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All Journal MUDRA Jurnal Seni Budaya Panggung Journal of Education Technology Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Social, Humanities, and Educational Studies (SHEs): Conference Series Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences JOURNAL SCIENTIFIC OF MANDALIKA (JSM) These proceedings represent the work of researchers participating in The International Conference on Elementary Education (ICEE) which is being hosted by the Elementary Education Study Programme School of Postgraduate Studies, Universitas Pendidikan Frasa: English Education and Literature Journal ICONESTH Panggung
Deny Tri Ardianto
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Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Dentistry Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Mathematics Neuroscience Nursing Public Health Social Sciences Other

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Penguatan Seni Budaya Kontemporer Dadak Reog Pereng Melalui Pemaknaan, Energi, dan Spiritualisme Agus Purwantoro; Viola Dinda Dwi Hapsari; Rahmanu Widayat; Deny Tri Ardianto; Arsya Aurasalwa
Journal Scientific of Mandalika (JSM) e-ISSN 2745-5955 | p-ISSN 2809-0543 Vol. 6 No. 12 (2025)
Publisher : Institut Penelitian dan Pengembangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/10.36312/vol6iss12pp4369-4376

Abstract

The traditional Reog Ponorogo art from East Java has long been adopted and preserved in Pereng Village, Mojogedang, Karanganyar, home to several active Reog communities. The “KW” (imitation) Dadak Reog performance, now integral to the village’s cultural identity, requires transformation to align with local culture and strengthen its contemporary identity. This study explores the meaning, energy, and spiritualism of Reog Pereng and community-based revitalization strategies using an ecoart approach. Employing a participatory qualitative ethnographic method, data were collected through interviews, observations, and field documentation. Findings reveal that Reog Pereng holds deep spiritual dimensions through rituals, offerings, and symbolic performances, while fostering social solidarity and cross-generational regeneration. Key challenges include limited funding and organizational structures, yet opportunities for revitalization emerge through artistic innovation, contemporary collaborations, and branding Pereng as a Creative Village.
DECODING FEAR: SEMIOTIC INTERPRETATION OF CHILD IMAGERY IN INDONESIAN HORROR FILM POSTERS Anggraheni, Dini; Teguh Widodo, Sahid; Wijaya, Mahendra; Tri Ardianto, Deny
FRASA: ENGLISH EDUCATION AND LITERATURE JOURNAL Vol. 7 No. 1 (2026): Vol7 No.1 March 2026
Publisher : Universitas Duta Bangsa Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47701/frasa.v7i1.5577

Abstract

This study examines the representation of anxiety through child imagery in Indonesian horror film posters, employing Roland Barthes’ semiotic framework. The depiction of children as protagonists in horror movie posters creates a complex interaction between innocence and terror, utilizing visual clues to elicit emotions and capture viewers' attention. The objective of this study is to analyze how children's visual representations evoke sensations of fear and anxiety by interpreting their denotative and connotative meanings. A qualitative content study was conducted on ten meticulously selected Indonesian horror movie posters, spanning from Danur (2017) to Taghut (2024). The study concentrates on visual elements, including lighting, color palettes, body posture, face expressions, and symbolic objects, to uncover the fundamental cultural and psychological significances. The results indicate that child imagery serves as a powerful semiotic tool that embodies socio-cultural anxieties around family, morality, and social norms, while simultaneously amplifying terror through the contrast of vulnerability with supernatural or perilous elements. This research demonstrates the use of Barthes' semiotic theory in interpreting complex visual texts and enhances our comprehension of horror aesthetics within Indonesian cinema. The study offers significant insights for scholars examining media semiotics, visual culture, and film studies, particularly those interested in the dynamics of terror representation in cinematic marketing.
Co-Authors Ady Salim Tantono Agus Purwantoro Albert Christianus Amelia Tania Tanumihardja Andre Mustofa Meihan Arif Ranu Wicaksono Arsya Aurasalwa Aulia Fitri Istiana Bahtiar Afwan Beby Kezia Bedjo Riyanto bobby hartanto Brian Nathaniel Lesiangi Claudya Ika Saputri Dian Purnamasari Dini Anggraheni, Dini Dwi Anom Kusumo Emka Satya Putra Erandaru Erandaru Erandaru Srisanto Erandaru Srisanto Erandaru Srisanto Fanny Yuwono Fransiska Angelina Fransiska Angelina Fransiska Angelina Grace Octaviani Budihargono I Gede Septian Adi Saputra Ika Andayani Wijaya Jefry Yosua Siswanto Jessica Jessica Jessica Laurentia Saksono Jesslyn Budianto Leni Diana Leni Diana Leonardus Dewabrata Mahendra Wijaya Maria Cayadi Mohammad Aziz Budiman Morris Tradana Novita Dewi Satriawan Nunuk Suryani Pambudi, Bima Philipus Nicolaus Karamoy Rahmanu Widayat RahmanuWidayat Rike Irnanda Utomo Roemintoyo , Roemintoyo Sariyatun Sariyatun Sayid Mataram Seiki Decuellar Silvia Andriani Sri Yamtinah Stephanie Tandya Steven Mulyono Stevie Kristiadi Setiadarma Surya Parulian Halim Teguh Widodo, Sahid Triana Rejekiningsih dkk Tristanto Winner Umaro, Mada Victor Vicitra Njoto Viola Dinda Dwi Hapsari Zuefa Choirunnisa