Claim Missing Document
Check
Articles

Found 22 Documents
Search

Eksistensi Tarian Kuda Lumping pada Masyarakat Sunda Berdasarkan Dimensi Tri Tangtu: Sebuah Kajian Hermeneutik Penti Aprianti; Bartolomeus Samho; Rudi Setiawan; Oscar Yasunari
Sapientia Humana: Jurnal Sosial Humaniora Vol 3 No 01 (2023): Vol 3 No 01 (2023)
Publisher : Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/jsh.v3i01.6764

Abstract

Kuda Lumping or ébég is a typical Sundanese traditional dance that requires the presence of spontaneity when it is played. In it, the elements of profane from the dance and the elements of sacred from its rituals are combined as a medium for the manifestation of the spiritual to the material. It is said that spiritual power is present in the human world through this spontaneity. This is why trance often occurs in the riders of Kuda Lumping as a medium for the presence of spiritual power. The Sundanese people with the Tri Tangtu philosophy believe that mediation through Kuda Lumping is a way for the community to communicate with Sang Hyang or Batara Tunggal. In this paper, the exploration of cultural hermeneutic studies on the Kuda Lumping dance will be discussed based on the dimensions of Tri Tangtu.
Pemikiran Kuki Shuzo Mengenai Konsep Iki dan Relevansinya Pada Estetika Modern Yutaro Yoshikoshi; Bartolomeus Samho
Sapientia Humana: Jurnal Sosial Humaniora Vol 4 No 01 (2024): Vol 4 No 01 (2024)
Publisher : Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/jsh.v4i01.7880

Abstract

This article intends to explore the concept of iki aesthetics and investigate its relevance to modern aesthetics. The method used in this article is qualitative, a literature study that specifically focuses on using the thoughts of the philosopher Kuki Shuzo in the book The Structure of Iki. The results show that iki consists of bitai, ikiji, and akirame and that iki is also still relevant for modern aesthetics. In conclusion, iki evokes a certain kind of sensibility through the tension that emerges through dualistic relationships. And this unique form of sensibility proves to still be very relevant in modern aesthetics. This is proven by the fact that Japanese aesthetics are also in demand by people outside of Japan and that there are still various inquiries into modern aesthetics whilst takin into account the role of iki.