Harun Isma'il Harun Isma'il Heri Prasetyo Herri Wijaya Islami, Sad Nurul Isma'il, Harun Ismail Ismail Jesica Vernanda Artanti Leica De lovi Mistortoify Maryatin Muhammad Hanafiah Nil Ikhwan Ningrum, Nurani Puspa Nugraha, Andre Prasetya Prayugalihingtyas Dwi Hapsari Regina Cintya Arumba Rika Wahyuningtyas Suciati Suciati Sugito Sugito Sugiyanto, Danis Supardi Supardi Tuti' Nadhifah Viesta Agustina Wahyu Ardianto Wahyu Ardianto Widya Nanda