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All Journal Publika Budaya Language Circle : Journal of Language and Literature Prosodi: Jurnal Ilmu Bahasa dan Sastra Poetika: Jurnal Ilmu Sastra Haluan Sastra Budaya Lentera: Jurnal Ilmiah Kependidikan Jurnal Madah Adabiyyat: Jurnal Bahasa dan Sastra International Conference on Languages and Arts JENTERA: Jurnal Kajian Sastra
Hat Pujiati
English Department, Faculty Of Letters, Universitas Jember Jln. Kalimantan 37, Jember 68121
Arts Humanities Education Languange, Linguistic, Communication & Media

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THE REPRESENTATION OF LIBERAL FEMINISM IN A WOMAN IS NO MAN BY ETAF RUM Wulandari, Mega Dwi; Supiastutik, Supiastutik; Pujiati, Hat
Lentera: Jurnal Ilmiah Kependidikan Vol. 12 No. 2 (2019): Lentera
Publisher : STKIP PGRI Bandar Lampung

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Abstract

This study discusses liberal feminism in 21st century in America. Liberal feminism. The representation of liberal feminism in A Woman is No Man explains how powerful is the feminism movement in encouraging Arab woman in Arab-American society. The representation of liberal feminism in A Woman is No Man is depicted through female characters’s struggle in getting the equal right with men. The narratives and the dialogues of the novel construct the discourse of liberal feminism where Arab women are considered as inferior and Arab men are considered as a superior. However, the liberal feminism is showed through the main female characters’ struggle to get the same equal right with men in the novel. According to this reason, Stuart Hall's representation theory and discursive approach by Michel Foucault are applied as the main tool to analyze the problems. Betty Frieddan’s Feminine Mystique is utilized as the supporting theory to analyze the liberal feminism in the novel. The results of this study shows that the idea of Arab men is superior, Arab women are inferior become a common knowledge and general agreement among society
REPRESENTASI RADIKALISME DAN DERADIKALISME AGAMA DALAM SASTRA PESANTREN Pujiati, Hat
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 2 No 1 (2018)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (695.134 KB) | DOI: 10.14421/ajbs.2018.02104

Abstract

Radicalism is not only a challange to a nation-state system but also a threat to the diverse and tolerance of Indonesian. Even literary works are potential to be a site of meanings that fertilizes radicalism through narrations. Therefore, this article scrutinizes the ability of literary texts to support or to counter radicalism in Indonesia. The chosen Sastra Pesantren (Pesantren literature) in this research are Menggapai Kosong by Izzul Muttaqin and Rebbe by Laila Haqy. The focus of this research is ideological position of the author in presenting religious-humanist discourse as a formula of antiradicalism. The analysis is done through a mapping of religious-humanist discourse in the literary texts with considering historical moment and place of the production. Stuart Hall’s representation theory is used in this article. Through constructionist approach this research analyzes the ability of language system in contructing concepts in our minds or to make the material world is meaningfull. The result of this analysis shows that the two pesantren literary works has represented deradicalism as efforts to against religious radicalism. The policies of the government in fighting radicalism have important roles in constructing the divinity and culture of society as recorded by the Pesantren literature.
Beauty As World Transposition: Fairy Tale Adaptation in Imperfect (2019) from Memoir to Film Pujiati, Hat; Rengganis, Ririe
POETIKA Vol 13, No 1 (2025): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v13i1.103779

Abstract

Fairy tales shape most girls’ formative years, introducing them to fairies who guide them toward meeting Prince Charming on a white horse, marrying, and living happily ever after. Imperfect, a memoir of self-acceptance written by Meira Anastasia and adapted into a film of the same title, represents a related construction of beauty that parallels Charles Perrault’s fairy tale Beauty and the Beast. The concept of beauty serves as the central element in the fairy tale, revealing similar patterns in both the memoir and its film adaptation. Beauty constructions established in Beauty and the Beast over the past four centuries remain significant for contemporary women. This article examines two key questions: How does beauty adaptation function as world transposition from the fairy tale to reconstruct women’s worlds in Imperfect? What ideological and cultural implications emerge from this adaptation? We apply Linda Hutcheon’s theory of adaptation to address these questions through a multi-perspectival approach. Our findings reveal that the interpellation of beauty construction appears within the intimate emotional narrative mode embedded in the story’s genre. The beauty transposition from the fairy tale reconstructs women’s worlds, moving from Renaissance humanism to postmodernist subjectivism. This study contributes uniquely to adaptation studies by analyzing memoir as source text rather than traditional literary works, demonstrating how Indonesian cultural contexts indigenize European fairy tale beauty standards, and revealing how different media forms create distinct mechanisms of resistance to patriarchal beauty discourse.
Racial Bias in The Adaptation of Rumaan Alam’s Novel Leave The World Behind into Film by Sam Esmail Rohmah, Hanifah Nur; Pujiati, Hat
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.104726

Abstract

This study is the publication version of a thesis entitled the same as this article which analyzes the influence of the changes in racial bias representation that occur in the film adaptation Leave the World Behind. Explores the transformation of racial bias as depicted in Rumaan Alam’s novel Leave the World Behind (2020) and its film adaptation by Sam Esmail (2023). It applied the theory of adaptation proposed by Linda Hutcheon and the qualitative method to analyze the narrative events, characters and characterization, and plot changes between the novel and film. The results indicate that while the novel subtly explores implicit racial bias, the film intensifies and recontextualizes these tensions through visual storytelling. In Leave the World Behind film introduces reversed racial bias and character developments that reflect broader socio-political discourse, partly driven by economic lures, political, and cultural capital motives. This paper aims to highlight specific changes in two different media and uncover the motives behind them.
Co-Authors Andi Ahmad Fijai Aprinus Salam Asih Putri Wardhani Ayu Sutarto Ayu Sutarto Bangkit Sandy Pratama Dio Catur Prasetyohadi faruk faruk Gayuh Wahyu Utami Ikwan Setiawan Imam Basuki Imam Basuki Irana Astutiningsih L. Dyah Wardani Maria Ulfa Maya Novita Sari Meilia Adiana Meilia Adiana Moch Ilham Nova Munawaratul Riana Omega Mega Robinsyah Yudhistira Omega Mega Robinsyah Yudhistira, Omega Mega Robinsyah Rahina Manik Wanodya Rendry Hanifa Ak Mallyta Rengganis, Ririe Risza Dewi Rahmawati Rohmah, Hanifah Nur Sahwari sahwari Supiastutik Supiastutik Syamsiar, Syamsiar Wulandari, Mega Dwi Zafirna Arrofifah