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All Journal Randwick International of Social Science Journal Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Ni Made Purnami Utami
Program Studi Seni Murni, Institut Seni Indonesia Denpasar
Arts Humanities Social Sciences

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Penyesuaian Diri Dan Komunikasi Interpersonal Pendatang Baru Sebagai Ide Penciptaan Seni Lukis Digital Saraswati, Intan; Utami, Ni Made Purnami; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3301

Abstract

The purpose of this writing is to describe the visualization process which includes: concepts, themes, techniques and forms of painting works with the title Self-Adjustment and Interpersonal Communication for Newcomers as Ideas for Creating Digital Painting Art. The methods used in creating digital painting works of art are exploration, experimentation and execution. Exploration in creating digital works of art includes research, theme exploration and model exploration, namely combining themes and concepts and determining the poses of female figures by means of observation. The experimental method was carried out to discover new things such as the use of effects in the Adobe Photoshop application and to apply ideas and notions to the creation of digital works of art by applying filters to the photo images that will be used, then continuing with experiments on combining the drawn figures. with photo images that have been edited in the Adobe Photoshop application. The execution stage is carried out by moving the sketch to a new layer. After the discussion and creative process, it can be concluded: 1.) The concept in creating digital painting works of art is to express thoughts and feelings into digital works of art by using female figures as the main objects as symbols of feelings that have meaning regarding each event that occurs. experienced by the author related to the phenomenon of adapting to a new environment and visualized with a surrealistic approach. 2.) The concept in creating digital painting works of art is to express experiences or phenomena related to interpersonal communication and self-adjustment experienced by artists in their lives. 3.) The manufacturing technique uses the Adobe Photoshop application and the IbisPaint digital drawing application and later combines photo images and figure drawings drawn manually. 4.) The form in the painting visualization displays a self-portrait painting with a surrealistic style and is inspired by the Art Nouveau art style which depicts female figures and other objects as symbols arranged by adjusting the composition so that it looks harmonious.
Canggu's Batu Mejan Beach As A Source Of Inspiration For The Creation Of Painting Works Setiawan, I Made Ricky; Adnyana, I Wayan; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3630

Abstract

The author discusses the history and atmosphere that the author experienced when creating the work as inspiration for painting. This topic was chosen as a means of conveying to the public what the history and atmosphere of Batu Mejan Beach is like and how the author created it in a work of painting. Creation of works is carried out through the steps of research, creation and presentation of art. This research is qualitative in nature by collecting data through journals related to Batu Mejan Beach. The method used is the Hawkins creation method, namely: idea exploration, improvisation/experimentation and realization. The originality of the work is carried out by the author from the basis of the emergence of an idea to the creation of a work of art using the visual source of coral rocks at Batu Mejan Beach and the addition of objects that have meaning/symbols. The visualization of the work emphasizes the elements of the idea and the techniques in which it is developed, accompanied by a spirit of taste that is built to give an aesthetic impression through the presentation of forms, as well as concepts that are used as references in each work. The result of the creation is a form of visualization of a painting by emphasizing the elements and principles of painting. The creation of this painting work is entitled "Canggu's Batu Mejan Beach as a Source of Inspiration for the Creation of Painting Works" with the output being a final thesis work and six works of painting art. Using palette techniques and acrylic paint materials with an expressionist flow.
Transformation Of The Visual Motifs Of The Kamasan Puppets Into Figurative Characters Devi, Putu Durga Laksmi; Utami, Ni Made Purnami; Sujana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3634

Abstract

This thesis contains a description of the creation of a work of painting with the theme "Transformation of Visual Motifs of Wayang Kamasan into Figurative Figures" which was inspired by the motifs of Wayang Kamasan paintings on the ceiling of Kertagosa Hall, Klungkung, Bali. The Wayang Kamasan characters already have rules or 'standards' that must be preserved, but for the author when observing the decorative motifs of the Wayang Kamasan characters from the coils to the clothes, it provokes subconscious associations which actually give rise to their own figurative characters. Then deformation and stylization of motifs will be carried out to create imaginary results from icons in order to create figurative character symbols in the style of the author. For this reason, research was carried out to obtain assessment data using four theories, namely Carl Gustav Jung's archetype theory, Janques Lacan's imaginary theory, Susanne K. Langer's symbolic theory and A.A.M.'s aesthetic theory. Djelantik to explain this thesis. The author also uses two creation methods as inspiration originating from the 6 (six) stages of Mr. I Made Wiradana's work and the Mobile Art Labortory (MAL) which provides a Blueprint process for ideas and the formation of Mr. I Wayan Sujana's work 'Suklu'. The author obtained the results of the creation of the deformation and stylization of Wayang Kamasan motifs into figurative figures in the form of paintings using various techniques and media by considering the elements and principles of fine art. From the theme above, there are 6 (six) works that have been realized with narratives originating from the connection between the author's experiences and the side of humanism.
Expressing the Essence of Classical Gambuh Dance Drama through Batuan Traditional Painting Barde, Ashlesha; Purnami Utami, Ni Made; Bendi Yudha, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.6001

Abstract

This independent study project explores how the essence of Gambuh, Bali’s oldest and most sacred dance-drama, can be interpreted through the lens of traditional Batuan painting. Motivated by a desire to preserve and reinterpret cultural heritage, this project focuses on visualizing six main characters, Putri Rangkesari, Panji, Condong, Prabhu Lasem, Kade-Kadean, and Arya, each rendered with deep attention to gesture, costume, and symbolic presence. The research employs a method rooted in artistic creation, combining aesthetic approaches such as heuristic, hermeneutic, and symbolic exploration with field observations and traditional mentorship. The creative process followed three key stages: exploration through direct observation of Gambuh performances and Batuan traditional painting studios; improvisation through sketching and experimenting with visual composition; and forming, where the final works were developed using Chinese ink and watercolor on watercolor paper and canvas in the Batuan style. The artworks produced do not merely document the characters but reinterpret them as reflections of emotional and philosophical dimensions relevant to today’s social reality. This project concludes that Batuan painting offers a powerful visual medium to convey the layered narratives of Gambuh, enabling the audience to engage with classical themes of love, power, longing, and moral conflict through a contemplative visual experience.
Co-Authors Barde, Ashlesha Bendi Yudha, I Made BUDIAPRILLIANA, LUH Devi, Putu Durga Laksmi Gangga, I Putu Bisma Maha Gede Yoga Kharisma Pradana Gulendra, I Wayan I Made Ruta I Made Saryana I Wayan Adnyana I Wayan Setem, I Wayan I Wayan Sujana Intan Saraswati Ivana, Jessica Jati Putra, Komang Guntur Karuni, Ni Kadek Kristina, Renata Ayu Mustika, I Ketut Pemayun, Tjokorda Udiana Nindhia Putra, I Gusti Made Dwi Suantara Putra, I Kadek Sangging Adi Apreliana Sari Apriliani, Sari Setiawan, I Made Ricky Suartana, I Made Sujayanthi, Ni Wayan Masyuni Wayan Karja