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All Journal Jurnal Sendratasik Grenek: Jurnal Seni Musik JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) MUDRA Jurnal Seni Budaya Panggung Gondang: Jurnal Seni dan Budaya Journal on Education Jurnal Review Pendidikan dan Pengajaran (JRPP) Jurnal Pendidikan dan Konseling Journal of Music Science, Technology, and Industry (JOMSTI) Community Development Journal: Jurnal Pengabdian Masyarakat Visi Sosial Humaniora Jurnal Visi Pengabdian Kepada Masyarakat Musica: Journal of Music PROFICIO: Jurnal Pengabdian Masyarakat Innovative: Journal Of Social Science Research Samakta: Jurnal Pengabdian Kepada Masyarakat Panggung Imajinasi: Jurnal Seni (JSM) Jurnal Seni Musik
Emmi Simangunsong
Program Studi Seni Musik, Fakultas Bahasa Dan Seni, Universitas HKBP Nommensen
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Mechanical Engineering Public Health Social Sciences Other

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Journal : Visi Sosial Humaniora

 1 
Bentuk dan Konstruksi Komposisi Musik Modern ‘Tjapung Ketjipung Di Tjikapundung’ Karya Amir Pasaribu Ance Juliet; Emmi Simangunsong
Visi Sosial Humaniora Vol. 3 No. 1 (2022): Visi Sosial Humaniora: Edisi Juni 2022
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/vsh.v3i1.538

Abstract

This research is entitled Modern Music Composition 'Tjapung Ketjipung Di Tjikapundung' by Amir Pasaribu. The basic method that applied in this research is descriptive method. In addition, the approach used by the library method is to find and produce pentatonic elements similar to the pelog barrel which are harmonized with elements of western tone harmony in the composition of Tjapung Ketjipung in Tjikapundung which is famous for the work of the Indonesian composer Amir Pasaribu with the characteristics of his piano music, regarding the form and the pattern of the structure as well as the parts contained in the construction of the music, the beginning, the continuation part, the complication part and the resolution part. In addition to the musical construction, the composition of piano music by Amir Pasaribu uses a free form pattern in the context of modern music. The use of chord levels (harmony progressions) and soloist playing made this composition even more exalted and majestic for its time.
Analisis Teknik Permainan Gitar Klasik Romance De Amour Oleh Tiga Gitaris Alumni Fakultas Bahasa Dan Seni Universitas HKBP Nommensen Medan Daniel Rizky Anderson; Simajuntak , Hendrik L; Simangunsong, Emmi
Visi Sosial Humaniora Vol. 6 No. 1 (2025): Visi Sosial Humaniora: Edisi Juni 2025
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/vsh.v6i1.2844

Abstract

This study aims to analyze classical guitar techniques in the piece Romance de Amor as performed by three alumni guitarists. The piece is known by various titles, including Romance Anónimo, Spanish Romance, and Estudio en Mi de Rubira, and has become a significant repertoire in the classical guitar world. The research method employed is descriptive qualitative, using a case study approach based on the recordings of the three alumni guitarists. Data were collected through observation, documentation, and technical analysis of right- and left-hand techniques, as well as the musical interpretations presented. The analysis focuses on elements such as triplet-based arpeggio patterns, the use of apoyando and tirando techniques, and dynamics in expressing the transition from E minor to E major. The findings show that although all three guitarists applied similar fundamental techniques, differences in musical interpretation reflect the uniqueness of each guitarist's style. These differences include variations in tempo, articulation, and melodic emphasis, demonstrating how basic techniques can be shaped into distinct interpretations. This study provides insight into the importance of mastering fundamental techniques in creating expressive and personal musical interpretations.
Co-Authors Anggi Tambunan Asima Gurning Banjarnahor, Elysta Banjarnahor, Fitria Brian Harefa Daniel Rizky Anderson Doharjo Sitohang Eben Ezer Sormin Elvita Purba Elvita Uli Purba Elvita Uli Purba Elysta Banjarnahor Epi H. Simangunsong Galingging , Kamalludin Galingging, Kamaluddin Gaol , Ferdinan S. Lumban Hendrik Leonard Simanjuntak HERNA HIRZA Immanuel Silalahi Jones Irawan Sibagariang Joseph Partogi Sibarani Jubil Ezer Sihite Junita Batubara, Junita Kamalluddin Sigalingging Kartini R.M. Manalu Ken Steven Lumbantoruan, Maria Manullang, Kathleen Phoibe Maria Lumbantoruan Maribeth O. Simorangkir P. , Eston Hernandes Panggabean , Ance Juliet Parhusip, Yuni Sharon Purba, David Antoni Purba, Elvita Uli Putri M. Situmeang Rendi L. R. Gultom Ronald Heriko Saragih Ronald Heriko Saragih Samuel Suranta Sembiring Saragih , Ronald Heriko Saragih, Ronald H Saragih, Ronald Heriko Sembiring, Samuel Suranta Siburian, Jeri Simajuntak , Hendrik L Simamora, Era Mitha Simorangkir, Maribeth Ophelia Sinaga, Immanuel Sitio, Ari Juliandus Situmorang, Yulia Ruth Sombama Tambunan Tambunan, Anggi Tambunan, Elia Prischilia Waruwu, Happy Waruwu, Happy Majesty Wawuru, Happy Majesty Widya Septiana