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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Segara Widya: Jurnal Penelitian Seni Texture : Art and Culture Journal Besaung : Jurnal Seni Desain dan Budaya Viswa Design : Journal of Design Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Amarasi : Jurnal Desain Komunikasi Visual Abdi Widya: Jurnal Pengabdian Masyarakat Jurnal: International Journal of Engineering and Computer Science Applications (IJECSA) Kartala Visual Studies Global Art Creativity Conference Jurnal Studi Seni Visual dan Desain: Les-Guet's
Alit Kumala Dewi
Institut Seni Indonesia Bali
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Komparasi Representasi Identitas Visual Kemaritiman Kota Palembang dan Kota Makassar Yosef Yulius; Alit Kumala Dewi; I Wayan Mudra; Erwan Suryanegara; Arini Chelsea Putri; Faftah Talulah Wardoyo
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7524

Abstract

This study examines the representation of maritime visual identity in the cities of Palembang and Makassar. The study is motivated by the gap between Palembang’s strong historical maritime legacy rooted in the Sriwijaya civilization and the relatively weak representation of maritime identity in the public sphere, while Makassar demonstrates a more consistent maritime identity through the use of the Pinisi symbol. To understand this difference, the study compares visual characteristics, the relationship between symbols and maritime identity, and the consistency of symbolic reproduction in both cities. This study aims to analyze the visual representation of maritime identity in Palembang and Makassar and to identify differences in the strength of the visual identities formed. A comparative qualitative approach was employed. Data were collected through visual observation, documentation, and literature review, and were analyzed through the identification and classification of visual elements, interpretation of meaning, and comparison between the two cities. The findings reveal that the visual representation of Sriwijaya in Palembang remains fragmented, lacks a dominant visual symbol, and has not yet developed into a consistent visual identity system. In contrast, the Pinisi symbol in Makassar is continuously reproduced across various visual media, forming a maritime identity that is more dominant, consistent, and easily recognizable. This study concludes that the strength of maritime visual identity is determined not only by historical and cultural heritage but also by the presence of distinctive symbols and the consistency of their visual reproduction in building collective recognition in the public sphere
Co-Authors Anak Agung Gde Bagus Udayana Anak Agung Ngurah Gyan Satria Daiva Arik Putra Wedhana Arini Chelsea Putri BAYU SEGARA PUTRA, GEDE Dewa Agus Mahardikayana Didit Widiatmoko Eldiana Tri Narulita Erwan Suryanegara Faftah Talulah Wardoyo Fajar Persada Supandi Gabriel Rico Adhitya Gusti Ayu Nyoman Santhi Kumari Pusya Dewi Hanindharputri, Made Arini Hasbullah Hasbullah I Gede Agus Indram bayu Artha I Gusti Bagus Ngurah Rama Adiputra I Made Dandy Baskara Wijakusuma I Made Mardawa Pradnya Ananda I Made Pranava Ishvara Deva I Nyoman Artayasa I Wayan Adyana I Wayan Mudra, I Wayan I Wayan Nuriarta I Wayan Setem I Wayan Swandi I Wayan Swandi Ida Ayu Dwita Krisna Ari Ida Bagus Ketut Trinawindu Lakhsmi Shinta Devi Ni Kadek Larasanti Kencanadewi Ni Luh Desi In Diana Sari, Ni Luh Desi In Ni Nyoman Sri Witari Prabawa, Widi Putu Yuna Adinata Rai Remawa, Anak Agung Gede Yosef Yulius