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UPCYCLE FAST FASHION IN THE ART OF BEAT STYLE Mutiasari, Mutiasari; Rahmanita, Nofi
JPBD (Jurnal Penelitian Busana dan Desain) Vol. 5 No. 2 (2025): September
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jpbd.v5i2.43320

Abstract

Perkembangan yang pesat terhadap industri fashion, terkhusus fast fashion, telah menimbulkan dampak negatif yang luas dan kompleks terhadap lingkungan, sosial, maupun ekonomi. Fast fashion yang memproduksi berbagai model pakaian dalam waktu singkat menyebabkan peningkatan limbah tekstil dan tekanan terhadap sumber daya alam. Sebagai solusi berkelanjutan, konsep upcycle muncul sebagai upaya dengan mengubah bahan atau produk bekas menjadi produk baru bernilai tambah. Dalam pembuatan karya ini mengembangkan busana upcycle fast fashion yang dikombinasikan dengan kain wastra nusantara, yaitu batik motif durian dari Lubuklinggau, Sumatera Selatan, yang menggunakan pewarna alami seperti dari julit jengkol atau buah pinang dan menggunakan kain katun atau sutra. Teknik korsase sebagai salah satu bentuk fabric manipulation diterapkan dalam karya yang dibuat untuk mempercantik busana dengan ornamen bunga yang unik dengan bentuk bunga dari durian. Busana yang diwujudkan mengusung gaya Art of Beat dengan ciri khas warna cerah seperti biru muda dan coklat, serta desain yang berani dan kreatif. busana yang dihasilkan meliputi haute couture dengan siluet mermaid, yang sekaligus melestarikan warisan budaya dan menawarkan alternatif mode yang ramah lingkungan. KataKunci: upcycle, fast fashion, fabric manipulation,art of beat
THE ARASY TOWER AS AN INSPIRATION IN CONTEMPORARY FASHION Endangsari, Wella; Rahmanita, Nofi
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 3 No. 2 (2025): Exploration of Batik Motifs and Technique
Publisher : Indonesian Institute of the Arts Surakarta

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Abstract

My work entitled "Menara Gentala Arasy as a Source of Inspiration in Contemporary Fashion", is inspired by the architecture of the Gentala Arasy Tower and the Gentala Arasy Bridge by taking several forms and ornamens found on the tower and bridge such as the shape of a clock, ornamens on the tower and the architecture of the bridge in the form of motifs on clothing using sequin techniques that form the Gentala Arasy Bridge motif. Contemporary clothing that combines traditional nuances with futuristic elements through a combination of classic Jambi batik materials and modern american drill. The silhouette of this dress is dominated by wide, layered cuts on the sleeves, asymmetrical cuts, with tower and clock motif embroidery, giving a strong impression of local identity. In the middle there is a clock and tower motif made with a threadembroidered technique, reflecting the combination of time and architecture. The dark blue and orange colors provide a dynamic contrast, enhanced by the thread-embroidered motif on the sleeves. The choice of colors is directly inspired by the Gentala Arasy Tower, namely golden yellow, red, emerald blue, and black. The materials used are Satin Bridall, American Drill, and Batik Jambi. The creation method begins with preparation, namely conducting a field survey to find sources of ideas or themes, and formulating creative ideas to provide a better understanding of the form of work created and looking for literature or references related to the creative idea. The embodiment of the work uses the technique of connecting and boutique.