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All Journal IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Journal of English Language Studies LANGUAGE: Jurnal Inovasi Pendidikan Bahasa dan Sastra Jurnal Nasional Holistic Science Jurnal Cakrawala Ilmiah EINSTEIN (E-JOURNAL) Jurnal Pengabdian Pada Masyarakat METHABDI Jurnal Dieksis ID Jurnal Intelek Insan Cendikia Jurnal Pendidikan Impola
Nurhayati Purba
Universitas Methodist Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Mechanical Engineering Medicine & Pharmacology Physics Public Health Social Sciences Other

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MODERNISM AND WESTERN LITERARY INFLUENCES IN CHAIRIL ANWAR AND SUTAN TAKDIR ALISYAHBANA Purba, Nurhayati; Mandalahi, Esterlita; Siregar, Grace; Siagian, Novitasari
LANGUAGE : Jurnal Inovasi Pendidikan Bahasa dan Sastra Vol. 5 No. 3 (2025)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia (P4I)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/language.v5i3.6592

Abstract

ABSTRACT This article explores the extent to which Western literature, particularly from Britain and the United States, influenced the development of modern Indonesian literature in the 20th century. The study employs a literature review and intertextual reading approach, involving the examination of theories on modernism and cultural interaction, as well as an analysis of Indonesian literary works that show Western influences, especially those by Chairil Anwar and Sutan Takdir Alisyahbana. The analysis draws on Sarwoto’s framework to map the development of Indonesian literary discourse in the context of modernity, ideology, and cultural identity. The discussion focuses on the adoption of Western literary styles, themes, and narrative structures. Modernism in Indonesian literature is understood as the result of tensions between local traditions and global cultural currents that have developed since the colonial period. Chairil Anwar is known for his expressive and individualistic style, reflecting existentialist influences, while Sutan Takdir Alisyahbana emphasizes rationality and renewal, in line with the spirit of modern humanism. Both figures did not merely adopt Western influences passively but adapted them to the Indonesian socio-cultural context. As a result, a distinctive form of modern Indonesian literature emerged—one that bridges local cultural heritage with universal ideas. This study demonstrates that modern Indonesian literature is the product of dynamic interactions between internal and external forces and contributes to a deeper understanding of literature as a product of global cultural exchange. ABSTRAK Artikel ini membahas sejauh mana sastra Barat, khususnya dari Inggris dan Amerika, memengaruhi perkembangan sastra Indonesia modern pada abad ke-20. Penelitian ini menggunakan pendekatan studi pustaka dan pembacaan intertekstual, dengan tahapan yang mencakup penelaahan teori-teori modernisme dan interaksi budaya, serta analisis karya sastra Indonesia yang menunjukkan pengaruh Barat, terutama tulisan Chairil Anwar dan Sutan Takdir Alisyahbana. Analisis dilakukan dengan merujuk pada kerangka Sarwoto untuk memetakan perkembangan wacana sastra Indonesia dalam konteks modernitas, ideologi, dan identitas budaya. Pembahasan difokuskan pada gaya penulisan, tema, dan struktur naratif yang diadopsi dari tradisi sastra Barat. Modernisme dalam sastra Indonesia dipahami sebagai hasil dari ketegangan antara tradisi lokal dan arus budaya global yang berkembang sejak masa kolonial. Chairil Anwar dikenal karena gaya ekspresif dan individualistisnya yang mencerminkan semangat eksistensialisme, sedangkan Sutan Takdir Alisyahbana mengedepankan rasionalitas dan semangat pembaruan, sejalan dengan ide-ide humanisme modern. Keduanya tidak hanya menyerap pengaruh luar, tetapi juga menyesuaikannya dengan realitas sosial budaya Indonesia. Hasilnya adalah corak sastra modern Indonesia yang khas, yang menjembatani warisan budaya lokal dengan ide-ide universal. Studi ini menunjukkan bahwa sastra Indonesia modern lahir dari interaksi dinamis antara pengaruh internal dan eksternal, serta memberikan kontribusi penting dalam pemahaman sastra sebagai produk dari pertukaran budaya global.
Challenging the patriarchy: radical feminist themes in 'The Yellow Wallpaper' Nurhayati Purba; Kokardi, Ella Meidelin; Gihon Kusy Marpaung; Devi Tania Panjaitan
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v12i2.4892

Abstract

The main factor causing inequality for women is patriarchy. As in many old-school traditions, patriarchy remains in marriage where wives are urged to bow down to their husbands and the husband is regarded as the ultimate authority of the household. This research investigates the narrative of Charlotte Perkins Gilman's iconic short story, "The Yellow Wallpaper". Descriptive qualitative research and textual analysis approach are used to complete this research analysis. Along with the depiction of radical feminism, this research aims to subvert patriarchal ideals. This is in keeping with the narrator’s husband John, who works as a physician, forbids her to do anything instead locking her in the ancestral halls. The reason of his attitude as if this is the only way to cure the female narrator’s depressing nervous trouble. She is often considered let the silly fancies run in her mind and lost control. In the nursery room she is locked up, she found an irritating painting on the yellow wallpaper. Yet, she later discovered there is a woman imprisoned in the painting who is always creeping. The findings show that the yellow wallpaper symbolizes the female narrator’s suffering as a captivated creature and pushed by the patriarchy control.
THE CHARACTER OF ICHABOD CRANE AS A REFLECTION OF HUMAN GREED AND FOOLISHNESS IN WASHINGTON IRVING’S THE LEGEND OF SLEEPY HOLLOW Shancelldeep Kaur; Ira Febri Yanti Simanjuntak; Nurhayati Purba
Jurnal Cakrawala Ilmiah Vol. 5 No. 6 (2026): Februari 2026
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

literary characters often function as reflections of human nature and moral values. This study analyzes the character of Ichabod Crane in Washington Irving’s The Legend of Sleepy Hollow as a representation of human greed and foolishness. Using a qualitative descriptive method, this research examines Ichabod Crane’s actions, motivations, and psychological traits through characterization theory and moral-psychological approaches. The findings reveal that Ichabod Crane’s intellectual ability is overshadowed by material ambition and irrational fear, leading to his moral and social downfall. This study concludes that Irving employs Ichabod Crane as a moral critique of human weakness, emphasizing that intelligence without moral wisdom results in failure. The research contributes to literary studies by highlighting the relevance of moral criticism in classic American literature.
Co-Authors Ambarita , Enjelina Anzani, Aprilia Bella Renata Manalu Butar-Butar, Justin Hubert Charles D. M. Silalahi Charli Marbun Devi Tania Panjaitan Eidi Sihombing Eidi Sihombing Elita Modesta Br. Sembiring Emtania Nabira Br Tarigan Ersan, Ronaldo Faido Marudut Pardamean Simanjuntak Fransisca Theresia Gihon Kusy Marpaung Himpun Panggabean Ira Febri Yanti Simanjuntak Karana Jaya Tarigan Kokardi, Ella Meidelin Mandalahi, Esterlita Martina Girsang Napitupulu, Cindy Ardauli Togiana Romaito Marbun Sembiring, Kezia Meily Nicharisa Shancelldeep Kaur Siagian, Novitasari Silalahi, Rachael Joy Nabasa Sinaga, Pahotan Siregar, Grace Sitompul , Roselyn Surbakti, Natalia Br Tambunan, Anna Riana Suryanti