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All Journal Gorga : Jurnal Seni Rupa Jurnal Imajinasi SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Batoboh : Jurnal Pengabdian Pada Masyarakat Indonesian Journal of Visual Art and Design Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Abdimas Mahakam Besaung : Jurnal Seni Desain dan Budaya Abdimas Galuh: Jurnal Pengabdian Kepada Masyarakat Jurnal SASAK : Desain Visual dan Komunikasi Lumbung Inovasi: Jurnal Pengabdian Kepada Masyarakat AKM: Aksi Kepada Masyarakat VisArt: Jurnal Seni Rupa dan Design
Husni Mubarat, Husni
Universitas Indo Global Mandiri
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Nursing Public Health Social Sciences Other

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Journal : Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni

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TELAAH NIRMANA SEBAGAI PROSES KREATIF DALAM DINAMIKA ESTETIKA VISUAL MUBARAT, HUSNI; ILHAQ, MUHSIN
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 23, No 1 (2021): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1155.619 KB) | DOI: 10.26887/ekspresi.v23i1.397

Abstract

TAbstrakNirmana sebagai ilmu dasar pokok dalam seni rupa dan desain, sesungguhnya memiliki peranan penting dalam mewujudkan karya-karya seni rupa dan desain yang bernilai estetik, karena di dalamnya mencakup unsur-unsur titik, garis, bidang, warna, tekstur dengan prinsip-prinsip pengorganisasiannya adalah keseimbangan, kesatuan, kesederhanaan, kekontrasan dan keselarasan. Akan tetapi tidak sedikit yang memahami nirmana sebagai dasar yang konstruktif dalam mengolah elemen-elemen visual sebagai bagian dari proses kreatif dan imajinatif serta bernilai estetik. Penelitian ini bertujuan untuk memberi sudut pandang ilmu nirmana sebagai sesuatu yang konstruktif sebagai dasar seni rupa dan desain. Penelitian ini menggunakan metodologi penelitian kualitatif yang bersifat penelitian terapan. Adpun landasan teori yang digunakan adalah teori formalisme, yakni suatu kajian yang fokus terhadap bentuk dan struktur seni secara objektif. Landasan teori juga didukung dengan teori-teoti esetika dan nirmana. Adapun capaian hasil penelitian ini mengungkapkan bahwa eksistensi nirmana sebagai bagian dari proses kreatif, imajinatif dan esetetik merupakan dasar yang sangat konstruktif dalam melahirkan karya-karya seni rupa dan desain baik dalam bentuk dua dimensi maupun tiga dimensi. AbstractNirmana, as a basic science in fine arts and design, actually has an important role in realizing works of art and design that have aesthetic value because it includes elements of points, lines, planes, colors, textures with the principles of organization being balance, unity, simplicity, contrast and harmony. However, not a few understand nirmana as a constructive basis in processing visual elements as part of the creative and imaginative process and aesthetic value. This study aims to provide a perspective on nirmana science as something constructive as the basis for art and design. This study uses a qualitative research methodology that is applied research. The theoretical basis used is the theory of formalism, which is a study that focuses on the form and structure of art objectively. Aesthetic and nirmana theories also support the theoretical foundation. The results of this study reveal that the existence of nirmana as part of the creative, imaginative, and aesthetic process is a very constructive basis in producing works of art and design both in two-dimensional and three-dimensional forms.
Cultural Expression of Aesthetic in Laker Paintings of Sanggar Ganesha in Palembang Mubarat, Husni; Suharto, Suharto; Pebriyani, Nyoman Dewi
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4437

Abstract

Social, economic, and demographic changes in Palembang, such as artists' migration to Yogyakarta and shifting community preferences towards Laker paintings, have impacted the sustainability of the aesthetic of Laker paintings at Sanggar Ganesha in Palembang. This research aims to examine the aesthetic elements of Laker paintings and how these elements reflect local wisdom and reveal symbolic meanings embedded in Laker paintings at Sanggar Ganesha, Palembang. The research method employed is qualitative descriptive. Data collection involved direct observation of Laker paintings, in-depth interviews with artists and key informants at Sanggar Ganesha, and literature review from relevant sources. Data analysis utilized intra-aesthetic analysis techniques to examine visual elements and painting techniques, and extra-aesthetic analysis to explore social, cultural, and philosophical aspects within Palembang's Laker paintings. Findings reveal that Laker paintings at Sanggar Ganesha, Palembang, exhibit unique aesthetic richness reflected through the use of traditional mediums such as Lak varnish, gold leaf, and Chinese ink. These mediums not only provide distinctive visual dimensions but also preserve the authenticity of Laker painting techniques. Elements like monochromatic golden hues, black color usage to highlight crucial details, and the smooth texture derived from Lak varnish application enrich both visual and symbolic dimensions of the paintings. Additionally, Laker paintings at Sanggar Ganesha depict cultural symbols and traditional Palembang values such as the Masjid Agunge, Ampera Jembatan, Rumah Rakit, and the atmosphere of the Sungai Musi, all reflected in visual representations.
Co-Authors Adelia, Amanda Adevia Nurhawa Adipura, Agustinur Ainunnisa, Amalia Aji Windu Viatra Al Hafids, Abdul Raihan Amin, Yusuf ansyah, Aldi Burhanudin, Yasser Prajanata Chanaldy, Rendi Sueztra Damayanti, Alfina Effendi, Ade Kartika Fahrezi, Zikri Ahmad faiz, M.Faiz Ghozi Fajri, Ahmad Istiqlal Fitri, Farisah Adani Ghaly, Ahmad Halim, Bobby harka, gilang Hidayatullah, Hafiz Ilhaq, Muhsin Ilhaq, Mukhsin Iswandi, Heri Khoiriyah, moh yogie pratama Kurniawan, Herdy lail, Muhammad Idris Lesi Hertati, Lesi M, Stiawan Maharani Maharani, Maharani Muhamad Samsu Ali Aji Mukhsin Patriansyah Nugraha, M. Ihsan Nur Muhammad Pambudi, Diaz Rilo Patriansah, Mukhsin Pebriyani, Nyoman Dewi Pransiska, Vira Purnamasari, Evi Raihan Al-Hafids, Abdul Riansyah, Raden Okta Riski Ridwan, Kgs Ahmad Salsabila, Ainun Salsabilah Soha, Fadhilah Mutiara Saputra, Leksi Suharto Suharto Syafitri, Nurul Atifah Viatra, Aji Windu Windu Viatra, Aji Wirawan, Novriansyah Yanto, Desri Yulius, Yosef Yuniarti Wulandari, Yuniarti Zihni, Alfinur