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All Journal Jurnal Lanskap Indonesia Jurnal Kajian Bali Sinergi Indonesian Journal of Disability Studies Jurnal Ruas (Review of Urbanism and Architectural Studies) Journal of Regional and City Planning Jurnal Tataloka ARTEKS : Jurnal Teknik Arsitektur Journal of Islamic Architecture International Humanities and Applied Science Journal Journal of Infrastructure and Facility Asset Management Narada : Jurnal Desain dan Seni Open Access DRIVERset

Widjaja Martokusumo, Widjaja

Institut Teknologi Bandung

Author-ID : 551505

Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Electrical & Electronics Engineering Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Transportation

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THE NOTION OF AUTHENTICITY REVISITED A SEARCH FOR URBAN HERITAGE CONSERVATION APPROACH Widjaja Martokusumo
TATALOKA Vol 13, No 3 (2011): Volume 13 Number 3, August 2011
Publisher : Diponegoro University

During the last five decades urban heritage conservation has evolved significantly as an urban design discipline which is nec-essary for dealing with older urban areas that were once reduced to being the locus of monuments worthy of architectural conservation. Recent international experiences highlight conflicting interests in term of intention and focus, between archaeologist, who focus on monument restoration, and urban designers, who emphasize the need of conserving the spirit of the past. Nonetheless, a new understand-ing about urban heritage was materialized from the latest urban conservation praxis involving archaeologists, urban planners, urban de-signers and architects. The new insight about urban heritage has brought new approaches to urban conservation during recent decades. The latest of these approaches aim at the creation of enjoyable urban experiences that have a historical identity, rather at the simple re-tention of authentic urban history. In fact, urban heritage conservation is not simply a matter of preserving and creating harmonious constellation between historic fabrics and new infill developments, but rather a continuing project in shaping the environment. Based on several observations, this paper discusses that historic fabrics contribute considerably in place making, in enriching the quality of a place and offer opportunities for cultural appreciation. Thus, creating a sense of place is more than to the exact restoration of urban details. It also argues the importance of the making of interesting and liveable urban quarters that guarantee social, cultural and environmental sustainability.

SOUNDCSAPE AND THE UNDERSTANDING OF HISTORIC DISTRICTS IN BANDUNG Widjaja Martokusumo; Heru W Poerbo; Joko Sarwono; Anugrah S. Sudarsono; Ni Putu Amanda Nitidara; Michael Isnaeni Djimantoro; Amanda Arifiana; Feysa A. Poetry
TATALOKA Vol 21, No 2 (2019): Volume 21 No. 2, May 2019
Publisher : Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/tataloka.21.2.371-380

According to UNESCO Convention 1972, cultural heritage consists of tangible and intangible heritage. Soundscape has been considered as a part of the intangible heritage, and it refers to the perceptual quality. In the realm of built environment, perceptual qualities become important concerns, since cultural heritage cannot be described and appreciated using mono-sensorial analysis fundamentally based on vision. As perceptual construct, soundscape has been considered as a new approach in understanding the formation and design of sensitive urban environment. It is argued that perceptual quality, besides visual aesthetics, geographic, psychological and socio-cultural aspects, must be part of the considerations in architecture and urban design. Bandung is well-known for its urban heritage, and as former well-designed colonial town, the historic buildings and areas have morphologically constituted the structure of the inner city. However, the modernization and globalization have led to inevitable transformations, including the destruction of historic places and fabric/district of cultural significance. With the latest urban dynamics, urban environment has also experienced an inescapable process of “sound globalization”, which led to the losing of specific sound-marks in the respective area. This paper is based upon an ongoing research project on strategy for conservation of historic urban areas using soundscape approach. Methodologically, through sound walks, surveys and interviews, several notions relating to urban spatial and formal quality have been collected, assessed and interpreted. The result stands for the understanding of perceptual aspects and quality of urban space in historic urban areas that may contribute to the heritage conservation strategy.

DEVELOPMENT OF VISUAL QUALITY EVALUATIVE ASSESSMENT METHOD IN CAMPUS LANDSCAPE Firmansyah Firmansyah; Iwan Sudradjat; Widjaja Martokusumo; Budi Faisal
TATALOKA Vol 19, No 4 (2017): Volume 19 Number 4, November 2017
Publisher : Diponegoro University

The design of campus landscape is expected to reflect the institution values, provide the character and the spirit of place to campus environment. It is highly influenced by visual experience and impression of campus environment. There are two methods in landscape visual quality assessment: descriptive assessment method and evaluative assessment method. Both assessment methods cannot be done simultaneously, but as a sequence phase. Descriptive assessment method should be done first to obtain a reference for evaluative assessment method. Landscape visual quality evaluative assessment method is used to measure the level of public assessment about visual quality and visual response. Information Processing Theory is used to develop the visual quality evaluative assessment method and to obtain unified integration between descriptive assessment and evaluative assessment. The development of evaluative assessment method includes the process of comparing, averaging, or determine the ranking of each environmental hue or landscape areas in campus, based on the public or college user community preferences.

INTERIORITY OF PUBLIC SPACE IN THE DEAF EXHIBITION CENTER IN BEKASI Rachmita Maun Harahap; Imam Santosa; Deddy Wahjudi; Widjaja Martokusumo
SINERGI Vol 23, No 3 (2019)
Publisher : Universitas Mercu Buana

The study aims to show the implementation of Deaf Space design guidelines application in the Deaf Exhibition Center building. Even to increase society's understanding of the need for public space access facilities for hearing disabilities. The relation between persons with hearing disabilities and space is the most fundamental thing in creating a space experience (interiority). Interiority is processed prioritizing high visual orientation, and encourages the totality of other sensory experiences based on the philosophy of Deaf Space. In terms of interior design, persons with hearing disabilities have other space needs and are more specific.. Space experience, using the principle of Deaf Space design, namely 1) space and proximity, 2) sensory reach, 3) mobility and proximity, 4) light and color, dan 5) acoustic as a concept of implementation, is one way to create a particular space experience. As a conception of application, is one way to create a particular space experience. Deaf space design guidelines are considered an important aspect in determining design concepts and are influenced by hearing disabilities' behavioral characteristics of interiority (relations between space and humans). Context of hearing disability behavior which includes a series of stages of exploration process and interpretation by subject in it gives birth to an interiority. Interiority is the presence of oneself being able to comfort in this space. Interiority isnot merely a spatial concept, but concept in which disunited spaces can be one uniting body, mind, and space. The interiority in exhibition space toward hearing disability behavior can be implemented in design concept for hearing disability, so hearing disability users or visitors can engage in community interaction conversations and need space called "deaf space". The results of this study contribute to application of the Deaf Space design concept in DEC building toward behavior of hearing disability user, so that they can activity independently and productively.

KAJIAN PENERAPAN DESAIN UNIVERSAL PADA RUANG KULIAH BAGI DISABILITAS PENDENGARAN DI PERGURUAN TINGGI (Studi kasus : Ruang Kuliah Gedung CADL di ITB) Rachmita Maun Harahap; Imam Santosa; Deddy Wahjudi; Widjaja Martokusumo
Narada : Jurnal Desain dan Seni Vol 6, No 1 (2019)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2019.v6.i1.001

Hambatan arsitektural bagi disabilitas pendengaran terhadap desain universal yang diaplikasikan dalam kebutuhan jauh lebih jelas dan biasanya melibatkan informasi. Padahal disabilitas pendengaran memiliki kebutuhan ruang yang bersifat lebih spesifik. Penelitian bertujuan berusaha untuk memperbaiki konsep desain asli dengan membuat perguruan tinggi lebih universal dan mengintegrasikan penerapan desain universal dengan desain Deaf Space di ruang kuliah. Ruang kuliah berfungsi sebagai tempat kegiatan belajar mengajar bagi mahasiswa disabilitas pendengaran dan strategi untuk mengatasinya. Studi kasus di ruang kuliah gedung CADL di ITB, kemudian dilakukan eksperimen simulasi ruang kuliah bagi responden mahasiswa aktif/alumni/drop out disabilitas pendengaran dan informan kunci yang memahami regulasi desain universal. Guna memecahkan masalah tersebut, mendesain sebuah konsepsi desain Deaf Space kemudian dijelaskan penerapan konsep desain universal yang terkait aspek elemen interior. Metode penelitian adalah kualitatif deskriptif dan metode survei dengan teknik wawancara untuk mendapatkan data kebutuhan dari subjek penelitian. Penelitian juga bersifat evaluatif, yaitu menganalisis aspek elemen interior, yaitu area sirkulasi, tata letak furnitur, pencahayaan, warna dan akustik. Hasil penelitian menunjukkan aspe elemen interior tersebut di ruang kuliah belum memenuhi standar desain universal dan desain Deaf Space

Implementation of Universal Design Concept on Lecture Space for Students with Hearing Disabilities Rachmita Maun Harahap; Imam Santosa; Deddy Wahjudi; Widjaja Martokusumo
Indonesian Journal of Disability Studies Vol. 6 No. 2 (2019)
Publisher : The Center for Disability Studies and Services Brawijaya University

Campus building is where students undergo of learning process and perform various activities. In learning process, campus should provide universal design facilities for students all, including students with disabilities. The design of campus is important factor in operation and service of a higher education. Universal design concept on lecture space in CADL ITB building can make it easier of activity for students with hearing disabilities. The purpose of this research is test a universal design strategy for reducing hearing impairment, visual communication barriers and assistive technology strengthen, but universal design concept to hearing disabilities that is much different and usually involves visual signs.This research uses 3 stages of method that is descriptive qualitative, classification analysis, and proposal design solution method. Using the parameters of universal design principles, factors involved in application can be classified to determine the problem of lecture space in CADL ITB as a case study. Then observation of interview result through questionnaire of 60 respondents of students/alumni/drop out of hearing disability in various universities stated that it is still difficult to be accessed in lecture space because there is no universal design facility available. While informants 10 persons academic and not academic people understand and universal design knowledge for disabled except hearing disability. Research results of this study indicate that universal design concept on lecture space in CADL ITB building not optimal, then existing problems will be given a design solution to maximize of universal design concept.

The Other Sensory Approach on Exploring Urban Heritage Landscape. Case Study: Chinese Quarter of Semarang Auliya M Alqadrie; Widjaja Martokusumo
Journal of Infrastructure & Facility Asset Management Vol 3, No 3 (2021): Journal of Infrastructure & Facility Asset Management
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/jifam.v3i3.14130

A new interpretation is needed to give meaning to conservation in the urban development framework and to support a sustainable cultural environment. Based on Québec Declaration (2008) and Burra Charter (2013), intangible dimensions became matter to give a richer and deeper meaning to the cultural heritage area. A shift has been seen in urban theories arguing for attention to the multi-sensory approach. This concept becomes matters as the raising critique towards the domination of visual perception in the built environment's design. The domination of audio-vision starting to reach out by the practitioners and scholars, unlike the other senses such as smell, tended to overlook and misconception. This paper outlines a pilot study's findings addressing holistic person-sensory experience in exploring the role of odor in shaping the cultural heritage area in Pecinan nowadays. It will discuss various scents detected, personal perception, and the link between odor and Pecinan's character. All this data was collected using a smells walk, questionnaire survey, and interview. This research aims to explore the potential interface in preservation conflict between the character of existing historic town and change as smellscape is part of the intangible element and part of triangle components of a sense of place in supporting successful urban place.

Early Chinese Settlements Adaptive Reuse as History and Activity Node at Lasem Living Museum Ardelia J. Cungwin; Widjaja Martokusumo
Journal of Infrastructure & Facility Asset Management Vol 3, No 2 (2021): Journal of Infrastructure & Facility Asset Management
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/jifam.v3i2.13975

The concept of a living museum depicts Lasem – a multi-ethnic city known for its harmonious community – as a small city with diverse heritage nodes spreading across its plateau. However, the first settlements that became the prologue of Lasem’s history and development, are not being appreciated enough as it is now being used for swallow's nest production. Therefore, it is necessary to do a thoughtful conservation effort for the area of the early settlements, as one of the important nodes in Lasem. The reuse of heritage buildings and reactivation of the area into a place of activity that can support economic activities, social needs, and cultural sustainability for the people, will create more sustainable tourism for Lasem as an integrated living museum. Batik Tiga Negeri is Lasem’s distinctive fabric product and intangible heritage with an international reputation. The handmade creation involves endangered heritage: the elderly artists and the traditional Chinese architecture-influenced building which is used as the production house. Merging batik value into the adaptive reuse of early settlement buildings – which is also derived from traditional Chinese housing, will strengthen the most historical node while conserving important heritage elements, adding stronger bonds throughout Lasem as both a living museum and tourism destination.

Notes on Assessment of Cultural Significance of the 18th-Century Old Mosque: A Case Study of the Al-Anwar Angke Mosque Jakarta Atie Ernawati Aziz; Widjaja Martokusumo; Indah Widyastuti; Arif Sarwo Wibowo
Journal of Islamic Architecture Vol 7, No 3 (2023): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v7i3.16931

This paper discusses the assessment process of the cultural significance of the Al-Anwar Angke Mosque in Jakarta. The mosque has been designated as an important cultural heritage, in which architectural, historical, and sociocultural values are explicitly demonstrated. Furthermore, the mosque was also considered a symbol of the diverse community in Batavia. However, the 18th-century mosque has undergone physical (including its details and ornaments) and environmental changes due to sociocultural, economic, and political dynamics. Therefore, continuous monitoring is essential to protect historic buildings, and cultural heritage values should be assessed periodically. The assessment of cultural significance includes aesthetic, historical, scientific, sociocultural, and spiritual criteria. Data collection and analysis are based on observation, interviews, and related literature. Furthermore, some critical notes indicate that assessment must be performed regularly and continuously. Thus, such an assessment is required to understand its values and unique artefacts. However, rather than determine the role of the Angke Mosque within its ever-changing context. As pointed out in the cultural significance assessment process, the article reveals the importance of recording and digitizing knowledge to comprehend the past, present, and future. Moreover, the appreciation might be understood differently due to the current urban dynamic. The assessment of the cultural significance of the Angke Mosque needs to accommodate community participation and a multidisciplinary approach to understanding architectural heritage, driven by the paradigm shift from a physical-based to a value-based system.

Multi-sensori dalam konsepsi tempat pada lingkungan cagar budaya perkotaan Eggi Septianto; Michael Isnaeni Djimantoro; Patricia Pahlevi Noviandri; Firmansyah; Heru Wibowo Poerbo; Widjaja Martokusumo
ARTEKS : Jurnal Teknik Arsitektur Vol 8 No 2 (2023): ARTEKS : Jurnal Teknik Arsitektur | Mei 2023 ~ Agustus 2023
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v8i2.2147

Individuals' multi-sensory experiences play an essential role in understanding a place of cultural significance. Understanding urban area/environment in the conception of a place is not limited to physical aspects alone. This understanding contradicts to the common paradigm in cultural heritage conservation, which is still limited to improving physical quality based on visual senses. This study aims to discuss the role and potential of multi-sensory in understanding the concept of place, which is beneficial to the conservation of urban heritage areas. This study employs the content analysis method with data from library studies and field observations of cultural heritage areas in and around Gedung Sate, Bandung. The results demonstrate that multi-sensory perception plays a pivotal role and has the potential to facilitate the process of reading and understanding its sense of place. This discussion opened a new discourse to integrate non-physical aspects based on subject perceptions in discussions on urban heritage areas.

Co-Authors Agni Malagina, Agni Amanda Arifiana Anugrah S. Sudarsono Ardelia J. Cungwin Arif Sarwo Wibowo Astuti, Erika Yuni Atie Ernawati Auliya M Alqadrie Bambang Setia Budi Bambang Setia Budi Basauli Umar Lubis Binta, Izaza Budi Faisal Deddy Wahjudi Deddy Wahjudi Dini Rosmalia Eggi Septianto Eggi Septianto Faisal, Budi Feysa A. Poetry Firmansyah Firmansyah Firmansyah Firmansyah Firmansyah Heru W Poerbo Heru Wibowo Poerbo I Nyoman Teguh Prasidha Ida Ayu Dyah Maharani, Ida Ayu Dyah Imam Santosa Imam Santosa Imam Santosa Imam Santosa Indah Widyastuti Indradewa, Rhian irwan meilano Joko Sarwono Kobayashi, Hirohide Michael Isnaeni Djimantoro Michael Isnaeni Djimantoro Mohammad Zaini, Dahlan Ni Putu Amanda Nitidara Pamumpuni, Astyka Patricia Pahlevi Noviandri Prabu Wardono Prasidha, I Nyoman Teguh Purwaningrum, Rr Diah Asih Purwaningsih, Rr Diah Asih Purwestri, Nadia Rachmita Maun Harahap Rahmy, Widyastri Atsary Rani, Medria Shekar Shibata, Shozo Sudradjat, Iwan Suryaningsih, Febriyanti Yulia Eka Putrie

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