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All Journal Harmonia: Journal of Research and Education MUDRA Jurnal Seni Budaya International Journal of Interreligious and Intercultural Studies Randwick International of Social Science Journal Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni E-Amal: Jurnal Pengabdian Kepada Masyarakat
I Made Ruta
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Social Sciences

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Farmer Activities In Mekar Jaya Village As An Idea In The Creation Of Painting Raharja, I Gusti Nyoman; Karja, I Wayan; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3371

Abstract

This Independent project study report raises the theme of farmer activities as an idea for creating paintings. Starting from personal experience who was born and raised in a farming family. By combining certain techniques, materials and references to achieve the desired goals and meaning. The problem faced is how to translate the visuals of farmers' activities into painting to support ideas so that the work looks attractive. The aims and benefits are to provide a reflection of farmers who carry out activities in the fields. To answer what is the aim of this work, the creation method involves exploration, experimentation, preparation and formation. By compiling elements of fine art through the stages of exploration, experimentation, preparation, and formation stages and combining them with ideas, 6 works were created entitled "Plowing Rice Fields, Numbeg, Nyemai Padi, Nyabut Bulih, Planting Rice, and Harvesting." In realizing the work the author will use technical references from other artists. By combining melting techniques, wet techniques and combining contour lines. It is hoped that it can produce quality work and become the identity of creation.
Anatomy Of The Human Body As an Expression Of Painting Creation Putra, Kadek Win Mahesa; Ruta, I Made; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3372

Abstract

In this Independent Project MBKM TA report, the author raises the title “Anatomy Of The Human Body As an Expression Of Painting Creation” which originated from the author’s daily activities when looking in the mirror in front of glass cabinet of the room which finally sparked the author’s idea to create works of painting. The problem is how to visualize the anatomical form of the human body in each work. In realizingit, the author uses methods and techniques obtained during the MBKM process. The purpose and benefits are to develop the author’s creativity in expressing expressive and semi-realist forms in the process of creating works. As well as using a method of creation that includes several stages, namely, contemplation, exploration, improvisation, realization/formation. From this process  the author produced six works entitled : 1) “Walking”, 2) “Behind”, 3) “Grasping”, 4) “Leaning”, 5) “Hearing”, 6) “ Trail II”. It can be concluded that the author created the work based on his interest in the anatomical form of the human body, with ideas that come from the author’s daily experience through direct observation and digital media sources. In the realization stage, the author combines techniques from the results of MBKM and teaching obtained on campus, to be realized in the form of two dimensional works. From all processes, the author tries to get characteristics in painting.
Nias Tribe Tradition as an Ideas in Creating Painting Telaumbanua, Calvin Galileo; Ruta, I Made; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3645

Abstract

The Maena dance, a cultural heritage from the Nias tribe on Nias Island, North Sumatra, Indonesia, is a traditional dance full of meaning and cultural values. This dance displays strong and dynamic movements, with dancers wearing traditional Nias clothing. Accompanying music, such as gondang, taganing, and tifa, creates a rhythm that strengthens the expression of the dance. The Maena dance depicts the strength, enthusiasm and unity of the Nias people. In this dance, vigorous war movements, high jumps symbolize courage, and expressive hand and eye movements express a variety of emotions. This dance is also used in various traditional ceremonies, cultural celebrations, and important moments in the lives of the Nias people. The Maena dance, as a source of creative ideas, inspires us to dig deeper into the cultural values and spirit of courage contained in this dance. Combining elements of Maena dance with modern art or developing new dances could provide a unique creative platform, celebrating Nias' cultural heritage while presenting a message of strength, unity and courage to today's generation.
Eksplorasi Visual Cerita Rakyat Palembang “Legenda Pulau Kemaro” Dalam Karya Seni Digital Simatupang, Putri Gracia; Budiaprilliana, Luh; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.4252

Abstract

The report on the creation of the work entitled "Visual Exploration of Palembang Folklore, Legend of Kemaro Island" in Digital Art Works aims to introduce Palembang folklore so that it can be known by the wider community and encourage people to love the culture of their respective regions more. The process of creating digital works uses the Hawkins method, which includes exploration, experimentation and formation, and is equipped with a presentation method to display the results of the work. In the process of creating works, fine art elements such as points, lines, planes, shapes, spaces, colors, textures and light and darkness are applied and combined to create interesting visuals. This work is realized through non-proportional anatomical objects in the shape of children with fat and cute faces, inspired by the shape of bakpau. The choice of this shape provides visual uniqueness and an attractive impression. The results of the creation of this work are 16 (sixteen) digital works that visualize Palembang folklore, the Legend of Kemaro Island. These works were then presented as an interactive art installation with the title "A Story." Through this work, it is hoped that Palembang folklore can be better known and appreciated by the wider community, as well as encouraging a love of local culture. Thus, this work contributes to the preservation and introduction of regional culture to a wider generation, emphasizes telling stories that are rich in cultural values, and provides new experiences for art lovers.
Tension-Pleasure and Education Values of the Meta-Figurative of Indonesian Contemporary Paintings Adnyana, I Wayan Kun; Totton, Mary Louise; Remawa, Anak Agung Gede Rai; Muka, I Ketut; Ruta, I Made; Wirakesuma, I Nengah; Kondra, I Wayan; Suardana, I Wayan; Sugita, I Ketut Adi
Harmonia: Journal of Arts Research and Education Vol 23, No 1 (2023): June 2023
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v23i1.41296

Abstract

Meta-figurative is a physical aesthetic discourse that reaches beyond the physical beauty of ideal bodies (skeletal construction, muscles, and skins). The interpretation approaches used new criticism, according to Culler (2001), that goal to identify what the works repress or illuminate by concealing and portraying society and social attitudes. Meta-figurative encompasses exploration pertaining to the interchangeable position and condition between tensions and pleasures of bodies in the social space. Fifteen Indonesian contemporary artists are: Mangu Putra, Entang Wiharso, Chusin Setiadikara, Agus Suwage, FX Harsono, Ivan Sagito, Heri Dono, Ronald Manulang, Nyoman Masriadi, Nyoman Erawan, Putu Sutawijaya, Laksmi Sitaresmi, Made Djirna, Ugo Untoro, and Bob Sick Yuditha have been conducting creative efforts and questioning about matters of the bodies’ position in the public space, conducting current interpretation through personal artistic and aesthetical language. There are five representation tendencies of meta-figurative paintings thematically, artistic images, and visual meanings: marginalized bodies, fictionalized bodies, bodies of expression, autobiographical bodies, and beyond famous portraits. Indonesian contemporary artists have made figurative subjects in their paintings to make statements, self-reflections, and moral voices of their country’s socio-political conditions, which are educational values of Indonesian Contemporary Paintings in social meaning. Poverty, corruption, and anti-democracy practices still part of Indonesian daily realities are area protests for contemporary artists.
PELATIHAN MANAJEMEN SENI PADA SANGGAR CITRA KARA DI DESA BATUAN, KECAMATAN SUKAWATI, BALI Suardana, I Wayan; Ruastiti, Ni Made; Ruta, I Made; Suryantari, Eka Putri; Prasiasa, Dewa Putu Oka; Muka, I Ketut; Ardika, I Gusti Ngurah Putu
E-Amal: Jurnal Pengabdian Kepada Masyarakat Vol 4 No 3: September-Desember 2024
Publisher : LP2M STP Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47492/eamal.v4i3.3575

Abstract

Arts management training at the Citra Kara aims to increase the practical benefits of crafts activities. Dominant kriyawan are skilled at leather crafts. However, quite a few kriyawan from the Cita Kara admit that their craft works could be more helpful. The problems : 1) What is the form of arts management training?; 2) How does arts management training impact?. The training uses R&D methods. The results : 1) training in selecting commodity materials, training in the production of commodities, technical assistance in the production of commodities, technical assistance in the coloring of commodities, training in the marketing of commodities, training in digital marketing and assistance in the digitalization of marketing of commodities; 2) there is an increase in artists' skills in producing new types of craft art commodities & there is an increase in artists' interest in marketing leather inlaid art commodities in new ways.
Dilematik Sampah di Era Sekarang Dalam Penciptaan Karya Seni Lukis Niken, Ni Wayan; Ruta, I Made; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4458

Abstract

Work creation report entitled “Waste Dilemma in The Current Era in The Creation of Works of Art”. This idea arose from personal anxiety that every day we found rubbish everywhere. This problem gave rise to a strong urge to present visualizations of various forms of waste, especially plastic waste, in painting. The aim of using waste in this research is to provide an overview of what waste looks like if it is left for too long and accumulates. The method for creating works goes through three stages, namely, direct observation in the field, exploration, and embodiment in a painting. The work will later display realist techniques with a combination of paste as texture such as plastic, dried acrylic paint and scraps of used cardboard. As well as new findings on the texture of wood dust (saw residue). The trash objects are arranged in such a way with splashes or melted accents on each side of the object to attract attention. The game of value (level of brightness or darkness) also plays a very important role in giving dimension and depth to a work of art. The author to realize how trash objects can look very dirty and disgusting. Messy or careless placement makes waste even more unsightly. This aims to make everyone aware of how dangerous an dirty waste is if left to pile up for years on earth.
Symbolic Values in Mandala Painting by I Dewa Nyoman Batuan I Made Ruta; I Ketut Suda; I Gusti Bagus Wirawan
International Journal of Interreligious and Intercultural Studies Vol. 8 No. 1 (2025): International Journal of Interreligious and Intercultural Studies
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Bali is well known for its art and culture, both nationally and internationally. Therefore, it is not surprising that in Bali, art and culture have developed very rapidly, including painting. In the 1930s, a new Balinese painting emerged whose subject matter was people in everyday life. For example, ritual activities in temples, rice harvesting scenes, traditional festival processions, crowded market scenes, and animal life became the central themes of Balinese painters' artworks. However, the issue of art, especially painting in Bali, is not widely studied academically by artists, especially by naturalist artists. In fact, the main painting by I Dewa Nyoman Batuan contains many symbolic values, both religious symbols and cultural symbols, especially Hindu religion and culture. The problem is why paintings by I Dewa Nyoman Batuan are said to contain high symbolic value? Then how is the visualization of symbolic values in the works of I Dewa Nyoman Batuan, and what are the implications for social, cultural, religious life, and for the life of art itself. This research uses a qualitative approach with qualitative-interpretative analysis techniques. Data collection techniques were carried out by observation, in-depth interviews, and document studies. The results obtained, namely there are several factors that cause mandala painting art by I Dewa Nyoman Batuan to be said to contain high simbolic value, such as philosophical factors, ideological factors, theological factors, and the use of symbols in religious and cultural life. Then the forms of visualization of symbolic values in the painting by I Dewa Nyoman Batuan are visualization in the form of the puppet world, flora and fauna, and visualization in the form of a round mandala. The content of these symbolic values has implications for social life, culture, religion, and the life of art itself. Interesting findings obtained in this study are factually this study found that the mandala painting art by I Dewa Nyoman Batuan has advantages, namely the content of symbolic values, in its presentation there is an integration pattern between internal factors called taksu with environmental factors. This can be seen from the genes passed down by his grandfather I Dewa Nyoman Batuan, who was also a painter, and then supported by the environment where Pengosekan Village is a center for painting crafts that shape the personality of I Dewa Nyoman Batuan as a painter with character. Meanwhile, the theoretical findings affirm aesthetic theory, semiotic theory, and value theory in the sense that the three theories also seem to apply in this research location
DEATH AND REINCARNATION AS INSPIRATION OF CREATION FINE ARTWORK Kariana, I Nengah; Wirakesuma, I Nengah; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4499

Abstract

This report contains a description of the creation of works of art that take the theme "Death and Reincarnation as Ideas in the Creation of Works of Art" which was inspired when reading a book that made the author interested in raising the theme of death in this semester IV independent project, namely the book "History of Death" from Michael Kerrigan. It reminded the author of the confusion of finding a concept and finally it was recommended to use a concept that was close, so the author raised death because there is nothing closer to death. The goal to be achieved in the creation of this work is to find out how death and reincarnation are packaged in religious sciences, cultures that exist in Indonesia, especially Bali through creativity and imagination into the form of paintings using various techniques, media, considering the elements and principles of fine art. From the written work and paintings produced, the author hopes that this work will be useful as literacy and a source of inspiration for society in the future. From the above theme, there are 5 (five) works that can be realized from death and reincarnation that can provide an overview of culture and religious science about death and reincarnation, especially in Bali.
TARI MERAK ANGELO SUMBER INSPIRASI PENCIPTAAN KARYA SENI LUKIS Ardiana, I Komang; Ruta, I Made; Putra, I Gusti Ngurah
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.718

Abstract

Tari Merak Angelo merupakan salah satu seni tari kreasi baru yang termasuk ke dalam jenis tari Balih-balihan yakni tari yang berfungsi sebagai tari hiburan. Tari ini diciptakan oleh I Ketut Rena, S.ST, M.Si pada tahun 2008, memiliki gerak tari yang dinamis, mengisahkan tentang gerak-gerik seekor merak jantan dalam musim kawin yang menari serta meliuk-liukan keindahan bulu ekornya untuk menarik perhatian betina. Ketertarikan penulis pada tari ini muncul setelah menonton pementasanya, sehingga muncul pengalaman estetis penulis pribadi terhadap pementasan tarian ini dan menginspirasi untuk memvisualkannya dalam karya seni lukis. Metode penelitian kualitatif digunakan dalam pengamatan dilapangan untuk mengetahui informasi tentang Tari Merak Angelo. Untuk melandasi ide karya lukis, digunakan teori estetika A.A.M Djelantik. Berdasarkan hasil pengamatan, proses eksplorasi, dan eksperime perwujudan kaya senilukis yang berjudul (1) Ngagem Ngegol, (2) Ngelo, (3) Terbang, (4) Mengibaskan Ekor, (5) Memadu Kasih, (6) Ceria. Melalui karya seni ini diharapkan dapat bermanfaat bagi pengamat karya seni, pencinta karya seni sehingga karya seni lukis yang penulis ciptakan dapat menginspirasi masyarakat luas.
Co-Authors Adi Udyana, I Made Ardiana, I Komang Ardika, I Gusti Ngurah Putu BUDIAPRILLIANA, LUH Dewa Putu Oka Prasiasa Drs. I Wayan Mudana,M.Si. . Eka Putri Suryantari Gede Yoga Kharisma Pradana Gede Yosef Tjokropramono I Dewa Made Darmawan I Gusti Bagus Wirawan I Gusti Ngurah Putra I Ketut Adi Sugita I Ketut Muka I Ketut Suda I Komang Arba Wirawan I Made Saryana I Nengah Wirakesuma, I Nengah I Wayan Adnyana I Wayan Gunawan, I Wayan I Wayan Suardana I Wayan Sujana Jodog , I Made Kariana, I Nengah Kondra, I Wayan Made Rai Budaya Bumiarta Mochammad Iqbal Ni Made Purnami Utami Ni Made Ruastiti Niken, Ni Wayan Paul Trinidad Putra, I Gusti Putu Ngurah Cahyana Ady Putra, I Made Adi Sumarjaya Putra, Kadek Win Mahesa Raharja, I Gusti Nyoman Remawa, Anak Agung Gede Rai Saputri, Deta Anggara Wahyu Simatupang, Putri Gracia Sujayanthi, Ni Wayan Masyuni Telaumbanua, Calvin Galileo Tjokorda Udiana Nindhia Pemayun Pemayun, Tjokorda Udiana Nindhia Pemayun Totton, Mary Louise Wayan Karja