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All Journal Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Acintya GETER : Jurnal Seni Drama, Tari dan Musik Clef: Jurnal Musik dan Pendidikan Musik Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Jurnal Kajian Seni PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan Jurnal Mebang Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Bondan Aji Manggala
Institut Seni Indonesia Surakarta
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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TAMAR JAYA'S ACTIVISM IN STRENGTHENING AND PRESERVING ENREKANG MUSIC CULTURE IN SOUTH SULAWESI Ilham Ilham; Bondan Aji Manggala; Teti Darlenis
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

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Abstract

This article explores the contributions of Tamar Jaya as an art activist committed to advocating for the preservation of traditional music in Enrekang, a region characterized by its remoteness and lack of external support. This study applies a qualitative methodology, utilizing a character study framework based on Abdul Mustakim. It incorporates a historical lens and individual life narratives to explore his life journey, intellectual contributions, original concepts, and the socio-historical backdrop that influenced his activism. The findings indicate that Tamar Jaya's decisions are shaped by an intellectual wisdom acquired after higher education, which fosters a critical viewpoint on the stagnation within the arts ecosystem in South Sulawesi. This perspective particularly highlights the deficiencies in life skills among artists and the fluctuating political commitment from the local government. His activism unfolded in two strategic phases: an initial decade-long grassroots initiative (Gerakan Akar Rumput) aimed at revitalizing communal traditions, followed by a shift towards embodying a cultural survivor through the adoption of a hybrid Artist-Farmer model, characterized by a nuanced approach to political engagement. This study can be used to describe the Tamar Jaya activism movement as a model of cultural-political management, which aims to maintain and disseminate the existence of marginalized arts and culture by optimizing management skills, networks, and funding literacy.
PENGEMBANGAN VISUAL DRAMA TARI PANJI PADA VIDEO KLIP MUSIK METAL KELOMPOK DJIWOASTRA Bondan Aji Manggala; Kiswanto Kiswanto
Abdi Seni Vol. 14 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i2.4984

Abstract

Kegiatan pengembangan visual Drama Tari Panji bertujuan untuk merealisasikan konsep dan gagasan visual dalam pertunjukan musik (konser) kelompok Djiwoastra pada karya lagu terakhir yang berjudul “Panji”. Keterlibatan penulis dalam proyek ini adalah sebagai salah satu produser video klip musik, serta  berperan menjadi fasilitator gagasan visual Drama Tari Panji untuk pertunjukan musik kelompok Djiwoastra. Kegiatan dilakukan melalui metode partisipatoris yang berfokus pada upaya penemuan model pendekatan proses dan hasil (produk) kekaryaan seni pertunjukan yang berbasis pada internalisasi keberagaman pengalaman, selera, gaya, dan kompetensi dari para personil dan pendukung karya. Pengembangan visual Drama Tari Panji diharapkan dapat merepresentasikan musik metal Nusantara yang berwujud dalam simbol-simbol visual. Hasil dari kegiatan kekaryaan ini dapat membentuk pengalaman kreatif bagi penguatan ketrampilan kelompok Djiwoastra yang dapat dimanfaatkan lebih lanjut untuk mengatasi permasalahan dan tantangan kreativitas dalam pengembangan visual video klip pertunjukan musik metal Nusantara yang memperpadukan antara estetika Timur dan Barat.
Pengaruh Karawitan terhadap Aspek Sosial-Emosial Anak pada Sanggar Marsudi Kagunan Sragen Anggi Danuarta; Bondan Aji Manggala
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 6 No. 2 (2026): JUNI:ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/enggang.v6i2.26607

Abstract

This article explains and analyzes the influence of Karawitan music on the social–emotional development of children who are members of Marsudi Kagunan Cultural Center, in Sragen and examines the role of the studio in preserving local traditions. The study employs a qualitative method, using interviews and participant observation as the primary data sources. The analysis adopts Alan P. Merriam’s theory of the functions of music, which emphasizes the social, emotional, and communicative roles of music. The findings reveal that active participation in Karawitan positively affects children, particularly by enhancing self-confidence, social skills, emotional regulation, and the development of responsibility and independence. Engagement in traditional activities such as wayang kulit, nyadran, and kenduren also strengthens cultural identity and fosters pride in local heritage. Despite challenges, including declining interest among younger generations and public criticism, Marsudi Kagunan Cultural Center functions as a center for character formation and identity development that supports children’s personal and social growth. This study confirms that traditional arts have significant potential as tools for education, empowerment, and social cohesion, positioning the studio as a model for safeguarding cultural heritage amid modernization.
Co-Authors Agus Budiyanto Aliansyah, Muhamad Rizky Nur Anggi Danuarta Aris Setiawan Arya Adha Prananda Arya Pradipta, Dana Adi Christ Haryanta Person Darlenis, Teti Denis Setiaji dwisepta, dimas El Java, Joi Fatima, Sephia Putri Ilham Ilham Kapri, Riana Kiswanto Kiswanto Mangunsong, Melani Eklesia Muhamad Rizky Nur Aliansyah Nickelo Indira Nurhadi, Muhamad Person, Christ Haryanta Sasongko, Mohammad Brian Sri Kuncoro, Jonet Syahrul Erffanzudh Wahyu Purnomo Wardana, Sapto Wrahatnala, Bondet Yuda Yedidyah Simamora