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All Journal Publika Budaya Language Circle : Journal of Language and Literature Prosodi: Jurnal Ilmu Bahasa dan Sastra Poetika: Jurnal Ilmu Sastra Haluan Sastra Budaya Lentera: Jurnal Ilmiah Kependidikan Jurnal Madah Adabiyyat: Jurnal Bahasa dan Sastra International Conference on Languages and Arts Metahumaniora JENTERA: Jurnal Kajian Sastra
Hat Pujiati
English Department, Faculty Of Letters, Universitas Jember Jln. Kalimantan 37, Jember 68121
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Beauty As World Transposition: Fairy Tale Adaptation in Imperfect (2019) from Memoir to Film Pujiati, Hat; Rengganis, Ririe
POETIKA Vol 13, No 1 (2025): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v13i1.103779

Abstract

Fairy tales shape most girls’ formative years, introducing them to fairies who guide them toward meeting Prince Charming on a white horse, marrying, and living happily ever after. Imperfect, a memoir of self-acceptance written by Meira Anastasia and adapted into a film of the same title, represents a related construction of beauty that parallels Charles Perrault’s fairy tale Beauty and the Beast. The concept of beauty serves as the central element in the fairy tale, revealing similar patterns in both the memoir and its film adaptation. Beauty constructions established in Beauty and the Beast over the past four centuries remain significant for contemporary women. This article examines two key questions: How does beauty adaptation function as world transposition from the fairy tale to reconstruct women’s worlds in Imperfect? What ideological and cultural implications emerge from this adaptation? We apply Linda Hutcheon’s theory of adaptation to address these questions through a multi-perspectival approach. Our findings reveal that the interpellation of beauty construction appears within the intimate emotional narrative mode embedded in the story’s genre. The beauty transposition from the fairy tale reconstructs women’s worlds, moving from Renaissance humanism to postmodernist subjectivism. This study contributes uniquely to adaptation studies by analyzing memoir as source text rather than traditional literary works, demonstrating how Indonesian cultural contexts indigenize European fairy tale beauty standards, and revealing how different media forms create distinct mechanisms of resistance to patriarchal beauty discourse.
MAGICAL REALISM-LIKE IN SHAKESPEARE'S A MIDSUMMER NIGHT'S DREAM Dio Catur Prasetyohadi; Hat Pujiati; Irana Astutiningsih
JENTERA: Jurnal Kajian Sastra Vol 7, No 1 (2018): Jurnal Jentera
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v7i1.508

Abstract

This article uses concepts of magical realism by Wendy B. Faris to analyze Shakespeare's A Midsummer Night's Dream. We analyze elements of magical realism of the work in mapping discourses between the text and the real life. The chosen material object that published earlier than the theory we chose make this work contributes to describe the trace of the civilization development; event of in-betweeness of human consciousness. However, we have found that A Midsummer Night’s Dream is only a magical realism-like mode, since realism is dominant in the text as the trace of modernity. Meanwhile, the characteristics of Magical Realism that is postulated by Faris is in-between realism and fantasy as a trace of transition era; modern to postmodern.Abstrak: Artikel ini menggunakan konsep-konsep realism magis oleh Wendy B. Faris untuk menganalisis “A Midsummer Night’s Dream” karya Shakespeare.  Kami menganalisis elemen-elemen realism magis yang ada dalam karya untuk memetakan wacana-wacana yang ada antara teks dan kenyataan. Pemilihan objek materi yang telah dipublikasi lebih awal dari kelahiran teori yangkami pilih ini berkontribusi untuk menjelaskan jejak perkembanan peradaban Kebudayaan; peristiwa keberantaraan pada kesadaran manusia. Namun demikian, kami menemukan bahwa “A Midsummer Night’s Dream” hanyalah moda tulisan Serupa Realisme Magis, karena dominan teks lebih pada realisme yang merupakan jejak dari modernitas. Sementara syarat realism magis yang ditawarkan Faris adalah keberantaraan realisme dan fantasi sebagai jejak era transisi modern menuju postmodern.
Class Struggle Seen in Ernest Jones’ Three Selected Poems: The Song of The Poor, The Song The Lower Classes, and A Song for People Andi Ahmad Fijai; Hat Pujiati; Ikwan Setiawan
JENTERA: Jurnal Kajian Sastra Vol 11, No 1 (2022): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v11i1.2773

Abstract

This article discusses class struggle of the working class through Ernest Jones’ three selected poems: The Song of The Poor, The Song of The Lower Classes, and A Song for People in the Industrial Revolution era in England. Industrial Revolution is a shift in goods production from human power into mechanical power. This research uses Michael Riffaterre’s Semiotics of Poetry theory to find out the meaning and significance of the chosen poems and uses some opinions and history as hypogram to portray the class struggle of the workers in Industrial Revolution era. The result of this research shows that these poems articulate the voices of the working class in struggling to get justice against the ruling class. AbstrakArtikel ini membahas tentang perjuangan kelas pekerja di tiga puisi pilihan karya Ernest Jones: The Song of The Poor, The Song of The Lower Classes, dan A Song for People di era Revolusi Industri di Inggris. Revolusi Industri adalah perubahan cara produksi barang yang awalnya menggunakan tenaga manusia menjadi tenaga mekanik. Penelitian ini menggunakan teori Semiotika Puisi oleh Michael Riffaterre untuk mengetahui meaning (makna) dan significance (arti) puisi yang terpilih dan menggunakan beberapa opini dan sejarah sebagai hipogram untuk menggambarkan perjuangan kelas pekerja di era Revolusi Industri. Hasil penelitian ini mengeksplorasi perjuangan para pekerja di era Revolusi Industri. Jones melalui puisinya mengartikulasikan suara-suara kelas pekerja dalam perjuangannya mendapatkan keadilan melawan kelas pengusa.
Racial Bias in The Adaptation of Rumaan Alam’s Novel Leave The World Behind into Film by Sam Esmail Hanifah Nur Rohmah; Hat Pujiati
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.104726

Abstract

This study is the publication version of a thesis entitled the same as this article which analyzes the influence of the changes in racial bias representation that occur in the film adaptation Leave the World Behind. Explores the transformation of racial bias as depicted in Rumaan Alam’s novel Leave the World Behind (2020) and its film adaptation by Sam Esmail (2023). It applied the theory of adaptation proposed by Linda Hutcheon and the qualitative method to analyze the narrative events, characters and characterization, and plot changes between the novel and film. The results indicate that while the novel subtly explores implicit racial bias, the film intensifies and recontextualizes these tensions through visual storytelling. In Leave the World Behind film introduces reversed racial bias and character developments that reflect broader socio-political discourse, partly driven by economic lures, political, and cultural capital motives. This paper aims to highlight specific changes in two different media and uncover the motives behind them.
FROM GOTHIC TO NEO-GOTHIC: FRANKENSTEIN NOVEL INTO LISA FRANKENSTEIN (2024) FILM ADAPTATION BY ZELDA WILLIAMS Putri, Marchelinda Okta Brianti Eka; Pujiati, Hat
Metahumaniora Vol 15 No 2 (2025): METAHUMANIORA, AGUSTUS 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i2.63833

Abstract

This study aims to show the transformation of the Gothic genre from Frankenstein’s novel to the Neo-Gothic genre in Lisa Frankenstein’s film and to reveal the underlying motives. This qualitative research uses Linda Hutcheon and O’Flynn’s Adaptation theory and is supported by Nick Lacey’s Image and Representation analysis technique. The data are narrative events from the Frankenstein novel in the form of words, phrases, and paragraphs, as well as narrative events in Lisa Frankenstein’s film in the form of screenshots containing frames per scene, dialogue, sound, backsound music, and film shooting techniques. The collected data is analyzed comparatively between the narration in the novel and the film, by reading images and representation analysis techniques in Lacey’s Barthesian semiotics perspective, and discursively as proposed by Linda Hutcheon in the theory of adaptation. The results of the study show that the Lisa Frankenstein film adaptation turns into a feminine style of the creation through the playfulness of the dark comedy narration of Lisa’s domestic skills in reviving the crature. The dark comedy is in line with romantic and sexual relationships between Lisa and the creature, which shows the transformation of genre from gothic novel into neo-gothic film. The transformations shown in the film are influenced by the director’s agency as an adapter and the involvement of various parties, such as Hollywood, which aims to provide novelty to maintain audience interest and maximize the sales profit.
Co-Authors Andi Ahmad Fijai Aprinus Salam Asih Putri Wardhani Ayu Sutarto Ayu Sutarto Bangkit Sandy Pratama Dio Catur Prasetyohadi faruk faruk Gayuh Wahyu Utami Hanifah Nur Rohmah Ikwan Setiawan Imam Basuki Imam Basuki Irana Astutiningsih L. Dyah Wardani Maria Ulfa Maya Novita Sari Meilia Adiana Meilia Adiana Moch Ilham Nova Munawaratul Riana Omega Mega Robinsyah Yudhistira Omega Mega Robinsyah Yudhistira, Omega Mega Robinsyah Putri, Marchelinda Okta Brianti Eka Rahina Manik Wanodya Rendry Hanifa Ak Mallyta Rengganis, Ririe Risza Dewi Rahmawati Sahwari sahwari Supiastutik Supiastutik Syamsiar, Syamsiar Wulandari, Mega Dwi Zafirna Arrofifah