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All Journal Harmonia: Journal of Research and Education Journal of Urban Society´s Arts Journal of Visual Art and Design ANDHARUPA Panggung JURNAL EDUCATION AND DEVELOPMENT Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Idealog: Ide dan Dialog Desain Indonesia Jurnal Rupa Jurnal Desain Atrat: Jurnal Seni Rupa Jurnal Manajemen Pendidikan dan Ilmu Sosial (JMPIS) Dinamika Kerajinan dan Batik : MAJALAH ILMIAH IBDA': Jurnal Kajian Islam dan Budaya eProceedings of Art & Design Jurnal Indonesia Sosial Sains Riwayat: Educational Journal of History and Humanities Panggung TRJ (Tourism Research Journal) Dinamika Kerajinan dan Batik: Majalah Ilmiah
Fajar Ciptandi
Universitas Telkom
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Neuroscience Physics Social Sciences Other

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Journal : Jurnal Rupa

 1 
Inovasi Kerajinan Serat Paku Hata (Lygodium circinatum) Khas Citumang, Jawa Barat Fajar Ciptandi; Rachmah Firstriani; Sisca Dewi
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3062

Abstract

In Citumang Village of Pangandaran Regency in West Java, Hata ferns (Lygodium circinatum) plants thrive. Citumang people use the abundance of this plant to make handicraft products such as bags, hats, and wall hangings. However, the products made by Hata ferns craftsmen at Citumang do not yet have their characteristics, so often, their bags are said to be the same as crafts in Bali and Lombok. That is due to the lack of development in design, colors, and techniques of the Citumang Hata ferns handicraft products. Experiments on natural coloring, structural design, and motif composition designs were carried out to enhance the characteristics of the handicraft,. Thus Hata ferns craftsmen at Citumang can innovate by applying the experiment to bag products. The experiment finally succeeded in showing the characteristics of Hata ferns handicraft products with makes it more aesthetic. This experiment also helped develop creativity and add insight into the craftsmen at Citumang.
Analisis Visual Mahkota Binokasih Sang Hiyang Pake di Kabupaten Sumedang Jeng Oetari; Fajar Ciptandi; Morinta Rosandini
JURNAL RUPA Vol 8 No 1 (2023): Open Issue (In press)
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5592

Abstract

Regency, especially the Sumedang Larang Palace, was designated as the Sumedang Puseur Budaa Sunda in 2017 by the Sumedang Government and designated as an institution for the preservation, protection, and development of ancestral customs and culture. As a result of this policy, 10 typical Kesumedan ornaments were determined, one of which was the Binokasih Crown. On the other hand, the Regent's Regulation Number 113 of 2009 concerns legal developments and community needs, therefore to strengthen legality it is necessary to increase it in the form of regional regulations, to maintain cultural preservation which is carried out through inventory, security, maintenance, rescue, and publication. So that is more potential in digging up further information, one of which is in the visual analysis of objects related to culture, especially the ornaments on the Crown which have been designated as cultural heritage/cultural assets for efforts to preserve Sundanese culture in Sumedang. The purpose of this study is to visually analyze the crown and analyze the philosophy contained in the crown. So that it can maintain cultural heritage both tangible and intangible aspects and become a basic reference in developing a product because it already has a clear foundation. Keywords: Visual Analysis, Crown Binokasih, Decorative Variety, Sumedang
Analisis Visual Artefak Budaya Makuta Binokasih Sang Hyang Pake Oetari, Jeng; Ciptandi, Fajar; Rosandini, Morinta
JURNAL RUPA Vol 8 No 1 (2023): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5592

Abstract

The Binokasih Crown is a Sundanese cultural heritage object stored in the Prabu Geusan Ulun Museum in Sumedang Regency as a symbol of the coronaton of a king in the contnuaton of power. The Binokasih Crown is designated as a Kasumedangan ornament and its visual is also used in the Sumedang Puseur Budaya Sunda or SPBS logo. In the use of the crown’s visual, there are diferences in history and no comprehensive descripton. Through the eforts of Sumedang Puseur Budaya Sunda in reconstructng culture and the need to identfy artfacts through cultural values, it is necessary to study the Binokasih Crown as an icon of Sumedang Regency through Sundanese cultural values in an efort to preserve Sundanese culture in Sumedang. The method used in this research is a qualitatve method with data collecton through feld observaton, deep interviews, document studies, and documentaton. The data analysis technique on cultural values uses Sundanese Cosmology and visual analysis uses morphological aesthetcs with descriptve, analytcal, interpretatve, and evaluatve stages. The purpose of this research is to explore the tangible and intangible aspects of the Makuta Binokasih as a cultural artfact. This is done in order to preserve Sundanese cultural heritage, and to provide a clear foundaton for the development of products based on the artfact.
Co-Authors 'Urrohim, Chara Aulia Achmad Haldani Achmad Haldani Destiarmand Afwien, Vithaliliantha Agus Sachari Agus Sachari Ahda Yunia Sekar Fardhani Ahmad, Hasna Nazihah Alifiansi Nurul Fatimah Azzahra Amy Maulid Andreas Rio Adriyanto Arini Arumsari Ariseftia, Ega Azka Auliya Rissandy Azkia Amalia Budiarti Aznel, Kenanga Maharani Azzahra, Alifiansi Nurul Fatimah Balqis, Qelmille Dewi Amanah Bismutia, Queenie Salsabila Budi, Sri Maharani Budiarti, Azkia Amalia Choirunnisa Rezky Ramadhani Dewantari, Senja Ega Ariseftia Ersaputeri, Sherly Ghina Faridah Hafiluddin Ahmad Jailani Hasannah, Shela Rahayu Hidayati, Syifa Rahma Iiq Iqoomatussholihah Ira Wirasari Jeng Oetari Liandra Khansa Utami Putri Maghfirah Chairunnisa Mahendra Nur Hadiansyah Maulid, Amy Mochammad Sigit Ramadhan Morinta Rosandini MUCHLIS Muhammad Ahsanul Mukmin Muhammad Hisyam Alfarisi Mulyati, Tia Ningsih, Widya Kusuma Nur Azizah Almarwajiah Nurazizah, Lutfia Pratiwi, Dewi Shintya Putra Pratama, Rd. Muhammad Sopian Putra, Galih Mandala Qonita Larasati Roesanto Rachmah Firstriani Raditya Raihannaufal Rahardyan Ramadanti, Puspa Mulya Aryani Rara Diasa Djajataruna Razak, Rahman Abdul Reza Maulina Rima Febriani Riski, Indrianti Pratama Rosyidah, Salsa Rozandini, Morinta Rusmayanti, Nur Halidha Saftrian Mukhlizul Fuad Salsa Rosyidah Samudra, Ayyala Syahla Saputri, Rezki Satria Adiyasa* Shella Wardhani Putri Sisca Dewi Ulfah Nafi’ah Viniani, Prafitra Wardhani, Shella