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DESTRUKTIF BATIK: PERANCANGAN MOTIF BATIK DENGAN VISUAL DESTRUKTIF (NEGATIF FILM) DAN GAYA SUREALISME PADA PRODUK ART WEAR Muchamad Bagus Iman; Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

As time goes by, many things are influenced, one of which is art. However, on the other hand, traditional arts in each region, especially in the field of art, have not been influenced by developments over time as significantly as Batik art in Indonesia, which has only been influenced by the materials and techniques for making it. Based on this, a design concept emerged for motifs, techniques and clothing applications that were newer and less monotonous. And these three things influence the design elements, namely shape, color and material in the components used. In this design the author wants to present a new batik motif with a new color technique and apply it to new clothing. By considering the aesthetic aspects of design, function and also the psychology of the user. The method used in this design is combining batik techniques with Surrealism visuals on batik motifs and using negative film coloring techniques which will be applied to Art Wear clothing. The aim of this design is to create batik motifs with destructive visuals (film negatives) with a surrealist style in Art Wear products. Keywords: Art wear, Batik, Destructive, Surreal
SEMIOTIKA BATIK PERANAKAN DI PEKALONGAN Andri Nur Cahyo; Yustiana Dwirainaningsih; Amin Sulistyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Peranakan batik is the term for batiks produced by Indonesians of Chinese descent. The presence of Peranakan batik has contributed to the diversity and enriching of the Indonesian Batik repertoire. One of the centers producing Peranakan batik is Pekalongan. Peranakan batik in Pekalongan has its own uniqueness compared to other coastal batik. This uniqueness can be seen in the visualization of the motifs and the socio-cultural conditions of Pekalongan. This article examines the phenomenon of Peranakan batik in Pekalongan in terms of its visualization and aesthetic meaning. The approach used is Roland Barthes' semiotic theory. The focus of the reading is on three batik craftsmen of Chinese descent in Pekalongan, namely Oey Soe Tjoen, Ozzy, and Bulan. It is hoped that this article can provide information about the aesthetic elements of Peranakan batik in Pekalongan, as well as invite the public to better appreciate cultural diversity and the role of acculturation in the development of batik in Pekalongan. Keyword: Acculturation, Peranakan Batik, Pekalongan, Semiotic.
The Application of Draping Techniques in Zero-Waste Fashion Design Using Pekalongan Batik Fabric Mursidah Mursidah; Andri Nur Cahyo
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.5998

Abstract

Abstract. Batik is the result of creating motifs which consists of the integrity of the arrangement of ornaments that decorate the surface of the fabric. Batik motifs are noble works of art because they are philosophical, the basic idea behind the birth of the patterns is the creator's philosophy of life and cosmology. In ancient times, batik fabric was not allowed to have cut motifs and was only wrapped around the human body. But now, batik has developed following fashion trends. For fashion production, batik fabric is processed through cutting with contemporary patterns or models. This will unknowingly reduce the essence of creating batik motifs and their use. In the development of fast fashion, the fashion industry has contributed a lot of waste that damages the environment. One way to reduce this is with zero waste fashion. This article contains a discussion about how to apply the zero waste fashion concept to Pekalongan batik cloth. The zero waste concept used is by applying draping techniques to construct fabric without cutting the material into one complete fashion model. Applying the draping technique to Pekalongan batik cloth makes batik fashion without cutting the material so it doesn't produce waste. Apart from that, batik motifs can appear in their entirety without being cut, just like the initial essence of batik cloth created. The zero waste fashion concept provides greater opportunities for the Pekalongan batik industry so that it does not have a negative impact on the environment and is more sustainable.
Pengembangan Canting Batik Cap Modular untuk Produksi Batik Berkelanjutan Andri Nur Cahyo; Mursidah; Intan Pratiwi
JURNAL RUPA Vol 10 No 1-2 (2025): In Press
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v10i1-2.9959

Abstract

The national batik industry faces challenges in increasing production efficiency without sacrificing traditional values and environmental sustainability. One of the current challenges lies in the limited flexibility of conventional canting cap tools in accommodating diverse motif variations, which may affect production efficiency and material utilization. This research aims to develop a canting cap based on a modular design that allows batik artisans to arrange, replace, and combine stamp elements as needed. The research method uses a Research and Development (R&D) approach with a design thinking and participatory design model. The process includes problem identification, prototype design, testing, and evaluation with batik artisans. The research results produced a prototype of a modular canting cap made from recycled duplex paper with three mechanism configurations: modular Mechanical interlocking, modular light magnetic locking, and modular strong magnetic locking. The strong magnetic locking configuration proved to be the most ideal because it is stable, precise, and supports the principle of zero waste. This innovation contributes to production efficiency, waste reduction, and supports the transformation of batik into a sustainable creative industry.
AFFIRMATIVE ENFORCEMENT FOR MICRO, SMALL, AND MEDIUM ENTERPRISES IN THE FIELD OF INTELLECTUAL PROPERTY RELATED TO NATURAL COLOURS IN BATIK MAKING Yustiana Dwirainaningsih; Dheasari Rachdantia; Mursidah; Andri Nur Cahyo
Bengkoelen Justice : Jurnal Ilmu Hukum Vol. 14 No. 2 (2024): November 2024
Publisher : Universitas Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33369/jbengkoelenjust.v14i2.37343

Abstract

The importance of Intellectual Property Rights protection for Micro, Small and Medium Enterprises is a major highlight in supporting the sustainability and economic competitiveness of this sector. IPR has great potential to add value to the products and services produced by MSMEs, create a competitive advantage, and protect innovations or brands from the threat of infringement. However, various obstacles such as complex administrative procedures, high costs, unsupportive regulations, and limited law enforcement related to IPR violations are significant challenges for MSME actors. Normative legal research in this context aims to identify solutions to these problems, through simplification of the registration process ensuring that IPR registration procedures are simpler and more accessible to MSME actors subsidising registration fees providing relief from IPR registration fees through government subsidies or fiscal incentives for MSMEs that register their IPRs improvement of regulations encourages revision of regulations that pay attention to the needs of MSMEs, such as accelerating the time of the registration process and recognition of IPRs for local or traditional typical products. Increased law enforcement encourages revision of regulations that pay attention to the needs of MSMEs, such as accelerating the time of the registration process and IPR recognition for local or traditional typical products. Socialisation and education are expected to educate MSME players about the strategic benefits of IPR and how to take advantage of the system to support their businesses. Policies that support MSMEs are more optimal in utilising IPR to increase competitiveness, open up opportunities for market expansion, and protect local innovation and creativity. Collaborative efforts between the government, related institutions, and MSME players are the key to the optimal use of IPR. Keywords: MSMEs natural color batik, Affirmative, Intellectual Property