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All Journal Diglossia Indonesian Journal of English Language Studies (IJELS) JELLT (Journal of English Language and Language Teaching) British: Jurnal Bahasa dan Sastra Inggris English Language Teaching Prima Journal (ELT) Pioneer: Journal of Language and Literature Journal Of Human And Education (JAHE) ACCELERATION: Multidisciplinary Research Journal Rainbow : Journal of Literature, Linguistics and Culture Studies JENTERA: Jurnal Kajian Sastra
Desca Angelianawati
Universitas Musamus Merauke
Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Physics Public Health Social Sciences Other

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Kekerasan Simbolik Terhadap Karakter Homoseksual dalam Novel Lelaki Terindah karangan Andrei Aksana Desca Angelianawati
JENTERA: Jurnal Kajian Sastra Vol 9, No 1 (2020): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v9i1.1740

Abstract

Homosexuality is a controversial topic in Indonesia because Indonesia is considered as a conservative country concerning one’s sexual preferences. This social phenomenon is binding as it restricts the identity construction of sexual preferences in Indonesia. Relating it to literary arena, this issue is addressed in several Indonesian literatures by Indonesian novelists like Ayu Utami, Djenar Mahesa Ayu, Ratih Kumala and Andrei Aksana. Taking Aksana’s novel Lelaki Terindah as the object of the study, this paper analyses (1) how symbolic violence operates in the novel (2) how this novel resists the hetero-normativity in Indonesia. The library study is taken to deepen the analysis. The finding shows that (1) the form of symbolic violence is represented with the normalisation of the LGBT characters. (2) This novel also challenges the concept of Indonesian heteronormativity by representing the LGBT character and rising the issue about homosexuality in Indonesia. AbstrakHomoseksualitas selalu menjadi topik yang kontroversial di Indonesia karena Indonesia dianggap sebagai negara yang cukup konservatif terutama menyangkut preferensi seksual seseorang. Fenomena sosial ini tentunya bagi sebagian orang dianggap mengikat dan membatasi pilihan seksual seseorang. Dalam kaitannya dengan kesusastraan, tema homoseksualitas ini diangkat oleh beberapa novelis dalam karya sastra mereka, seperti Ayu Utami, Djenar Mahesa Ayu, dan Andrei Aksana. Novel Lelaki Terindah karya Andrei Aksana diambil sebagai obyek studi untuk  penelitian ini dengan menganalisis (1) bentuk kekerasan simbolik dalam novel ini dan (2) bagaimana novel ini menentang heteronormativitas di Indonesia. Melalui metode studi pustaka, peneliti mendapati bahwa (1) bentuk kekerasan simbolik dalam novel Lelaki Terindah direpresentasikan dengan bentuk penormalan identitas seksual pada karakter LGBT. (2) Novel tersebut juga merupakan bentuk penentangan terhadap konsep heteronormativitas di Indonesia dengan menampilkan karakter LGBT dan mengangkat isu mengenai homoseksualitas yang ada di Indonesia. 
Menyoal Konsep Keibuan di Indonesia dan Nigeria Melalui Sastra: Pendekatan Komparatif Desca Angelianawati
JENTERA: Jurnal Kajian Sastra Vol 11, No 2 (2022): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v11i2.2835

Abstract

Bearing children has become one of the most essential aspects in a human’s life. The concept of motherhood is also intersected and varies from time to time upon location. Through qualitative research and library study, this article compares the the concept of Nigerian and Indonesian motherhood through literature. Two selected novels are Ibuk written by Iwan Setyawan and The Joys of Motherhood by Buchi Emecheta. The findings show that both mothers share similar concepts and representations of motherhood. In addition, those representations are used to maintain the social contructions which legitimise the patriarchal system. The African motherhood may be different with the Asian concept of motherhood in practical, yet mothers will focus on the wealth of their children no matter where they are.AbstrakKeharusan untuk menjadi seorang ibu dipandang sebagai salah satu aspek esensial dalam kehidupan manusia. Konsep dan nilai keibuan juga bersifat lintas budaya dan bervariasi dari waktu ke waktu berdasarkan lokasi dan adat setempat. Berdasarkan pemikiran tersebut, artikel ini membandingkan penggambaran konsep ibu dari dua buku karangan penulis Nigeria dan Indonesia. Melalui penelitian kualitatif dan studi pustaka, artikel ini mengilustrasikan penggambaran konsep ibu dan mengeksplorasi alasan penggambarannya melalui karya sastra pilihan. Novel yang dijadikan objek penelitian adalah The Joys of Motherhood karya Buchi Emecheta dan Ibuk karya Iwan Setyawan. Hasil penemuan dari artikel ini mengekstrapolasi konsepsi global keibuan dan bagaimana hal itu dipresentasikan. Dapat disimpulkan bahwa penggambaran konsep keibuan dalam novel digunakan untuk memelihara konstruksi sosial yang meligitimasi sistem patriarki. Konsep keibuan di Afrika mungkin sedikit berbeda dari konsep keibuan di Asia pada prakteknya, tetapi mereka akan selalu berfokus pada kesejahteraan anak-anaknya di mana pun ibu berada.
Dominasi Lelaki dan Wacana Tubuh: Membaca Maskulinitas dalam Novel The Story of Jan Dara Karya Utsana Phleungtham I Subandrio; Desca Angelianawati; Antonius Maturbongs; Denny Adrian Nurhuda
JENTERA: Jurnal Kajian Sastra Vol 14, No 1 (2025): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v14i1.7918

Abstract

This article aims to explore the forms of masculinity and unveils the puspose behind its portrayal in The Story of Jan Dara by Utsana Phleungtham. The research employs a descriptive-qualitative method and a textual approach. The data were collected through library research while data analysis was conducted through repeated readings and interpretation of the novel’s narrative and dialogue. The findings reveal that the concept of masculinity is explicitly depicted and represented through social status, bodily gestures, and power relations based on sexuality, in order to maintain masculine domination and the patriarchal system deeply rooted in society. Abstrak Artikel ini bertujuan untuk mengeksplorasi bentuk-bentuk maskulinitas seerta menemukan penggambaran maskulinitias tersebut dalam novel The Story of Jan Dara karya Utsana Phleungtham. Penelitian ini menggunakan metode deskriptif-kualitatif dengan pendekatan terhadap teks. Teknik pengumpulan data dilakukan melalui studi pustaka, sementara teknik analisis data dilakukan dengan pembacaan berulang dan interpretasi terhadap narasi dan dialog dalam novel. Hasil penelitian menunjukkan bahwa konsep maskulinitas digambarkan secara gamblang dan direpresentasikan melalui status sosial, gestur tubuh, serta relasi kuasa berbasis seksualitas guna tetap menjaga dominasi maskulin dan sistem patriarki yang telah mengakar dalam masyarakat.
From Medusa to Mother Desca Angelianawati; Kristiawan Indriyanto; Teguh Afandi
Pioneer: Journal of Language and Literature Vol 18 No 1 (2026)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v18i1.8186

Abstract

The study examines how Theodora Sarah Abigail’s poetry collection Medusae (2021) reclaims mythological monsters like Medusa, Lilith, and Latrodectus to challenge patriarchal narratives of motherhood. Implementing a close-reading methodology grounded in Creed’s monstrous-feminine theory and Kristeva and Rich’s institutional notion of motherhood, this study analyses seventeen poems that transform maternal “monstrosity” from a pathological notion into a form of resistance. The findings reveal three archetypal reconfigurations: (1) Medusa as the violated “mother” who weaponizes trauma, (2) Lilith as the autonomous mother who refuses subjugation, and (3) Latrodectus as the consuming mother who loves through cannibalism. It then shows that Abigail’s mythological framework reveals the violence inherent in idealized motherhood while asserting that maternal rage, consumption, and refusal are mechanisms, not moral failures. By the end, the study contributes an original analysis of contemporary poetry through feminist monster theory, addressing gaps in maternal literature scholarship and showing how millennial voices rewrite classical mythology to articulate unspeakable maternal ambivalence.
Co-Authors Aldianus Tuwar Antonius Maturbongs Cintya Putri Manik Darsono Darsono Denny Adrian Nurhuda Diliana, Ekfindar F, Fahruddin Fahruddin F Hanip, Rival I Subandrio Indriyanto, Kristiawan Islam, Rukmana Fachrul Leba, Seli Marlina Radja Marni Bawawa Rawuh Yuda Yuwana Siswanta Siswanta Teguh Afandi Triwahana Triwahana