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ANALISIS POLA RITME TUMBAO PADA PERMAINAN CONGA DALAM LAGU NECESITAS TU margana, rangga; Saryanto; Srimoko, Gandung Joko; Retnowati, Tjut Etty
Jurnal Penelitian Musik Vol 3 No 1 (2022): Maret 2022
Publisher : Program Studi Pendidikan Musik

The purpose of this study is to describe the results of the Analysis TumbaoRhythm PatternonConga in Necesitas Tu. The research method used is qualitative with a descriptive approach. This research was carried out from October 2020 to June 2021. The results of the study can be concluded that the most popular Basic of Latin Cuban is the tumbao pattern. The tumbao pattern is the basic pattern for playing conga in salsa music. In the song Necesitas Tu there are two types of variations of the tumbao pattern, namely: variation I and variation II. It can be concluded that the song Necesitas Tu by Blue Mambo has 9 (nine) parts, namely: intro, main theme, development section, interlude, solo, intro, main theme, development section, and coda. The section that has more than one variation of the tumbao rhythm pattern is the development section. Overall there are 4 (four) techniques used in the tumbao pattern such as heel, fingertip/toe, slap, and open tone. The implication of the results of this study is to explore conga instruments that are of interest in developing percussion skills. Music education institutions are to provide adequate facilities so that students are more active in exploring conga instruments, so that students are motivated to improve their abilities or skills in processing Latin percussion instruments as well as Indonesian ethnic percussion.

Pembuatan Es Kul-Kul: Inovasi Enterpreneur Dalam Mengolah Buah-Buahan Beragam Menjadi Produk Menarik Mulyono, Rahmat; Saryanto; Purbanuswanto, Welius; Triyono, Sidig; Wibisono, Thoriq Ajie
Buletin Pengabdian Multidisiplin Vol. 2 No. 1 (2024): Buletin Pengabdian Multidisiplin Mei 2024
Publisher : Piramida Akademi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62385/budimul.v2i1.109

Tujuan - Inovasi enterpreneur telah menjadi kunci keberhasilan dalam berbagai bidang, termasuk dalam industri kreatif dan bisnis. Salah satu peluang bisnis yang menjanjikan adalah pembuatan es kul kul menggunakan beragam buah-buahan. Konsep ini muncul sebagai respons terhadap peningkatan permintaan akan produk unik dan kreatif dalam industri buah-buahan. Dalam penelitian ini, kami mengidentifikasi potensi pasar yang signifikan untuk es krim dari buah- buahan, terutama di kalangan penggemar buah-buahan. Metode - Kami mengumpulkan data melalui survei target pasar yang tertarik pada produk inovatif. Kami mempelajari proses produksi es kul kul. Kami mengembangkan es kul kul yang menarik, serta mencari cara untuk memastikan kualitas produk yang baik dan tahan lama. Hasil - Hasil penelitian kami menunjukkan tingginya minat konsumen terhadap es kul kul pada buah-buahan beragam. Peluang bisnis ini memungkinkan para pengusaha untuk memasuki pasar yang menjanjikan dengan memanfaatkan bahan yang mudah didapatkan dan biaya produksi yang relatif rendah.

ENKULTURASI: POLA PEWARISAN KESENIAN TARAWANGSA DI DESA WISATA RANCAKALONG Desandra; Saryanto; Supriadi, Didin
Jurnal Penelitian Musik Vol 1 No 1 (2020): Maret 2020
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (429.416 KB)

To maintain the Tarawangsa Art, real effort and appreciation must be made by the community, especially the younger generation, the government and also schools to inherit and preserve Tarawangsa Art so that this art will not become extinct and remain a cultural identity of Indonesia. One effort that can be done is through the regeneration of Tarawangsa Artists towards the young generation. The younger generation has a very important role in the preservation of Tarawangsa Art. The type of research method used in this study is qualitative ethnographic approach. Data collection was carried out using observations, in-depth interviews, literature studies and documentation. In the process of analyzing the data obtained there are several stages including data reduction, data presentation, and inference (verification). The results of research and data analysis in this study concluded that the process of inheritance of tarawangsa artistry carried out by Mr. Pupung applied a learning by doing approach, meaning that they learned the material provided through direct practical activities. In addition, there are 6 stages of learning in the process of inheritance carried out by Mr. Pupung, namely juntrung, ngararaba, nyoba-nyoba, mitemeyan, ngaderes, and hatam. The process of inheritance carried out by Mr. Pupung is by seeing and hearing, not using number notation.

ORGANOLOGI ALAT MUSIK HANDPAN BUATAN DANIV VERYANA DITINJAU DARI PROSES PEMBUATAN.docx Aryo Maulana Agsha Sahkanto, Dimas; Supriadi, Didin; Saryanto
Jurnal Penelitian Musik Vol 5 No 2 (2024): August 2024
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.52.03

This research aims to describe the organology of handpan musical instruments made by Daniv Veryana in terms of the manufacturing process. This research focuses on Organology as seen from its physical classification, namely, the first criteria of raw materials / basic materials. Second, the shape and size. Third instrument, parts. Fourth, the manufacturing process. Fifth, the tuning or tuning process. This research uses qualitative methods and descriptive type. Researchers in this case made observations through a video of the manufacturing process sent directly by the resource person Daniv Veryana, in order to open the Handpan manufacturing process, as well as through literature studies and utilization studies in order to obtain optimal data by making a complete application and eliminating the findings. The results obtained are showing the process of making an accepted handpan musical instrument: Steel plate is intact, according to size, ring clamp, making the main dome, forming molds for dimpel / mortar and molding ding, hardening steel, tuning or tuning process. then the tools used in the process of making handpanit: hammer, large, hammer, medium, hammer, small all wrapped in plastic and rubber, drums, rings, ding molds, dimpel / dimple molds, ear muffs, steel scissors, tongs, stoves roses, 3kg gas, and canned welding gas. The material consists of steel containing 1mm and steel glue

THE ORGANOLOGY OF GRAND ANGKLUNG INSTRUMENT IN PADASUKA BANDUNG Sella, Sella Nurlela; Saryanto; Joko Srimoko, Gandung
Jurnal Penelitian Musik Vol 4 No 1 (2023): March 2023
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.41.04

The research method used is determine the organology of Grand Angklung musical instrument in Padasuka, Bandung. Organology which includes physical aspects, namely the basic materials of instruments, shapes, dimensions of construction, methods of manufacture and non-physical aspects, namely functions in music, history, and its distribution. The object of this research is the Grand Angklung musical instrument in Padasuka, Bandung. The research method used is descriptive qualitative research method. The results of this study describe 1) organology which includes physical aspects, (a) the basic materials of the instrument using bamboo and iron, (b) the shape of the long angklung grand instrument with a range of notes like a piano, (c) the size of the grand angklung construction has a length of approx. 3.30 meters with a height of 90 cm, (d) how to make it using electric welding to assemble the frame. 2) organology which includes non-physical aspects, (a) the function of music to accompany a song by having a wider range of tones than other instruments, (b) history before the creation of this instrument, namely the hanging angklung which had problems playing certain songs and the shape of the grand angklung is inspired by YouTube, (c) the spread of this instrument by performing external or internal performances and the studio where it is made is well known to foreign countries. Grand angklung is an innovation in creative angklung creations.

MANAJEMEN EKSTRAKURIKULER COLSTRA (COLLABORATION OF MODERN MUSIC AND TRADITIONAL) DI MAN 4 JAKARTA Puput Prabowo, Yosep Celltha; Herdiati, Dian; Saryanto
Jurnal Penelitian Musik Vol 4 No 1 (2023): March 2023
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.41.06

The purpose of this research is to find out and describe the management of COLSTRA (Modern Music and Traditional Collaboration) extracurricular at Madrasah Aliyah Negeri 4 Jakarta. This research method uses descriptive qualitative. Collecting data by interview, literature study, and documentation. This research was conducted from September 2022 to December 2022 at MAN 4 Jakarta. Data validation uses triangulation techniques. The results indicate that the COLSTRA extracurricular has managed well by paying attention to management functions including planning, organizing, actuating, and controling. Planning carried out by COLSTRA extracurricular includes recruiting members and trainers, planning extracurricular organizational structures, making activity plans that contain work programs, submitting inventories, and designing extracurricular budget costs, and scheduling training in a structured manner. Organizing carried out by the COLSTRA extracurricular is to distribute tasks to divisions in the organizational structure according to authority and responsibility. Basic leadership training is also carried out so that new members and new management can practice their leadership attitudes. COLSTRA extracurricular implementation conforms to plans that have been prepared. Actuating is carried out by utilizing existing facilities and infrastructure and budget costs that have been planned. Controling is carried out by the COLSTRA extracurricular, namely the extracurricular coordinator monitors the sustainability of the extracurricular and conducts training evaluations, organizational evaluations, and final evaluations for extracurricular members. Supervision of extracurricular activities is carried out by looking at COLSTRA's achievements and participation in various activities. Controlling and evaluation activities are carried out so that the extracurricular continues to develop well.

Transmission of Hadroh Kuntulan Banyuwangi Art through Community-Based Art Education Arini, Sri Hermawati Dwi; Supriadi, Didin; Turnip, Yehezkiel Petrus; Srimoko, Gandung Joko; Saryanto; Tarwiyah, Tuti
Mudra Jurnal Seni Budaya Vol 40 No 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i1.2859

This research explores cultural strategies through education, specifically focusing on Community-Based Art Education (CBAE) in Banyuwangi. In order to achieve the stated objective, a qualitative descriptive method was adopted to examine the Kuntulan art form, particularly Hadroh Kuntulan. The art form consisted of playing Hadroh music accompanied by sholawat singing and pencak silat movements that have evolved into dance. This investigation was conducted in Banje Hamlet, Bubuk Village, Rogodjampi District, Banyuwangi Regency, East Java, at Islamic Junior High School 8 & Art Studio Gholet Dhulur. The location was selected primarily due to the presence of the Using tribe, which, unlike more well-known groups such as the Baduy and Sasak tribes, remains relatively unknown. Typically, cultural transmission through Community-Based Art Education (CBAE) is facilitated by integrating educational institutions. Within the context of the present exploration, this studio played a central role. In Indonesia, art education is usually incorporated into a school's intracurricular and extracurricular curriculum. These institutions typically form school-age music groups comprising students from various schools. Within this construct, schools and social institutions function as program planners, students as learners, and the broader community as a source of cultural knowledge. The results obtained from this study show that the integration of cultural arts into the school curriculum through partnerships with social institutions plays a crucial role in preserving cultural heritage. It also emphasized that the resilience of these cultural traditions is sustained through the active support and inclusiveness of the community.

ENKULTURASI: POLA PEWARISAN KESENIAN TARAWANGSA DI DESA WISATA RANCAKALONG Desandra; Saryanto; Supriadi, Didin
Jurnal Penelitian Musik Vol 1 No 1 (2020): Maret 2020
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar

To maintain the Tarawangsa Art, real effort and appreciation must be made by the community, especially the younger generation, the government and also schools to inherit and preserve Tarawangsa Art so that this art will not become extinct and remain a cultural identity of Indonesia. One effort that can be done is through the regeneration of Tarawangsa Artists towards the young generation. The younger generation has a very important role in the preservation of Tarawangsa Art. The type of research method used in this study is qualitative ethnographic approach. Data collection was carried out using observations, in-depth interviews, literature studies and documentation. In the process of analyzing the data obtained there are several stages including data reduction, data presentation, and inference (verification). The results of research and data analysis in this study concluded that the process of inheritance of tarawangsa artistry carried out by Mr. Pupung applied a learning by doing approach, meaning that they learned the material provided through direct practical activities. In addition, there are 6 stages of learning in the process of inheritance carried out by Mr. Pupung, namely juntrung, ngararaba, nyoba-nyoba, mitemeyan, ngaderes, and hatam. The process of inheritance carried out by Mr. Pupung is by seeing and hearing, not using number notation.

ORGANOLOGI ALAT MUSIK HANDPAN BUATAN DANIV VERYANA DITINJAU DARI PROSES PEMBUATAN Dimas, Dimas Aryo Maulana Agsha Sahkanto; Supriadi, Didin; Saryanto
Jurnal Penelitian Musik Vol 1 No 2 (2020): Agustus 2020
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar

This research aims to describe the organology of handpan musical instruments made by Daniv Veryana in terms of the manufacturing process. This research focuses on Organology as seen from its physical classification, namely, the first criteria of raw materials / basic materials. Second, the shape and size. Third instrument, parts. Fourth, the manufacturing process. Fifth, the tuning or tuning process. This research uses qualitative methods and descriptive type. Researchers in this case made observations through a video of the manufacturing process sent directly by the resource person Daniv Veryana, in order to open the Handpan manufacturing process, as well as through literature studies and utilization studies in order to obtain optimal data by making a complete application and eliminating the findings. The results obtained are showing the process of making an accepted handpan musical instrument: Steel plate is intact, according to size, ring clamp, making the main dome, forming molds for dimpel / mortar and molding ding, hardening steel, tuning or tuning process. then the tools used in the process of making handpanit: hammer, large, hammer, medium, hammer, small all wrapped in plastic and rubber, drums, rings, ding molds, dimpel / dimple molds, ear muffs, steel scissors, tongs, stoves roses, 3kg gas, and canned welding gas. The material consists of steel containing 1mm and steel glue.

ORGANOLOGI ALAT MUSIK HANDPAN BUATAN DANIV VERYANA DITINJAU DARI PROSES PEMBUATAN.docx Aryo Maulana Agsha Sahkanto, Dimas; Supriadi, Didin; Saryanto
Jurnal Penelitian Musik Vol 5 No 2 (2024): August 2024
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.52.03

This research aims to describe the organology of handpan musical instruments made by Daniv Veryana in terms of the manufacturing process. This research focuses on Organology as seen from its physical classification, namely, the first criteria of raw materials / basic materials. Second, the shape and size. Third instrument, parts. Fourth, the manufacturing process. Fifth, the tuning or tuning process. This research uses qualitative methods and descriptive type. Researchers in this case made observations through a video of the manufacturing process sent directly by the resource person Daniv Veryana, in order to open the Handpan manufacturing process, as well as through literature studies and utilization studies in order to obtain optimal data by making a complete application and eliminating the findings. The results obtained are showing the process of making an accepted handpan musical instrument: Steel plate is intact, according to size, ring clamp, making the main dome, forming molds for dimpel / mortar and molding ding, hardening steel, tuning or tuning process. then the tools used in the process of making handpanit: hammer, large, hammer, medium, hammer, small all wrapped in plastic and rubber, drums, rings, ding molds, dimpel / dimple molds, ear muffs, steel scissors, tongs, stoves roses, 3kg gas, and canned welding gas. The material consists of steel containing 1mm and steel glue

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