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All Journal Jurnal Pendidikan Sosiologi dan Humaniora Jurnal Online Mahasiswa (JOM) Bidang Ilmu Sosial dan Ilmu Politik Jurnal Ilmu Budaya MUHARRIK: JURNAL DAKWAH DAN SOSIAL Reswara: Jurnal Pengabdian Kepada Masyarakat Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Lumbung Inovasi: Jurnal Pengabdian Kepada Masyarakat Jurnal RIVDA SINTHOP: Media Kajian Pendidikan, Agama, Sosial dan Budaya

Mita Rosaliza, Mita

Dosen Sosiologi Fakultas Ilmu Sosial Dan Ilmu Politik Universitas Riau

Author-ID : 608336

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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LOCAL KNOWLEDGE SUKU AKIT BENGKALIS Rosaliza, Mita
Jurnal Ilmu Budaya Vol. 14 No. 2 (2018)
Publisher : Universitas Lancang Kuning

The Goals of this research are to identify and analyze the local knowledge of Aikit tribe's society in managing the environment related with the value orientation. Utilization of Mangrove forest by Akit tribe is in separable from the role of knowledge system. The conception of values which are the basis of human acts are stored with in the framework of knowledge. According to Kluckhohn, there are orientation values of culture possessed by society 1) the meaning of human life, 2) the meaning of human relationships with others, 3) the problem of human perception about time, 4) Nature of work, 5) the problem of human relationships with nature. This study describes local knowledge of Akit tribe community inexploiting nature where there is an exchange between the nature of work and the condition of nature damage. Akit tribe utilizes mangrove forest as their livelihood as supplier of mangrove wood at Panglong Arang. This research uses qualitativedescriptive, with 6 informants and 4 key informants. Data obtained through interviews conducted in the Berancah village Bengkalis. The results of this study show that local knowledge of Akit Tribe people based on the concep to value orientation has its own definition according to local aspect. It has a relationship in the pattern of acting in the face of nature, therefore it is necessary to pay attention on local knowledge, especially in the value of the essence of the very closely related work with the existence of mangrove forests, and utilize mangrove timber wisely so that the preservation of forest in the coastal areas are well preserved.

MASYARAKAT UTOPIS DAN DISTOPIS DALAM TEKS THE ONES WHO WALK AWAY FROM OMELAS, KARYA URSULA LE GUIN Rosaliza, Mita; Syam, Essy
Jurnal Ilmu Budaya Vol. 15 No. 1 (2018)
Publisher : Universitas Lancang Kuning

This writing analyzes a short story entitles The Ones Who Walk Away From Omelas written by Ursula Le Guin which highlights the elements of Utopia and Dystopia found in a society as reflected in the text such as the happiness, cheerfulness which are almost perfect. Besides, the feeling of secure is also felt by the inhabitants of Omelas so that they don’t need a government to manage their life. On the contrary, the element of dystopia is ironic, in which the happiness felt by the people is paid by a little child who is locked in dark, small room. This child is victimized to guarantee the perfect life of the people in Omelas. Consequently, those who can’t accept this reality decide to leave Omelas, they are the ones who walk away from Omelas. Related to that, this analysis applies descriptive analysis in which the result will be explained descriptively. From the description, it will show how the elements of Utopia and Dystopia are reflected in the life of the people in Omelas which describe the society of Omelas and its belief in Sacrificing the child for the sake of the happiness of the community.

MAKNA SIMBOLIK TARI GENDONG SUKU AKIT BENGKALIS Lestari, Fiki Indah; Rosaliza, Mita
Jurnal Ilmu Budaya Vol. 16 No. 1 (2019)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v16i1.3173

Gendong dance is part of half-oral folklore whose creator is unknown and its inheritance is carried out from mouth to mouth by their generations. In presenting the symbolic message of the dance it consists of offerings, the attributes used and the dancer's body movements contained a message that was closely related to the myths in the supporting community. This dance as a whole has a meaning as a summon of spirits that are believed to be able to dispose reinforcements. In the wedding procession, this dance is believed to be able to throw away the reinforcements and give blessings to the lives of the two brides. In the dance, there is a symbol that shows how the community interacts with these symbols and the meaning contained in them. The dance has same functions, they are ritual function, a social function, and tradition preservation function. In the ritual function, is found in a marriage ceremony and treatment ceremony. The social function is as entertainment for the Akit people while the function of preserving the tradition is as an encouragement for the Akit community in preserving their culture and traditions.

DUKUN JALUR DESA SAIK KUANTAN Venydhea, Andini; Rosaliza, Mita
Jurnal Ilmu Budaya Vol. 16 No. 2 (2020)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v16i2.3708

The Kuantan Singingi community still believes in the existence of fine creatures that inhabit a place or object that is quite old. One example is the wood of the Track, the Path itself is made of wood that has been aged for hundreds of years and comes from the jungle in the wood. This wood can only be taken by people who understand about Subtle Creatures, namely Jalur Shaman. The equipment used and the track assistants in the processed of the Jalur Shaman Rituals contain symbolic meaning, in the process, the Jalur Shaman rituals are carried out by finding a good day of breaking to release the path to the Pacu jalur arena in order to get good draws, lime that has been incarnated or prayed for and prayed for and kemeyan to call the Jalur ghost used in the Jalur Shaman Ritual as an effort Jalur Shaman Village Saik avoid attacks from Jalur Shaman opponents who try to harm the Jalur ghost, Jalur, and Pacu, in addition to chanting spells or prayers asking to be protected during the match the runway is aimed at Allah SWT, the mantra is also recited for the jalur ghost to help in Pacu Jalur competition. The existence of the Trust of Jalur Shamans in Saik Village is because there are still things that are magical in the Pacu Jalur competition, through the Ritual Treatment process of the jalur performed by the shaman believed to be able to protect the Jalur ghost, Jalur, and anak pacu from attacks from the opposing Shaman. The purpose of this study namely: (1) to find out the History of Line Shamans in Saik Village (2) to find out how the Ritual Treatment Procession of the Line (3) is to describe How to Trust Shaman Lane in Saik Village, Kuantan Mudik District, Kuantan Singingi District, Riau Province. As for the informants, the Shaman in Saik Village is considered to know about the Path Ritual and in-depth. This research method is qualitative by using the theory of Sacred Durheim and Profane Theories, Carl Gustav Jung's Archetype Theory and Ferdinand de Saussure's symbolic theory.

CINDERELLA: MENDOBRAK CITRA PEREMPUAN DALAM LIRIK LAGU TATA YOUNG Syam, Essy; Rosaliza, Mita
Jurnal Ilmu Budaya Vol. 16 No. 2 (2020)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v16i2.3734

This writing analyzes a lyric of a song entitled Cinderella, sung by Tata Young, a Thai-American singer in her album, I Believe which was released in 2004. The analysis focuses on how the lyric dismantles the images of women. In this case, it dismantles the images of women found in the works of fairytales which present women with certain images such as weak, passive, submissive, dependent and other weakening images. Thus, this lyric presents the images of women different from those found the fairytales.

KAJIAN STRUKTUR KEPRIBADIAN FREUD DALAM KISAH 1001 MALAM: STUDI PSIKOANALISIS Syam, Essy; Rosaliza, Mita
Jurnal Ilmu Budaya Vol. 17 No. 1 (2020)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v17i1.4708

This writing deals with analyzing Sigmund Freud’s personality structure on Arabian nights (Seribu Satu Malam). The analysis shows that in his actions, the main character, King Shahryar, is controlled by the three components of Freud’s personality structures; Id. Ego and Superego. Id controls the king when he is pushed by his Id to marry a woman and kills that woman the following day. He does that everyday for three years. It is pushed by soul drive to get pleasure when his anger and revenge are fulfilled. So, marrying and killing those women are pushed by Id. Ego’s domination is seen when the king is eager to listen to his wife’s stories and his awareness of his power also the reality he responds in leading him to his actions. At last, Superego brings him back to his good nature when he can finally accept his wife, Shahrazad. Besides, listening to Shahrazad’s stories also triggers Superego portrayed by his giving chance for Shahrazad to tell the stories, respecting her and furthermore, the good characters’quality in Shahrazad’s stories also contribute to strengthen Superego’s domination.

MAKNA SYARAT DAN UNSUR SILEK DESA KUBU GADANG Rosaliza, Mita; Wardhana, Muhammmad Fajar Vierta; Risdayati, Risdayati
Jurnal Ilmu Budaya Vol. 17 No. 1 (2020)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v17i1.4711

The martial art of silat in Minangkabau, which is usually called silek, has its own uniqueness in terms of terms and movements. Silek in Minangkabau is a legacy from the Minangkabau ancestors that still exists and develops today. The requirements that must be possessed in this silat include cloth, knives, sewing needles, mirrors, rice and money that have meaning in this silat tradition. In addition, there are other elements in these martial arts which also have meaning in terms of movement, clothing and place of implementation. This study focuses on the meaning of the terms and movements used in the silek of Tuo gunuong in Kubu Gadang village. The informants in this study are traditional elders and people who still practice silat as a martial art and understand the terms and meanings of the movement.

MEDIA SOSIAL: PLATFORMISASI DAN BUDAYA KONVERGENSI Rosaliza, Mita; Risdayati, Risdayati; Syamsidar, Raja
Jurnal Ilmu Budaya Vol. 18 No. 1 (2021)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v18i1.7850

When new technology is available on various platforms, there are many transfers of knowledge content or even the platform itself as a medium that produces culture, the result can be convergence, culture becomes more similar, more similar and uniform as a result, or divergence when culture adopts technology. in a different way that maintains or even accentuates the difference. Johnston and Johal (1999) stated that the internet is a virtual culture by using the dimensions of Hofstede (1980) it can be concluded that internet culture develops and is unified and uniformized. In this case, the algorithm plays a role in regulating the flow of culture that will be transferred to users so that it becomes uniform. Marcus and Gould (2000) review selected platforms for transferring convergent cultures, based on an analysis of the recent work by Hofstede (1991). it can be concluded that culture, as revealed by Hofstede's dimension, does indeed affect multiple platforms and has the potential to be the same or monoculture. With discourse analysis supported by digital data from the Tik Tok platform, this article is expected to contribute to the idea that many platforms are used in social media, which can produce new cultures or even reproduce cultures that are uniform and certain.

KONSTRUKSI SOSIAL OBAT HERBAL PASCA PANDEMI COVID-19 Rosaliza, Mita; Hanif, Tengku Abyan; Al Malik, Mahar; Hanania, Tengku Syarifah Dzikra
Jurnal Ilmu Budaya Vol. 20 No. 2 (2024)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v20i2.19495

When COVID-19 hit the world, people had reconstructed their assumptions about the importance of health. To reduce morbidity and mortality, they needed various alternative actions through various kinds of drug use, both medical drugs and traditional medicines, both during and after the pandemic. Nigella Sativa herbal medicine is one of the traditional medicine options. Nigella Sativa referred to black cumin, is among the plants that the Prophet used to make herbal medication. Prophetic Hadiths show the benefits and uses of black cumin. In Indonesia, we can find the use of Habbatussauda, which can be processed and packaged in various products. This study employs a qualitative technique in field research and a social construction approach. To learn more about the advantages of habbatussauda herbs for boosting the body's immunity, it is important to discuss this issue with social construction. People consider this herbal plant important because of its potentially active anti-inflammatory properties that can fight viral and bacterial infections both during the COVID-19 epidemic and afterwards.

Mapping Actors and Power Relations Between Actors in Tourism Village Development Sidiq, Rd. Siti Sofro; Indrawati, Indrawati; Marnelly, T Romi; Rosaliza, Mita; Ihsan, Muhammad; Sugiyanto, Seger
MUHARRIK: Jurnal Dakwah dan Sosial Vol 6 No 2 (2023): Muharrik: Jurnal Dakwah dan Sosial
Publisher : Fakultas Dakwah Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/muharrik.v6i2.5060

The coastal area of Sepahat village is known for its beach and mangrove ecotourism and is one of the priorities for tourism development in Bengkalis Regency. Institutional performance in developing the tourism sector and the creative economy is not yet optimal, characterized by a lack of membership management skills, formulating plans, overcoming problems and developing networks. In fact, tourism institutions and the creative economy are at the heart of optimizing existing potential. The aim of this research is to identify and analyze actor mapping and power relations between actors in the development of the Sepahat tourist village. The research results are expected to provide benefits from the academic side, namely in the form of textbooks and reference books related to the sociology of community empowerment, sustainable development and local wisdom. The realization of academic benefits is also carried out through publication of manuscripts in accredited journals so that they can provide references to various parties. The results of this research will produce and map actor interests, status, roles and relationships between actors which can be used as a mitigation document for institutional management to optimize the benefits of the Sepahat Tourism Village for the community.

Co-Authors ", Nuraisah ", Ulandary Adianto Adianto Al Malik, Mahar Andrian, Raja Milki Nur Arisman, Defri Essy Syam Faisal, Tengku Fazli Fatimah " Gusniati, Gusniati Hanania, Tengku Syarifah Dzikra Hanif, Tengku Abyan Hardyanti, Putri Hasim As'ari Ikhwani, Nur Indrawati Indrawati Kartini, Yeni Kiki, Evrison Frans Lestari, Fiki Indah Lestari, Rafika Indy Manullang, Atok Daniel Marsita Marsita Maryati Maryati Mayarni Mayarni Muhammad Ihsan Muhammad Ihsan Nurhamlin, Nurhamlin Raja Syamsidar, Raja Ramadani, Amalia Putri Rawidiah, Cindy Risdayati, Risdayati Siregar, Dona Siska Siti Sofro Sidiq Sugiyanto, Seger Syukran, Tengku Muhammad T. Romi Marnelly Venydhea, Andini Wardhana, M. Fhajar Vierta Wardhana, Muhammmad Fajar Vierta Yusmar Yusuf

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