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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Patra Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terrbangun Viswa Design : Journal of Design Abdi Widya: Jurnal Pengabdian Masyarakat Journal of Aesthetics, Design, and Art Management Global Art Creativity Conference
Putu Ari Darmastuti
ISI Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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PENERAPAN KONSEP 3R (REDUCE-REUSE-RECYCLE) UNTUK MATERIAL INTERIOR BERKELANJUTAN Kerdiati, Ni Luh Kadek Resi; Darmastuti, Putu Ari
VISWA DESIGN: Journal of Design Vol. 3 No. 2 (2023): Viswa Design: Journal of Design
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/vide.v3i2.2910

Abstract

Saat ini industri desain interior mengalami pertumbuhan pesat yang menyebabkan peningkatan konsumsi material. Hal tersebut menyebabkan dampak yang cukup signifikan pada kerusakan lingkungan. Untuk memberikan solusi dari permasalahan terebut, penelitian ini bertujuan untuk mengeksplorasi dan menerapkan konsep 3R (Reduce-Reuse-Recycle) dalam pemilihan dan penggunaan material interior dengan fokus pada keberlanjutan. Melalui metode penelitian dekriptif kualitatif dan studi kepustakaan, diperoleh kesimpulan bahwa dampak negatif yang ditimbulkan memang tidaklah dapat dihindari sepenuhnya, namun hal tersebut dapat diminimalisir. Melalui penerapan konsep 3R tersebut material dipilih secara tepat guna dan mampu menghemat penggunaan energi (Reduce); memanfaatkan berbagai benda atau produk yang sudah tidak terpakai lagi menjadi sebuah produk dengan fungsi baru, dengan masih mempertahankan bentuk aslinya (Reuse); serta pengolahan limbah yang dapat digunakan untuk menghasilkan material baru, yang selanjutnya dapat diolah menjadi berbagai produk (Recycle).
INCREASING THE VALUE OF BALINESE TEXTILES THROUGH AESTHETIC STORES DISPLAY Darmastuti, Putu Ari; Diantari, Ni Kadek Yuni
Journal of Aesthetics, Design, and Art Management Vol. 4 No. 1 (2024): Journal of Aesthetics, Design, and Art Management
Publisher : Yayasan Sinergi Widya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58982/jadam.v4i1.665

Abstract

Purpose: Providing education to Balinese traditional textile MSME business activists to be more sensitive in displaying and storing traditional Balinese textile works. Traditional textiles that have value and are the work of Balinese craftsmen would be a shame if they were not cared for and sold optimally. The high interest of consumers has made traditional Balinese textiles a commodity that continues to be sought after and will remain alive as long as Balinese traditions are maintained. Research methods: The creation method uses the Research-Based Design (RBD) method. This method was proposed by Teemu Leinonen, and inspired by design theories. Building design prototypes, emphasizing creative solutions, exploring ideas from various design concepts, continuous evaluation, and developing a design solution are the focus of this RBD methodology. Findings: Three traditional textiles that have high demand in the market, namely endek, songket and geringsing cloth, have different characteristics that influence how they are displayed. Endek cloth is a fairly light woven cloth made from cotton thread and has striking colors related to the display of traditional textiles such as lighting, humidity, and how to organize the placement of conventional cloth. Implications: Through this discussion, we hope it can have a positive impact on conventional textile MSME activists to further increase the selling value of traditional Balinese textiles.
Perancangan Western Fusion Restoran di Seminyak Sebagai Solusi Efisiensi Ruang dan Kapasitas Pengunjung Darmastuti, Putu Ari; Kerdiati, Ni Luh Kadek Resi; Wasista, I Putu Udiyana; Diantari, Ni Kadek Yuni
Abdi Widya: Jurnal Pengabdian Masyarakat Vol 4 No 1 (2025): Abdi Widya: Jurnal Pengabdian Masyarakat
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/awjpm.v4i1.5381

Abstract

Italian Fusion merupakan restoran yang menghadirkan konsep kuliner khas Italia, tidak hanya melalui sajian makanan tetapi juga atmosfer ruang yang mendukung pengalaman tersebut. Dalam pengabdian ini, pihak mitra menghadapi permasalahan terkait integrasi open kitchen dengan bar dalam satu area, serta keterbatasan kapasitas ruang yang berdampak pada jumlah pengunjung yang dapat dilayani. Oleh karena itu, diperlukan solusi perancangan interior yang mampu mengoptimalkan efisiensi ruang dan meningkatkan kapasitas restoran. Pengabdian kepada masyarakat, sebagai bagian dari Tri Dharma Perguruan Tinggi, bertujuan memberikan kontribusi akademik dalam bentuk penerapan ilmu perancangan interior pada tahap konseptual. Metode yang digunakan mencakup beberapa tahapan, mulai dari survey lokasi, wawancara untuk pengumpulan data, hingga penyusunan konsep desain. Hasil akhir berupa gambar konseptual dalam bentuk denah, potongan, perspektif 3D, serta moodboard sebagai referensi pengembangan konsep desain. Desain yang diusulkan menerapkan konsep modern kolonial yang menggabungkan elemen klasik dengan sentuhan kontemporer. Gaya ini dihadirkan melalui pemilihan material, detail arsitektural, serta kombinasi warna dan pencahayaan yang menciptakan suasana elegan namun tetap hangat. Selain itu, perancangan interior berfokus pada optimalisasi tata ruang untuk memastikan sirkulasi yang lebih efisien, kenyamanan pengunjung, serta peningkatan kapasitas restoran. Dengan pendekatan ini, diharapkan pengalaman kuliner yang ditawarkan menjadi lebih unik, nyaman, dan berkesan.
DESAIN INTERIOR SHANGRI-LA HOTEL ZHENGZHOU DI PT. ARA DESIGN ASIA Sidemen, Ida Bagus Yamara Bawana; Padmanaba, Cok Gde Rai; Darmastuti, Putu Ari
Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terbangun Vol 5 No 1 (2025): Jurnal Vastukara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/vastukara.v5i1.5209

Abstract

Shangri-La Hotel Zhengzhou merupakan project yang berlokasi di China. Project ini merupakan salah satu project desain interior di bidang perhotelan, yang memiliki kompleksitas tinggi dalam aspek desain serta merancang solusi desain yang efektif. Metode pengumpulan data yang digunakan mencakup observasi, wawancara, dokumentasi, dan kepustakaan. Fokus penulis pada project ini adalah pengembangan keterampilan dalam bidang FF&E (Furniture, Fixtures, and Equipment), utamanya dalam hal pemilihan product dan material yang mencakup perancangan konsep desain, menciptakan harmoni visual dengan mempertimbangkan tekstur, warna, spesifikasi, serta penataan ruang yang tidak hanya estetis, tetapi juga fungsional dan keberlanjutan, sehingga mendukung pengalaman pengunjung. Selama proses, penulis tidak hanya mempelajari aspek teknis seperti pembuatan moodboard, penyusunan specification schedules, dan revisi notasi gambar kerja, tetapi juga mengasah keterampilan desain dan nirmana, serta berkontribusi pada pengembangan ruang yang menggabungkan elemen tradisional dan modern. Keterlibatan langsung dalam project desain nyata ini memungkinkan penulis untuk meningkatkan kemampuan analisis, pengambilan keputusan, manajemen project, serta keterampilan teknis dan estetis yang diperlukan dalam industri desain interior. Selain itu, penulis juga memperoleh pemahaman mendalam tentang pentingnya kolaborasi tim dan evaluasi material dalam menciptakan desain yang memenuhi ekspektasi klien. Secara keseluruhan, pengalaman ini memberikan pemahaman yang lebih mendalam mengenai tantangan desain interior dalam industri hospitality dan mempersiapkan penulis untuk berkarir di dunia desain interior profesional. Hasil dari pengalaman ini juga berkontribusi pada peningkatan kemampuan analitis, kreatif, serta adaptasi terhadap teknologi baru yang esensial bagi perkembangan karir di masa depan sehingga mempersiapkan penulis untuk memasuki dunia profesional dengan kompetensi yang lebih matang dan siap menghadapi dinamika industri desain interior yang terus berkembang.
UTILIZATION OF HINDU RELIGIOUS CEREMONIAL GARBAGE IN BALI AS FABRIC DYE Ni Made Santi Udiyani; Ni Kadek Yuni Diantari; Putu Ari Darmastuti
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study aims to determine the ceremonial waste of the Hindu community in Bali which can be used as an environmentally friendly textile dye. In carrying out religious ceremonies, the Hindu community in Bali makes offerings such as offerings that cannot be utilized optimally after the ceremony takes place so most of it becomes organic waste. In this study, the waste of Hindu ceremonies in Bali in the form of organic waste will be tested to produce a solution of natural dyes using a pre-experimental method. The pre-experimental method explores the extraction technique of several samples of organic waste with water as a solvent on textile materials, namely cotton cloth. The process of making this natural dye solution goes through three main processes, namely pre-mordant, extraction of dye raw materials, and fixation. Some samples of organic waste found in Hindu religious ceremonies in Bali have plant color pigments such as balsamina purple, red, hydrangea, marigold, pandan leaves, shallot skin, turmeric, and areca nut was extracted to produce a natural color solution. The extraction of the color solution is able to bring out several color tones on textile materials, namely cotton fabrics. Through this research, it is hoped that it can be one of the people’s choices in producing natural color as textile materials that can be produced simply as well as an effort to reduce organic waste produced in Hindu community ceremonies in Bali.
Architecture and Interior Design as a Reflection of Identity and Social Class: A Case Study of Nyai Ontosoroh’s House in Bumi Manusia Ari Darmastuti, Putu; Yuni Diantari, Ni Kadek; Udiyana Wasista, I Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.621

Abstract

Architecture and interior design not only represent aesthetic and functional aspects, but also act as tools for constructing identity, power, and social class. This study analyzes Nyai Ontosoroh's house in Pramoedya Ananta Toer's novel Bumi Manusia as a representation of social class ambiguity and spatial symbolism in the colonial context of the Dutch East Indies. Through an interdisciplinary approach between literary studies, architecture, and postcolonial theory, this paper explores how the physical form of the house, the division of space, and interior elements become a means of resistance against colonial and patriarchal social structures. Nyai's Indisch-style house, complete with a garden, a carpeted attic, a spacious living room, and a luxurious bathroom, not only reflects high social status, but also becomes an arena for negotiating gender and racial identities. The results of the analysis show that the domestic space in this novel is a "narrative architecture" that contains political and cultural meanings, and reflects a complex and ambivalent colonial reality. This study contributes to the discourse on decolonizing architecture and the importance of reading space as a social text.
Silenced Sovereignty: Reclaiming Dedes’ Agency in a Patriarchal Narrative Udiyana Wasista, I Putu; Surja Triwibowo, Adi; Ari Darmastuti, Putu; Kadek Resi Kerdiati, Ni Luh; Ardanari Adipurwa, A.A. Trisna
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.628

Abstract

This study examines the representation of patriarchy in 13th-century Javanese feudal society through an analysis of Arok Dedes by Pramoedya Ananta Toer. The research centers on the character of Dedes, symbolizing gender oppression. Although Dedes holds the high position of queen, she remains constrained by the patriarchal system, positioning her as a tool of male authority. This dynamic is evident in her forced marriage to Tunggul Ametung and her political involvement with Arok. Utilizing both sociological and historical perspectives, the research reveals the ways in which the patriarchal structure, understood within its historical context, shapes the social and political positioning of women. Additionally, the study incorporates hypergamy theory, demonstrating that Dedes' marriage was not merely a personal decision but a strategic political maneuver reinforcing male dominance. The findings offer valuable insights into the continued influence of patriarchy in modern society, encouraging discussions on women's empowerment and the pursuit of gender equality. Ultimately, this study contributes significantly to feminist theory and power studies, offering a fresh perspective on the portrayal of women in Indonesian history and literature.
The Representation of Nyai Ontosoroh's Character in "Bumi Manusia" within Contemporary Ethnic Fashion Design Yuni Diantari, Ni Kadek; Udiyana Wasista, I Putu; Ari Darmastuti, Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.632

Abstract

This study represents literary characters in contemporary ethnic fashion design, emphasizing the character of Nyai Ontosoroh from Pramoedya Ananta Toer's novel Bumi Manusia. Nyai Ontosoroh was chosen to represent a strong, intelligent indigenous woman who resists colonialism and patriarchy. The purpose of this research is to interpret Nyai's character values into visual clothing forms through a descriptive qualitative approach with textual narrative analysis. Values such as assertiveness, independence, and courage are translated into clothing design silhouettes, the selection of sekar jagad batik motifs, and symbolic color combinations. The influence of 19th-century European fashion is implemented through the distinctive silhouette of the kebaya kutubaru, reflecting Nyai's character as a traditional woman with progressive ideas. This research also applies the principles of narrative fashion, which uses clothing as a medium for conveying stories and cultural values. This paper reveals that clothing design can serve as an effective visual medium for expressing literary narratives and cultural identity. The representation of Nyai Ontosoroh's character through design not only produces aesthetic works but also expands reflective, contextual design practices rooted in local values. This research contributes to the development of an interdisciplinary approach between fashion, literature, and cultural studies in Indonesia's creative sector.
PENERAPAN GAYA MODERN MINIMALIS PADA PROJECT KLINIK KECANTIKAN BEAUTY HEAVEN DI CANGGU OLEH DEWI DECO Paramitha, Kadek Dinda Maharani Putri; Raharja, I Gede Mugi; Darmastuti, Putu Ari
Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terbangun Vol 4 No 1 (2024): Jurnal Vastukara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/vastukara.v4i1.3489

Abstract

Klinik kecantikan merupakan sebuah klinik yang menawarkan jasa pelayanan untuk perawatan tubuh khususnya pada kulit, rambut, serta kuku (dermatologi). Fungsi klinik kecantikan adalah sebagai suatu tempat untuk melakukan konsultasi dan perawatan terhadap tubuh, wajah, kulit, rambut dan kuku yang dilakukan oleh ahli kecantikan dan dokter spesialis, mengembalikan kebugaran tubuh, serta mempercantik penampilan dari setiap pengunjung yang menggunakan fasilitas dari klinik kecantikan. Meningkatnya minat masyarakat untuk melakukan perawatan diri, baik itu perempuan maupun laki-laki membuat bisnis klinik kecantikan kian berkembang pesat. Saat ini banyak klinik kecantikan yang berlomba untuk memberikan pelayanan yang baik demi kepuasan pelanggan. Selain dengan meningkatkan kualitas pelayanan dalam setiap perawatan yang diberikan, desain arsitektur dan interior klinik kecantikan juga menjadi hal yang perlu diperhatikan. Hal ini dilakukan dengan tujuan untuk menjadikan tampilan klinik memiliki nilai estetika sehingga dapat menarik minat pelanggan untuk mengunjungi klinik tersebut. Beauty Heaven merupakan salah satu proyek klinik kecantikan yang dikerjakan oleh Dewi Deco Studio Interior yang berlokasi di Jl. Pantai Batu Bolong, Canggu, Badung. Proyek Beauty Heaven ini sekaligus menjadi proyek yang melibatkan penulis selaku mahasiswa yang menjalani program kegiatan magang/praktik kerja MBKM (Merdeka Belajar - Kampus Merdeka) di Dewi Deco. Perancangan proyek klinik kecantikan Beauty Heaven menekan pada tampilan visual dengan menerapkan gaya modern minimalis dengan titik fokus suasana hangat dan lembut yang diharapkan mampu menarik minat pengunjung untuk mengunjungi klinik Beauty Heaven, selain dari segi estetika visual, perancangan interior tetap memperhatikan fungsionalitas agar dapat mendukung kegiatan yang berlangsung di dalam klinik dengan baik dan aman.
Arts and Culture Education in Bali Urban Sketchers Community Activities: A Netnographic Study Perspective Adipurwa, Anak Agung Trisna Ardanari; Udiyana Wasista, I Putu; Resi Kerdiati, Ni Luh Kadek; Ari Darmastuti, Putu
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 6 No. 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v6i1.2391

Abstract

Urban Sketchers Bali (USK Bali) is a community engaged in capturing life's moments in the surrounding environment through sketches. Cultural moments become objects most often used as sketches. In the process, USK Bali members come from various professional backgrounds, from artists to those without an artistic background. Then there is an interesting phenomenon in transferring knowledge about art and culture. USK Bali members do not have a professional educator background, but the learning process and learning climate are conducive and enjoyable. The purpose of this study is to see the educational process that occurs both in its interactions and strategies. This research is qualitative with a netnographic approach, which summarizes and analyzes a sample of interactions on social media. The result is that naturally and instinctively, the educational process that is formed already uses four approaches in education: behavioristic, cognitivist, constructivist, and humanist. This process shows that in the spontaneous transfer of knowledge, someone already has all of these approaches even though they do not have a professional educator background.
Co-Authors Adipurwa, Anak Agung Trisna Ardanari Anak Agung Gde Ngurah Krisna Yadnya Anak Agung Ngurah Kicko Indrawan Ardanari Adipurwa, A.A. Trisna Artadi, I Made Pande Cahyo Satriojati Diantari, Ni Kadek Yuni Ericha Karomatulchan Dewi Hannah Brigitta I Gede Mugi Raharja I Gede Richi Rizki I Made Jayadi Waisnawa I Nyoman Adi Tiaga I Putu Udayana Wasista Ida Bagus Gede Wismaya Utama Ida Bagus Yamara Bawana Sidemen Ika, I Wayan Balika Indah Pradnya Pramesti Kadek Aldi Agustino Salahin Kerdiati, Ni Luh Kadek Resi Made Ida Mulyati, Made Ida Ni Kadek Risda Amelia Ni Kadek Yuni Diantari Nike Wijaya Noorwatha, I Kadek Dwi Olivia Salma Kurnia Padmanaba, Cok Gde Rai Paramitha, Kadek Dinda Maharani Putri Patricia Yuriqe Richella Pedor Putu Dipta Astradinata Rachimatus Shadya Raharja, I Gede Mugi Remawa, Anak Agung Gede Rai Rudi Hartono Sidemen, Ida Bagus Yamara Bawana Surja Triwibowo, Adi Toddy Hendrawan Yupardhi, Toddy Hendrawan Udiyani, Ni Made Santi Vallent Monica Wasista, I Putu Udiyana Yuni Diantari, Ni Kadek