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All Journal Serupa : The Journal of Art Education GETER : Jurnal Seni Drama, Tari dan Musik Visual Heritage: Jurnal Kreasi Seni dan Budaya Virtuoso: Jurnal Pengkajian dan Penciptaan Musik INTERNATIONAL JOURNAL OF CULTURAL AND SOCIAL SCIENCE Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Akbar Bagaskara
Chulalongkorn University
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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WAYANG DIPONEGORO: REPRESENTASI PERLAWANAN NUSANTARA TERHADAP PENJAJAHAN BELANDA Akbar Bagaskara; Septiana Wahyuningsih; Akhlis Syamsal Qomar
Serupa The Journal of Art Education Vol 13, No 1 (2024)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/stjae.v13i1.125005

Abstract

Seni wayang yang telah lama eksis di Nusantara adalah salah satu seni yang wajib dipromosikan. Selain karna sejarahnya yang dekat dengan kehidupan di Nusantara. Wayang juga telah lama menjadi medan kritik sosial yang ampuh pada masa penjajahan Belanda. Cukup lama Nusantara dikuasai oleh bangsa penjajah Belanda. Tak terhitung jumlah pribumi yang telah gugur karenanya. Namun perjuangan itu selalu dicatat dalam sejarah, apalagi dengan tokoh-tokohnya. Salah satunya yaitu Pangeran Diponegoro. Pengorbanan beliau harus  dan terus diteladani oleh generasi saat ini. Selain dengan media buku cerita, kita juga bisa memperkenalkan perjuangan beliau mengunakan media wayang.  Wayang Pangeran Diponegoro ini yang kelak bisa dijadikan sebagai simbol persatuan Indonesia. Selain mempromosikan seni wayang, hadirnya wayang Pangeran Diponegoro mengingatkan kita akan perlawanan bangsa ini terhadap Belanda. Adapun metode penelitian ini memfokuskan pada observasi, wawancara dan studi kasus dengan topik terkait. Dapat disimpulkan diakhir, media wayang Pangeran Diponegoro menjadi perantara yang baik untuk mempromosikan seni wayang dan pengetahuan sejarah secara bersamaan.
Menelusuri Gejolak dan Antusiasme Tren Pencarian Genre Musik di Indonesia dari 2018 sampai 2023 Akbar Bagaskara; Umilia Rokhani; Kustap
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol. 5 No. 2 (2023)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v5i2.139

Abstract

Purpose: The purpose of this research is to analyze the search trends of music genres in Indonesia in the period of 2018-2023. In this study, four popular music genres in Indonesia were used as analysis samples, namely; Islamic music, jazz music, rock music, and dangdut music. Method: The method used is a qualitative type, which acts to describe the data narrative read from the google trends tool which also functions as a data analysis instrument. Result and Discussion: The results of this research found; that (1) The search trend for dangdut was very popular in the duration of 2018-2023 beating the three other music genres, even the search trend for dangdut music dominated in almost every province in Indonesia (2) The search trend for jazz music and rock music competed fiercely in the period 2018-2023, overtaking each other in that period. (3) In terms of graphical appearance, the trend of Islamic music does not seem to increase much compared to the search trends of the other three music genres throughout the last five years (2018-2023) (4) Central Java and Lampung provinces always appear in the top five provinces in the search trends of Islamic music, jazz music, rock music, and dangdut genres. Conclusion: The conclusion obtained in this study is that the search trend for certain music genres is strongly influenced by the culture or group of people who have an attachment to it. The more the music genre can enter many groups of society, the more fans there will be and of course this will increase the search trend for the music genre on social media, as discussed in this study.
Popular Music as Social Critique: Class Representation in “Singkong dan Keju” by Bill & Brod Akbar Bagaskara; Tri Wahyu Widodo; Nafisah Aini; Wahyu Pratama; Ayu Primarini
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 9 No. 1 (2026)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v9n1.p55-69

Abstract

This study examines the symbolic meaning and social critique contained in the song “Singkong dan Keju,” popularized by the Indonesian band Bill & Brod, using Paul Ricoeur’s hermeneutic theory. The aim of this study is to analyze how the song’s lyrics represent social class inequality, consumerism, and cultural identity in Indonesian society, particularly during the 1980s, as well as their relevance to contemporary social conditions. This study employs a qualitative method with an analysis adapted from Paul Ricoeur’s hermeneutic theory. In its stages, I utilize four phases of analysis: naive understanding, symbolic interpretation, distancing, and philosophical reflection. The findings indicate that the symbolic opposition between cassava and cheese, jaipong and disco, as well as local and global cultures, reflects social stratification, economic disparities, and the influence of global consumerist thought. Furthermore, this song depicts the marginalization experienced by the lower class while simultaneously critiquing the consumerist lifestyle of the bourgeoisie. This study also found that the song remains relevant in understanding contemporary phenomena such as flexing on social media, symbolic consumption, and the construction of social identity. Therefore, this study contributes to the fields of popular music studies, the sociology of music, and cultural studies by highlighting the role of music in reflecting social interactions and offering a profound critique of Indonesian society’s lifestyle.
DEVELOPMENT OF E-MODULE OF ABSTRACT CONCEPTS OF MATERIAL CHANGES IN THE FORM OF OBJECTS TO IMPROVE THE CRITICAL THINKING SKILLS OF AUTISTIC CHILDREN Hasbi Arsanti; Edi Purwanta; Akbar Bagaskara; Ayu Primarini
International Journal of Cultural and Social Science Vol. 7 No. 2 (2026): International Journal of Cultural and Social Science
Publisher : Pena Cendekia Insani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53806/ijcss.v7i2.1345

Abstract

The research aims to: (1) produce e-modules of abstract concepts of material changes in the form of objects that are appropriate to improve the critical thinking of autistic children, (2) produce e-modules of abstract concepts of material changes in the form of objects to improve the critical thinking of autistic children that are practically used by teachers and students, and (3) produce e-modules of abstract concepts of material changes in the form of objects that are effective in improving the critical thinking of autistic children. This research was development research or research and development (R&D), using the ADDIE model (analysis, design, development, implementation, and evaluation). The subjects in this study were seven autistic students, with two students as test subjects and five students as effective test subjects. Data collection techniques used were interviews, expert questionnaires, educator response questionnaires, and tests to understand abstract concepts of material changes in the form of objects. The data analysis used was qualitative and descriptive, presented in the form of graphs. The effectiveness test was carried out by comparing the scores of the pretest and posttest before and after using the e-module of abstract concepts of material changes in the form of objects. The results of research and development include: (1) the e-module of abstract concepts of material changes in the form of objects is declared to be very feasible in supporting the learning of autistic children with an average score of 48.5 from 47 material experts and 50 media experts, (2) the results of the practicality of the e-module abstract concepts of material changes in the form of objects from the questionnaire of educators responses with an average score of 4.85 in the very practical category, and (3) the e-module of abstract concepts of material changes in the form of objects can improve the ability of critical thinking of autistic children, as indicated by the average score of the Normalized Gain Test of 0.66 (moderate).
ANALYSIS OF THE KHON DANCE AND SONGKRAN FESTIVAL CONFLICT BETWEEN THAILAND AND CAMBODIA ON THE REGISTRATION OF INTANGIBLE CULTURAL HERITAGE AT UNESCO: ANALISIS KONFLIK TARI KHON DAN FESTIVAL SONGKRAN ANTARA THAILAND DAN KAMBOJA PADA PENDAFTARAN WARISAN BUDAYA TAKBENDA DI UNESCO Akbar Bagaskara; Aldia Wulandari; Uswatun Khasanah; Muhammad Andika Azmi; Putri Dwiaggini
GETER : Jurnal Seni Drama, Tari dan Musik Vol 9 No 1 (2026): April 2026
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v9n1.p54-65

Abstract

his article aims to examine the cultural conflict and diplomacy that occurred between Thailand and Cambodia regarding the designation of the Khon dance and the Songkran festival as UNESCO Intangible Cultural Heritage. Although several studies have discussed cultural heritage disputes in Southeast Asia, there is still limited research specifically examining how UNESCO recognition strengthens cultural nationalism between Thailand and Cambodia. This study aims to analyze how this recognition shapes national identity, political narratives, and bilateral relations between the two countries. This study uses a qualitative approach through document analysis and media discourse analysis using triangulation techniques. Data are drawn and collected from official UNESCO documents, government statements, and media coverage in both countries to understand the historical context and contemporary dynamics that have occurred. The findings indicate that UNESCO recognition can strengthen nationalist narratives and also trigger digital conflicts through the media and public sphere. However, on the other hand, this recognition also opens opportunities for cultural diplomacy and regional cooperation. Claims to cultural heritage are strategically mobilized by state and non-state actors to strengthen national identity and cultural legitimacy. This study emphasizes that intangible cultural heritage plays a dual role as a source of conflict and a means of cooperation, thus requiring a collaborative and inclusive approach in its management in the Southeast Asian region.
Estetika Musik Abad 21 Dalam sorotan: Dinamika Sejarah Sampai Pengindustrian. Akbar Bagaskara; Kun Setyaning Astuti; Wahyu Pratama
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 8, No 1 (2025): Visual Heritage: Jurnal Kreasi Seni Dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v8i1.10448

Abstract

Dalam memahami filosofi seni musik, dibutuhkan pengetahuan akan sejarah seni musik dari zaman dahulu sampai era modern. Pada seni musik abad 21, tantangan dari eksistensi seni musik menjadi dipertanyakan, oleh karena perkembangan teknologi yang terus melaju cepat. Maka dari itu, tulisan ini hadir dan bertujuan untuk mengungkap dinamika musik dalam sejarahnya, dan hubungannya dengan budaya industi abad 21, agar didapatkan pemahaman mengenai makna  sejarah estetika musik, serta masalah-masalah yang mengikutinya. Metode yang digunakan dalam penelitian ini adalah jenis kualitatif, yang mana data yang ditampilkan akan bersifat deskriptif. Pada tahap pengumpulan data, peneltian ini menggunakan pendekatan library studies, dengan menganalisis serta mengkonfimasi antara jurnal-jurnal ilmiah dan buku-buku terkait dalam penelitian. Temuan dari penelitian ini meliputi (1) Musik abad 21 memberikan kontribusi yang cukup signifikan pada perkembangan budaya musik, dengan hadirnya digitalisasi yang membuat musik lebih mudah diakses di seluruh dunia (2) Hadirnya budaya industri merubah budaya pendengaran masyarakat dengan hadirnya genre-genre musik yang baru (3) Disamping nilai positif, maraknya masalah hak cipta dan ekploitasi kapital pada dunia musik menjadi isu besar di abad 21
Co-Authors Akhlis Syamsal Qomar Aldia Wulandari Ayu Primarini Edi Purwanta Hasbi Arsanti Kun Setyaning Astuti Kustap Kustap Muhammad Andika Azmi Nafisah Aini Putri Dwiaggini Septiana Wahyuningsih Tri Wahyu Widodo Umilia Rokhani Uswatun Khasanah Wahyu Pratama