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Navigating the Democratic Crisis: Indonesia’s Journey Through Political Ethics, Law, and Social Change Silalahi, Artha Debora; Rizal Mustansyir; Sindung Tjahyadi; Siti Murtiningsih
Sapientia Humana: Jurnal Sosial Humaniora Vol 4 No 02 (2024)
Publisher : Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/jsh.v4i02.8547

This article explores the crisis narrative surrounding the erosion of democracy in Indonesia, with a particular emphasis on political and ethical responsibilities. It examines the prevailing consensus on the consequences, factors, and conceptualization of democracy, especially concerning political trust and ethical governance. The discussion underscores how democracy evolves by deconstructing and reshaping societal structures, drawing on Kantian philosophy and the core pillars of democratic society. The paper highlights the inherent flaws in democratic principles, demonstrating how these imperfections permit varying degrees of freedom within societal practices. It advocates for the value of cultivating a culture of open, public discourse aboutcollective societal objectives. However, it also points out that the actual practice of lawmaking, implementation, and enforcement often deviates from its doctrinal ideals, particularly when the law’s purported impartiality contrasts with its impact on marginalized communities. These inconsistencies are examined as outcomes of the exercise of political power, illustrating that the law is shaped by political morality and legitimacy rather than being wholly independent. Furthermore, the article delves into the decline of democracy by engaging in dialogue about the process of its deterioration, rather than simply questioning the reasons behind it. This study also explores democracy and philosophy both in theory and practice, framing law as a reflective inquiry into the democratic process. Ultimately, it advocates for the political concepts of democracy to be subjected to scientific analysis and validation.

EXPLORING THE ONTOLOGICAL BASIS OF LAW: JOSEPH RAZ'S VIEWS ON NORMATIVITY WITHIN THE FRAMEWORK OF LEGAL REALISM Silalahi, Artha Debora ADS; Mustansyir, Rizal; Tjahyadi, Sindung
International Review of Humanities Studies Vol. 10, No. 1
Publisher : UI Scholars Hub

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This study explores the moral ontology of law within the framework of Legal Realism, contextualizing law as both a social institution and an institution of justice. Drawing on Joseph Raz's perspectives on practical reason, normativity, and the foundations of norms, the analysis examines how law, as a practical guide, inherently carries moral dimensions in regulating social interactions and pursuing justice. Legal Realism frames law as a dynamic product of human interaction within a social context, while Raz's philosophical insights illuminate the interplay between practical reasoning, normativity, and legal structures. By focusing on the moral underpinnings of legal norms, this paper seeks to address how law as an institution can uphold social legitimacy while meeting the demands of justice. The analysis offers a conceptual framework to understand the role of moral ontology in modern legal systems, particularly in navigating legal pluralism and societal complexity.

Analisis Etika Diskursus Jurgen Habermas terhadap Demokrasi Cair pada Masyarakat Digital Febriani, Rika; Supartiningsih, Supartiningsih; Tjahyadi, Sindung; Hertanti, Rachmi
Jurnal Ilmiah Pendidikan Pancasila dan Kewarganegaraan Vol 9, No 3 (2024): November 2024
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um019v9i3p230-237

The purpose of writing this article is to describe the basic concept of liquid democracy and analyze the principles of liquid democracy in digital society based on Jurgen Habermas’ discourse ethics. This study uses a historical-factual method based on the view that humans are historical creatures that develop in thought and experience. Liquid democracy is a system that allows each individual to convey aspirations directly or delegate aspirations to others who are more expert in the decision-making process. The application of liquid democracy in digital society is based on the principles of Jurgen Habermas’ discourse ethics which are divided into two types, namely universal and discourse principles. Universal principles relate to the interests and needs of each individual in the decision-making process. Discourse principles relate to procedures in the decision-making process based on certain norms.

Jurgen Habermas's views on legal validity and discourse ethics: A literature review Febriani, Rika; Supartiningsih, Supartiningsih; Tjahyadi, Sindung
Jurnal Civics: Media Kajian Kewarganegaraan Vol. 22 No. 1 (2025)
Publisher : Universitas Negeri Yogyakarta

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In modern states, law is often reduced to merely a tool of power. Many contemporary practices treat law as nothing more than a procedural requirement, disregarding its substantive values and the social conditions of society. This article discusses the validity of law within a political community from Habermas's perspective. According to him, the law must be discursive and stem from rational subjects capable of effective communication. The fundamental questions addressed are: how can law ideally be derived from norms within a political society? And how can law subsequently foster a democratic society? This article employs historical-factual methods, with primary sources drawn from the works of Jí¼rgen Habermas. Habermas used discourse ethics and the theory of communicative action. Data collection is conducted through textual analysis. The article concludes that the validity of law must originate from discursive norms present in society, even though there may be tensions between theory and practice in society.

Calligraffiti on Sarong: The Challenges of Contemporary Batik Creativity in Santri Culture Taufiqur'anam, Ach. Saidika; Fitriasari, Rr. Paramitha Dyah; Tjahyadi, Sindung
Journal of Urban Society's Arts Vol 12, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v12i1.13284

Calligraphy as motifs on sarongs in the santri environment is a challenge because batik motifs with calligraphy are prone to resemble writing that has a sacred meaning and makes the user feel sorry when wearing it. The purpose of this study is to analyze the creative response of contemporary batik artist, Abyan Farazdaq, in creating the motif “calligrafitty”, which is a combination of calligraphy and graffity aesthetics on sarong which is a product of santri culture. The research uses a qualitative approach on Abyan Farazdaq’s batik artwork by collecting data through observation, interviews and visual documentation of artworks. This research show that the artist created a calligraphy pattern, so that the motif cannot be read literally in order to maintain the cultural ethics of sarong users. As a result, the calligraphy motif becomes a form of visual adaptation that maintains the identity of the students and enriches the expression of contemporary batik art. Kaligrafi di Sarung: Tantangan Kreativitas Batik Kontemporer dalam Budaya Santri. Penggunaan motif kaligrafi pada sarung di lingkungan santri menjadi tantangan karena motif batik dengan kaligrafi rentan menyerupai tulisan yang memiliki makna sakral dan membuat penggunanya merasa iba ketika mengenakannya. Tujuan penelitian ini adalah untuk menganalisa respons kreatif seniman batik kontemporer, Abyan Farazdaq, dalam menciptakan motif “kaligrafiti”, yang merupakan kombinasi antara kaligrafi dan estetika graffiti pada sarung yang menjadi produk budaya santri. Penelitian menggunakan pendekatan kualitatif pada karya seni batik Abyan Farazdaq dengan menghimpun data melalui observasi, wawancara, dan dokumentasi visual karya seni. Temuan menunjukkan bahwa seniman menciptakan pola kaligrafiti agar motif tidak terbaca secara literal demi menjaga etika budaya pengguna sarung. Hasilnya, motif Kaligrafiti menjadi bentuk adaptasi visual yang mempertahankan identitas santri serta memperkaya ekspresi seni batik kontemporer.

From Authority to Justification: The Epistemological Foundations of Joseph Raz’s Legal Philosophy Silalahi, Artha Debora; Mustansyir, Rizal; Tjahyadi, Sindung
Jurnal Filsafat "WISDOM" Vol 35, No 1-2 (2025): Special Issue 2025: Law and Politics
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.105256

This article examines the intrinsic relationship between law and values through the lens of legal epistemology, focusing on Joseph Raz’s legal philosophy. It investigates how judicial interpretation, shaped by epistemological foundations, influences legal reasoning and outcomes. Central to the discussion are normative challenges in adjudication such as ambiguity, uncertainty, and moral conflict. It also discusses how Raz’s thought of legal authority and the chain of validity among norms provide a framework for evaluating the legitimacy and justification of legal decisions. Raz argues that legal authority must offer independently justified reasons for action, reinforcing the law’s role in maintaining social order. The article further examines how legal structures shape and sustain societal values, positioning legal epistemology not only as a tool for understanding the basis of authority but also as a normative foundation for aligning legal principles with societal values. In conclusion, the research affirms that a robust epistemological approach to law, as proposed by Raz, is crucial for ensuring legitimacy and fairness in legal systems, making legal epistemology indispensable in affirming the normative force of law in contemporary society.

Interpreting Javanese aesthetics through a qualitative hermeneutic and symbolic analysis of tayuman wood (bauhinia purpurea) keris hilts Sunaryo, Tejo Bagus; Lasiyo, Lasiyo; Tjahyadi, Sindung
International Journal of Visual and Performing Arts Vol 7, No 2 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i2.2200

Javanese aesthetics embody the concept of beauty as experienced through rasa, a sensibility that integrates physical perception, spiritual intuition, and cultural meaning. Rooted in Javanese philosophical and mystical traditions, rasa serves as the essential criterion in defining aesthetic value. This study explores the manifestation of Javanese aesthetics in the craft of keris hilts made from Tayuman wood (Bauhinia purpurea), believed to possess spiritual potency (tuah). Beyond its fine texture, rich brown hue, and workable density, Tayuman wood is valued for its mystical energy. The unyeng-unyeng motif that concentric grain patterns formed by dormant branch knots is considered the visual and spiritual core of its aesthetic appeal. Using a qualitative research method with a Javanese aesthetic construction approach, this study applies hermeneutic interpretation and symbolic analysis to reveal the multilayered meanings embedded in the artifact. The analysis identifies both exoteric (technical and visual) and esoteric (spiritual and metaphysical) dimensions that converge harmoniously in the crafting process. The Tayuman wood keris hilt thus emerges not merely as an object of visual beauty, but as a symbolic expression of Javanese cultural identity, linking humans, nature, and the spiritual realm through the unity of art, belief, and tradition.

Wayang Gajah Mada In Visual And Performing Arts: Research-Based Innovation of Javanese Puppetry and its Reception in the Academic and Artistic Environments Rudy Wiratama; Sindung Tjahyadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.68

Wayang Gajah Mada (WGM), named after its main character and also the initiator university, was one of a few Javanese puppetry which used historical chronicles as its repertoire.This genre of wayang was designed from 2017 and has been performed several times both inside and outside the Universitas Gadjah Mada with various formats, from pakeliran multimedia to a conventional pakeliran semalam (all-night performance). Aside of its particular repertoires that depicted the biography of Mahapatih Gajah Mada, the team of Universitas Gadjah Mada also designed a special figures for the performances, which formed a new kind of puppet genre. The challenge began when it came publicly through many occasions, such as FGDs, national seminar, and the performances themselves. As a new puppet genre, both in visual and performance terms, the WGM have to proof its relevancy and significance to both of the academic and artistic societies, so it could guarantee its own sustainability for a long time. This article aims to answer: (a) what is the main concept of WGM both in visual and performative context, and also (b) how was the reception of both academic and artistic environments concerning the creation of this new puppet. Using the interview and observation methods, this article finds that WGM having a “Nusantara” concept both in visual and performative ways, and it received a good receptions from both academic and artistic environment which used the puppets in their performances. But despite of these positive reviews, it needs to struggle for its continuity in the future.

Keterkaitan Multiple Intelligences dengan Kreativitas Pengalaman Seni Fadhilaturrahmi, Fadhilaturrahmi; Tjahyadi, Sindung; Pamadhi, Hadjar
INVENSI Vol 9, No 1 (2024): Juni 2024
Publisher : Graduate School of the Indonesia Institute of the Arts Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/invensi.v9i1.8533

Seni bukan sekadar produk atau objek, lebih dari itu seni ialah hasil dari bentuk kreatif pada pengalaman penciptaannya. Pencipta seni mengolaborasikan berbagai kapabilitas manusia dalam tahap-tahap penciptaan, seperti kecerdasan, perasaan, dan kreativitas. Keterkaitan antara kreativitas pengalaman seni dan kecerdasan majemuk disingkap pada analisis riset terhadap sebuah komunitas seni di Universitas Gadjah Mada Yogyakarta. Tari, musik, fotografi, teater, lukis, dan videografi menjadi fokus bidang seni pada penelitian berbasis kuantitatif korelatif ini. Hasil akhir menunjukkan bahwa kecerdasan verbal-linguistik, kecerdasan eksistensial, kecerdasan badani-kinestetik, dan kecerdasan interpersonal dengan kreativitas pengalaman seni memiliki hubungan signifikan dengan level sedang. Kecerdasan natural, kecerdasan intrapersonal, dan kecerdasan visual-spasial dengan kreativitas pengalaman seni memiliki hubungan signifikan dengan level lemah. Kecerdasan logika-matematika, dan kecerdasan musikal dengan kreativitas pengalaman seni memiliki hubungan yang sangat lemah. Interrelation of Multiple Intelligences and Creativity of Art Experiences ABSTRACT Art is not just a product or an object; more than that, art is the result of a creative form in the experience of its creation. Art creators collaborate various human capabilities in the creation process, such as intelligence, feelings, and creativity. The relationship between creative artistic experiences and multiple intelligences is revealed in a research analysis of an art community at Gadjah Mada University, Yogyakarta. Dance, music, photography, theatre, painting, and videography are the focus of the arts in this correlative quantitative-based research. The final results show that verbal-linguistic intelligence, existential intelligence, bodily-kinesthetic intelligence, and interpersonal intelligence with artistic experience creativity have a significant relationship at a moderate level. Natural intelligence, intrapersonal intelligence, and visual-spatial intelligence with artistic experience creativity have a significant relationship at a weak level. Logical-mathematical intelligence and musical intelligence have a very weak relationship with artistic experience and creativity.

Navigating the Democratic Crisis: Indonesia’s Journey Through Political Ethics, Law, and Social Change Silalahi, Artha Debora; Rizal Mustansyir; Sindung Tjahyadi; Siti Murtiningsih
Sapientia Humana: Jurnal Sosial Humaniora Vol 4 No 02 (2024)
Publisher : Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/jsh.v4i02.8547

This article explores the crisis narrative surrounding the erosion of democracy in Indonesia, with a particular emphasis on political and ethical responsibilities. It examines the prevailing consensus on the consequences, factors, and conceptualization of democracy, especially concerning political trust and ethical governance. The discussion underscores how democracy evolves by deconstructing and reshaping societal structures, drawing on Kantian philosophy and the core pillars of democratic society. The paper highlights the inherent flaws in democratic principles, demonstrating how these imperfections permit varying degrees of freedom within societal practices. It advocates for the value of cultivating a culture of open, public discourse aboutcollective societal objectives. However, it also points out that the actual practice of lawmaking, implementation, and enforcement often deviates from its doctrinal ideals, particularly when the law’s purported impartiality contrasts with its impact on marginalized communities. These inconsistencies are examined as outcomes of the exercise of political power, illustrating that the law is shaped by political morality and legitimacy rather than being wholly independent. Furthermore, the article delves into the decline of democracy by engaging in dialogue about the process of its deterioration, rather than simply questioning the reasons behind it. This study also explores democracy and philosophy both in theory and practice, framing law as a reflective inquiry into the democratic process. Ultimately, it advocates for the political concepts of democracy to be subjected to scientific analysis and validation.

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