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All Journal Publika Budaya Language Circle : Journal of Language and Literature Prosodi: Jurnal Ilmu Bahasa dan Sastra Poetika: Jurnal Ilmu Sastra Haluan Sastra Budaya Lentera: Jurnal Ilmiah Kependidikan Jurnal Madah Adabiyyat: Jurnal Bahasa dan Sastra International Conference on Languages and Arts JENTERA: Jurnal Kajian Sastra
Hat Pujiati
English Department, Faculty Of Letters, Universitas Jember Jln. Kalimantan 37, Jember 68121
Arts Humanities Education Languange, Linguistic, Communication & Media

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AMERICAN MYSTICISM AND FEMINISM IN CASSANDRA CLARE'S CLOCKWORK ANGEL: A POSTMODERNIST FICTION Asih Putri Wardhani; Hat Pujiati; Ikwan Setiawan
Haluan Sastra Budaya Vol 4, No 1 (2020)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v4i1.39343

Abstract

Postmodern as a stage of civilization after traditional and modern tends to accommodate the two previous stages with its newness. This article studies the postmodern strategies depicted in Cassandra Clare’s The Infernal Defices: Clockwork Angel in Brian McHale’s perspective which emphasize his idea of postmodernist fiction based on ontological dominant while the modernist is epistemological dominant. How the ontological is constructed in the novel become the aims to reveal in this article. Through Hrusovski’s three dimensional semiotics concept that is developed by McHale, this article starts the analysis of ontological landscape from words, worlds and construction of the novel. The result is that heterocosmos are built in intertextualzones  based on pre-Victorian, Victorian and post-Victorian poems which become the epigraph in every chapter of the novel using interpolation and superimposition strategies.Beyond the ontological landscape, this novel shows the spirit of American mysticism and feminism.
Class Struggle Seen in Ernest Jones’ Three Selected Poems: The Song of The Poor, The Song The Lower Classes, and A Song for People Andi Ahmad Fijai; Hat Pujiati; Ikwan Setiawan
JENTERA: Jurnal Kajian Sastra Vol 11, No 1 (2022): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v11i1.2773

Abstract

This article discusses class struggle of the working class through Ernest Jones’ three selected poems: The Song of The Poor, The Song of The Lower Classes, and A Song for People in the Industrial Revolution era in England. Industrial Revolution is a shift in goods production from human power into mechanical power. This research uses Michael Riffaterre’s Semiotics of Poetry theory to find out the meaning and significance of the chosen poems and uses some opinions and history as hypogram to portray the class struggle of the workers in Industrial Revolution era. The result of this research shows that these poems articulate the voices of the working class in struggling to get justice against the ruling class. AbstrakArtikel ini membahas tentang perjuangan kelas pekerja di tiga puisi pilihan karya Ernest Jones: The Song of The Poor, The Song of The Lower Classes, dan A Song for People di era Revolusi Industri di Inggris. Revolusi Industri adalah perubahan cara produksi barang yang awalnya menggunakan tenaga manusia menjadi tenaga mekanik. Penelitian ini menggunakan teori Semiotika Puisi oleh Michael Riffaterre untuk mengetahui meaning (makna) dan significance (arti) puisi yang terpilih dan menggunakan beberapa opini dan sejarah sebagai hipogram untuk menggambarkan perjuangan kelas pekerja di era Revolusi Industri. Hasil penelitian ini mengeksplorasi perjuangan para pekerja di era Revolusi Industri. Jones melalui puisinya mengartikulasikan suara-suara kelas pekerja dalam perjuangannya mendapatkan keadilan melawan kelas pengusa.
The Contestation of Magic in the Adaptation of a Fairy Tale into a Film: Snow White to Snow White and the Huntsman Pujiati, Hat; Faruk, Faruk; Salam, Aprinus
Language Circle: Journal of Language and Literature Vol 18, No 1 (2023): October 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lc.v18i1.47868

Abstract

Fairy tales are considered stories for children because of magical events in them. The consideration is based on assumptions that children's rationality is not well-developed yet. However, adaptation of fairy tales continues in the time when people do not believe in magic anymore, even they multiply the magical elements in the works of adaptation. This article analyses positions of magical and real elements in a fairy tale entitled ‘Snow White’ by Brothers Grimm and a film directed by Rupert Sanders called Snow White and the Huntsman. We apply theory of Adaptation by Linda Hutcheon to recognize the adaptation as a product, process, and context while to map the magical elements in the two stories we apply magical realism by Wendy B. Faris. To explore the context of adaptation of the magical elements, constructionism by Vivien Burr is also applied. The results of this paper analysis show the position of magical element in the adaptation varies. The variation become possible First, the magical element is dominant in Snow White by Grimm but logic invades the magical element. Second, the adaptation of Snow white in the form of film shows the dominance of magical element in a hyper-contestation of magic. Third, both works are not magical realism works which support the same agenda in different ways. Grimm’s version supports colonialization discourse with the logic of the post-enlightenment paradigm, and the film version supports re-colonialization discourse through the contestation of magic that is technological rather than ideological.
THE REPRESENTATION OF LIBERAL FEMINISM IN A WOMAN IS NO MAN BY ETAF RUM Wulandari, Mega Dwi; Supiastutik, Supiastutik; Pujiati, Hat
Lentera: Jurnal Ilmiah Kependidikan Vol. 12 No. 2 (2019): Lentera
Publisher : STKIP PGRI Bandar Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study discusses liberal feminism in 21st century in America. Liberal feminism. The representation of liberal feminism in A Woman is No Man explains how powerful is the feminism movement in encouraging Arab woman in Arab-American society. The representation of liberal feminism in A Woman is No Man is depicted through female characters’s struggle in getting the equal right with men. The narratives and the dialogues of the novel construct the discourse of liberal feminism where Arab women are considered as inferior and Arab men are considered as a superior. However, the liberal feminism is showed through the main female characters’ struggle to get the same equal right with men in the novel. According to this reason, Stuart Hall's representation theory and discursive approach by Michel Foucault are applied as the main tool to analyze the problems. Betty Frieddan’s Feminine Mystique is utilized as the supporting theory to analyze the liberal feminism in the novel. The results of this study shows that the idea of Arab men is superior, Arab women are inferior become a common knowledge and general agreement among society
REPRESENTASI RADIKALISME DAN DERADIKALISME AGAMA DALAM SASTRA PESANTREN Pujiati, Hat
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 2 No 1 (2018)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (695.134 KB) | DOI: 10.14421/ajbs.2018.02104

Abstract

Radicalism is not only a challange to a nation-state system but also a threat to the diverse and tolerance of Indonesian. Even literary works are potential to be a site of meanings that fertilizes radicalism through narrations. Therefore, this article scrutinizes the ability of literary texts to support or to counter radicalism in Indonesia. The chosen Sastra Pesantren (Pesantren literature) in this research are Menggapai Kosong by Izzul Muttaqin and Rebbe by Laila Haqy. The focus of this research is ideological position of the author in presenting religious-humanist discourse as a formula of antiradicalism. The analysis is done through a mapping of religious-humanist discourse in the literary texts with considering historical moment and place of the production. Stuart Hall’s representation theory is used in this article. Through constructionist approach this research analyzes the ability of language system in contructing concepts in our minds or to make the material world is meaningfull. The result of this analysis shows that the two pesantren literary works has represented deradicalism as efforts to against religious radicalism. The policies of the government in fighting radicalism have important roles in constructing the divinity and culture of society as recorded by the Pesantren literature.
Beauty As World Transposition: Fairy Tale Adaptation in Imperfect (2019) from Memoir to Film Pujiati, Hat; Rengganis, Ririe
POETIKA Vol 13, No 1 (2025): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v13i1.103779

Abstract

Fairy tales shape most girls’ formative years, introducing them to fairies who guide them toward meeting Prince Charming on a white horse, marrying, and living happily ever after. Imperfect, a memoir of self-acceptance written by Meira Anastasia and adapted into a film of the same title, represents a related construction of beauty that parallels Charles Perrault’s fairy tale Beauty and the Beast. The concept of beauty serves as the central element in the fairy tale, revealing similar patterns in both the memoir and its film adaptation. Beauty constructions established in Beauty and the Beast over the past four centuries remain significant for contemporary women. This article examines two key questions: How does beauty adaptation function as world transposition from the fairy tale to reconstruct women’s worlds in Imperfect? What ideological and cultural implications emerge from this adaptation? We apply Linda Hutcheon’s theory of adaptation to address these questions through a multi-perspectival approach. Our findings reveal that the interpellation of beauty construction appears within the intimate emotional narrative mode embedded in the story’s genre. The beauty transposition from the fairy tale reconstructs women’s worlds, moving from Renaissance humanism to postmodernist subjectivism. This study contributes uniquely to adaptation studies by analyzing memoir as source text rather than traditional literary works, demonstrating how Indonesian cultural contexts indigenize European fairy tale beauty standards, and revealing how different media forms create distinct mechanisms of resistance to patriarchal beauty discourse.
Co-Authors Andi Ahmad Fijai Aprinus Salam Asih Putri Wardhani Ayu Sutarto Ayu Sutarto Bangkit Sandy Pratama Dio Catur Prasetyohadi faruk faruk Gayuh Wahyu Utami Ikwan Setiawan Imam Basuki Imam Basuki Irana Astutiningsih L. Dyah Wardani Maria Ulfa Maya Novita Sari Meilia Adiana Meilia Adiana Moch Ilham Nova Munawaratul Riana Omega Mega Robinsyah Yudhistira Omega Mega Robinsyah Yudhistira, Omega Mega Robinsyah Rahina Manik Wanodya Rendry Hanifa Ak Mallyta Rengganis, Ririe Risza Dewi Rahmawati Sahwari sahwari Supiastutik Supiastutik Syamsiar, Syamsiar Wulandari, Mega Dwi Zafirna Arrofifah