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All Journal Professional : Jurnal Komunikasi dan Administrasi Publik JURNAL PENGABDIAN KEPADA MASYARAKAT Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Besaung : Jurnal Seni Desain dan Budaya Bercadik: Jurnal Pengkajian dan Penciptaan Seni Jurnal Multidisiplin Dehasen (MUDE) Journal of Social Science MDP Student Conference Multidisciplinary Journals Social Sciences Journal Jurnal Multidisiplin Journal of Multidisciplinary Research Social Sciences Journal Journal of Law, Social Science, and Management Review Jurnal Pengabdian Masyarakat Multi Disiplin Ilmu Harmonization
Dilmai Putra
Universitas Dehasen Bengkulu
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Representation of Gen Z's Mental Health in the Lyrics of 'Maybe We'll Arrive Tomorrow' by Hindia Annisa Sukma Dwi Oktavia; Martha Heriniazwi Dianthi; Dilmai Putra
Jurnal Multidisiplin Vol. 3 No. 1 (2026): September
Publisher : CV. Utami

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70963/jm.v3i1.932

Abstract

Mental health among Generation Z has become an important issue amid achievement pressure, uncertainty about the future, comparison culture, and intensive use of digital media. This study examines how life struggles and Generation Z mental health are represented in the lyrics of Hindia’s Besok Mungkin Kita Sampai. A descriptive qualitative approach was employed using Teun A. van Dijk’s Critical Discourse Analysis, covering text structure, social cognition, and social context. The primary data consisted of the song lyrics, while secondary data were drawn from books, journal articles, previous studies, relevant documentation, and published statements by the songwriter. Data were collected through documentation, literature review, and close listening and note-taking, then purposively analyzed at the level of words, phrases, sentences, and lyrical stanzas related to mental health. The findings show that the text structure constructs themes of an uncertain life journey, social pressure surrounding achievement, identity exploration, and acceptance that individuals move through life at different paces. At the level of social cognition, Hindia demonstrates awareness of feeling left behind, pressures related to education, employment, marriage, personal relationships, and the need to pause. Within the social context, three dominant representations emerge: overthinking, anxiety about the future, and emotional exhaustion, all reinforced by competition and social comparison. The song therefore functions as a medium of reflection and emotional support while offering a counter-discourse to uniform standards of success.
Co-Authors Adhitya Pratama Syarif Adi Mirwan Aditia Daka Pratama Aldila Vidianingtyas Utami Andrew Samuel Annisa Sukma Dwi Oktavia Arini Jusiati Aset Malius Bayu Agustian Bayu Risdiyanto Bintara Santika Putra Deby Afrizal Doli Apriansa Doli Apriansyah Edi Susilo Eka Hartati Fadhil, Muhammad Rifqi Fatmariani Fatmariani Ferizon, Jordi Hartati, Eka Hati, Indah Prasepta Hidayat, Rikardo Imran Ilhaq, Muhsin Ilhaq, Muhsin Jaya, Ade Agung Sutra Jeanni Betasya Sabila Karim, Zuhri Abdul Koes Yuliadi Martha Heriniazwi Martha Heriniazwi Dianthi Maryaningsih Maryaningsih Muhammad Firdaus Murwani, Anis Endang Sri Muwarni, Anis Endang Sri Nurfitra Soleha Anisa Nurussama Nurussama Perina Anita Sari Rahmadan Fradata Raypaldo Agustian Reski Herdiansyah Ros Aini binti Ibrahim Santia, Suci Anugrah Sapta Sari Sapta Sari Sari , Sapta Sari, Melinda Shinta Yanuar Savitri Siska Putri Sri Narti Sri Narti, Sri Sukma, Anisa Taufik Bawazir Trio Ardito Vitaloka, Feby Wilma Sriwulan Yeyen Indriasari