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All Journal Randwick International of Social Science Journal Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Ni Made Purnami Utami
Program Studi Seni Murni, Institut Seni Indonesia Denpasar
Arts Humanities Social Sciences

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The Rwa Bhineda Painting Principles: The Art of I Dewa Nyoman Batuan I Made Ruta; Ni Wayan Masyuni Sujayanthi; Ni Made Purnami Utami; I Made Saryana; Gede Yoga Kharisma Pradana
Randwick International of Social Science Journal Vol. 4 No. 1 (2023): RISS Journal, January
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i1.591

Abstract

Rwa Bhineda are two distinct characteristics that exist in this life. The goal of this article is to reveal the principle of rwa bhineda in I Dewa Nyoman Batuan's mandala paintings. The mandala paintings by I Nyoman Batuan are very distinctive and have inspired many other artists' paintings. However, there has been no study that discusses the principle of rwa bhineda, which makes mandala paintings by I Dewa Nyoman Batuan look distinctive. This article discusses the principle of rwa bhineda in a painting by I Dewa Nyoman Batuan and the meaning of rwa bhineda in a mandala painting by I Dewa Nyoman Batuan. This study uses a qualitative method. The data sources for this study were mandala paintings by I Dewa Nyoman Batuan himself, mandala painters, cultural observers, and people observing mandala paintings selected based on purposive sampling and snowball techniques. All data obtained through observation, interviews, and literature studies were analyzed qualitatively and interpretatively using aesthetic theory and deconstruction theory. The results of the research show that the principle of rwa bhineda in the mandala painting by I Dewa Nyoman Batuan is made in the form of a circle, which is beautified by the duality motif. The principle of rwa bhineda in mandala paintings by I Dewa Nyoman Batuan has an aesthetic meaning, a cultural meaning, and a counter-destruction meaning.
AIR SUMBER IMAJINASI DALAM PENCIPTAAN KARYA SENI LUKIS Made Purnami Utami; I Made Ruta; Luh Budiaprilliana
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 2 (2022): Prosiding Bali Dwipantara Waskita: Seminar Nasionar Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Bentuk air secara citra visual dan karakter air yang melekat dari spirit dan sifat fisiknya dapat menjadikan alasan sebagai ide penciptaan karya seni lukis, memungkinkan dieksplorasi untuk dihadirkan kembali guna menciptakan bentuk-bentuk imajinatif dengan karakteristik yang dimilikinya sebagai penyampaian gagasan atau kegelisahan terhadap suatu peristiwa yang dialami manusia. Imajinasi bentuk dan karakter air tidak sekedar sebagai unsur alam semata, juga menjadi objek untuk mewakili persoalan dalam kehidupan, yang membuat penulis tertarik untuk mengangkat Air Sumber Imajinasi sebagai subjek matter dalam penciptaan karya seni lukis. Permasalahan dalam proses penciptaan yaitu: (1) Bagaimana bentuk dan karakter air sebagai sumber imajinasi dalam penciptaan karya seni lukis? (2) Bagaimana mewujudkan bentuk dan karakter air menjadi karya seni lukis. Metode yang digunakan: ide (gagasan), Kontemplasi (memilih objek), Stimulasi (mewujudkan gagasan), Eksplorasi (penjajagan lapangan), Eksperimen (percobaan), Proses Berkaya (pengolahan ide), Peciptaan Karya Seni. Seluruh bentuk hasil karya disajikan dalam karya seni lukis abstrak yang diciptakan di atas kain kanvas dengan media bahan Cat Pouring Acrylik dan cat acrylik dalam proses penciptaan seni lukis. Perwujudan karya yang dihasilkan memiliki nilai-nilai pembaruan (Teknik).
KEHIDUPAN LAUT SEBAGAI TEMA WORKSHOP PEMBUATAN SOUVENIR DAUR ULANG BAGI SISWA SMA NEGERI 2 ABIANSEMAL Budiaprilliana, Luh; Utami, Ni Made Purnami; Karuni, Ni Kadek
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 3 (2023): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Isu tentang Bali krisis sampah plastik menjadi kekhawatiran bagi kita semua. Hampir seluruh masyarakat turut serta berupaya untuk ikut andil dalam penanggulangannya. Salah satunya dengan melakukan pengelolaan sampah berupa daur ulang yang merupakan salah satu bagian dari konsep 3R (Reduce, Reuse, Recycle) dalam pengelolaan sampah. Daur ulang terhadap sampah domestik yang dihasilkan ini juga menjadi program dari SMA Negeri 2 Abiansemal dan menjadi salah satu fokus program yang dimotori oleh OSIS SMA Negeri 2 Abiansemal. Atas urgensi untuk realisasi program tersebut maka SMA Negeri 2 Abiansemal bekerjasama dengan tim pengabdian untuk mengadakan workshop daur ulang sampah menjadi produk souvenir yang memiliki nilai seni bagi siswa – siswi di sekolah tersebut. Tema Kehidupan Laut dalam workshop pembuatan souvenir daur ulang ini dimaksudkan sebagai pemantik bagi siswa – siswi agar lebih menumbuhkan kepedulian terhadap ekosistem kehidupan di laut dan kelestarian laut. Metode yang digunakan dalam pelaksanaan workshop ini adalah menggunakan metode eksploratif learning by doing dan demonstratif. Hasil workshop disampaikan dengan deskriptif kualitatif. Workshop pembuatan souvenir daur ulang ini tidak hanya menjawab kebutuhan SMA Negeri 2 Abiansemal untuk merealisasikan program pengelolaan sampah domestiknya, namun juga meningkatkan keterampilan siswa dalam bidang seni rupa dengan dapat mewujudkan produk souvenir bernilai seni. Kehidupan laut yang menjadi tema workshop membuat siswa lebih tertarik untuk mengeksplorasi bentuk biota laut seperti ikan, kerang, terumbu karang, dsb. Mereka menyadari bahwa menjaga lingkungan sekitar juga merupakan kontribusi untuk menjaga kelestarian laut. Dampak lain dari program ini adalah terwujudnya inisiasi pembentukan Klub Recycle di SMA Negeri 2 Abiansemal.
Zodiak Sebagai Ekspresi Dalam Penciptaan Karya Seni Lukis Kristina, Renata Ayu; Setem, I Wayan; Purnami Utami, Ni Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1541

Abstract

This thesis raises the theme of "Zodiac as Expression in the Creation of Paintings" from an observation of various types of behavior, characters, and characteristics of the zodiac. This gives rise to the urge to bring the expressions of the zodiac cancer, pisces, and scorpio into abstract style paintings. In the embodiment of the work, the style used is a combination of naturalism and abstractionism, which are the characteristics of Mr. Made Budhiana's painting as a partner in the independent study program of the Merdeka Learning Campus Merdeka. With the aim and benefit of providing an understanding of the zodiacal character of the water element, the author expresses ideas that are processed using qualitative methods, equipped with interview guidelines, reduction and presentation of data that can be used as ideas in creating a painting. Ideas or ideas cannot be separated from observations and interactions with surrounding conditions and personal experiences so that the author can express the feelings of the zodiac character with the water element in the painting. The idea obtained also comes from astrological records that have been studied since time immemorial, namely the Ancient Greek tradition that is spread on social media. So it can be concluded that this painting with the theme of the water element zodiac can be used as a reference to understand a person's character, especially the Cancer, Pisces, and Scorpio zodiacs in everyday life
Gerak Tubuh Wanita Sebagai Sumber Inspirasi Penciptaan Seni Lukis Jati Putra, Komang Guntur; Karja, I Wayan; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1842

Abstract

This independent study TA thesis raised the theme of women's body movements as a source of inspiration for the creation of painting, starting from an idea about the illustration of women's body movements which always have its own meaning in each of its beautiful forms. From this, it gives rise to the urge to present a visualization of female body movements by combining certain techniques and references to achieve the desired goals and meanings. The problem faced is how to visually process women's body movements to represent ideas so that the embodiment of the work looks attractive. The purpose and benefits are to provide a new reflection and elevate the existence of women's body movements which are full of use in various lessons for everyone. To answer what is the purpose of this work, the method of creation uses exploration, improvisation, and formation. By arranging elements of art, and going through the exploration, improvisation, and formation stages, as well as combining them with ideas and ideas, 6 works were created entitled: 1) "lonely", 2) "Doesn't care", 3) "Ballet dancers", 4) Fire dance”, 5) “tired”, 6) “Lie down” In the embodiment of the work, the author will use some technical references from other artists. By combining impressionist techniques and expressionist techniques using tile paint, acrylic in the visualization of beautiful works of art, and combined with the response of a brush that resembles cloth as in the catalog of painter Ida Bagus Indra to represent a movement, it is expected to produce quality works and become author's identity.
Motif Etnik (Lampung dan Bali) Pada Tas Kanvas Untuk Kaula Muda Apriliani, Sari; Utami, Ni Made Purnami; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2334

Abstract

Adding surface designs or paintings to merchandise is one way to increase the value of goods, the value in question is aesthetics and selling price. Agung Bali Collection as the writing partner in the MBKM Entrepreneurial activity, provided knowledge about the massage canting technique which can be used as an additional technique in making surface designs.HOLD ME is a form of Start-Up business that the author created himself, this business is engaged in fashion and art, with canvas bags and endek patchwork as its main products. Endek canvas and patchwork are the main raw materials for making products because the materials are strong and environmentally friendly, as well as the use of endek patchwork in the Agung Bali Collection as a form of preserving traditional culture and patchwork waste processing makes goods have high selling power. Until now, HOLD ME has produced six models of bag products and is planning to expand its business. The product that has been produced is a canvas cloth bag that is collaborated with endek patchwork and has a surface design with a brush technique and massage canting with the use of glitter which can make the bag product unique, beautiful and also special so that consumers do not only enjoy the product through visual beauty but also can be enjoyed from the functional aspect or usability of the product.
Memaknai Kain Poleng Sebagai Inspirasi Penciptaan Karya Seni Lukis Putra, I Kadek Sangging Adi Apreliana; Utami, Ni Made Purnami; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2336

Abstract

The author's interest stems from the visual uniqueness of Poleng cloth which influenced the writer in adopting Poleng cloth as a painting. So it occurred to the author's desire to create a painting with the concept of Poleng Cloth as an inspiration for the creation of a painting that could represent the theme raised. The problem faced is how to visualize Poleng cloth to represent ideas, phenomena, meanings and techniques presented in creating works of art. The method of creation is a way of creating works of art systematically. In realizing this creation, the methods used are: the stages of exploration (exploration), imprivisation (experimentation), and forming (formation), which are supported by elements of fine art so that 6 works are created entitled: 1) "contemplation", 2 ) "Thennow", 3) "Related", 4) "Alignment", 5) "Heritage", 6) "Poleng establishes togetherness". In creating works, the author applies several artist references related to technique, color, composition, and tools, so that they can be developed to produce works with the development of several techniques with polleng cloth objects, it is expected to produce the author's identity in painting works. From this creation, the authors develop ideas creatively to become works that have aesthetic value and are meaningful. And with the creation of this work, the meaning and phenomenon presented by the author in the creation of the work can be conveyed.
ISI Denpasar Fine Arts Study Program MBKM 2023 Artwork Exhibition Display at Living World Denpasar Ivana, Jessica; Mustika, I Ketut; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2864

Abstract

Display is a system of arranging objects in a room which aims to display or show off these items. Display in the exhibition space is an important element that needs to be implemented to create an exhibition space that is comfortable for viewing works of art. This becomes a challenge for the exhibiton designer/gallerist to design the best possible exhibition space. The design of the artwork display will affect the visuals and atmosphere of the displayed artwork. In designing exhibition space displays, various concepts, approaches to methods of presenting works can be used. It is this variation of display design that will determine how visitors can perceive the meaning of exhibitions and works of art. Displays that are well designed will increase aesthetic value, value and can highlight the uniqueness of the work of art.
The Meaning of Wayang Wong Ramayana at Taman Pule Temple, Mas Village As An Inspiration for Painting Suartana, I Made; Gulendra, I Wayan; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2992

Abstract

This independent study TA thesis raises the theme of the Meaning of Wayang Wong Ramayana at Taman Pule Mas Village temple as a source of painting creation. Departing from an illustration idea of Wayang Wong Ramayana and the procession carried out by the local community has a very deep meaning both from the Wayang Wong itself and at the time. ritual procession is performed. From this it sparked the author's desire to raise the meaning of Wayang Wong by combining certain techniques and references to achieve the desired meaning. The problem faced is how to visualize the meaning and techniques used in the embodiment of the work so that it looks attractive. The purpose and benefits of this creation are that first, in general, the author wants to embody the meaning of Wayang Wong Ramayana at Taman Pule Mas Village temple into painting, and to be able to embody the meaning or values of Wayang Wong in a symbolic form that reflects the identity of the author.To answer what is the goal in creating this work, the method used by the author in realizing this method is by exploring, improvising, forming, and finalizing the process and combining it with ideas to create 6 works. In realizing the author's work using several references related to techniques from the works of other artists, it is then processed according to the needs of the author to support the meaning to be conveyed and can produce quality work and become the identity of the author.
Penyesuaian Diri Dan Komunikasi Interpersonal Pendatang Baru Sebagai Ide Penciptaan Seni Lukis Digital Saraswati, Intan; Utami, Ni Made Purnami; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3301

Abstract

The purpose of this writing is to describe the visualization process which includes: concepts, themes, techniques and forms of painting works with the title Self-Adjustment and Interpersonal Communication for Newcomers as Ideas for Creating Digital Painting Art. The methods used in creating digital painting works of art are exploration, experimentation and execution. Exploration in creating digital works of art includes research, theme exploration and model exploration, namely combining themes and concepts and determining the poses of female figures by means of observation. The experimental method was carried out to discover new things such as the use of effects in the Adobe Photoshop application and to apply ideas and notions to the creation of digital works of art by applying filters to the photo images that will be used, then continuing with experiments on combining the drawn figures. with photo images that have been edited in the Adobe Photoshop application. The execution stage is carried out by moving the sketch to a new layer. After the discussion and creative process, it can be concluded: 1.) The concept in creating digital painting works of art is to express thoughts and feelings into digital works of art by using female figures as the main objects as symbols of feelings that have meaning regarding each event that occurs. experienced by the author related to the phenomenon of adapting to a new environment and visualized with a surrealistic approach. 2.) The concept in creating digital painting works of art is to express experiences or phenomena related to interpersonal communication and self-adjustment experienced by artists in their lives. 3.) The manufacturing technique uses the Adobe Photoshop application and the IbisPaint digital drawing application and later combines photo images and figure drawings drawn manually. 4.) The form in the painting visualization displays a self-portrait painting with a surrealistic style and is inspired by the Art Nouveau art style which depicts female figures and other objects as symbols arranged by adjusting the composition so that it looks harmonious.
Co-Authors Barde, Ashlesha Bendi Yudha, I Made BUDIAPRILLIANA, LUH Devi, Putu Durga Laksmi Gangga, I Putu Bisma Maha Gede Yoga Kharisma Pradana Gulendra, I Wayan I Made Ruta I Made Saryana I Wayan Adnyana I Wayan Setem, I Wayan I Wayan Sujana Intan Saraswati Ivana, Jessica Jati Putra, Komang Guntur Karuni, Ni Kadek Kristina, Renata Ayu Mustika, I Ketut Pemayun, Tjokorda Udiana Nindhia Putra, I Gusti Made Dwi Suantara Putra, I Kadek Sangging Adi Apreliana Sari Apriliani, Sari Setiawan, I Made Ricky Suartana, I Made Sujayanthi, Ni Wayan Masyuni Wayan Karja