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All Journal Abjad : Journal of Humanities & Education Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Budiarta, I Dewa Putu Gede
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Religion Arts Humanities Languange, Linguistic, Communication & Media

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Product Development Start Up Roumy (Shoes Blend Painting And Patchwork) Abdini, Ni Gusti Ayu Arum; Gulendra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3297

Abstract

Implementation of MBKM Entrepreneurship Final Project with Mitra Agung Bali Collection which is engaged in the fashion industry on the development of weaving designs for weaving feed or endek fabrics with characteristics of air brus technique and surface design. In the development of surface design, Agung Bali Collection prioritizes creativity and innovation as well as artistic skills in gold, silver, pearl and glitter colors with massage canting techniques. During the MBKM process of the Entrepreneurship Final Project, the author developed a painting shoe product with a combination of patchwork. Different old and new product stitching techniques are intended to create an impression of different aesthetic values in the shoes chosen as a medium. The marketing that the author does is based offline and online, with promotions through whatsapp, Instagram, and shopee. The types of research methods used are included in quantitative research and observation as data collection methods. The results obtained were 9 shoe products combining patchwork endek with the titles Roro, Water Waves, Ginkgo Leaves, Viewpoint, Whale, Galaxy, My Cat, Koi Place and Ladybug.
Fourmoon Start-Up Management Development Start-Up Fourmoon (Multifunctional Painted Shawl) Nisa, Apriliana Putri Khairun; Budiarta, I Dewa Putu Gede; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3640

Abstract

The Multifunctional Painted Shawl is a special product from Fourmoon that prioritizes functionality and beauty. Based on Wikipedia, a shawl is traditional Indonesian clothing in the form of a long cloth and it is usually worn by women. This scarf is specially designed to have multiple functions in just one item. In addition, the multiple function of Fourmoon Shawl also has aesthetic value on its surface design and additional prada. The aims of this text are, 1). To Find out the Transfer of Entrepreneurial Knowledge to the Agung Bali Collection for the development of fourmoon start-up management (multifunctional Painted Shawls). 2). Finding out about the transfer of entrepreneurial skills to the Agung Bali Collection for the development of fourmoon start-up management (Painted multifunctional shawl). 3). Finding out about the transfer of Marketing Knowledge and Technology to the Agung Bali Collection. This type of research includes quantitative research and observation as a data collection method. The results of this MBKM are, 1). There are 9 functions of painted shawl products produced by fourmoon 2). The marketing that the writer does is offline and online way such as Instagram. The writer also applies a custom-order system 3). Developing insight such as prada adding with the canting massage technique.
“Gelungan” Characters of Kamasan Puppet in the Magala-Gala Tradition Game Putra, I Made Pande Agus Cahyadi; Budiarta, I Dewa Putu Gede; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3641

Abstract

Feudalism, which is a social or political system that gives great power to the nobility, in Indonesia, especially in Bali, still adheres to this system, where in literature and in traces of discourse it is stated that this system was already in effect at that time. However, apart from the Feudal system, Indonesia, especially Bali, has many existing traditions, such as the art of wayang kamasan painting and also Ma-gala-galaan or Gala-gala. The techniques used in the process of creating works of painting are the Dussel and Sigar techniques and how to visualize them on plywood media. The method used in the creation process is Hawkins, which consists of three stages, namely idea exploration, improvisation, and realization or forming.The result of this method is to search for ideas and how to visualize the concept of the Gelungan Wayang Kamasan character on plywood media. Improvise to find harmonious proportions and colors. The manifestation (forming) of all visual results found related to the title adopted is undergoing development. With the creation of this work, it is hoped that it will be useful for the community related to this state system and also about traditional painting and traditional games in Bali.
DISTORSI GAYA HIDUP DARI PERSPEKTIF TEOLOGIS SEBAGAI IDE DALAM PENCIPTAAN KARYA SENI LUKIS Sihombing, Richard Rogate; Gulendra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4449

Abstract

ABSTRACT TThis final report describes the process of creating a painting with the theme “Lifestyle Distortion from a Theological Perspective”. This theme focuses on the deterioration of the human lifestyle that is getting worse and has a negative impact on individuals and the environment. The Bible, as the holy book of Christianity, is used as inspiration and a benchmark to compare today's lifestyle, which is often enjoyed by many people despite its destructive potential. Through this artwork, it is hoped that viewers can see a reflection of these lifestyle deviations, trigger self-reflection, and inspire them to live a better and more meaningful life. A total of six artworks were produced using various techniques and media, with the application of the elements and principles of fine art. Each work depicts the distortion of human lifestyles that are increasingly far from theological teachings. This visualization is designed to show the negative impact of lifestyle changes that are not in accordance with spiritual values, so that viewers can better understand the dangers posed. The aim of this work is to provide insight and inspiration for individuals to evaluate their chosen lifestyle and encourage change towards a more ethical life that is in line with theological principles.
VISUAL EXPRESSION OF THE LOTUS FLOWER PHILOSOPHY IN PAINTING ARTWORKS Prayoga, I Made; Budiaprilliana, Luh; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4508

Abstract

This report explains the creation of a painting with the theme "Visual Expression of Lotus Flower Philosophy in Painting". The abstract of the lotus flower philosophy describes the beauty that emerges from less than ideal conditions, where the lotus grows from mud but remains clean and beautiful on the surface of the water. In its life, the lotus flower is a plant with beautiful flowers, but behind the beauty of its flowers, the plant grows in a muddy and dirty environment to achieve the beauty of the lotus flower. This abstract reviews the application of the lotus flower philosophy in human life, describing how values such as resilience, beauty, and growth can be applied in the context of personal and professional development. The statement about the life of the lotus flower contains important values that can be applied in human life, how values such as resilience, beauty, and growth can be applied in the context of personal and professional development. This philosophy also describes the importance of living in the midst of difficulties, seeking light in the darkness, remaining calm in chaos, and how we process ourselves in finding our identity. By exploring the balance between hardness and softness, and the ability to thrive in difficult environments, this philosophy inspires humans to reach their highest potential in everyday life.This report explains the concept of painting inspired by the philosophy of the lotus flower that can be applied in human life by exploring the aesthetic elements and symbolism in the lotus flower. This painting tries to capture the beauty and meaning of the philosophy of the lotus flower with a creative context. by combining various techniques in one painting that can symbolize the meaning and philosophy of the lotus flower.
An Analysis of Differences Between “Communication” and “Expression” in Art: From Cave to Modern Art Budiarta, I Dewa Putu Gede; Mustika, I Ketut; Sastrawan, Dewa Ayu Eka Savitri
Abjad Journal of Humanities & Education Vol. 3 No. 1 (2025): Abjad: Journal of Humanities & Education
Publisher : Centre for Literary and Cultural Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62079/abjad.v3i1.68

Abstract

Communicating is a human activity in stating one thing with an agreed way of doing it between the one who sends it and the one who receives it, make that in language, signs, or symbols. Expression is an effort in expressing an idea, either in language, signs or symbols, without any agreement from the sender and the receiver. Communication and expression in painting has become something that just happens, since art was created when human knowledge knows how to write up to writing is no longer needed as pressing buttons would finish the job. In communicating through an artwork there is an effort so that the target understands the idea being stated, while expression is purely expressing an idea without others consent in understanding it. Hence this analysis aims to dissect the differences through several artworks that have existed in the visual arts: from cave to modern art. This analysis also aims to provide extended knowledge on analyzing works of art through the ages.
DESIGNING TATTO ARTWORK WITH THE CONCEPT OF BALI CULTURE USING THE DARK ART STREAM AT KINK TATTO BALI Dharma, I Made Agus Wira; Budiarta, I Dewa Putu Gede; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4501

Abstract

This study explores Balinese culture through Dark Art to depict the grandeur and complexity of the community's spirituality. Dark Art, with its dark tones and profound symbolism, reflects the mystical power and sacredness of nature represented by mythological figures like Dewi Durga. In Balinese culture, Dewi Durga symbolizes the formidable forces of nature, revered through various rituals and arts. Her portrayal in a horror-themed style emphasizes not only the terrifying aspects but also the majesty and sacred mystery of nature. Dark Art elements such as horror nuances and Rangda masks enhance the symbolism of the niskala (spiritual) world, a vital aspect of Balinese life. The Rangda mask, often associated with negative forces, represents diseases or spiritual disturbances that are addressed through traditional rituals. The use of these elements illustrates how Balinese people maintain balance between physical and spiritual aspects. The study's artistic outcomes combine Dark Art aesthetics with Balinese traditions, creating a profound visual interpretation of the community's views on nature and spirituality. This approach highlights the significance of the niskala realm in Balinese culture, particularly in preserving harmony in life. The research contributes to understanding how Balinese art and culture utilize Dark Art symbolism to express their beliefs and spiritual practices.
JAJA BEBANGKIT SEBAGAI PERWUJUDAN PERSEMBAHAN YANG MENGANDUNG NILAI ESTETIK Budiarta, I Dewa Putu Gede; Buana, Anak Agung Ngurah Gede Surya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.134

Abstract

Hinduism in Bali is a religion that is very full of offerings as gratitude to God in all His manifestations, as well as offerings to the ancestors, also to the Rsi which is translated as a debt, so that all people feel obliged to do the offering. In carrying out the obligation to make offerings with a series of ceremonies, it is always packed with a series that is very symbolic and has a high aesthetic value. Beauty or aesthetics is a very important consideration in carrying out a series of offerings, starting from objects as manifestations of ceremonies, mantra words pronounced in beautiful rhythms, to the attitudes of the performers of offerings with beautiful attitudes and movements in the form of dances. Bebangkit is a series of ceremonies with symbolic meaning which means the manifestation of the great world, contained with symbols of all contents in this universe.
EKSPRESI WAJAH POTRET DIRI SEBAGAI SUMBER IDE PENCIPTAAN SENI LUKIS Artayasa, I Made Ariawan Mahendra; Budiarta, Dewa Putu Gede; Yugus, A.A Gde
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.715

Abstract

The face is a representation and the identity of a person's individual. Facial expressions in social life serve as one of the mediums of communication. Various facial expressions of mutual significance can be listed as signs. Visualizing the face with its expressions (signs) into the art of painting is interesting. Real facial expressions are expressive while facial expressions in painting can contain a metaphor that can mean more than can be seen. The realization of ideas to the art of painting constitutes a phenomenon that occurs in people's lives and personal lives, while it conveys a message asa critical power that one hopes to grasp its meaning through the process of aesthetic and practical experience many benefits obtained for future reference and basis Alluding to the theme raised, it will be describred word by word with several studies of sources to avoid confusion about the meaning contained in the meanin of the title that the author has adopted so that works such as Just Fanny”, Reflecting”, Focus”, Upset”, Shame”, and Scared”. In the embodiment of the work, the sepia color is more prominent. By combining contrasting colors to produce works that become the identitiy of the ceator. In the end, the work related to the title that was appointed, namely Self-Potrait Facial Ekspressions as a Source of Painting Creator Ideas” is expected to be useful and become a shared learning.
Bunga Mawar Sebagai Simbol Perilaku Manusia Menjadi Sumber Ide Dalam Seni Lukis Udghitasari, Ni Made; Budiarta, I Dewa Putu Gede; Putra, I Gusti Ngurah
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1528

Abstract

The purpose of the Final Project of Fine Arts Creation is a requirement for S1 graduation. This makes me want to metaphor the various types, shapes, and colors of roses as ideas for creating paintings in a naive style. Then perform various compositional processing, phenomena in life can be used as ideas in creating a work of painting, ideas or ideas cannot be separated from observations and interactions with surrounding conditions, as well as personal experiences. With the problem of how to express the technique, and the meaning of the various types and colors of roses into a painting. There are supporters in expressing techniques, and meanings, namely the theoretical basis as a reference for realizing paintings. So, my theoretical basis is to use aesthetic theory, semiotic theory to express the meaning of the rose metaphor, and naiveism to enrich the visuals of painting. The results of this creation are in the form of six works of art with the title: Breastfeeding Mother, Fighting Corona Virus, Self-Esteem, Rejecting Love, Relaxing, and Inhaling Taste. Through the writing that has been done, I can express the roses expressed in a naive style. Through this, a work can be created that will have a symbol or meaning.
Co-Authors Abdini, Ni Gusti Ayu Arum Adiguna, Made Hendra Artayasa, I Made Ariawan Mahendra Buana, Anak Agung Ngurah Gede Surya BUDIAPRILLIANA, LUH Dharma, I Made Agus Wira Gede Yosef Tjokropramono Gulendra, I Wayan Gultom, Yusnita Maria Magdalena I Gede Jaya Putra I Gusti Ngurah Putra Jodog, I Made Kondra, I Wayan Mustika, I Ketut Neode, Haris Candra Ninggrat, I Dewa Gede Wisnu Jaya Nisa, Apriliana Putri Khairun Prayoga, I Made Prayoga, I Made Adi Putra Putra, Fachri Permana Putra, I Made Pande Agus Cahyadi Sastrawan, Dewa Ayu Eka Savitri Sihombing, Richard Rogate Supriyatini, Sri Udghitasari, Ni Made Yana, I Wayan Wirta Yugus, A.A Gde Yugus, A.A Gede