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All Journal JPM17: Jurnal Pengabdian Masyarakat BASIS (BAHASA DAN SASTRA INGGRIS) Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Hasta Wiyata Anaphora: Journal of Language. Literary and Cultural Studies PLAKAT : Jurnal Pelayanan Kepada Masyarakat Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Cultural Narratives
Mateus Rudi Supsiadji
Program Studi Sastra Inggris, Universitas 17 Agustus 1945 Surabaya
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Child Abuse as Portrayed in Delia Owen's Where The Crawdads Sing Cahyani, Gita Senja Ayu; Supsiadji, Mateus Rudi
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 3 No. 1 (2024): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v3i1.4655

Abstract

Child abuse occurs when a child is hurt or abused by an adult. This can happen in various ways, impacting the child's body, cognition, and emotions. This study discusses the kind of child abuse and the impact of child abuse in Delia Owens' Where the Crawdads Sing. This study uses the child abuse theory by Christiane Sanderson and takes a psychological approach as it examines real-life phenomena. A qualitative approach is used as a method of research. The analysis reveals that Kya experiences physical abuse, emotional abuse, and neglect, primarily inflicted by her father and further exacerbated by the abandonment of her parents and siblings. Kya endures physical abuse through beatings and threats from her father, emotional abuse through his dismissive and degrading behavior, and neglect as she is left to fend for herself in extreme poverty and isolation. These abuses have long-term effects on her physical and psychological health. Kya is malnourished because her parents abandoned her. Psychologically, she suffers from deep anxiety and a profound lack of trust as a result of repeated trauma and isolation. In conclusion, Kya's experiences with physical abuse, emotional abuse, and neglect emphasize the severe and lasting impacts of child abuse on an individual's physical and mental well-being. The novel highlights how these traumatic experiences shape Kya's interactions with family and society. Childhood traumatic experience that made Kya become the person who has anxiety.
Kiko’s Anxiety In Akemi Dawn Bowman’s Starfish Seda, Kresenstia Heldiana; Supsiadji, Mateus Rudi
Cultural Narratives Vol. 1 No. 1 (2023): August
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i1.442

Abstract

This article aims to discuss the issue of anxiety in Akemi Dawn Bowman's Starfish. The objectives of this study are to find the causes, effects, and types of anxiety experienced by the main character in the story. This study uses the psychoanalysis theory by Sigmund Freud to analyze Kiko's anxiety. The research method applied in this study is qualitative, with a psychology of literature approach. From the results of the analysis, there are four causes of the anxiety experienced by Kiko. The first is an experience that happens to Kiko in the past, caused by her uncle. The second is the conflict between Kiko and her mother. The third is Kiko’s environment, and the last is frustration. The effects of Kiko's anxiety are emotional effect and social anxiety. This can be seen from her feelings of anger because of the dispute that occurs between Kiko and her mother. Therefore, it can be concluded that Kiko's anxiety is categorized as neurotic and realistic anxiety. Neurotic anxiety comes from the id, which is an unconscious feeling so that it often loses its emotions such as sadness, anger, panic, and so on. Realistic anxiety occurs when there is a sense of fear of approaching danger.
C.S. Lewis’ Types of Love Portrayed in Sally Rooney’s Normal People Wahyu Ningsih, Adelia Sri; Supsiadji, Mateus Rudi
Cultural Narratives Vol. 1 No. 1 (2023): August
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i1.444

Abstract

This study aims to analyse the types of love in Sally Rooney’s Normal People. The objective of this study is to find the types of love that exist between the characters in the story. In analysing the story, the writers apply C.S. Lewis’ theory of love. The theory explains that there are four types of love, namely storge, philias, eros, and agape. The research method is descriptive qualitative research. The analysis is conducted by using intrinsic and extrinsic approaches. The intrinsic approach is applied in this study because the study deals with the characters in the novel. The extrinsic sociological approach is used to analyse love types. The data are taken from Normal People that is written by Sally Rooney. The findings show that through the characters, the novel discusses different types of love. There are only three types of love seen in the novel Normal People. The first type of storge or familial happens can be pictured through the interactions of Connell, Lorraine, and Marianne. The second type of philias or friendship is depicted in the interactions of Marianne, Connell, Joanna, and Niall. The last type of eros or romantic love happens to the character of Marianne and Connell. The conclusion, in Normal People love exists in every single person and it has some different types that happen between family, friends, and couples.
Unveiling The Structures of Feeling in Ann Patchett's Tom Lake Santoso, Yafet Kurniawan; Supsiadji, Mateus Rudi
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 4 No. 1 (2025): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v4i1.5963

Abstract

This thesis explores how Ann Patchett’s Tom Lake captures and expresses the unspoken emotional atmosphere of rural American life during the COVID-19 pandemic through the lens of Raymond Williams’s theory of the "structure of feeling." Focusing on the novel’s portrayal of small-town community, familial labor, and generational memory, the research examines how emotions like longing, resignation, care, and quiet agency shape character identity and social relationships. Using Williams’s cultural materialism as a theoretical foundation, the study reveals how Tom Lake reflects the lived experiences of individuals whose emotions are deeply entangled with historical and socio-economic change, yet often remain unarticulated. The cherry farm, as both a physical and emotional space, becomes the central site where the past and present converge, offering a poignant setting in which Lara and her daughters navigate memory, loss, and continuity. Through narrative analysis, this thesis argues that Patchett’s use of everyday life, particularly under crisis conditions, mirrors the emotional undercurrents of a transitional era. The novel does not dramatize suffering but instead reveals the quiet persistence of meaning and feeling in ordinary routines. The result of this study demonstrates literature’s capacity to render the emotional truth of a historical moment visible through subtle, shared, and deeply human experiences. Keywords: COVID-19, Cultural Materialism, Rural Life, Structure of Feeling
MISOGYNY IN MARGARET ATWOOD’S SURFACING Pramesti, Tri; Supsiadji, Mateus Rudi
BASIS (Bahasa dan Sastra Inggris) Vol 9 No 2 (2022): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v9i2.5529

Abstract

The aimed of this study is to show misogyny exposed by male character in Margaret Atwood’s  Surfacing.  Margaret Atwood unveils patriarchal practice in a seemingly perfect marriage.  Surfacing tells the story of the wife who lives under the pressure of her husband. Using feminist literary approach, this novel is scrutinized by applying close reading method. The source of data for this study is Surfacing  the novel, book reviews, and articles written by and about author of the book. This is a textual study, in collecting the data, the researchers applied the data gathered in the form of words, phrase and sentence Some steps are taken in collecting the data, the first step is reading and understanding the theme, character, and the backdrop of the story. The next step is Identifying the words, quotations, and dialogs relating to the theme. The data are analyzed descriptively.  Based on the analysis, misogyny exposed in this novel is embedded in a culture and internalized the customs. The inferior position of woman is a result of male domination in all aspects of life.  It is concluded that woman is oppressed economically, traditionally and ideologically. Patriarchal ideology exposed in this novel shows that wife/woman is like goods that which can be treated according to the wishes of the husband/owner.
Co-Authors Cahyani, Gita Senja Ayu Dheny Jatmiko, Dheny Fitriya Muanah Herni Lah Karman, Muhammad Taufikqul Hidayat Ken Kirana Swasti Ratu Laili Nurwakhidah Linusia Marsih Ni Ketut Mirahayuni Ni Ketut Mirahayuni Ni Ketut Mirahayuni, Ni Ketut Ningrum, Chandrawati Adji Novi Andari Nurhadi, Muizzu Pariyanto Pariyanto, Pariyanto Santoso, Yafet Kurniawan Seda, Kresenstia Heldiana Sholta Aryas Rayana Susie Chrismalia Garnida Tegar Febrian Putra Tri Pramesti Tri Pramesti Wahyu Ningsih, Adelia Sri Y.B. Agung Prasaja